The Slytones – Shake The Cage

slytones_RingMaster Review

There is no precise way to describe the rich sound of The Slytones and no way to stop it crawling under the skin and enslaving the psyche. This has been proven over previous releases but is at its most seductive and darkly magnetic in new single Shake The Cage. The song and the accompanying Thomas Thumb making up the release cast a kaleidoscope of ravenous flavours, styles, and warped imagination whilst their characters are as relevant to the carnival as they are to voodoo bred escapades. They both epitomise the heart of The Slytones sound whilst simultaneously creating their own new and unique imagination romancing adventures.

The British band began as a trio, expanding its line-up over time whilst quickly alluring keen appetites with their The Psychedelic Sounds of EP in 2011. It is fair to say that the Brighton hailing sextet of Ashley Edwards (vocals/guitar), Bradley Wescott (lead guitar), Chip Phillips (vocals/keys), Freddie Hills (drums), Chris Warren (vocals/bass), and Robin O’Keeffe (percussion) have drawn comparisons, in an attempt to describe their sound, as broad in the diversity of bands as the mix of ingredients colluding to ignite their individual incitements. There are few bands which can conjure such variety within a single song let alone a whole release, but as Shake The Cage proves it is child’s play to The Slytones.

The striking of a match sparks a fanfare of enticement, its blowing out the trigger to a feisty stomp built on ska clipped riffs and jazz seeded swing. Keys and guitars instantly have feet and hips involved whilst the dark tones of the bass along with the infectious hooks, simply work on the imagination. The track continues to stroll along with 12 Stone Toddler/ Mynie Moe like devilry, a flowing torrent of unpredictability lighting up and bewitching from every move taken before it all gets turned on its head for a garage rock prowl reminiscent of Th’ Legendary shack Shakers. Grisly barker like vocals leads the fresh parade of sinister carnival-esque flirtation, keys and rhythms an insatiable romp in the shadow soaked shuffle now toying with ears and brewing even thicker enjoyment. All the time the song is still weaving a virulent swing and psychotic drama, every passing minute an adventure of individual design with superbly woven styles but always leading back to the rich contagion of its original psych kissed and energetically rabid swing.

As if one irresistible treat was not enough, Thomas Thumb brings its own maze of ingenuity in sound and invention. Opening with a gospel seeded dose of harmonies and ambience around the leading edge of the main vocals and narrative, the song subsequently opens into mystique lined psychedelic scenery brimming with creative theatre and picturesque tempting. Like a blend of The Doors, Arthur Brown, Rocket From The Crypt, and Tankus The Henge, the song swarms over ears with invasive magnetism, every touch a slight evolution from the last before the track bursts into a sturdy garage rock canter which steers towards a Queens Of The Stone Age meets Faith No More/6:33 devilment.

Both tracks are glorious, a must for anyone with a taste for avant-garde and psychedelically warped adventure, but songs which flow with a natural and skilfully infectious, and wonderfully unpredictable, waltz. The Slytones is a carnival of invention, mischief, and most of all unstoppable fun so do yourself a favour and check them and especially Shake The Cage out.

Shake The Cage is out now.

Dates for The Slytones and Moulettes tour this September! :

16th September                   Southport                     Atkinson

17th September                   St Helens                       Citadel

18th September                   Halifax                           Square Chapel

19th September                     Morecambe                  Hothouse

20th September                   Ramsbotton Festival   Manchester

http://www.facebook.com/theslytones    https://twitter.com/theslytones

Ringmaster 01/08/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Eva Plays Dead – Sounds of the Written Word

EPD Light-7468_RingMaster Review

UK rockers Eva Plays Dead have been stirring up plenty of attention and praise loaded support over the past couple of years through a potent live presence and a host of songs and debut album fuelled by with impressing adventure and the potential of even greater things to come. The Sounds of the Written Word EP continues the band’s potent emergence and evolution of sound with five rousing slices of undiluted rock ‘n’ roll. It is an encounter which confirms the Nottingham/Derby bred quartet as ones to watch and to find plenty of flavoursome enjoyment with, but also suggests that they are still only at the beginnings of exploring their creative depths.

Formed in the January of 2013, Eva Plays Dead weave inspirations from the likes of The Dirty Youth, LostAlone, Marmozets, Joan Jett, and QOTSA into their diversely spiced sound. Thick strains of metal, hard and alternative rock, and even punk are entangled and fused together as proven by the band’s new encounter, which relentlessly entices and holds attention. Live the band has frequently drawn acclaim too whilst supporting the likes of We Are The Ocean, LostAlone, Max Raptor, Canterbury, and also across their own country wide tours. The band’s 2013 album Guilt Trips & Sins equally drew its plaudits though it took the single of earlier this year, Wonderland to spark and lure in the increasing focus of the likes of Team Rock and Kerrang. The song was a rich taster of Sounds of the Written Word which itself is already creating a bit of a feisty stir since its release via SoundHub Records.

EP Artwork_RingMaster Review     The EP opens with Live Again and a rich torrent of fiery riffs, pungent rhythms, and a sonic enticing impossible to ignore. In fact the whole song is a wall of persuasion, especially once the rich voice and expressive delivery of Tiggy Dee joins the muscular party. Her tones wrap syllable and ears with tenacious seduction yet carries a raw edge which only adds to the aggressively creative enterprise of sound around her. The guitar of Matt Gascoyne is just as lively in its imagination and craft, its melodies and Dee’s siren-esque roar in turn trapped by the masterful and fiercely magnetic rhythmic cage cast by bassist Zach Shannon and drummer Seb Boyse.

The tracks’ bluesy air and hard rock enticing continues in the more predatory Bad Girl, the song with the sinister persuasive lure of a temptress prowling the listener musically and vocally. It is dark, dirty, and a weave of sonic resourcefulness seeded in classic and alternative rock. As its predecessor, the song is firmly infectious whether roaring with full passion or delving into more concentrated tapestries of thick texture and invasive spicing. It easily continues the strong start to the release, though both songs get outshone by Wonderland. From its first dark rumble, the track is sheer addictiveness, riffs and grooves a flirtatious confrontation over the anthemic twist of rhythms and subsequently stalking beats. Dee again sits astride the magnetic drama at play, her voice attitude fuelled yet with a raw regal air as the equally riveting sounds dance around her with bright invention and raucous energy. It is no surprise that the song stirred up ears and appetites as a single as here it pretty much steals the show, though it is quickly rivalled by the closing pair of songs on the EP.

We Ain’t A Family uncages its own virulent hooks and tangy grooves in short time, rhythms showing more restraint amidst the melody rich proposal though again the bass finds an intimidating snarl to drool over. Like the last track, it shows an eagerness to explore an undulating landscape of ideas and evolving sound, crescendos of energy and skilful ebbing and flowing of intensity and passion alone an enthralling tempting.

Final track 1950’s Woman has a similar template to the previous pair but finds its own individual character within a familiar bellow of rigorous sound and bewitching vocal theatre. The song maybe does not define its distinctiveness as much as others on the EP, but when it leaves ears basking, imagination smiling, and emotions hungry for more, there is little more you can ask of it.

There is definitely the sense that Eva Plays Dead has more in the locker than shown on Sounds of the Written Word which only makes their future something to keenly anticipate. This is a band to keep close attention on with an EP to thoroughly enjoy.

Sounds of the Written Word is available now via SoundHub Records through most online stores

http://www.evaplaysdead.com/     https://www.facebook.com/EvaPlaysDead

RingMaster 31/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Rum Thief – Reach For the Weatherman

Picture 8_RingMaster Review

Want something to get excited about? Then check out Rum Thief and superb second EP Reach For the Weatherman. There has already been an eager buzz about the band from live shows and especially last year’s debut EP Clouded Mind, but we suggest nothing compared to what will be stirred up by this new outstanding encounter.

Rum Thief is the solo project of Manchester bred Jot Green, a musician who after a decade plus of playing drums in bands decided to bring his own songs to light. He surrounds himself with friends live, currently guitarist Johnny Brown, bassist Iain McGowen, and drummer Chris Hobs joining Green on stage, whilst the EP’s are all the man alone. As mentioned, Clouded Mind awoke attention and helped spark a potent local appetite for the band’s live presence, its sounds and a just as lively and provocative lyrical side luring acclaim and radio play. Now making a roar at a national spotlight, Reach For the Weatherman builds on its predecessor’s strengths and lures, matching its power and success whilst bringing an even more honed and vital breath to melodies, hooks, and simply the open passion fuelling songs.

cover_RingMaster Review   Reach For The Weatherman opens with its title track, a moody yet vivacious bass coaxing aligned to choppy ska seeded riffs marking the swiftly enticing entrance of the song. Just as quickly spicy hooks and jabbing beats join the escapade, whilst the gripping and distinctive tones of Green’s vocals add further irresistible drama to the increasingly contagious proposal. Sonically fiery with a scent of surf rock to its chorus, the song is a multi-flavoured, feverishly coloured stomp; rock ‘n’ roll leading to addictions and lustful inclinations. It is glorious, small but striking twists amidst a tapestry of vocal and musical imagination stirring up body and emotions from start to finish.

The exceptional start is potently backed by Stitch In Time, though it cannot quite reach the same heights and spark the same slavery as its predecessor. Nevertheless with a pungently forceful stroll in gait and rhythms within tangy guitar caresses, the song magnetically swings along leading ears across a landscape of emotive expression and vocals alongside a vibrant flame of melodic tenacity. The Arctic Monkeys essence which only whispered in the first song, is a stronger enjoyable hue here, but just one spice amongst many strands of varied rock flavours colluding to create something unique and again riveting.

New single Dirty Shoes kicks it all up again to epidemic proportions, its initial union of acoustic guitar and the ever alluring vocals of Green, the lead and spark to a precocious shuffle of rockabilly like rhythms and hooks amongst tendrils of melodic and grooved devilry. The track just grows in the ear, its body maturing and basking in the seemingly simple yet skilfully woven fusion of sound and heart driven energy. The song is as the first, an epidemic of contagion and adventure; both tracks stealing the show from the grasp of equally exciting encounters.

The acoustic seduction of My Friend closes up the EP, it also part of the double A-sided new single with the previous song. Keys are soon snuggling up to the vocal and guitar embrace starting things off, whilst emotive and intimate tones line every syllable and chord as the song brews up a fuller and more intensive, though never imposing hug. It is a fascinating end to an outstanding release, another glimpse at the strong and diverse songwriting flowing from the imagination of Green.

Having missed Rum Thief’s first EP, a look back shows it to have been a striking first step for Green and his project but just the taster for the masterful and mighty appearance of Reach For the Weatherman. As asked at the start of this piece, want to get a buzz on? Then this EP will fully satisfy and much more. There are very big things ahead for Rum Thief we suspect.

The Reach For the Weatherman EP is available from July 27th

EP Launch Party, 21st August @ Night and Day Cafe, Oldham St, Manchester in association with Scruff of the Neck Records.

https://www.facebook.com/RumThief

RingMaster 27/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Coquin Migale – Socotra

 

Evolution 2015 (2)_RingMaster Review

Following the success of their acclaim luring, attention grabbing single Gold, UK rockers Coquin Migale now release the second single from their similarly well-received Feel EP, in the mesmeric shape of Socotra. The song emulates the same irresistibly sultry and radiant allure which fuelled its predecessor whilst simultaneously exploring fresh tenacious shadows and brighter smouldering hues. It too embraces a fiery mix of alternative and indie rock with psych pop, but honed into its own individual and distinctive design, which just as the last single, simply enthrals.

Since forming in 2013, Coquin Migale has seemingly only stoked increasing attention and appetites for their ear seducing and imagination lighting sound. The Yellow Room EP which came out swiftly after the band emerged caught the radar of fans and media alike, as just as potently did their live presence. The Feel EP and Gold a few short weeks back certainly took sound and support up another level or three, and it is easy to expect Socotra to do its big bit in helping Coquin Migale become a nationally devoured proposition.

From the first pull of a pulsating throaty bass string aligned to a surf rock kissed guitar tempting, the song has ears in hand with the immediately joining and enticing vocals of Alex Soper only enhancing the opening seduction. As the beats of Dan Rawlinson bring a new spring to proceedings and in turn Soper produces a slightly thicker ‘growl’ of a texture to his delivery, the track begins to verge towards an invigorating bellow. The guitars of Matthew Wooton (since left the band) and Soper flame and resonate with sonic endeavour and melodic incitement whilst the bass of Stevie Kane throbs with provocative expression. The song continues to entwine its siren-esque coaxing with the new dynamic crescendos, each seemingly to incite the other to find more zeal and passion, which in turn helps create a blaze of a proposition overall.

As much as Gold was devoured here, Socotra edges it, though tomorrow it might be the other way round as both songs simply excite and announce Coquin Migale as one fresh and intoxicating band. If new to the Newcastle quartet, then Socotra is a must, if already hooked then you do not need any further persuasion to go explore.

Socotra is available from 24th August via End Of The Trail Records.

https://www.facebook.com/CoquinMigale    https://twitter.com/CoquinMigale

RingMaster 27/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

DELICATE HOLLY show ‘Love Hate Control’, from 17th August through Paper Label Records

Delicate Holly Online Promo Shot

South West rocksters ‘Delicate Holly’ set loose their debut EP ‘Love • Hate • Control’ through Paper Label Records on Monday 17th August.

With a glut of influences stemming from The Clash and Arctic Monkeys, through to Royal Blood and even Nirvana, Delicate Holly set loose a barrage of killer hooks, spikey rhythms and alluring guitar works that will infectiously burrow through your cranium. Delicate Holly are primed to release their own stamp of Rock ‘N Roll to the masses this Summer.

Delicate Holly were born in Cheltenham in 2013, but the seeds of the band were sown back in school when Reuben Lovett (Bass and Lead Vocals), Alec Hopkins (Guitar and Backing Vocals) and Dougie Stokes (Guitar and Backing Vocals) started to jam together, hashing out covers. When they met Toby Jones (Drums), the foursome soon solidified and began to sculpt a full length live set. The band swiftly went on to establish themselves in their local scene through concrete gigging and a string of engaging performances. The quartet have also played several festivals and sold-out shows throughout the Gloucester area, and have successfully supported the likes of The Subways and Coasts.

In 2015, Delicate Holly signed with hip indie imprint ‘Paper Label Records’. The band now deliver their debut EP, ‘Love • Hate • Control’, which is due for release this August. The record boots off with ‘Full Body Cast’, flaunting an infectious indie rock shuffle with a tight, edgy sound that perfectly complements front man Reuben’s powerful vocals. Next up is the hugely melodic and undeniably contagious ‘Jaws’, soon followed by the punk-infused vigour of ‘Rain-O-Rack’, which rattles your ears with blistering force. The EP then signs off with the epic ‘Lemon Man’; the cut takes you on a musical journey that highlights the band’s maturity which far belies their years.

-Delicate Holly release ‘Love • Hate • Control’ through Paper Label Records’ on Monday 17th August-

THE DROPPERS NECK release ‘200 Volts’ video

The Droppers Neck Promo shot_RingMaster Review

Fiery Brit sludgy punk rockers ‘The Dropper’s Neck’ have uncaged the spanking new video for ‘200 Volts’. The cut is lifted from the band’s exhilarating new EP ‘Nineteen | Sixteen’ and can be viewed here: https://www.youtube.com/watch?v=OAvTT3HbL2s

By drawing from the formidable powers of Cancer Bats, Eighties Matchbox B-Line Disaster and Gallows, The Dropper’s Neck hit you with robust riffery, compelling dynamism and mesmerising dark hooks. The enigmatic quintet are poised to break from the underground this Summer.

Hailing from Essex, The Dropper’s Neck were born in 2011 and feature the talents of Lloyd Mathews (Vocals), Chris Blake (Lead Guitar), George Barrows (Rhythm Guitar), Jamie Abela (Drums) and Jack Turner (Bass). The five-piece soon cultivated an engaging live set and quickly built a name for themselves on the live circuit through extensively touring and by delivering a series of highly energetic and frenzied shows.

The band’s growth continued as they released their debut album ‘Second Coming’. The record was recorded by producer Paul Tipler (Placebo & Eighties Matchbox B-Line Disaster) and helped launch them to a national level. The album picked up a glut of national press and radio support, with Rock Sound, Classic Rock Magazine, Powerplay Magazine, Big Cheese Magazine and Kerrang! all firmly backing the band. Last Summer, support continued for the sludgy punkers as they released their explosive video single, ’Line Me Up For The Firing Squad’, which was exclusively premiered by Metal Hammer.

The industrious combo are now back in the saddle and fully loaded with a brand new EP ‘Nineteen | Sixteen’. The record is their best work to date and is brimming with seven slabs of highly toxic dirty punk rock, dashed with hints of psychobilly, and brimming with unabashed energy and sheer force. The frenzied garage punk new video single ‘200 Volts’ is a key highlight of the record and displays the fivesome at their very best. With a plethora of shows mapped out for the Summer, you need to latch onto the band now before they lift off.

Read our Nineteen | Sixteen review @ https://ringmasterreviewintroduces.wordpress.com/2015/07/10/the-droppers-neck-nineteensixteen/

THE DROPPER’S NECK HAVE UNLEASHED ‘200 VOLTS’, WATCH IT HERE https://www.youtube.com/watch?v=OAvTT3HbL2s

https://thedroppersneck.bandcamp.com/album/nineteen-sixteen

https://www.facebook.com/thedroppersneck

Celeb Car Crash – ¡Mucha Lucha!

CCC_RingMaster Review

Fusing a great blend of nineties rock and pop punk into a modern alternative rock invention, Italian quartet Celeb Car Crash have a sound which feels simultaneously fresh and familiar. It is a mix which makes their latest EP, ¡Mucha Lucha! an adventurous but equally, an instinctively enticing proposition. Bringing three varied and fiercely magnetic slices of melodic rock ‘n’ roll to bear on ears and appetite, the release alone suggests that Celeb Car Crash are pushing towards major attention.

Consisting of vocalist/guitarist Nicola Briganti, drummer Michelangelo Naldini, guitarist Carlo Alberto Morini, and bassist Simone Benati, Celeb Car Crash emerged at the end of 2012 and quickly set about recording their first encounter. Ambush! was unveiled in the April of 2013, backed by the video /single Dead Poets Society. Gaining strong attention from fans and media alike, the album was supported by an extensive tour across Italy, Switzerland, France, and the UK and shows supporting bands such as Gotthard and Coheed and Cambria, all reinforcing the emergence of record and band. After another well-received single the previous year, 2014 saw the band again concentrate on tours and shows, ending with Celeb Car Crash winning the Red Bull Tourbus contest against 1700 other entrants, resulting in the band playing three shows as support to Lacuna Coil and the chance to record a new single. That was to be Because I’m Sad, the opening song and lead to the ¡Mucha Lucha! EP.

celeb-car-crash-300x300Celeb Car Crash - ¡Mucha Lucha!     Backed by two unreleased tracks on the EP, the Olly Riva and Mario Rice produced Because I’m Sad gets things off to a gripping start. From its opening coaxing of acoustic guitar and the swiftly magnetic voice of Briganti, the song has ears in the palm of its hands, especially as the gentle opening soon sparks a feistier burst of rhythms and riffs. Quickly blooming greater colour and richer tempting through spicy hooks and anthemic enterprise, it continues to evolve, breaking into a tenacious canter reminding of bands like Everclear and Jimmy Eat World. It is a recognisable essence though which only adds to the potency and arousing drama of the song, and indeed its virulent infectiousness.

The following Next Summer has a more hard rock endeavour to its character but also a rhythm and blues spicing which has thoughts of Graham Parker hinting as it continues to explore its wiry walls and throaty canvas. Sharing the same boisterous energy as its predecessor and ripe with melodic flames and catchy hooks, the song shows another hue to the songwriting and sound of Celeb Car Crash, a raw and dirtier toning bred from more fresh and varied sources of rock ‘n roll gripping the imagination.

The EP is completed by ¡Adiós Talossa! (tututu), a sultry seductive affair from the off with warm emotive coaxing cast from the trumpet of Damiele Ravaiolli. Growing and blossoming with every passing minute, the bewitching track grows into a grungy pop punk affair around a compelling rhythmic stomp. Whispers of Green Day, Nirvana, The Mighty Mighty Bosstones, and again Graham Parker all seem to collude as a thicker aural colour continues to enrich a captivating encounter spawned from the band’s own invigorating ideation.

The opener and closer definitely steal the show upon ¡Mucha Lucha! but the thoroughly enjoyable Next Summer also shows that Celeb Car Crash have real variety and depth to their music and writing. A little late to the party, the EP is actually our introduction to the band but one which has sparked a keen appetite to see where they go next. An intrigue we will surely not be alone in.

¡Mucha Lucha! is available now via Sliptrick Records through most digital stores.

http://www.celebcarcrash.com/ https://www.facebook.com/CelebCarCrash/

RingMaster 22/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net