Figures – Chronos

Barely giving the acclaim laden dust time to settle after the release of their self-titled debut EP this past February, Australian outfit Figures have just unleashed its predecessor in the similarly striking and fiercely enjoyable shape of Chronos. Offering five more slices of the Melbourne quintet’s alternative rock/melodic metal blend, the EP also has a new fresh breath and seeming richer maturity which defies the mere four months between releases. Obviously we cannot say when the songs of either release were written but the step is maybe surprising but greedily taken as Chronos eclipses the equally outstanding first offering from the band.

Formed as 2013 turned into its successor, Figures has risen up the ranks of attention with notably increasing success in recent times due to that critically acclaimed first EP and a dynamic live presence which has already seen the band  share stages with the likes of Caligula’s Horse, Twelve Foot Ninja, and Superheist. Broader focus and support for the band has without doubt been aroused these past handful of months and is sure to escalate again as Chronos is discovered by more and more. Instantly it has ears and attention in the palms of its creative hands as opener Recoil raggedly simmers into view and proceeds to uncage a gnarly groove as primal as it is magnetic. The guitar continues to growl and tempt as the lively rhythms of drummer Josh Sforzin and Jen Fletcher’s moody bassline join the blossoming affair; vocalist Mark Tronson soon in the mix with his agitated roar. Predatory and magnetic, the track needs mere seconds to entrap the senses and imagination, sealing the deal as Tronson’s melodic prowess unites with his rawer tones as steely metal and melodic rock textures equally collude.

The stunning start is matched by the equally dramatic and even bolder exploits of Alpha. Guitarists Paul Callow and Simon Edgell spring a lure of wiry riffs and sonic temptation around the harmonic delivery of Tronson, though as the music he allows harsher textures to escape his throat to keeps things unpredictable. Virulently infectious and persistently imaginative, the song is pure captivation; its heart earnest and body a tapestry of melodic and sonic intrigue with just the right richness of volatility to keep things intensely fascinating.

Tied Around follows, winding brooding grooves around ears as Fletcher’s bass groans with matching seduction while again Tronson enthrals with his impressive vocals. There is an agitation in the riffs and beats of Sforzin which is transferred to the steely grooves but tempered by the elegant beauty of melodies and harmonies floating across the song’s inner oasis. As with the first pair, creative magnetism is at play sparking an elevated greed which Point of Doubt feeds with its cosmopolitan almost shamanic nature. Sultrily exotic melodies align with anthemic rhythms within the song’s fiery blaze, its riveting landscape tempestuously sharing warm and irritable climates.

The EP concludes with Crying Door, a mellow melancholy lined croon shaped by keys and voice and their suggestive beauty, Tronson again a magnet in its midst. Darker hues walk the song’s edge, bassy shadows lurking as skittish beats court a more portentous edge. It is an entrancing close to a second seriously striking encounter with Figures. Musically the band has been compared to the likes of Incubus, Deftones, and Karnivool, all justified but add a touch of Voyager and possibly even Porcupine Tree and you get a fuller impression of what, to be honest, is a sound distinct to one truly exciting proposition.

Chronos is out now @ https://figuresbandofficial.bandcamp.com/album/chronos and other online stores.

http://www.figuresband.com/    https://www.facebook.com/figuresbandofficial

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

Harbinger – Human Dust

You may have caught on to the buzz brewing forcibly around UK metallers Harbinger, an increasing clamour which their new EP, Human Dust, alone provides a forceful host of reasons for. Forging technical and death metal in one ferocious tempest unafraid to stretch its adventurous instincts, the release offers six slices of raptorial sound ken to prey on the senses. It is a striking next step from the London based quintet displaying thick potential aligned with their already realised qualities in one attention grabbing exploit.

The follow-up to their well-received debut EP, Paroxysm, the ravenous Human Dust takes little time in stirring ears and appetite with ravenous riffery, swinging rhythms, and sonic dexterity; all colluding with melodic imagination and a blossoming unpredictability which was not so potent in the first release. Everything from songwriting to individual adventure, the dual vocal attack of frontman Tom Gardner to simply the band’s imagination is a bolder step up from Paroxysm.

Human Dust opens up with the instantly invigorating roar of The End of Time. The guitars of Ben Sutherland and Charlie Griffiths barely use a breath to weave a web of intrigue and rabid riffing, their lure matched by the more primal swings of drummer Joel Scott and Kris Aarre’s mutually heavy bassline. It is a fierce and swiftly infectious affair, hooks and sonic dexterity a flirtatious trespass as Gardner roars and brawls with the senses, combining throat raw growls with more harmonic bellows to fine effect. The track swings and savages as it twists and turns through technical and hostile textures, pleasuring and punishing in equal highly agreeable measure.

Just as magnetic and impressing is Humanity’s Limit, the second track seeing Gardner add even cleaner warmer tones to his increasingly captivating attack. The robustly flickering beats of Scott from the start take no prisoners, neither too the rapacious riffs and technical teased grooves and flames which sear and seduce the senses from within a storm at times as primal as it is imaginative. Indicative of all songs, every listen reveals something fresh in the song’s cauldron, next up Psychosomatic similarly sharing richer rewards with every venture into its barbarous yet exotic squall.

Two or three seconds of deceitful calm draws ears into the all-consuming roar of The Darkness of June straight after, the track sharing closely related melodic temptation and arpeggio tenacity to its predecessor within its caustic surge. There is a touch of similarity across some tracks, certainly on a less than intense listen but nothing to particularly defuse the EP’s potency with purposeful attention revealing all the individual qualities of each song.

Human Dust literally burns the senses next, tempering its hostility with melodic caresses and inciting it again with spicy almost toxic grooves and the ever resourceful vocal challenge of Gardner. The guitars provide a carousel of craft and enterprise, rhythms the bullish heart whilst instinctive imagination shapes the song’s compelling character and the wonderful melodic bridge between the track and its EP closing successor II. Captive/Hated. Again time allows the track to share its full richness but straight away it has ears hooked and pleasure sparked with its tenacious exploits and adventurous mercurial twists.

Human Dust as well as proving a thoroughly enjoyable engagement is a bigger step in Harbinger finding true uniqueness in their sound. They are no quite there yet but definitely moving in the right direction whilst providing gripping music certainly fans of bands like Decapitated and Sylosis will find strongly intriguing.

The Human Dust EP is out now through Basick Records; physically @ https://basick.supplies/collections/harbinger  and digitally @ https://itunes.apple.com/gb/album/human-dust-ep/id1218457845?app=itunes&ign-mpt=uo%3D4

http://www.facebook.com/harbingerriffs/

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

Ferocious velocity: exploring the creative fuel of Crypitus

Unafraid to mix a wealth of different styles into their already multi-flavoured metal, US trio Crypitus is a force on the rise. Rising up through the Vermont music scene, the threesome of Doug Friend, Zach Patch, and Peter Snee have become an attention grabbing, mosh pit inciting proposition. 2017 is already proving their biggest and most potent yet and with their first release imminent we got down to exploring the heart of Crypitus with thanks to the trio, talking origins, music, and making opportunities….

Hi guys, thanks for taking time out to talk with us.

Can you first introduce the band and give us some background to how you got together?

Doug: We are Crypitus “The HomeGrown Vermont Metal Band” which includes myself, Doug (guitarist/vocalist), Pete (guitarist), and Zach (percussionist). Crypitus was my first project with songs that I started as early as 2011. I had an old friend that I played with through high school but we ended up going separate ways. Me and Pete moved in together in early 2016 and he picked up some of my riffs. We couldn’t find a drummer until we came across Zach’s Facebook post that he was essentially looking for a band to play with so we kicked it into gear and I cannot believe how far we’ve gone!

Zach: Well I guess Facebook brought us together if you want to get technical, but I know that, in reality, it was fate. I was desperately searching the internet for local musicians to jam with and Pete and Doug were the first clowns to respond. The rest is history.

Pete: We are Crypitus! Doug and I jammed a bit when we were roommates and decided to find a drummer together. We met Zach on Facebook and Crypitus was born as it is today.

Have you been involved in other bands before? If so has that had any impact on what you are doing now?

Doug: Crypitus is my baby, my first and only band, but as the years goes by the speed picks up, the riffs get tighter and I watch my own personal experience shape my songs, it’s actually really cool to see.

Zach: Since I was like 15, if I wasn’t actively in a band, I was working my ass off to grow as a musician. Every musician I’ve played with has influenced me in one way or another, one even tried to kill me. I can say, after playing heavy metal for so many years, I was ready to play some more groovy tunes, but, alas-fate.

Pete: I was in a blues rock band before Crypitus and while it was fun, I wanted to play heavier music. I’ve jammed with plenty of musician friends over the years but this is the first band I’ve played shows with.

What inspired the band name?

Doug: The band’s name actually was thought of by one of my old teachers. We were learning about wilderness first aid one day and he comes up to me and exclaims “You know what would be a sick metal band name?! Crepitus; it’s the sound of bones breaking” Low and behold somehow I pulled a Dave Mustaine and now we are Crypitus!

Was there any specific idea behind the forming of the band and also in what you wanted it and your sound to offer?

Doug: The idea I had was basically an old school thrash revival with a new age kick and a good blend of other bits of my favorite sub genres, creating a rounded bone crunching sound!

Zach: I was just glad to find someone to rock out with. Doug already had those ideas, but as for me, I want my drumming to sound radical enough so that when people see Crypitus play, they’ll never forget it.

Pete: Doug had a bunch of songs already written but we’ve added our own personality to them. We all had pretty similar musical tastes so after jamming together for a bit it just clicked.

Do the same things and ideas still drive the band from when it was fresh-faced or have they evolved over time?

Doug: Both are true honestly, since the songs were constructed by me the drive is still the same but since we have been play together for about a year, it’s hard not to evolve as you grow accustom to each other as musicians.

Zach: I still have the same drive as I did day one- have a blast, be unforgettable, act professional so they beg you to come back.

Pete: From the beginning we’ve all been driven by wanting to share our music and jam out in front of an audience. That definitely still drives us today, especially when we write new songs and can’t wait to play them live.

Since your early days, how would you say your sound has grown and evolved?

Doug: We have definitely gained way more energy and speed!

Zach: Our music has gotten so freakin’ fast! You can hear just how much we’ve grown as a band for yourself.  Listen to one of our first live recordings on YouTube, then listen to a recent version of the same song. I did and I was like, woah!

Pete: We’ve sped up a bit but we’ve also evolved as musicians, both separately and together. When we write a new song and we’re each adding our own flavor, we build on what each other is playing as opposed to just playing our own parts.

Everything has been an organic movement, in sound etc. or more the band deliberately going out to try new things?

Doug: Definitely organic, I haven’t had anything to say about our sound besides just trying to get tighter!

Zach: our sound is 100% certified organic 😉

Pete: The new songs sound like a natural progression of the songs we played at first, I think. Crypitus sounds like, and always will, sound like Crypitus.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

Doug: I am heavily influenced by the songs of Megadeth and Death and a lot of the bands to come out of the New Wave of Thrash Metal.

Zach: Every show we play there’s a band or all the bands that absolutely blow us away. We watch and learn whenever and wherever we can.

Pete: I get bored listening to the same music over and over so I like to listen to a bit of everything. When I get stuck inspirationally, I like to listen to The Beatles or Pink Floyd…their really simplistic songs let my mind get back to the basics of chord progression and harmony.

Is there a particular process to your songwriting?

Doug: We have mostly have been catching up with a backlog of songs I’ve written in the past, although pretty soon there will be some sick new material!

Zach: I guess my process is wait ‘till they write something and then try every idea I have until I find the right one; it’s all trial and error.

Pete: Doug will come up with a riff and we’ll all play it together. After a while playing it and changing parts, we have a song. It’s a lot of in-the-moment songwriting; changing up a harmony this time we play it or how many measures we play a section that time.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Doug: I draw my lyrical inspiration from worldly turmoil and human misdeeds. Metal has always been about bringing light to the dark for me.

Please give us some backgrounds to your latest release.

Doug: Our first/next release is our demo! Exhibit 1: Prelude to the Dead World will feature some of our favorite/hit songs Breakdown, Tundra, and Thunder. Keep your eyes peeled! It’s going to be killer!

Pete: Our upcoming release is three songs we’ve been playing from the start: Breakdown, Tundra, and Thunder. We jammed to those when we played with Zach for the first time, so it’s only fitting it’s our first release.

Would you give us some insight to the themes and premise behind it and its songs.

Doug: Breakdown is a song I wrote to portray mental conflict and insanity. Tundra is a song that portrayed the idea of transcendentalism and isolation “Into the bitter abyss, can’t get better than this, tundra tundra let me have this!” And the final song Thunder is basically a warning to the world, if you don’t respect Mother Earth, she will bite back.

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Doug: For this release we were very well prepared going in!

Zach: The songs are always finished when we record. Our shits gotta be tight.

Pete: We have all our parts pretty planned out when we record.

Tell us about the live side to the band, presumably the favourite aspect of the band?

Doug: Stage presence and energy is definitely what makes the show!

Zach: I think the favorite aspect of Crypitus live is the energy we bring. Doug’s running in circles around the crowd, starting the moshing, sometimes dressed as a taco. Myself, I prefer clown shenanigans.

Pete: My favorite part of playing live, besides the crowd, is watching Doug’s shenanigans. He’s always running around while playing, starting mosh pits.

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it your neck of the woods? Are there the opportunities to make a mark if the drive is there for new bands?

Doug: In our neck of the woods there aren’t a whole lot of opportunities and for the most part none of the bars in our town are allowing heavy music. But more recently than not our local record store has opened its doors to live music, I can’t wait to see what Rick and Kats Howlin’ Mouse does for the local scene! But being from Vermont I was hell bent to play anywhere new to have new people turn their heads.

Zach: I think no matter where you are, nothing is going to happen unless you make it happen. No matter the scene in what neck of the woods, if you put your best effort in, it will pay off.

Pete: We’ve had some issues playing in our town in the past. Venues are few and far between and there aren’t too many promoters in our area. If you’re willing to drive out of state though, there are plenty of shows going on always looking for new bands to book. All it takes is some social media presence, at which Doug is a master.

How has the internet and social media impacted on the band to date?

Doug: Without social media it would have been a wicked challenge to be where we are now.

Zach: Social media is priceless. Way more effective than posting flyers, although we’ve done that recently. I also think, at least as far as promoting our band goes, social media will always be a priceless tool.

Pete: Besides a couple in-person hook ups, most of our shows are booked through social media. Having a Bandcamp or SoundCloud is very important, I think. Even if it’s just ripped from live videos, when I check out a band I like to be able to hear some of their songs.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Doug: Follow us on Facebook to keep an eye out for the demo, I also plan on uploading it to Bandcamp as well! Thanks for the interview RingMaster!

https://www.facebook.com/crypitus/    https://crypitus.bandcamp.com/

The RingMaster Review 23/06/2017

Copyright RingMaster: MyFreeCopyright

Yorkshire Rats – Self Titled EP

It is fair to say that since returning from an extended hiatus, UK punks Yorkshire Rats have blossomed into one persistently rousing and creatively tenacious proposition. It is not as if their early years were barren from success and plaudits let alone ear exciting sounds but as their new self-titled EP shows, maturity and a new creative drive has seen them become one of the essential melodic punk encounters on the British if not global scene.

Formed in Pontefract by vocalist/guitarist Don Mercy (ex-Abrasive Wheels, ex-Billy No Mates) in 2004, Yorkshire Rats released a well received 7” and EP in their two years capped by supporting Rancid in 2006. Then the band took that hiatus before returning around a decade after first stepping forward and subsequently released their swiftly acclaimed debut album, Sea of Souls in 2015 via Indelirium Records. It was a release embracing the band’s earlier sound whilst welcoming a broader punk canvas and that new energy, all subsequently pushed again by the Trouble City EP last year and now their new four track offering.

Again the new release sees the band drawing on the seeds of punk rock across the decades and from both sides of the North Atlantic, infusing all into their own individual hook strapped, melody shaped songs. The EP opens up with the irresistible Alone Together, a track “all about the strains of relationships whether that be romantic or political.” It opens up with a delicious old school hook, raw bait surely nurtured from a Ramones/Stiff Little Fingers like inspiration. Soon rhythms are jabbing at the persistent lure, in turn the potent vocals of Mercy flirting with ears and matching the infectious strength of the sounds around him. The melodic boisterousness and craft of lead guitarist Matt Lee only adds richer colour to a song already gripping the imagination and body with its chopping riffs and rousing rhythms.

The following Where Do I Sign? brings a more US styled stroll to ears; its lively body and melodic enterprise akin to Green Day though soon developing its own unique character as the firm beats of drummer Chris Furness and the dark swing of Josh Clarke’s bass unite with the fiery veins infused by Lee. Though slightly more restrained in energy compared to its predecessor it is an equal in catchiness and uncaging lusty hooks as too next up No Way Out. There is more of a Social Distortion spicing to the third track, it again a bold and flirtatious proposal with an addictive chorus impossible to resist. With a bassline to drool over and an enslaving sing-a-long vocal temptation further in, the song hits the spot dead centre.

Final track, Better Days Will Come, is an energetic croon with a Joe Jackson like riff and Elvis Costello scented melodic suggestiveness, all wrapped up in Yorkshire Rats creative theatre. It is a fine end to an outstanding release with Mercy a vocal magnet even as hooks and melodies intensify their weight and  temptation.

The EP is the most rounded and relentlessly contagious offering from Yorkshire Rats yet, its songs relishing the inevitable increase in as suggested songwriting maturity and individual let alone united craft. A must have for melodic punk fans? We think so!

The Yorkshire Rats EP is out now on Northern Ruff Records @ http://yorkshirerats.com/store/ and other online stores.

http://yorkshirerats.com/    https://www.facebook.com/yorkshirerats    https://twitter.com/yorkshire_rats

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

The Summoned – Sessions

“Sessions is a concept album about a man who wakes up from a coma and is sent straight into a psychiatric hospital where he begins a series of tests against his will. In the process he meets a doctor who remains with him every step of the way. During these sessions, with the guidance of the doctor, he is transported into the outer reaches of his own mind to confront the insecurities and demons that plague him.”

Resembling the premise behind the new album from ferocious US technical metallers The Summoned is the listening experience of Sessions. The nine track exploration is a kaleidoscope of sound and technical craft which barely gives a moment for a breath within its often infernal tempest taking the listener into the darkest, deepest recesses of their psyche. It is a demanding and intensive journey across story and album but ultimately one seriously rewarding one.

Formed in 2007 and drawing on the inspiration of bands such as Death, Between The Buried And Me, Decapitated, The Faceless, Behemoth, The Dillinger Escape Plan and others, the Boston, Massachusetts hailing quartet pretty soon revealed their own individual character of sound. Since then they have relentlessly pushed theirs and in turn metal’s assumed boundaries to find a strain of uniqueness really having its head in the band’s latest encounter.  After the Harvest EP in their first year, the 2011 released debut album If Only Minds Could Paint Pictures garnered a wealth of critical acclaim, its success supported and followed by the band successfully undertaking a 23-day headline tour spanning the U.S. and Canada as well as being part of 2012 Summer Slaughter Tour with Cannibal Corpse, Between The Buried and Me, The Faceless and more. From the winter of 2013, The Summoned began working on their second album, entering the studio with long-time friend Evan Sammons of Last Chance To Reason to begin the recording process. The next three years were concentrated on the creation of Sessions, time and intensive attention showing all its qualities in a release even more enthralling as well as bolder and more accomplished, technically and emotionally, than its impressive predecessor.

Within seconds, opener The Pendulum Swing has the senses twisted and imagination askew, the guitars of Shaun Murphy and Jarred Sullivan spinning a web of disorientating metal aligned to post punk discordance as bass and drums grumble and impose their psychosis. Vocalist Stephen Thompson supported by the equally rawer tones of Murphy, is a venomous scourge, words and emotions a primal yet composed assault as blurry as precise in their invasively relentless suggestiveness.  The determined, unyielding nagging is a constant across sound and album, every aspect and texture a ruthless persistence in its moment within a just as eagerly evolving unpredictable tapestry.

The track is an absorbing, thrilling start; a rabid introduction but eclipsed in ferocity by the following Faradic. As the rhythms of drummer Sam Hang ravage the senses yet still manage to be an anthemic enticement, guitars dance provocatively and psychotically on the imagination. Flavours and styles proceed to flicker with enthusiastic dexterity and boldness across the song, jazzy and progressive turns colluding with extreme and technical metal tenacity as vocals flow with a toxic essence. As in the first and next up Fractal Patterns, there is a real virulence to everything too; an infectiousness veining every fury and creative twist with the third track a debilitating but equally magnetic carousel of sound and invention. Melodies spawn from ravenous hostility, deranged trespasses from atmospheric caresses; every second a cauldron of intrigue and harsh drama.

Through the possibly even more primal and savage The Grave Mistake and the dark climate of Built of Glass there is no lessening of the resolute examination of senses and imagination; both tracks a flight of startling adventure and striking craft with the first a spiral into disturbing calm from cyclonic agitation, and back again, while the second aligns melancholy and sonic savagery within its dramatic almost cinematic theatre.

Both Vertiginous with its whirling melodies and rotating spine of far more carnal strains and the unbridled ferocity of the equally multi-flavoured Primogenial Birth keep ears and imagination gripped and consumed, the latter at times as primal as it is in other moments elegant and jazzily bewitching. Again neither leave a second free for the body to relax or expectations to try and rear their head, Recollection similarly a storm of sonic transgression and off-kilter progressive enterprise which, as all tracks, really is impossible to truly represent in word and suggestion.

Closing up with the initially melodically charming, hope embraced Satori, the album is simply one uncompromisingly compelling proposition. Shadows soon crowd and invade the listener as the final track hits its creatively hungry stride; pretty much epitomising the whole of Sessions with its capricious yet intensely woven and nurtured web.

Certainly Sessions is an imposing listen to match its presence and hard to take all in over a few let alone a single listen but rewards with every quest taken. Equally at times due to Thompson’s fine but exacting raw delivery lyrically the album shares moments lyrically which remain a mystery in the tale but are potently compensated by the clear emotion of the sounds and his presence; in saying that though a thicker use of the clean touches provided by Murphy within both Fractal Patterns and Built of Glass would make for another intriguing dynamic ahead. Nothing though defuses the potency and pleasure of sharing time with the album, or the calm to contemplate after its outstanding tempest.

Sessions is out now @ http://store.thesummoned.com/album/sessions

http://thesummoned.com/    https://www.facebook.com/thesummoned    https://twitter.com/thesummoned

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

The Moods – Joy

A spark for body and thoughts alike, Joy is the magnetic new single from UK outfit The Moods. Creating a fusion of electro pop, hip-hop, and reggae with plenty more besides, the Manchester 9-piece write songs the body just wants to dance to, as proven again by Joy, but equally propositions unafraid to look at and challenge personal, social, and world issues with a lyrical smart just as potent as the sounds around the words. September sees the release of The Moods’ album, Missing Peace and fair to say that their new single offers plenty of reasons to think about giving it attention.

Emerging from a musical experiment in North Manchester’s Boomshack Studios in early 2014, The Moods swiftly earned eager support from fans and local radio stations as well as the praise offering attention of journalists like John Robb and Terry Christian. 2016 was a strong year for the band, its finale seeing sell-out gigs in London, Glasgow and Manchester while two of their tracks are set to feature in the soundtrack of new UK film Strangeways Here We Come starring Michelle Keegan, Elaine Cassidy, Lauren Socha, and Nina Wadia. With plenty of shows lined-up before and after that eagerly anticipated album, this year is set to be even bigger with Joy sure to be a strong spark in its success.

The track slips in on a flirtatious wave of melodies and skittish rhythms as harmonies float in the background. That harmonious enticement is soon fuelling the instantly captivating vocals, a lure matched by the gentle caress of keys and the rousing throb of the bass. Across its whole electro/reggae nurtured length, the song never truly breaks from a lively simmer yet is as infectious as any full-blooded anthem, its energetic calm allowing vocals and words to be absorbed as hips swing and feet flit across the floor.

There are songs which instinctively just do all the right things whilst bringing a fresh air and adventure to the imagination. Joy is such an encounter, and a teaser easy to hope and expect will be emulated often within The Moods’ upcoming full-length.

Joy is released June 23rd through A1M Records.

Upcoming UK Tour Dates

JUNE

24th – Bolton – Blind Tiger

29th – Sheffield – West Street live

30TH – Preston – Roper Hall

JULY

7th – London – Dublin Castle

15th – Liverpool – Zanzibar

21st-23rd- East Lothian – Audio soup Festival

AUGUST

5th-6th – Scunthorpe – Party in the pines festival

SEPTEMBER

8th – Manchester – O2 Ritz – (Album launch party)

15th -17th – Buxworth – Rec Rock festival

https://www.facebook.com/themoodsmanc/    https://twitter.com/themoodsmanc

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright

Andreas S Jensen – Trust is My Anchor

With a new album due to drop this coming September, musician/songwriter/producer Andreas S Jensen releases new single Trust is My Anchor this month, a song which alone sparks plenty of intrigue for what the upcoming Disturbed might offer.

Moving to London from his native Denmark in 1998, Jensen first started working as a session player with the band Dweeb before concentrating on writing and production and signing a publishing and management deal with Wise Buddah Music. As part of writing team The Funktuary, he co-wrote and helped put together the radio edit/remix of Armand Van Heldens club classic My My My before the team released their own well-received EP. From there he joined Dub Pistols, who he still gigs with, and released a debut solo EP in the shape of Disconnected in 2014 and over the years has worked in various ways with the likes of Kevin Lyttle, Nate James, Stefanie Heinzmann, Dido, Rizzle Kicks, Beenie Man, Nerina Pallot, and Loick Essien among numerous others.

Jensen’s own music draws on the inspirations of artists such as David Bowie, Tom Petty, Soundgarden, Elliot Smith, and The Zombies; essences you can feel more than hear within Trust is My Anchor. A fusion of melodic rock and pop balladry, the song caresses ears initially with a single guitar alongside Jensen’s emotive tones. Both entice the listener into the heart of the track and the waiting muscular roar of the chorus. It is a quickly engaging mix; the minimalistic tone of the verse a blend of melancholy and hope openly sharing the track’s plaintive cries and its sturdier crescendo a defiant response which easily arouses the spirit.

Trust is My Anchor is a firmly satisfying encounter which invites rather than demands attention but easily provides a memorable and increasingly enjoyable experience.

Trust is My Anchor is released June 23rd.

http://www.andreassjensen.com/    https://www.facebook.com/AndreasJensenMusic    https://twitter.com/andreassjensen

Pete RingMaster 21/06/2017

Copyright RingMaster: MyFreeCopyright