Dancing summers and busy feet: exploring the contagion of Sofasonic

Multi-flavoured and multi-textured, the Sofasonic sound is an infectious proposition beginning to replicate potent local success on a broader scale. This year sees the UK quartet release their debut album while they have already begun an adventure taking their magnetic sounds into Europe. Grabbing the chance to find out more about Hertford foursome, we talk to Sofasonic about beginnings, band evolution, album and plenty more…

Hello all and thanks for taking time out to talk

Can you first introduce the band and give us some background to how it all started?

Hello! So Sofasonic are Michael Wilson – Guitar/Lead vocals, Niall Turner – Guitar/Backing vocals, SJ Manarin – Bass/Backing vocals and Elliot Manarin – Drums.

SJ started the band way back in 2007 and Elliot joined a couple of years later. Michael drunkenly invited himself to an audition back in 2010, and Niall joined in 2013 and we haven’t looked back!

Have you been involved in other bands before? If so how has that impacted on what you are doing now, in maybe inspiring a change of style or direction?

Michael – used to be in a few bands mucking about with friends, but first serious band was Fugazirum, then Selahdore, and currently Sofasonic. For me, the things learnt not just in those bands but just listening to other people’s music is what has inspired a change in our writing the most.

Niall – I was in Feathertop before joining Sofasonic.

SJ – I was in a band called Karma Truffle before forming Sofasonic.

Elliot – I’ve been in a few bands and still join up with Alstavasser, for random reunion gigs!

What inspired the band name?

SJ – The name has always been the same since the start back in 2007 with a very different line-up. It represented a strong, fast paced sound in a laid back way which still rings true 10 years on.

Was there any specific idea behind the forming of the band and in what you wanted it and your sound to offer?

SJ – Something in here!

Do the same things still drive the band when it was fresh-faced or have they evolved over time?

Elliot – The band has definitely changed and not just through time moving on, but the members of the band changing. Yes we’re older now, but the drive to produce our own music and get out there and get it heard is still something that binds the whole band together.

Since your early days, how would you say your sound has evolved?

SJ – It started off much more towards the folk genre with a hint of indie rock. The whole dynamic changed when we went from having a female to a male singer, and the songs instantly took on a more ‘rocky’ feel. A change in guitarist pushed us away from the indie rock style, on to the sound you can hear us producing today. A rockier, bluesy vibe but still keeping the thoughtful melodies from our folky days!

Has it been an organic movement of sound or more the band deliberately wanting to try new things?

Niall – I think there has been a mixture. Before I joined the band, I’d go and watch and it was certainly a lighter sound. As members of the band have changed, the style has naturally shifted to the strengths of those members, and certainly on our latest album Get Made, we’ve started to experiment a little, and that is sure to continue more in our live shows.

Presumably across the band there is a wide range of inspirations; are there any in particular which have impacted not only on the band’s music but your personal approach and ideas to creating and playing music?

Michael – For the latest album, we’ve been inspired by bands like Rival Sons, and as the album progressed bands like Crobot and Queens of the Stone Age can be heard influencing our approach. For me, I try to take elements I enjoy watching from any band and see how that can fit – with my own take on it – into our music.

Elliot – Definitely! You need your own take on things of course, but watching bands that are up there, doing it, giving you a good vibe, that’s what you want to give to people watching you.

Is there a particular process to the songwriting within the band?

Michael – We do have quite a unified approach and we gel really well in the studio. For Get Made, the approach followed a pretty similar structure for all of the songs. I would stick a rough idea down for a riff/chord progression; we’d then jam that for a bit in rehearsal and layer everything on top. Something like the title track, Get Made came together in about 15 minutes, where as one of the deeper songs Love Qui Die, went through about 4 or 5 structure changes before we were all happy.

Where do you, more often than not, draw the inspirations to the lyrical side of your songs?

Michael – If I haven’t come across some random lyric somewhere and brought some lyrics to a song, I usually ask the guys for a subject and a vibe of what they are feeling when they play it. From there, I’m off! Sometimes the lyrics get twisted so they are about something real, other times it is a completely fictitious situation. Almost like a method actor, I’ll sink into the ‘role’ of the song and out pops some lyrics – hopefully making sense!!

Please give us some background to your latest release, Get Made.

Niall – Get Made is the culmination of 3 years work and is a real change in direction from our first EP as we talked about earlier. We wanted the best, so it took a few months to get it right but we feel we got there. Someone who picks it up will go on a journey of hope, despair, and ultimately triumph. The meanings behind the songs are quite dark, but the music fights against that and brings it all together and hopefully people will have an experience listening.

Get Made is released at the end of June and we can’t wait to share it!

Can you give us further insight to the themes and premise behind it and its songs?

Michael – For the Get Made album, all of the songs have quite a dark meaning about the struggles of life, be that physical or mental. It’s about the hope of overcoming anything that can be thrown at you. Musically they give off a different vibe which is exactly how we wanted them to sound. For example the title track, is a thumping tune with a catchy riff, but the song is about overcoming an oppressive partner. It’s a happy ending though, talking about it in the past, so hope conquers all!

Are you a band which goes into the studio with songs pretty much in their final state or prefer to develop them as you record?

Elliot – Ha well! The start of the [new] album process, the first few songs were finished and just needed slight tweaks here and there. The second half of the album we were going in with the tune done, but not as set in our heads. As in, the first few songs haven’t changed that much from our first play. The newer songs on the album have some effects thrown in, some different instruments added. We’re certainly a band to get creative in the studio!

It is not easy for any new band to make an impact regionally let alone nationally and further afield. How have you found it?

Niall – We’ve been really lucky that Hertford is full of venues that are willing to support new music. The Hertford Corn Exchange is a massive support to us and is a great venue. Also The Lord Haig is one of our regulars and it is a great venue. Playing covers gigs help us support the band almost ‘for free’, but I’d say it’s a great thing to do for any band. Yes play as many originals and open mic nights as you can, and having a covers gig to – not only help towards costs – but gain new fans is a huge opportunity. We’re really proud that some of our biggest fans have noticed us from covers gigs and they want to hear some at all of our covers gigs!

Michael – Oh yeah definitely. We’ve been very lucky as well in getting slots on 2 of the biggest events in Hertford. Rock at the Castle and the Musical Mystery Tour; both annual events with the Mystery Tour being an all-dayer, with gigs at pretty much every venue that can fit a musician from 12-12! Great exposure though and any new band in our area has to get a slot and get noticed.

How has the internet and social media impacted on the band to date? Do you see it as something destined to become a negative from a positive as the band grows and hopefully gets increasing success or is it more those struggling with it are lacking the knowledge and desire to keep it working to their advantage?

SJ – This has been a huge change in the last 15 years or so. MySpace, then Facebook, Twitter, YouTube…the list goes on! It’s great that every band is now more accessible, but at the same time that makes it even harder to break through. You only have to look at the success of awful things like X-Factor that creates throwaway acts that ‘make it’, when you’d be better off going to your local venue and supporting an unsigned band. For us, the social media effect is great though. We share as much as we can and try not to become spam! The ability to live stream a gig so easily is certainly something we use and will be using as much as we can.

Once again a big thanks for sharing time with us; anything you would like to add or reveal for the readers?

Michael – No problem at all, it’s been a pleasure! Hopefully this has inspired you to check us out and like our Facebook page (we’re needy!)! We have some big 2017 goings-on…..

We’re off on our first ever European Tour and have 6 gigs in 10 days in Belgium, The Netherlands, Germany, Denmark and Sweden. Even bigger news is that our first album Get Made will be released on the 26th June, and if you happen to be near one of our gigs pop in and say hello!

Find out more about Sofasonic @ http://www.sofasonic.co.uk/ and https://www.facebook.com/pg/Sofasonic/

Pete RingMaster 21/04/2017

Copyright RingMaster: MyFreeCopyright

Inward Of Eden – Mind Control EP

Inward Of Eden is one of those bands which let their music do the talking rather than make big claims with things like their biography and there is no doubt that their latest EP, Mind Control is a strong and persuasive statement.  Offering four tracks of alternative/hard rock with a healthy lining of blues, the release grabs ears and attention with ease offering up just why the band is beginning to make a strong impression on the US music scene.

Formed in the first weeks of 2014, Inward Of Eden hail from Knoxville, Tennessee and consist of Shawn Siler, Dusty Owen, Chris Gaumond, Bill Goodman, and Donnie Hall. That same year saw the band record debut album Moments to Memories with Mike Dearing and Grammy nominated producer Travis Wyrick (10 years, POD, Pillar). Its well-received release helped the band to subsequently share stages with the likes of Trapt, 10 Years, Sevendust, Hot Action Cop, and The Veer Union.  Now it is Mind Control persuading new ears to attention as the band stir up national attention and more.

The first single from the release, Slow Burn gets things going quickly wrapping ears in spicy blues kissed grooves. Its gait lives up to its name, skirting the listener as strong vocals and prowling rhythms court the continuing flames of guitar. With potent weight to the swinging beats and a gnarly edge to the bass, both skilfully tempering the warm heat of the increasingly impressing vocals and the lava-esque touch of riffs, it is magnetic stuff, never really breaking from its raw smoulder but carrying a hint of volatility as seductive as those heated grooves and every other texture within the striking starter.

The country rock scent of the first track is a richer hue in its successor, the blues flavouring of Devil spicing up the Seether-esque nature of the song further while keys hazily radiate within another infectious encounter. The song takes a little longer to blossom compared to the first but persistently captivates with its familiar yet fresh character before making way for the EP’s title track.

Mind Control instantly seizes ears as vocals make a plaintive cry, sparking another bout of wiry grooves and volcanic melodies. Senses rapping beats add to the swift drama grabbing the imagination, it all colluding in a web of intrigue and commanding persuasion. It is a stomp of a track with a confident swagger which easily hooks limbs and imagination like a puppeteer with devilment in its veins.

New single Ghost of Amelie completes the EP, the song offering its own theatre of sound and craft in a sultry embrace of slow moving but rapacious energy and enterprise. Like the second song, it takes its time to bloom but certainly does so as intoxicating blues liquor soaks the rousing mix of anthemic rhythms and vocal incitement.

It is a fine end to a similarly impressing and richly enjoyable encounter. Inward Of Eden does not have a truly unique sound yet but without doubt it is a wholly fresh and highly appetising one fuelling a release which just demands attention.

The Mind Control EP will be released shortly with the single Ghost of Amelie available now.

http://www.inwardofeden.com/    https://www.facebook.com/InwardofEden/    https://twitter.com/InwardOfEden

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Quick & Dirty – Falling Down

It is fair to say that Falling Down, the debut EP from French rockers Quick & Dirty, did not make a striking first impression though certainly it offered strong enjoyment, especially with its opening invitation to rock ‘n’ roll. It is equally valid to say that given the time and effort all releases deserve, the five track proposition has only blossomed into something far more fascinating which maybe more than most is tempting regular attention.

Quick & Dirty was formed in 2014 by vocalist/guitarist Ludovic Caussin and guitarist Fabrice David. First recruiting drummer Laurent Cirri, the Paris based band found a bassist to complete its line-up and begin work on writing and honing a sound said to take inspiration from the likes of Foo Fighters, Led Zeppelin, and Iggy Pop. The departure of their first bassist led to the addition of Tanguy Poirier and in 2016 their initial and successful steps into the Paris live scene.

Quick & Dirty recorded their first release early this year, the successfully crowd funded Falling Down EP having its unveiling recently to already eager and praise lauding responses. It starts up with its title track, a contagious rock ‘n’ roll stomp of a proposition opening with a swiftly engaging tendril of blues scented guitar. Quickly it strolls with boisterous intent through ears, the individual vocals of Caussin as lively as the hook littered sounds around him, all colluding in an increasingly infectious revelry coming to a virulent head in its rousing chorus. The track is irresistible, an instinctive arousal of body and spirit which gets the EP off to a mighty start never quite matched again.

Nevertheless, songs like the following I Was Born only add to the adventure and potency of the release, its own blues steeped character and saunter providing a host of fiery grooves and ear pleasing hooks as the band shows more classic rock traits. Soon developing its own personality to quickly give greater variety to the band’s sound and EP, the song saunters along with a creative prowess and imagination easy to get engaged in, epitomising the release as a whole in becoming a stronger and more compelling encounter over a subsequent handful of listens.

East West comes next, its opening melodic jangle making a subdued but inviting coaxing upon which the spoken and blossoming vocal tones of Caussin weave their suggestion. As is the band’s template, everything in the track leads to a spirited and seriously catchy, hard to ignore chorus before the excellent Trust Me entices with its even richer blues toned shuffle. Rhythms dance as fuzzy flames of guitar smoulder, a flirtatious mix matched by mischievous vocals and teasing melodies which entangle and come together in the track’s own brief but devilishly infectious chorus; that Iggy punkiness hinting away within its heated roar.

The rawer rock ‘n’ roll of Would You Like To Dance brings the release to a strong close, its body a mix of rock at times as much glam and grunge as it is hard and punk rock in other moments. Maybe missing the spark of its predecessors but only increasing in appeal and persuasion through each outing with its enterprising fun, it pretty much sums up the EP in success and adventure.

Falling Down is a great introduction to Quick & Dirty leaving ears and enjoyment thickly satisfied and full whilst laying down a strong base for the band to grow and expand a more unique sound from. For hearty rock ‘n’ roll with a smile in its nature, you could definitely do a lot worse.

Falling Down is available now @ https://quickanddirty.bandcamp.com/album/falling-down


Pete RingMaster 18/04/2017

Copyright RingMaster: MyFreeCopyright

Rum Thief – Time to Make a Move

It has taken a couple of years for Rum Thief to follow up the acclaimed Reach For The Weather Man EP but the wait has been worthwhile as he releases his finest moment yet with Time to Make a Move. The new EP is a richer and broader adventure of sound and word without losing the instinctive energy and raw passion of its predecessors and a wake-up call to major attention.

Rum thief is the solo project of Manchester based musician/songwriter Jot Green, who previously played drums for over a decade in various bands before deciding to explore his own songwriting and imagination. Debut EP Clouded Mind quickly drew ears and praise in 2014 though it was Reach For The Weather Man a year later which truly sparked acclaim and interest the way of the project. The years around and since have established Rum Thief as a just as flavoursome live presence with guitarist Kieran Whitehouse, bassist Gary Long, and drummer Chris Hobbs alongside but it is through Time to Make a Move that you get a feeling everything is going to ignite for and around the band.

Recorded with producer Shuta Shinoda at the legendary Hackney Road Studio, Time To Make A Move opens up with the outstanding Spittin’ Daggers. A single melodic jangle beckons ears initially, its potent coaxing soon joined by the throb of bass and swing of beats, all settling into a tempting stroll as Green’s expressive tones and descriptive lyrics join the appealing mix. It is a lively simmer soon boiling over in a fiery chorus as aggressive as it is infectious. Like a mix of Arctic Monkeys and Fatima Mansions, the song prowls and roars; its feisty rock ‘n’ roll a web of instinctive catchiness, melodic fire, and dramatic heart spawned suggestion.

The thrilling start is followed by the milder flirtation of the EP’s title track; a mellower proposal soon revealing its own strength in tenacious seduction and captivating enterprise. Its heart is also a lively fusion of instinct and imagination, a new wave/indie rock weave becoming more boisterous and volatile with every passing second. There is something familiar about its character but an indefinable quality which just adds to two and a half minutes of pure pleasure.

What Do You Know is next, its raw air and melodic teasing a fusion of pop from the past few decades, being almost Joe Jackson like in its organic contagion of rousing pop ‘n’ roll. With as many hooks in voice as in sound and again razor sharp lyrically without a sniff of indulgence, the song simply captivates before being matched in potency by closing song Toilet Door. With a rockabilly scent to its voice and shuffle, the track at times reminding of The Shaking Pyramids, the song croons and seduces like a smouldering fire; transfixing from the start and bursting into bigger flames over time as its union of sixties/modern pop catches alight.

It is a strong end to a quickly and increasingly beguiling encounter. At the time, it was hard to imagine Reach For The Weather Man being majorly outshone by future offerings from Rum Thief but Time to Make a Move leaves it well in its wake which is why expectations are rising of seeing Rum Thief become something close to a household name.

Time to Make a Move is out now.

http://www.facebook.com/rumthief    http://www.twitter.com/rumthief

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Scott Swain – Like Nothing Else

From the dark country drama and sultry intrigue of last year’s single Oil!, Scott Swain casts his imagination into even more deceptive corners with its successor Like Nothing Else. The song is a gentle yet brooding encounter; warm and seductive yet with darkness in its lining which as much blossoms into a provocatively mesmeric enticement as the melodic warmth within, .

Making use of the downtime from his bands How to Dress a Monster and Fire at Night to explore his personal writing and songs, Swain unveiled his solo project last year and released the irresistible single Oil!, a song showing hints of inspirations ranging from Elliot Smith and Mark Lanagan to cult cinema. As its predecessor, which was inspired by There Will be Blood, his new track was written about a movie, Event Horizon the spark for Like Nothing Else.

The opening caress of acoustic guitar is an earthy yet celestial lure, Swain’s warm vocals adding to the song’s elevating flight of melody and temptation. With rhythms laying shadows in close quarter to the radiance embracing vocal and lyrical reflection, the song swiftly becomes an easy transfixing of ears and imagination. Simmering with creative and suggestive theatre, the track slowly but openly builds in emotion and intensity from there, its journey into an understated but rousing crescendo a gripping realisation before a final kiss of melodic and harmonic sighing lies poetically on the senses as the song drifts away.

Throughout its evolution, Like Nothing Else is pure captivation and confirmation that Swain’s solo side is heading towards major attention.

Like Nothing Else is released 28th April.

Upcoming Live Dates:

23/04/2017 Craft Beer Company, Brixton, London.

26/04/2017 The Cellar, The Finborough, Earls Court, London.

08/05/2017 Spice of Life, Soho, London.

18/05/2017 The Bricklayers Arms, Hitchin.

28/05/2017 Opium Bar, Edinburgh.

http://scottswainmusic.com/    https://www.facebook.com/scottswainmusic   https://twitter.com/scottswainmusic

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Parachute For Gordo – Possibility of Not

Three years ago, British post rock trio Parachute For Gordo impressed with their mini album Ten Metres Per Second Per Second; its instrumental adventures increasingly captivating vehicles for the imaginations of band and listener alike. Now they have returned with its successor Possibility of Not and an evolution in songwriting and composing which had bred the band’s boldest, most bracing yet creatively composed escapades yet.

With new drummer Mark Glaister alongside original members in guitarist Laura Lee and bassist John Harvey, Aldershot hailing Parachute For Gordo escaped to the mountains of Austria for a weekend last year to record Possibility of Not. Whether the assumed isolation their DIY pop-up studio was set up in has been part of the incitement breeding the outfit’s most intimate and refined yet instinctively raw exploration yet only the band can say but certainly there seems a richer and thicker atmospheric depth and boldness going hand in hand with the threesome’s pushing of their creative boundaries.  Where Ten Metres Per Second Per Second was a leap on from debut EP Eight Minutes Of Weightlessness of 2012, Possibility of Not enjoys another step forward in all aspects without losing that organic brashness almost punk bred cacophonous heart which has already set their music out from the post rock incubated crowd.

Jellied Eels opens things up, its initial melodic shimmer a crystaline enticement like a window on a warm and inviting yet stark landscape. Whether it is the pre-knowledge of where the band recorded the album or the track itself, its post rock investigation only sparks thoughts of beauty strapped isolation and the intimacy of thought and emotion such surroundings can inspire. It is a mesmeric piece, that raw essence of the band’s music invasive to temper but equally compliment the sweeping grace of the melodic exploration being woven within it.

The following Anemone to Manatee has a more volatile and intrusive presence from its first breath but equally greater flirtation of joyful revelry in its energetic shuffle further accentuated by infrequent but welcome bursts of vocal incitement. With Lee’s guitar almost carving out its melodic portrait like a post punk steeled knife on canvas and Harvey’s bass going on a throaty groove lined dance as Glaister’s swings with each passing minute take greater relish in their jabs, the outstanding track tantalises from beginning to end; an emerging Fire Engines like discordance only adding to its might.

A mellower tone frequents next up Wallet Moth, every trait strolling with a lighter air as flames of melodic dexterity leave suggestive trails like reflection sharing comets. That previously mentioned intimacy is no more powerful than on the third track, it’s weaves of sound and textures magnetic glimpses into the song’s emotive heart before Gopher the Throat floats across the senses being driven by tribal beats and aboriginal like bass textures. Instantly absorbing ears and thoughts, the track is another dance of intimation and enterprise, the trio conjuring a piece of intrigue and adventure sure to be different for each individual but a creative emprise for all.

There is no escaping the fun and demanding stimulation of Cornholio Slaps the Goose, the track a funk assed, indie pop infused romp of swinging beats and infection spewing grooves unbridled in its hunger to have feet and hips indulging in its primal catchiness. Dips into dub spawned tenacity only adds to the virulent exploits toying and seducing the senses as the track grabs best track status though it is continually challenged with every listen of Possibility of Not.

The album is brought to an equally fine end by Put your hands up if you like Sloths, an eight minute plus saunter into imagined mysterious deeds inspired by its cosmic radiance and cinematic hooks. They grab ears and the imagination like a sticky web of lures rather than making a more imposingly direct attack but with the same inescapable outcome, the listener trapped and basking in its highly suggestive soundscape.

With their music Parachute For Gordo find a more insular terrain to explore than other post rock flights of imagination though certainly Possibility of Not breaks into broader challenges too but it is that more intimate feel which sets the band apart from most, that and their undoubted craft and maybe slightly deranged imagination. Accompanied by a video for each song which together provides a visual experience as potent as the aural one, Possibility of Not deserves plenty of your attention especially if post rock and bands like The Mars Volta and The Fall Of Troy are to your taste.

Possibility of Not is out now through Rose Coloured Records @ https://parachuteforgordo.bandcamp.com/album/possibility-of-not and http://www.rosecoloured.com/parachute-for-gordo

http://www.parachuteforgordo.com/    https://www.facebook.com/ParachuteForGordo/    https://twitter.com/parachutefgordo

Pete RingMaster 18/04/2017

Copyright RingMaster: MyFreeCopyright

ANEWRAGE – Life-Related Symptoms

Described as alternative metal but just as much grunge and melodic rock hued in its ear pleasing design, the ANEWRAGE sound makes for a swiftly appetising proposition as proven by the Italian outfit’s new album, Life-Related Symptoms. A blend of the familiar with openly fresh imagination and adventure, something akin to a fusion of Sick Puppies and Three Days Grace, the release has ears hooked and pleasure stoked from its first seconds; holding both with ease across its thirteen infection loaded proposals.

Hailing from Milan, ANEWRAGE began in 2009; its members friends since kids. Soon they found local success and with the release of debut album ANR in 2014, were keenly touring across their homeland and Switzerland, playing with the likes of Gamma Ray, Freak Kitchen, Dreamshade, and Destrage along the way. Last year saw the band writing and working on sophomore album Life-Related Symptoms, a release which should take the ANEWRAGE name and sound to a far broader and attentive landscape.

Produced by Matteo Magni (Rhyme, Audrey, Mellowtoy), Life-Related Symptoms makes a potent and highly satisfying impression straight away but it is fair to say that it is with subsequent listens that it comes into its own; increasingly grabbing attention with its imaginative twists and web of virulent hooks. It all begins with Upside Down, a song opening with pure rock ‘n’ roll bait quickly joined by the strong tones of vocalist Axel Capurro and the rhythmic grumble of bassist Simone Martin and drummer Alessandro Ferrarese. The groaning grooves and spiky riffs of guitarist Manuel Sanfilippo are as eagerly tempting, his backing vocals providing rich backing to Capurro’s quickly impressing lead. With shimmering sonic flirtation breaking through across the catchy introduction, the album makes a strong and contagious start.

It is a powerful beginning quickly backed up by My Worst Friend, a more laid back track but with a just as healthy catchiness and bite in its rhythms and lyrical voice. With electronic essences even more prominent, the boisterous croon quickly has body and appetite in its hands before Dancefloor has both engaged with its senses clipping riffs and dark shuffle of emotive shadows. With matching suggestiveness to its melodic enterprise, the song prowls more than romps with the listener but leaves thick satisfaction in its wake which Tomorrow further inflames with its atmospheric caress around a melody spun jangle. With a more volatile edge to its rhythms and heart, things only becomes more intriguing as a jazz kissed bassline and fiery swipes of guitar bring greater depth to the textures entangling within the song.

A thicker metal sourced growl provides the backbone to next up Evolution Circle, riffs bringing an instinctive snarl emulated in some of the great variety making up the song’s vocal enterprise while Floating Man and The 21st Century respectively cast a progressively hued, melody woven adventure and a rhythmically excitable and boisterous escapade. The first of the pair especially bewitches, its body the most unique so far in the first handful of songs revealing greater imagination and boldness in the band’s songwriting but pretty much matched by the flirtatious design and ingredients of its successor.

The short almost haunting serenade of Life Is You is a tender caress of melodic and harmonic beauty perfectly setting up the darker air and character of Outside. The firmly captivating track is a brooding slightly intimidating proposal coloured with more of the band’s excellent vocal prowess and emotively honed melodies.

All The Way has its own strongly enjoyable time with ears next, if without quite matching up to numerous peaks in the landscape of the album before it with Insight hitting another peak straight after in that success with its emotional and sonic discord kissed grumble though it too is eclipsed by the irresistible Clockwork Therapy where ANEWRAGE simply uncages its boldest flight of creative adventure. The song is glorious, clicking along like a mechanical toy in the hands of its creative puppeteers to steal best song honours.

The heart and melodically fuelled Wolves And Sirens completes Life-Related Symptoms, providing a fine end to a release which has no trouble drawing repeated listens in quick time. It might not be thick on major surprises but certainly has plenty of unpredictability to keep ears and expectations guessing and the craft and imagination to spark real enjoyment and we suspect a whole new ball-game of attention the way of ANEWRAGE.

Life-Related Symptoms is out now through Scarlet Records @ https://scarletrecords.bandcamp.com/album/life-related-symptoms and numerous online stores.

http://www.anewrage.com/    https://www.facebook.com/ANEWRAGE/    https://twitter.com/anewrage

Pete RingMaster 18/04/2017

Copyright RingMaster: MyFreeCopyright