Raising Jupiter – Give Me The News

Raising Jupiter_RingMaster Review

Taken from the band’s recently released EP Chrome, new single Give Me The News tells you all you need to know about the accomplished and inventively enticing heart of the Raising Jupiter sound. It is straight forward rock ‘n’ roll with an infectious lining of skilled hooks and fiery melodies that makes no demands yet provides, certainly in the case of their single and indeed EP, a lingering tempting which like an itch you just have to go back and indulge in with another scratch or two.

Raising Jupiter is a band from Cork in Ireland formed by vocalist/guitarist Dave Aitken, drummer John McGrath, and bassist Sean Scott Baird. 2014 saw their self-financed and released debut album A Better Balance, a well-received step in the emergence of the band, its success backing up a strong live reputation already courted by the trio. The singles Riding on a Wave in the August of 2014 and Tight Rope in the February of this year has brought fresh and new attention the way of Raising Jupiter, with their first live show in the UK at Camden Underworld another sign of things beginning to stir for the band. Now it is the turn of the Chrome EP and Give Me The News to keep things running towards broader spotlights.

The single straight away offers ears a spicy bassline, firm beats, and fuzzy riffs, all of which do not impose but easily ensure attention is enticed. A quick appetite for what is on offer arises too, the vocals of Aitken again not confrontational in any form but lined with tempting expression leading the listener, as the catchy sounds, into one addictively infectious chorus. With the bass a particular enjoyment to match the lure of that rousing crescendo, the track continues to weave captivation with melodic enterprise which at times maybe is a touch understated but always a potent lure. It is a highly enjoyable encounter and though big surprises are scarce and familiarity is open, it all adds to the charm and easy tempting of the song and the kind of irresistible coaxing any single should give for its parent release.

If you want strong and thoroughly satisfying rock ‘n’ roll, then Give Me The News and Raising Jupiter are well worth checking out.

The single Give Me The News and the Chrome EP are out now through iTunes and Amazon.

https://twitter.com/raising_jupiter https://www.facebook.com/raisingjupiter http://www.raisingjupiter.com/

Pete RingMaster 07/10/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Mindset X – Oceans

Mindset X_RingMaster Review

Since emerging in 2006, US band Mindset X has never been slow in enticing ears with hook laden and inventively melodic songs, creating anthems which grip the body as firmly as the imagination. Equally though the past years and releases have seen the New Hampshire trio explore a more progressively seeded enterprise as their sound and songwriting has evolved and matured. It has been a perpetual time of potent songs and attention grabbing releases luring frequent acclaim, praise forcibly matched by their live presence and hunger. Now the Manchester band has set down another benchmark with new album Oceans, a fascinating, imagination fuelled concept album unveiling band’s most expansive and emotionally intimate sound yet.

The eleven track encounter is an absorbing proposition which around body manipulating escapades, immerses ears and thoughts in a soundscape of emotional turbulence and discovery wrapped in atmospheric and progressive rock suggestiveness. Each track has its own tale, its own unique narrative of sound and word, uniting for one gripping incitement. As most releases, certain moments have bigger success with personal tastes than others but at no point does Oceans lose its hold on the adventurer sharing its journey or leave a quickly triggered appetite feeling unfulfilled.

cover_RingMaster Review       Recorded with multiple Grammy Award winner Jay Frigoletto and featuring guest appearances from Paul Bielatowicz and Simon Fitzpatrick of The Carl Palmer Band and John Wesley of Porcupine Tree, Oceans opens with the brief Zero 220. The track sets the album’s scene, the charm and solitude of coastal waves lapping the senses as a gentle melody courts the air. The imagination is on alert and quickly fed with the hard rock grooves and bluesy spicing of I Imagine straight after. Typical Mindset X in that it is a swiftly engaging stroll of inventive hooks wrapped in a melodic wine that intoxicates as it colours the growing context of the song. The distinctive voice of Steven Haidaichuk is as equally expressive as his guitar enterprise whilst the swiping beats of drummer Adam Cote provide a textured grounding to match the throaty growl of Paul Davidson’s bass.

It is an accomplished and highly enjoyable full start to the album but soon outshone by the band’s new single Shockwave. Striding in on a rhythmic magnetism cast by Cote, the track soon entangles ears in spicy sonic scythes and a moody bassline, all as contagious as they are suggestive. A fresh snarl lines the tones of Haidaichuk as he proceeds to prowl the persuasive web cast by the predator like encounter. Two thirds in and an apocalyptic aftermath sizzles, providing more food for thought with the lyrical side, before things are back in a virulent swing hard to resist let alone ignore.

From one peak to another and the glorious incitement of Flatline where again bass and drums spring a highly compelling and provocative trap that thoughts grip greedily, before a gentle caress of guitar hugs emotive vocals. The hypnotic lure of the track increases as crescendos erupt and caustically sizzle on the senses, the tribalistic rhythms continuing to provoke and bewitch as the heart of the protagonist theming Oceans melancholically flows out.

An electronic ambience makes a thicker presence in Island next, the keys of Davidson shadowing the melodic and emotion drenched croon of the classic rock spiced song. Though it does not quite light the same spark inside as its predecessor, the track is a ripe bloom of resourceful invention and creative colour which only feeds ears and mind with lingering enjoyment. Being placed within the might of the previous song and The Bends which follows does it no favours though; the new track a spellbinding wash of sinister atmospherics and sonic intrigue around more personal and intimate introspection from the album’s character voiced impressively by Haidaichuk. Around him, keys and guitar create a cloud of temptation, a climate stalked by the moody lure of the bass and graced by subsequent celestial harmonies.

The infectious rock ‘n’ roll of You and Me takes over next, its easily accessible yet precisely sculpted swagger a quick and unshakeable persuasion leading to a brewing addiction whilst the initial exotically sultry ambience of War and Crime lights a fresh fire in the passions with its smouldering seduction before breeding a glorious infestation of grooves and spiky hooks for gnarly rock ‘n’ roll drawing on angst and social inspirations for its virulent tempting.

The flowing elegance and melodic prowess of Castaway is another which does not tickle personal tastes as firmly but still leaves ears full of potent temptation. For others it will undoubtedly be one of the highlights and easy to see why with its emotional charm and melodic beauty, but for us The Great Divide Part I quickly steals attention from it with its instrumental theatre whilst setting up the imagination for the triumph of The Great Divide Part II. The closing song on Oceans, it is also the most inventive and experimental, Mindset X spinning a tapestry of numerous styles and flavours into an emprise of craft and heart which just gets stronger and more delicious, not forgetting irresistible, with each and every listen. The pinnacle of a consistently thrilling album, it is also quite possibly the best any song written by the band, ingrained favourites aside, a slice of invention as emotionally provocative as it is contagious. At times it is raw rock ‘n’ roll, in other moments a cinematic adventure, and persistently a progressive lined exploration to enthral and incite.

Mindset X has had a potent and increasingly growing sound for a fair few years now but they have tapped into something deeper and fresher within their imagination with Oceans, with us the listener reaping the rewards.

Oceans is out now through most online stores with the single Shockwave available as a free download @ http://mindsetx.bandcamp.com/track/shockwave

http://www.mindsetx.com  http://www.twitter.com/mindsetxband   https://www.facebook.com/mindsetx

Pete RingMaster 06/10/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/


This City Limits Online Promo Shot_RingMaster Review

Energetic Yorkshire rockers ‘This City Limits’ have released their stunning new video ‘Runaway’. The single is taken from their blistering new EP ‘Here’s To Hoping’, which is out on Friday 13th November.

Check the video here – https://www.youtube.com/watch?v=ju1ZI24LD4c

This City Limits have already picked up glowing comparisons with bands ranging from Mallory Knox and Lower Than Atlantis to the likes of Rise Against and Brand New. The Leeds-based foursome unleash an intoxicating blend of hooks and refrains merged with vigor, power and thoughtful expression.

Formed in 2014, the band consist of brothers Will Turner (Vocals, Guitar) and George Turner (Guitar), bassist Rob Burns and drummer Josh Peters. In April and July 2014, the quartet released two singles, ‘Amputate’ and ‘Colourblind’, receiving keen attention from national press and radio. Since then, This City Limits have spent time working on their increasingly frenetic live shows and growing their fan base, gathering support along the way from figures such as Christian Carlisle of BBC Radio Sheffield and Tom Robinson of BBC 6 Music.

This City Limits’ current single ‘Too Scared To Swim’ was premiered by Big Cheese Magazine, and also picked up strong support from a wide range of radio stations and online publications. In support of the release, the band performed relentlessly over the summer, including shows at festivals such as Blissfields, Tramlines and Clarence Park. The guys now push on with the national release of their new EP ‘Here’s To Hoping’, which includes the stunning follow-up single ‘Runaway’. Stay tuned to the band’s website for details of upcoming tours.

-THIS CITY LIMITS HAVE RELEASED ‘RUNAWAY’ – https://www.youtube.com/watch?v=ju1ZI24LD4c

www.thiscitylimits.com @thiscitylimits www.facebook.com/thiscitylimits

Eyemouth – Noera Genesis

eyemouth_RingMaster Review

It is impossible for anyone to discover every band unleashing their imagination and musical prowess on the world alone so it is always with great gratitude when something simply falls into the lap whether as a by-product of doing something else, through recommendations, or simply by an artist introducing themselves personally. That gratitude is especially intense when it leads to something which truly excites and stirs up the imagination. So it is with thanks to Marcus Lilja that we can now enthuse about his band’s latest release and fascinating sound.

A member of Swedish band Eyemouth, Marcus alongside David Lilja, Tove Ekman, and Joakim Åberg, have already sparked great attention and eager appetite with previous EPs, Black and Blue Latitudes and Non Compos Mentis, both out earlier this year. In an intent to bring ears a quartet of EPs in 2015, they now unveil the third in the enthralling shape of Noera Genesis, a theatre of sound and imagination which is as bewitching as it is wonderfully challenging. Formed in 2011, the Eyemouth sound defies pinning down, their original synth led endeavours having evolved over the ears to what captivates within their latest proposal. Merging industrial and post rock ambiences with shamanic rhythms, electro rock intrigue, and darker as well as heavier rock incitement, the Göteborg band had bred a tantalising and unpredictable tapestry which is cinematic, at times sinister, and thoroughly compelling.

noera-genesis-_RingMaster Review     It opens with Come This Far, and a haunting ambience littered with portentously dulled bell tolls in a cavernous landscape. An equally ‘flat’ but alluring bass adds further peculiar bait to the brewing enticement before stepping away again as synths and vocals begin their individual and colluding narratives. Soon, the track slips into an electronic canter awash with the expressive melodies and atmospheric hues of the keys and littered with rawer guitar and bass tempting. Ears and imagination are gripped early on, a hungry appetite soon following suit as the song with its Ghost In The Static crossed with Celldweller like stroll explores more of its imagination whilst simultaneously opening up provocative depths amidst roars of contagious enterprise.

That cinematic essence we mentioned is quickly bringing a suggestiveness across the EP; a gothic/industrial drama with 1984 meets Lovecraftian occultism growing in thoughts during the first song separate from its actually premise whilst the dark bowels of a sea bed leviathan explored and corrupted by the Victorian trespass of someone like Captain Nemo echoes the dystopian siren call seeping out of The Rise Of You. This is just the power of the music triggering such dark adventures, the band lyrically opening up doors to more ideas through its broad yet equally intimate theatre of word and premises. It is gripping stuff which reveals more with every listen and pleasingly confuses the imagination with each turn too as thoughts and ears try to work out the heart of the impressive song and release.

In My Mouth has a lighter soundscape but that leads to a more bedlamic and psychotic playroom for the listener’s thoughts. It is aural madness sublimely sculpted and organically uncaged as deranged keys, haunting harmonies, and demonic textures slim down to inventive smog, this toying with the listener for just under two absorbing minutes. The fact it ends too soon is a brief frustration, a short lived moan though as soon all focus is on the initially just as disquieting Sometimes. We say initially, in fact the song never stops being a disturbing magnetism as it evolves with every passing breath, more shamanic drums and lures aligning with whispered vocals which alone almost taunt the psyche with their tone. Subsequently synths build walls of tempestuous oppressiveness coated in discord laced melodic captivation, that in turn twisting into an instrumental finale of melodic rock infested with rasping and erosive textures.

It is impossible to provide a truly clear idea of what Eyemouth brings to bear on body and mind with Noera Genesis, so much going on as they additionally spark personal thoughts to run wild in grand ideas as you have just read, but every listen is full mouth-watering joy. We have yet to investigate the previous pair of EPs from the band, but you can only assume they too offer an experience rare to the ear and most others going by the invasive beauty of Noera Genesis.

Noera Genesis is available from September 30th via most online stores.

https://www.facebook.com/eyemouthmusic/ https://twitter.com/eyemouthmusic http://eyemouth.moonfruit.com/

Pete RingMaster 30/09/2015

Copyright RingMaster: MyFreeCopyright

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Paul Menel and The Essentials

Paul Menel pic 1_RingMaster Review

Having teased us all in regard to their new album with recently released single They Call Her Leaf, Paul Menel and The Essentials have offered a bigger insight into in their forthcoming full-length with a five track sampler. Primarily a promotional tool to awaken media attention, all we can say is if the five tracks within its walls are an indication of the album to come, the band has a sure-fire success on their hands with Spare Parts for Broken Hearts.

Led by singer/songwriter/guitarist Paul Menel, an artist who fronted prog rock band IQ from 1985 to 1990 and whose previous solo albums in Carpenter From Nazareth Seeks Joiners and Into Insignificance I Will Pale have met with increasing success and acclaim, the band is proving itself to be one of the bright winds on the British rock scene. The line-up is completed on the Gav Monaghan produced Spare Parts for Broken Hearts by bassist Steve Swift and drummer Tim Churchman but also sees numerous guest appearances including Vix Vox of Fuzzbox who features on the opening song from the sampler, that latest single They Call Her Leaf.

From its initial tingle of melodic guitar the song is perpetual captivation, escalating its potency as the strong vocals of Menel join rich melodies and resonating beats. Shadows come from a tasty, if understated, bassline whilst atmosphere and suggestive expression oozes from every aspect of the aural fascination. There is no escaping a Peter Gabriel essence to the flowing folkish charm and dramatic colourful of the song it has to be said, but it is a hue only adding to the refreshing imagination and originality flowing freely around and in the vocal roar of Menel. With the siren tones of Vox equally entrancing within the richly flavoured fusion of progressive and classic rock, The track is a master of ears, and just as powerful and irresistible after a torrent of plays as it was first time around.

The second song on the sampler is Walk In My Shoes, a glow of voice and emotive melodies spread further by harmonies and keys. The song quickly reveals a different shade to the sound and songwriting of Menel and band, its classic elegance and emotive intensity a warm slice of thick balladry. It is a potent and powerful proposition but not one which sparks with personal tastes and that is the only issue it has, just trying to please someone missing an appetite for its kind of temptation.

There is going to be plenty of rock ‘n’ roll diversity across Spare Parts for Broken Hearts going by this early taster too, the third song Strife strong evidence with its glorious post-punk/Bond like hook and steamy blues toned flame of guitar. Equally there is a theatre in the jungle of rhythms and expressive vocals which leave their addictive bait across the fifties/sixties laced rocker, all uniting in a glorious incitement as individual as the rest of the songs and equally riveting.

The title track from Spare Parts for Broken Hearts is another striking tempting on the sampler. Opening on a worldly chorus and also developing a bassline and stirring core as much punk as it is melodic rock, the track soon breaks into a feisty canter enveloped in a tapestry of melodies and varied styles; all the time increasing its virulent persuasion. Strings, brass, and keys serenade as robust rhythms lead the unpredictable and addictive waltz into igniting ears and imagination.

The final early look at the album on this release is Let’s Do It, another Gabriel-esque seduction loaded with a cosmopolitan air and world bred rhythms bred with shamanic hypnotism. There are glimpses of almost every flavour and corner of the globe somewhere within the scintillating party of the song, its title a suggestion you can only embrace and apply to checking out the full Spare Parts for Broken Hearts album when it is soon unveiled.

We will be there and hopefully you too as this sampler more than hints that there is something very special awaiting us.

The single They Call Her Leaf is out now via most online stores.

https://twitter.com/MenelEssentials     https://www.facebook.com/Paul-Menel-123117397706360


Pete RingMaster 30/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Julian Grimm – Hazy

Julian Grimm pic 2_RingMaster Review

Grabbing the listener by the scruff of the neck and taking them on a relentless charge of energy fuelled rock ‘n’ roll, the new single from Julian Grimm rousingly whets the appetite for all forthcoming offerings from the artist. Next to come is an EP called Rebirth later this year and it is fair to say that it could not have been given a better flyer than the boisterous roar of Hazy.

The musical journey of Grimm began under the Brazilian shadows of Sao Paulo skyscrapers where his first exploits came in a couple of independent punk bands. Subsequently moving to the UK and London, more punk fuelled adventures followed in a few bands before he formed Snap Out, an outfit releasing the Static and Dino Diner EPs and who played across a host of venues such as the O2 Academy and Monarch. After this things colluded to push Grimm “away into his own darkness”, the band coming to an end because of it and the man using “his time incarcerated in the shadows to rebuild himself.” Now music has had a ‘rebirth’ within him with Hazy the first, if it is a sign of things to come, stirring anthem to hit ears and emotions.

The single is, according to Grimm “about a girl that inhabits both my dreams and my nightmares. I can never be sure who she is and what she wants to do with me, but I can’t help to be incredibly attracted to her. It’s a song about raw instinctive feelings, love and hate.” It is also a proposition which takes an inventively building breath before launching into a foot to the floor, adrenaline fuelled charge with scything rhythms, crunchy riffs, and snarling attitude, but equally exudes rich melodic warmth and contagious virulence throughout which leaves the body breathless and hunger for more, greedy.

Part punk, part alternative rock, and part power pop, to slim down all its flavours, Hazy also has a familiarity which only works in its favour and a passion that cannot fail to transfer to the listener. Simply it is rock ‘n’ roll to get highly enthused over and a potent hook for the upcoming Rebirth EP where more of the same would do very nicely please.

Hazy is out now via iTunes and other online stores.

http://twitter.com/julian_grimm   https://www.facebook.com/juliangrimmrock    http://www.juliangrimm.com/

Pete RingMaster 30/09/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Eujenics – Meniscus

David Gunton Photography

David Gunton Photography

Making their introduction with a roaring bang, UK alternative rock band Eujenics have just released their debut single Meniscus, a track potent enough to alone suggest there is something rather tasty emerging from within the musical heart of Sunderland.

There is not a great deal we can reveal about Eujenics this time around but it is hard to imagine that they will not be offering more heavily flavoursome propositions ahead through which we can eagerly explore them more. Right now we know they are a quintet which formed this past March and made their live debut at The Academy in Newcastle to, by all accounts, a rapturous crowd. Fair to say they have stirred up a strong and loyal following already and now, with their first EP scheduled for February next year alongside a full UK tour, Eujenics is setting about laying the seeds for national awareness of their thickly enticing sound with Meniscus.

A great opening snarl of guitar with spicy grooving attached is quickly met by a just as tasty and gnarly bass proposal. It is magnetic stuff which continues as the song settle into its controlled but fiery stroll led by the swiftly enticing vocals of Nic Wood. Guitarists Chris Hanna and David Oswin continue to offer antagonistic riffs against heavily alluring grooves, the latter seeming to inspire a swagger in the confrontational attitude of the rhythms uncaged by bassist David Scott and drummer Chris Hall.

Every turn seems to bring a new line of imagination with each more fascinating and gripping than the last, culminating in a passage which is dominated by the predatory bass and the dark spoken tones of Wood. It is a moment which just puts the icing on the thrilling cake. Across the track this kind of invention and impassioned energy does spark thoughts of bands like Manic Street Preachers and Mind Museum but they are whispers in something already emerging as distinct to an attention grabbing band and song.

We reckon checking out Eujenics is a done deal for you all, though when you get a first bite this good the wait for the next nibble can seem a lifetime so be warned.

Meniscus is out now as a free download.

Pete RingMaster 24/09/2105

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/