Jingo – Make Some Money, Buy Some Love

jingo_RingMasterReview

March 11th sees the eagerly anticipated second album from British rock band Jingo and it is very easy to say that it does not let expectations, bred from the band’s previous impressive releases, down. The ten tracks making up Make Some Money, Buy Some Love are the band’s most eclectic bunch yet, at times in an understated way with closer attention revealing the new myriad of flavours and broad imagination bringing them to life. Just as importantly, it is another mesmerising collection of songs feeding in us and their growing wealth of fans an already eager appetite for the band’s invention and carrying the potential to excite another hungry wave of newcomers to the world of Jingo.

Formed by husband and wife, guitarist/vocalist Jack and vocalist/keyboardist/guitarist Katie Buckett, Jingo seem to have made a strong impact with every move since Jingo played its debut live show was supporting Blur’s Graham Coxon. Through a clutch of captivating singles, creatively provocative EPs, and striking debut album The Art Of Loving of 2014, as well as a live presence seeing the London based band take their imagination and craft across the UK and over to the US, France, Germany, and Belgium, Jingo has enticed rich interest and fan support which has through a highly successful pre-order campaign enabled the band to release Make Some Money, Buy Some Love on CD and vinyl as well as digitally.

With its line-up completed by the invention of Nima Safai, Michael Hussain, and Kelly Lenahan, Jingo has from day one never been easy to pigeonhole. They are generally tagged as alternative rock and have found themselves compared to the varied likes of Portishead, The Magic Numbers, Not Blood Paint, Fleetwood Mac, Interpol, and Jess & the Ancient Ones along the way. As Make Some Money, Buy Some Love again proves Jingo spins broad tapestries which explore diversity with zeal to match their eagerly creative imagination.

art_RingMasterReviewRecorded in New York with producer Kahan James, and mastered by Kevin Blackler (Raconteurs, RHCP etc.), Make Some Money, Buy Some Love opens up with Lifer, the alluring tones of Katie cradled by melodic coaxing as the bass strolls with a controlled but carefree grace. Crisp beats add to the enticement instantly flirting with ears, the song’s underlying funkiness infesting its gait and the listener as pop catchiness and lyrical romancing tempt. Drama is never far from a Jingo twist and turn, its boldest attraction lining Katie’s vocal prowess especially here in a gem of an introduction.

All of the track’s qualities and more emerge in the following Sirens and Vices, Its rhythmic bait quickly infecting feet as melody woven grooves seize hips. Both elements add to the flirtatious nature of the song, impassioned vocals and raw, fiery textures growing in the blend of smouldering and raucous seduction. Grabbing ears and imagination from the first second, it only tightens its grip second by second squeezing lustful responses out before making way for the pop revelry of Money. It is instinctive catchiness with a steely backbone and bold attitude though, dancing persistently and mischievously as the song teases with playful coquetry.

From a busy bedlam Gaia emerges with its own melodic grace and emotive eloquence next, Katie joined by the equally potent tones of Jack as keys and guitars paint their own poetic picture over a more forceful rhythmic spine. It is pure magnetism with a just unveiled eye catching video to match.

Never Love Again also has little trouble winning attention and pleasure as its evocative melodies and warmly invasive essences hug captivating vocals. The song never quite reaches the heights of its predecessors but never lacks a second of enjoyable adventure before the outstanding Death Counts takes over. The track is nothing less than melancholic beauty becoming more exotic, almost sinister, and relentlessly beguiling with each passing seduction of passion fuelled notes and vocal fascination.

The body is back jumping around with Let’s Be Friends next; its noir lit drama and tenacious rhythmic dexterity enough alone to enslave the imagination. Katie is like a devious puppeteer in the midst of the brew of fire bred grooves, agitated beats, and frequently concussive energy; her lures as inescapable as the gloriously tempestuous textures making up another mighty highlight within Make Some Money, Buy Some Love.

Last year’s sensational single Sweet Anne follows, Katie and Jack united in crooning temptation as initially the song gently grows in ears. Soon it is in full swing with boisterous rhythms skirting the tangy funk infused hooks and lecherous grooves uniting and barging against each other. It too has an irresistible tempest like texture to its body but equally melodic calm makes a compelling persuasion in between the song’s moments of vociferous and explosive carnival like devilry.

The album is completed by firstly the melodic romance and harmonic charm of Supersymmetry, one simply bewitching encounter with fire in its heart and finally by the pop rock seducing of The Shell. Both tracks solicit emotions and body to get involved in quick time and each leave only a want for more, the perpetual hunger which seems to come with every Jingo encounter.

For Make Some Money, Buy Some Love, Jingo has honed their sound into something as diverse and bold as ever but exploring both with a more seamlessly and easily flowing touch; the result being another Jingo moment which makes the world a better place.

Make Some Money, Buy Some Love is released March 11th

http://jingomusic.com/   https://www.facebook.com/jingomusic/   https://twitter.com/JingoMusic

Pete RingMaster 22/02/2017

Copyright RingMaster: MyFreeCopyright

MiXE1 – Don’t Break Apart

cover_RingMasterReview

It has been a fair while since the release of their debut album Starlit Skin, two and a half to be more accurate, but MiXE1 has leapt back into view with an ear grabbing roar of a new single which just demands attention. Showing an even greater meatier edge to the band’s emotionally fuelled melodic and electronic beauty, a fusion of textures which has been already explored to great success by them previously, the release is an imposingly stirring and provocative proposal with a B-side just as equipped and likely to draw a new wealth of ears and fans the way of the band.

Formed by Mike Evans (vocals/synths) in 2010 as a solo project, MiXE1 began heading towards being a full band with the addition of Lee Towson (guitar/bass/synth/vocals) two years later, today’s line-up completed with the subsequent addition of Lee O’Brien (drums/synth/samples). Singles and EPs along the way have all lured new spotlights and greater attention to match the growth in the band’s sound and Evan’s evocative songwriting. Starlit Skin was an acclaimed result of that on-going evolution with its lead single Talking In Our Sleep alone exciting new appetites. It has been a publicly quiet time since the excitement of their release died down but as Don’t Break Apart swiftly reveals it has not been a creatively infertile time or seen a lull in their sound’s development.

Don’t Break Apart instantly pulsates upon the senses, its golden harmonic touch laying on jabbing rhythmic pulses. Evans’ swiftly engaging tones step forward soon after, his ever expressive tones courted by synth bred caresses whilst that initial rhythmic coaxing persists. It is a gentle yet commanding lure with an underlying intensity which erupts as the chorus in time envelops the senses, warm and harsher textures united in infectious enterprise. That snarl infects the following twists and emotive throes of the track, the union of contrasting essences a magnetic web around an openly inflamed heart. Metal and heavy rock spices only add to the drama and adventure of the dark and rapacious incitement, the song showing the fresh move in the MiXE1 sound.

Accompanying the song is Meteor, a fireball of a proposition descending on ears with predacious intent from its first breath. A flame of guitars incites a wall of industrial toned synth bred intensity within which Evan’s warmer expressive vocals glow, backed by the similarly alluring tones of Towson who simultaneously offers a lively brooding bassline to get greedy over. With scything beats and bracing riffs building an industrial metal collusion with the synth rock endeavours of the synths, the track is a glorious blaze of sound and energy matching and occasionally over shadowing its companion.

With the release completed by the increasingly engaging remix of Don’t Break Apart by Ruinizer and featuring guest vocals from Richard K of Machine Rox, Erlend Eilertsen from Essence of Mind, and Roman Marisak out of Professional Murder Music/Spacetime along the way and extra synths from Studio-X, MiXE1 has returned brighter and bolder than ever before. Don’t Break Apart also provides a powerful teaser for the band’s second album due later this year, something we are already getting a touch impatient for.

Don’t Break Apart is available now @ https://mixe1.bandcamp.com/

https://www.facebook.com/mixe1   https://twitter.com/mixe1music

Pete RingMaster 22/02/2017

Copyright RingMaster: MyFreeCopyright

Gravves – Rattle

gravves-promo-shot_RingMasterReview

There is no foreplay involved with Rattle the debut EP of British noise inciters Gravves. It is a release which, certainly for us, careered straight to lustful instincts from its very first roar of breath and sound, thereon in proceeding to entwine us around its little creative finger. Having an already well-established love for The Eighties Matchbox B-Line Disaster, an open inspiration to the North West hailing trio, certainly helped its persuasion but the four tracks making up Rattle soon established the band and its sound as something individual, unique, and quite irresistible.

Since forming, the threesome of bassist/vocalist Adam Hughes, guitarist/vocalist Dave Thomas, and drummer Tom Williams have persistently lured attention and a fine reputation with a stage show seeing Gravves play with bands such as Slaves, Nothing But Thieves, DZ Deathrays, God Damn, Heck, and Misty Miller, as well as impress with festival appearances at the likes of Focus Wales, Tramlines, and Threshold Festival. Radio has also eagerly embraced the band and its striking sound, a success easy to see expanding as Rattle takes the band towards a new broad tide of ears and fans.

gravves-cover-artwork_RingMasterReviewRecorded with Michael Whalley (Mums, Kong, Bipolar Sunshine), Rattle simply explodes on the senses as opener My Pet Rihanna unleashes its sonic tirade. Within the clamour though, a virulent groove is forming, escaping and driving the song from thereon in as vocals clash and collude in noisy emotion while guitars and bass flare up and seductively groan respectively alongside each other. There is an inner calm in the turbulence too, a magnetic lure which breeds monotone vocals alongside the established outcry in a reflection of the dark touch of bass. There is no escaping the air of the previously mention Brighton band and at times there is a touch of fellow Brit up ‘n’ comers like The Droppers Neck and The St Pierre Snake Invasion too, but the track swiftly breeds its own identity.

Heartbeats is just as impressive as it reveals another aspect to the Gravves character. It has a controlled hand on its tempest of noise; still offering a fuzzy infestation of ears but with a dark composed gait echoed in the vocals and rhythms. Thomas’ guitar certainly sears air and flesh, its scorching touch infused with sharp hooks and abrasive grooves which trap the passions with their intrusive infection. There is a slight scent of The Birthday Party to the song and of Mclusky too in some ways while Future of the Left also comes to mind but again as its predecessor what emerges is all Gravves.

From its opening rhythmic enticement aligned to melodic acidity which has a bit of early U2 to it, Tribes storms the barricades next; subsequently sonically and vocally raging around that persistently infectious first hook and another great blend of vocal persuasion. It is a virulent blaze as catchy and imposing as anything around right now, manna for hungry senses and appetites as too the following Hollow Bones.

The closing track also has a more stable energy and storm to its heart, its body prowling almost stalking the listener as melodic vocals and keys entwine with harsher textures. Though it hints at fiercer eruptions, the song retains its control to fine effect, providing a thrilling end to a stunning release.

Rattle is an introduction to stir things up and Gravves one of those propositions which quite simply re-ignites a lust for music.

Rattle is out now across most stores through Loner Noise Records.

http://facebook.com/gravvesgravvesgravves    https://twitter.com/gravvesgravves

Pete RingMaster 21/02/2017

Copyright RingMaster: MyFreeCopyright

Fragile Things – Broken Sun

fragile-things-promo-shot_RingMasterReview

Formed last year, British rockers Fragile Things have already began luring close attention and are intent on making 2017 a big year with a full UK tour for starters. They kick it off before that though with a reboot of their debut EP Broken Sun; four tracks of heavy rock bred in the inspirations of bands such as Alice In Chains, Guns ‘N’ Roses, Black Stone Cherry, Velvet Revolver, Audioslave, and Pearl Jam.  It presents a sound as familiar as it is refreshing; a proposition proud in its influences but showing signs and potential of its own individual character.

fragile-things-cover-artwork_RingMasterReviewFeaturing former members of Heaven’s Basement and Endless Mile, Milton Keynes based Fragile Things have recently completed a host of dates alongside the excellent Slam Cartel and are now, as suggested, concentrating on breaking national exposure starting with Broken Sun, a proposal getting straight down to action with its opener Enemy Is I. With acidic riffs and robust rhythms, the song bounds in from a distance with vocalist Richie Hevanz leading the charge, his tones impressive and expressive. Once in full view, it settles into a feisty stroll with tangy grooves from Mark Hanlon lighting up crunchy beats and steely riffs, all subsequently entwined in fiery melodies. Group vocals are the rousing icing on the infectious enticement, the track not particularly surprising but richly satisfying to start things off.

Its striking traits are just as potent within the following Open Cage; its body heavier and darker though as the grumbling bass of Steve Lathwell colludes with the hefty swiping beats of Hugo Bowman. With a snarl in its heart and touch, the song swiftly has body and spirit involved; its anthemic prowess inescapable as it brings both to the boil ready for the EP’s title track. Showing another slight shift in the style and design of the band’s sound, the track is a web of hooks and mouth-watering grooves around less forceful but commanding rhythms; vocals again striking a chord in word and touch. As those around it, those earlier mentioned influences are easy to pick out but again flavouring adding to the potency of song and release.

Closing with So Cold, a track which takes longer to persuade as fully as its companions but only ever satisfies, the Broken Sun EP is a strong and highly enjoyable introduction to Fragile Things.  It is easy to hear why the foursome is persistently grabbing new fans and spotlights and if they can build on this strong start that broader recognition should be a given.

Broken Sun is out now.

https://www.fragilethingsofficial.com/     https://www.facebook.com/fragilethingsofficial/

https://twitter.com/fragilethings_

Pete RingMaster 22/02/2017

Copyright RingMaster: MyFreeCopyright

SJ and the Flying Pigs – Fireball

sj-pic_RingMasterReview

Few can escape the lure of a feel good proposal and that is exactly what is on offer from UK band SJ and the Flying Pigs and new single Fireball. With an engaging spring in its step and an infectious swing in its heart, the song simply gets under the skin and shows plenty of reasons why the band is igniting the music scene in their home city of Cambridge.

SJ is a country singer songwriter who has already lured attention and acclaim with her debut solo album, Nashville Sessions, which was recorded in Tennessee and released 2014. Since then she has frequently gigged across the UK and the Cambridge live music scene where she brought together her own backing band, it coming together within the walls of and taking its name from the City’s prestigious pub The Flying Pig.

sj-firebal-artwork_RingMasterReviewWith Kieran Morgan on banjo, Nicky Terry on fiddle, Ian Griffith on drums, Oli Steggles on slide guitar, and Joe Taylor on bass alongside the vocal and guitar craft of SJ, the band quickly show why they have gone down so well at festivals such as Secret Garden Party and Strawberry Fair with Fireball. From its opening melodic sigh, the track strolls with zeal and purpose, rhythms marking their territory as SJ’s voice calls upon ears and appetite with ease. Like flowing wine, that familiar country twang infests guitar and melody as warm harmonies tease, it all adding up for a rousing good time raising a smile in the listener as broad as the song’s own.

Written with her American songwriter friend Meghan Saletta and inspired by the popular Nashville whiskey Fireball, the song romps like a liquor fuelled shanty; a spirited proposition sure to spark fun in ears and hearts even within those not normally captivated by its source genre.

Fireball and the same-named EP it is from are out now through iTunes and Spotify.

Upcoming Live Dates:

29th March – Hard Rock Café, London (‘Hard Rock Country’)

8th April – Kings Head, Orford Suffolk

16th April – The Burston Crown, Diss

19th May – Faerie Fest, Sussex

3rd June – Strawberry Fair Festival, Cambridge

http://www.sjmortimer.net/   https://www.facebook.com/sjandtheflyingpigs   https://twitter.com/sj_mortimer

Pete RingMaster 21/02/2017

Copyright RingMaster: MyFreeCopyright

Wills & The Willing – Butterflies

wills-pic-2_RingMasterReview

Any song which simply bewitches ears and imagination just has to be shouted out about and that is exactly what is happening to Butterflies, the new single from Wills & The Willing; we now joining in the chorus of lusty praise. The song is irresistible, its intimacy raw and honest, like an aural L. S. Lowry reflection, and its lively melancholic outcry of a chorus spirit rousing; a combination which simply and totally captivates.

Beginning to stir when poet/lyricist Ian Wills linked up with Brendon Taylor, Jesse Wood, Jason Knight, and Martin Wright late 2004 and bursting to life in the spring of the following year, Wills & The Willing has since seen a ‘revolving door policy’ in its line-up while coming under bigger spotlights over time through their gigs and two seriously well-received albums. Returning from an eight year hiatus with Wills joining up with Sean Genockey, Charlie Morton and John Hogg (Moke, Rich Robinson, Roger Daltrey) for its creation, third album Dream In Colour, released last year and spawning their new single, has been no exception.

Inspired by the town of Wotton Bassett and the tearful repatriations it embraced, Butterflies instantly tugs at thoughts and emotions as Wills slips through ears with his poetic craft to put the listener at the heart of the emotion drenched moment imprinted on people, thoughts, and history. That alone, as a single piano melody courts the words, is powerful enough but add a soaring spirit lifting chorus and there is no escaping a real sparking of the heart. The music is just as cinematic in its own way as the Will’s words, his reflection vocal in its honesty and stirring in its touch to transport the listener.

To be honest, no words truly echo the raw power and impact of the song, so allowing its melancholic beauty into your ears is the only thing we can further add and urge.

Butterflies is out now.

http://www.willsandthewilling.com/   https://www.facebook.com/Wills-The-Willing-945565462157130/   https://twitter.com/IWILLS

Pete RingMaster 09/02/2017

Copyright RingMaster: MyFreeCopyright

My Son The Bum – Mad Man (Playing in a Mad World’s Game)

 

my-son-the-bum-mad-man-artwork_RingMasterReviewWe are all partial to a treat or two, especially if it comes with little cost. So we offer up Mad Man (Playing in a Mad World’s Game), the new free to download single from US band My Son The Bum. The track is a tasty slice of infectious rock ‘n’ roll as poppy as it is instinctively grouchy and one of those devilish things which never seems to leave you alone even after its physical parting.

My Son The Bum is the creation of Oceanside, New York hailing songwriter/guitarist Brian Kroll. Bringing it to life in 2007, the band has proceeded to explore and weave into its music almost every style of music under the sun, persistently keeping fans guessing and so far keenly satisfied. It is something not likely to change in the near future either going by the latest single.

Alongside Kroll has been a host of like-minded musical friends including John O.Reilly of Trans-Siberian Orchestra West who has been the exclusive My Son The Bum drummer to date, vocalist Mike Wuerth, bassist Mike Frost, and Matt Graff.

From metal to rock, punk to pop, My Son The Bum has uncaged a host of strikingly individual albums, to each other and to the crowd around them. Mad Man (Playing in a Mad World’s Game) itself is a rousing adventure into pop punk ‘n’ roll but with a fine strain in heavier rock essences making one meaty and compelling proposition.

From the wonderful earthy groans of bass and the equally heavy wiry signs of what seems like something cello related to the alluring spicy grooves and melodies around the song’s rapacious stroll, it has ears and appetite hooked. Add the keen lure of the vocals and beats which with relish flick out their bait, and you have a song which only leaves a hunger for more.

It is impossible to predict what will come next from My Son The Bum but taking Mad Man (Playing in a Mad World’s Game) alone, it is going to be well worth waiting for.

Mad Man (Playing in a Mad World’s Game) is free to download now @ https://mysonthebum.com/home

https://www.facebook.com/mysonthebum/    https://twitter.com/mysonthebum

Pete RingMaster 09/02/2017

Copyright RingMaster: MyFreeCopyright