Triggering that gut instinct that you are witnessing the birth of something special, the Cinema EP from UK neo-psychedelic blues rockers Bernaccia is one of those magnificent surprises which has you catching your breath in excitement. Hailing from Newcastle upon Tyne, the band has already reaped an eager attention with a pair of previously released songs. As good as they certainly were though, there is something extra and exceptional about this new release in presence and quality. Bernaccia casts a fusion of blues, folk, and rock which is deliriously captivating; a riveting sculpting of atmospheres, rhythmic slavery, and melodic seduction which is simultaneously expansive and intimate, and simply irresistible.
The quartet of Jonny Noble, Stew Falkous, Chris Cox, and Kieran Healy drew great critical responses and success last year with the release of the track The Keeper, a song followed and equalled in strength and success by No Club. The second track pushed the band into a greater spotlight, helping pave the way for the band to support slots bands such as Wolf People, Twisted Wheel, and Royal Blood, but it is Armada and its two companions making up the new EP that look destined to dramatically push and accelerate the emergence of Bernaccia such their riveting temptations
From its opening breath Armada has intrigue soaking senses and imagination as a sonic whisper brews into a breeze as the distinct tones of Noble begins the expressive narrative. As anthemic beats from Cox join the richly coaxing emergence of the song, its atmosphere and seduction intensifies becoming irresistible as the striding dark bass tones delivered by Healy and the equally eager guitar strokes from Falkous and Noble join the transfixing suasion. The song transports the imagination into imagery of chain gangs, passionate resistance in the face of oppression, and simply lives making their way through unavoidable trouble and suffocation, the power of the song inspiring thoughts to go beyond its own theme and intent. The song is a delicious blaze of sultry, smouldering drama punctuated by those striding rhythms, a bold drama soon matched by its successor.
Circuit Ryder takes the sinewed rhythms of its predecessor and pushes them into bigger bulging enslavement, their towering call supported just as loftily by a pulsating bass beckoning and the guitar shaped emotive hues of the song. There is a western ambience embracing the track, more Native American than Morricone like and enthrallingly magnetic amongst the folk and rock seeded blues exploit. Essences of The Doors play with thoughts but equally that of Helldorado and the Dennis Hopper Choppers with more than a whisper of The Verve too at times. Accompanied by a new video from Melting Point Media, the song is simply sublime, bordering heroic and apocalyptic.
Final song No Home For The Buffalo reaps the same climate as the previous track, its body bringing an even more potent blues flame as a scuzz kissed edge excitingly teases through the guitars. As across the other songs there is an unrelenting anthemic call to its determined yet controlled stroll, the track spawning a shamanic/ soulful drone which envelops and takes over it’s recipient like an epidemic. It is another outstanding venture standing side by side with its fellow protagonists to ignite and invigorate thoughts and passions, a union of tracks which as mentioned thrusts the band into a whole new realm of success and expectations.
Armada is the first of a single a month sequence from Bernaccia which will make up the Cinema trilogy, each track connected to a piece of exclusive artwork which will be available as an early bird exclusive to the debut download Armada. It is a little confusing to our simple minds especially with this release already being called Cinema, but whether by that name or using Armada in your search, this is an evocative adventure which simply must not be missed.
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