SPANKING NEW ALT-ROCKERS, LADY JANE’S REVENGE BURST ON TO THE UK SCENE!

Lady Jane's Revenge Online _RingMaster ReviewPromo Shot_RingMaster Review

Welcoming favourable comparisons to Mallory Knox, Incubus, Alkaline Trio and Red Hot Chilli Peppers, Lady Jane’s Revenge unleash a fusillade of mighty riffs, a powerful rhythm section, and hooky vocal lines that burrow deep into your senses. The energetic alternative rockers release their debut EP ‘1554’ on Friday 26th February through all stores.

Hailing from the beautifully picturesque county of Cornwall, Lady Jane’s Revenge keenly embrace life amongst nature where the steady surf fuels the band with an exuberant positivity which is richly displayed throughout the music. Born at the start of 2015 and featuring Billy Crook (Vocals), Sam Kent (Guitar), James Coffey (Bass) and Ash Jenkin (Drums), the band soon gelled and bonded. Although the four-piece enjoy the free-spirited rocker lifestyle now, the members of the band have had far from a pampered upbringing, chocking up between them a varied array of jobs such as: mechanic, building labourer, an Apple computer specialist, and walking the long halls of Bristol Hospital as a porter.

In terms of touring, the downside of living life in Cornwall are the vast distances between shows. However, LJR have managed to overcome this predicament and have extensively gigged throughout the South West, playing with the likes of ‘Shatter Effect’ along the way. They have also picked up strong radio support including rotation on BBC Cornwall.

It’s now time for the band to break out to the rest of the UK and beyond. The quartet have the perfect bait in the shape of their enthralling debut EP ‘1554’ which delivers six cuts of energetic alt-rock, from the groove and contagious guile of ‘Floodgates’, to the Alkaline Trio-esque ‘The Kid Within’, and the hugely uplifting ‘PMA’, which nods in the direction of RHCP/Incubus. This is a band with a debut record that needs to be heard. With shows planned throughout the winter, including supporting ‘More Than Most’ and ‘Three Times Over’ on Friday, December 4th at the well renowned ‘The Islington Garage’, 2016 promises to be a killer year for the band.

www.facebook.com/ladyjanesrevenge   https://twitter.com/LJRevenge

POPULAR FRENCH POP PUNK OUTFIT, THE SHAPERS RELEASE NEW EP!

European trio ‘The Shapers’ set loose their spanking new EP ‘Reckless Youth’, through all digital platforms on Friday 26th February. Look out too as the gritty rockers prepare to tour the UK in 2016

The Shapers Online Promo Shot_RingMaster Review

Currently residing in Toulouse, France, Euro punk rockers ‘The Shapers’ delectably embrace the garage rock vibes of ‘The Hives’ and ‘Nirvana’, merged with the early urgent delivery of ‘Green Day’ and ‘A Day To Remember’. Born in 2009 and consisting of Anthony Cauvin (Lead Vocals/Guitar), Raphaël Bouissière (Bass/Backing Vocals), and Benoit Holin (Drums), this power trio have certainly undertaken the punk rock DIY ethos. With a keen zest for touring and adventure, the band headed out to China and Indonesia in 2011 to play a series of highly successful shows, and because of the response and support, the threesome returned the following year and again last year. In 2013, The Shapers won a ‘Best up-and-coming band’ competition, lapping up a prize to tour throughout North America where the alt-punks shared stages with punk rock legends NOFX and Pennywise. Last year, the band again toured, this time in Thailand. The three piece were overwhelmed with responses and will tour South East Asia again next year.

As well as a hearty diet for touring across the far reaches of the world, the band have also extensively played throughout France, and are currently planning their attack on the UK. Blessed with a CV that boosts support shows with The Flatliners, NOFX, Silverstein, Pennywise, Face To Face, and Dream on Dreamer, and critical acclaim for 2012’s debut album ‘Everybody Needs To Have A Dream’, which picked up rampant praise across the board, the band show no signs of letting up.

The Shapers dropped their video single “Can’t Forget”, directed by Mayol (media director of Vans, who has worked with successful bands like the Foo Fighters, among many others) this summer. The single is the opening track from the band’s hotly anticipated new EP ‘Reckless Youth’, which is unleashed this February. With six cuts of scuzzy punk, the record is a true calling to all fans of Punk in its varied forms. Drawing from the early vigour of Blink 182 and the raw power of Nirvana, marinated with a hint of The Subways, this EP is destined to break the band to the UK.

The_Shapers_Cover_Artwork.jpg_RingMaster Review

https://twitter.com/theshapers   https://instagram.com/theshapers  https://www.facebook.com/TheShapersOfficial/   http://theshapersofficial.com

LongFallBoots – You’ll Know It When It Happens

LongFallBoots - Promo Shot_RingMaster Review - 1-BW

Having stirred up a hungry appetite for and acclaimed reaction to their fuzzy cauldron of sound that was debut album Wait For The Echo last year, UK trio LongFallBoots return with their new EP You’ll Know It When It Happens, the first part of a 2-EP cycle. It uncages five tracks infested with all the gripping attributes of the band’s full-length but carrying a dirtier and more ravenous character aligned to keener grooves and deliciously off-kilter invention. It is certainly more of the band’s renowned compelling infestation of the psyche yet it has a fresher nature and an even more invasively honed potency to its scuzz lined temptation.

LongFallBoots was formed early 2012 by friends Alex Caithness (KOSS, Cincinnati Bow Tie) and Ben Holdstock (Paralus, Cincinnati Bow Tie) when the other members of an intended project failed to turn up for rehearsal. Within two and a half hours the pair had written debut EP It Was Duke; its release coming in August of that same year, becoming the first in a run of six EPs across the next twelve months or so. First album Wait For The Echo was uncaged to potent acclaim in 2015, the pair of guitarist Caithness and drummer Holdstock joined by bassist Chris Childs and vocalist Amy Smith, who subsequently replaced Childs on bass and additional vocals in the band having previously played on the Good At Television EP. Now the trio have ripened their sound a little more to infest the senses further via You’ll Know It When It Happens, another startling proposal for ears and imagination to feast upon.

YKIWIH-FrontCover_RingMaster ReviewThe EP opens with its title track and immediately roaming sizzling grooves are wrapping ears and the jabbing beats of Holdstock. The heat only accentuates as the full sonic wind of guitar and throaty bass collude around a great mix of raw and harmonic vocals from across the band. With the synth casting an even fuzzier breath around the appealing mix, antagonistic and impassioned sludge thick intensity ripens as too a darkly seductive flirtation with post punk devilry. It all makes for a swiftly gripping affair rife with unpredictability within flowing smog of invasive persuasion.

The track is also as infectious as a viral complaint, an irresistible quality as imposing in the following (We’re Gonna Have To Deal With) Gary. Noise rock meets scuzz punk with bedlamic rhythms and matching invention, the song is quite glorious. It quickly puts the excellent opener in the shade with its rousing kinetic dance and post-hardcore tempest, that alone revealing the fresh flavoursome twists of invention and adventure brewing within the band’s music. Flinging hooks and grooves around like a teenage dervish, song and band creates a sonic tempest to get lustful over before the band’s new single Executive Function saunters in with grooved hips and stoner-esque seducing around a rock ‘n’ roll heart. The mix of vocals again hugs and roars, their tempestuous nature fuelling every aspect of the mystique lined proposal. Subsequently a carnivorous bassline provides a predatory element to proceedings, Smith’s bait as primal and enslaving as floating harmonies are celestial and engaging. Bound in a web of searing enterprise from Caithness, the track is the third exhilarating and inescapable contagious trespass in a row.

The punk fury of Explosions descends on ears next, its volatile sonic outrage tempered by the siren-esque tones of Smith and in turn incited by the bracing vocal squalls of Caithness and Holdstock. The track brawls and flirts with the senses and ears respectively in its voracious way before In My Favour lays out its eventful landscape of raw calm, brewing antagonism, and intense angst soaked drama. It is a slow burn of a persuasion in comparison to its predecessors yet unveils another intrigue drawing and emotion rich twist to the EP and band’s songwriting that is so easy to enjoy.

The song is a fine end to You’ll Know It When It Happens, if without making the same intensive impact as the rest of the release. The EP as a whole just feeds an appetite already bred for the band’s last album whilst giving further confirmation that LongFallBoots creates fuzz spawned noise which does anything but annoy.

The You’ll Know It When It Happens EP is released February 12th digitally and on CD @ https://longfallboots.bandcamp.com/

https://www.facebook.com/LongFallBoots   https://twitter.com/LongFallBoots

Pete RingMaster 12/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Unbowed – Dogma

Unbowed_RingMaster Review

Two years ago Canadian metallers Unbowed grabbed thick attention and praise with debut album Collapse The World. It was a raw and ravenous slab of black metal atmospherics fused with death metal corrosion; blackened death metal with melodic tendencies that was unafraid to push it and its creator’s boundaries. It was also rich in open potential which has now been nurtured to striking effect for new EP Dogma. Offering four atmospherically primal and raw yet creatively elegant tracks, the release sees the Ontario duo breach a new plateau of songwriting and sound whilst opening fresh potential suggesting even bigger triumphs to come.

Formed in 2011 as a studio project by multi-instrumentalist Alex Snape and vocalist Ioan Tetlow, Unbowed proceeded to release a self-titled demo EP, the aforementioned Collapse The World, and bring together a live line-up which has played a host of shows and shared stages with the likes of Battlecross, Einherjer, The Contortionist, and Erimha throughout Ontario. Their bracingly invasive and imaginatively provocative sound has seen the band’s reputation grow within the underground spreading outwards and you suspect things are set to erupt with greater strength again as Dogma infests ears.

Unbowed Dogma - Final Cover Art_RingMaster ReviewThe EP opens with The Bleeding Throne; an enveloping of the senses and imagination from its first breath marked with a herald of melodies and atmospheric keys. It is a welcoming if portentous prelude to a rampant cascade of rabid riffs and matching rhythms within a wave of intensity as catchy as the thrash like canter that emerges from it. The craft and sound of Snape quickly impresses and works away on appreciative ears whilst the raw throated vocal squalls of Tetlow add a just as effective drama and predatory temper to the tapestry of provocative sounds around him. Thoughts of warriors, deceptions, and bloody turbulence are easy casting for the imagination as the song expands its sonic narrative, but equally there is an exotic beauty and expressive majesty to the song which grips the listener. It all further enhanced by the tendrils of varied metal and livelier variety in the vocals with blossom throughout.

It is a gripping and fascinating start which continues in the even more confrontational Besieged; though it too spins a web of guitar enterprise and rhythmic tenacity as infectiously alluring as it is barbarously intimidating. With sweeping melodies and expressive keys, you can visual the setting for the song’s drama and narrative. Broad and expansive, harsh yet beauteous landscapes are visualised, providing the canvas for the resourceful and enthralling imagination of the two musicians. As the first, the song bewitches as its trespasses, leaving a hunger for more which the closing pair of The Fall and Echoes of Cernunnos heftily satisfy. The first merges consuming textures and destructive virulence with flowing ambiences around epically poetic melodies whilst its successor provides an animus of ill-intent and immersive sufferance brewed with sonic rabidity. Both take unexpected and dramatically contrasting turns, the first especially enthralling with its melancholic and tainted reflections. The final song is more concentrated in its core attack but around its invasive spine, Snape creates a realm of celestial grandeur and earthbound intimacy coloured by the great vocal abrasion of Tetlow.

Dogma is superb, a release which only reveals more depths and corners with every listen. It leaves the band’s potent last album pale in comparison and equally many a black and death metal emprise heard in recent times.

Dogma is available from February 12th @ http://unbowedofficial.bandcamp.com/

https://www.facebook.com/UnbowedOfficial   https://twitter.com/UnbowedOfficial

Pete RingMaster 12/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Day Old Hate – First Light

Day Old Hate Promo _RingMaster Review

Recently Oliver Swift, vocalist of UK alternative rock band Day Old Hate said of their new release, “We wanted to write better songs then we ever had before,” going on to add that “Making brave decisions and pushing ourselves out of our comfort zone was a must; it was an intense experience – we pushed ourselves to write the best Rock record we could. Overall, it feels like a more authentic representation of Day Old Hate than anything that’s come before.” It is fair to say that First Light more than backs up his words and the band’s intent with its quintet of rousing and dramatically dynamic songs. The EP simply hits the spot, fulfilling the band’s early potential whilst still suggesting there is plenty more to come and be discovered ahead.

Formed in 2012, the Leeds band made their first attention grabbing proposal with the Distances EP a year later. Recorded with Dan Lancaster (Don Broco, Lower Than Atlantis, Mallory Knox), the encounter was a well-received introduction backed by their potent live presence and subsequently the Dan Mizen (Twin Atlantic, Bring Me The Horizon) recorded single Tides in 2014. Last year saw Day Old Hate release the video to Tides and be premiered as BBC Introducing’s track of the week in the February before going on their first UK headlining tour in April and releasing second video for the single Living Without You, again to strong support. It is easy to sense though that things are going to get far busier for the band with the release of First Light which they recorded late last year with Romesh Dodangoda (Kids in Glass Houses, Funeral For A Friend, Motorhead); it an impressive declaration of a band growing fully into their sound and breaking open the imagination to new adventure and creative exploits.

First Light Artwork_RingMaster ReviewFirst Light hits ears with its title track first, enveloping them in a rich spicy guitar coaxing before pungent rhythms and attitude loaded riffs join the affair. It is a potent invitation which only blossoms further as the song relaxes into a muscular stroll graced by the quickly impressing tones of Swift and prowled by the deliciously dark, almost predatory bass line of Josh Flynn. With rapier like strikes from drummer Ed Dennis, there is no escaping the imposing nature of the song yet its forcefulness is tempered perfectly by the melodic and fiery enterprise of guitarists Ben Fletcher and Will Smith, from riffs to hooks and incisive grooves, their imagination as dynamic as rhythms are commanding and vocals highly persuasive.

There is a touch of Mallory Knox to the band’s sound in certainly the opener filtering through the EP and for less obvious reasons a Jimmy Eat World essence but Day Old Hate only allow them to flavour something which though maybe not boldly unique is certainly distinctly theirs, more evidence coming swiftly in second track Secrets. There is a less aggressive nature to the song than in its predecessor but it still provides a mighty punch on the senses and an inflamed roar on ears potently led by the strong vocal strains of Swift. The tapestry of sound and ideation is again unpredictable and skilfully woven whilst providing an easily accessible and boisterous proposal easy to get involved in, just as the following contagious canter that is Fifteen where jabbing hooks and spicy melodies collude in an addictive lure as the vocals add emotive tenacity. The relatively reserved beginning subsequently erupts into a virulently charged bellow before returning to start the brewing success all over again resulting in a thumping anthem of energy and captivation which almost alone makes First Light a must look at.

Minutes, Hours, Days dances on ears next with its driving riffs and eager revelry, coaxing the listener into another healthy involvement before Don’t Chase Me closes the EP with arguably its catchiest offering, though all qualify in some way. With mellow reflections around infectious strolls, the song is a magnetic slice of pop rock easy to see netting a fresh catch of new eager ears on its own.

Day Old Hate has grown as a band, founding new depths in all areas which only command attention as evidenced by First Light. As suggested it feels like the tap has only just been turned on though with the potential of even bolder and richer adventures to come as the band builds on the suspected big success of their latest heftily enjoyable encounter.

First Light is released worldwide on Feb 12th across most online stores.

Upcoming Day Old Hate live dates:

19/02/16 – Black Heart, Camden

20/02/16- The Key Club, Leeds

https://www.facebook.com/dayoldhate   https://twitter.com/dayoldhateband  http://www.dayoldhate.com

Pete RingMaster 11/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Media Stres – E.V.I.L. II

Photo by Lucija Obadić

Photo by Lucija Obadić

Media Stres is an alternative rock band from Croatia which has already made some potent nudges on ears with their previous releases but now offers their biggest incitement on the broadest attention with new EP E.V.I.L. II. The five track release is the continuation of debut album E.V.I.L. (e-Virus Influenced Love), an encounter released in two parts with its second revealing the fulfilment and more of the potential fuelling earlier propositions.

Hailing from Cakovec, Media Stres emerged in 2012 drawing on inspirations from the likes of Biffy Clyro, Placebo, Muse, Royal Blood, and Punčke for their imaginative weave of sound ranging from alternative and progressive rock to post-punk and dirtier hues. Demo EP Fear and Panic was released in 2013 as the band unleashed their live presence and hunger which has since seen them play over sixty shows in Croatia as well as in countries such as Serbia, Hungary, Slovenia, Austria, and France. The first well-received part of the album, E.V.I.L. was unveiled in the December of 2014, an introduction for a great many to the band which quickly marked out Media Stres as a prospect to keep a close ear upon. Now the trio of guitarist/vocalist Karlo Komorski, drummer/backing vocalist Matej Obadić, and bassist Aleksandar Hutinec complete their first full-length with E.V.I.L. II, whilst setting down a new plateau to their adventure and invention, not forgetting compelling sound.

AlbumCover2_RingMaster ReviewWhereas its predecessor was themed by a narrative concerned with the impact of technology on society and how corrupt that society became with said technology, E.V.I.L. II is the exploration of people living in the shadow of two super states and having to decide to which of the two they belong. It opens up with the scene setting Nations and instantly bold rhythms from Obadić provide an anthemic lead into the waiting narrative, the gnarly tone of Hutinec’s bass quickly adds its suggestive tempting to the coaxing too. In no time the equally dramatic tempting of Komorski’s guitar stirs up song and air, providing a sonic breeze around the hypnotic lure of increasingly pungent rhythms. It is thick captivation crowding ears and appetite, one blossoming further as Komorski unveils the song’s tale with his potent vocals as the song bristles and feistily simmers with an essence of Muse and at times something slightly Manic Street Preachers like.

The outstanding start slips into the just as enthralling and quickly addictive Right or Wrong. Making a more reserved but no less gripping entrance with bass and percussive jabs early bait, the track is soon entangled in the sonic and melodic enterprise of guitar and a spicing which plays in many ways like a mix of Fatima Mansions and Interpol. The moment when the protagonists in the album’s story have to choose their homes, the track paints the drama of the situation with a fiery blend of contrasting textures and intimidating shadows which line every shaft of melodic light and infectious flume within the intensive oppression involved. A progressively lit slice of contagious rock, the excellent track is matched in success and drama by the grungier tones of Consolation and its Bowie-esque colouring to another rhythmically and sonically dynamic incitement. Even with its rousing rock ‘n’ roll, the song’s emotion is dark and fuelled by a loss of hope again enjoyably presented by the vocal expression and strength of Komorski whilst bound in the band’s provocative endeavours.

The break out of world war is the canvas for End Times, an apocalypse sound-tracked by the song’s lively canter with melancholic melodies and, as ever, powerfully alluring vocals and highly persuasive rhythms. The song is persistently boisterous in its gait, its swing a perfect temper and spark to the solemn weave of words and emotions cast in something akin to The Smiths and Teardrop Explodes with again that Fatima Mansions like creative spicing involved.

Hope with its brooding climate spawned from the initial magnetic groan of bass completes tale and release. Shadows again encroach alongside the scything strikes of guitar and rhythmic rumblings whilst a solemnity coats the sultry melodic tendrils veining the rebuild of a desolated land and an increasingly receptive imagination to the invention and evocative theatre of Media Stres. The track is superb, matching all that came before and leaving a lingering compulsion for ears and thoughts to keep E.V.I.L. II alone a persistent companion.

The first EP of E.V.I.L. was an impressive and resourceful adventure but its successor simply overshadows it in every aspect. Media Stres may still be a secret yet to be discovered by a great many but expectations and hopes are that the band is set to receive the full attention and support their striking invention and music undoubtedly deserves.

E.V.I.L. II is available now @ https://mediastres.bandcamp.com/album/e-v-i-l-part-2

http://mediastres.com.hr/   https://www.facebook.com/MediaStres/

Pete RingMaster 09/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Slave Cylinder – Cultus

SLAVE CYLINDER Cultus_RingMaster Review

Having your chest crushed by the physical weight of a behemoth is maybe the best way to describe how Cultus devours and suffocates ears with its doom laded proposal. The two track oppression is an insatiable consumption from US band Slave Cylinder, a pestilential sufferance of sound and ill-intent that increasingly enthrals as it smothers the life out of body and soul. It is a demo which demands attention, realising its aim with increasing relish once the numbness resides and a brave exploration into its fearsome depths are made.

Slave Cylinder is a one man project from Rockford in Illinois, though of whom we cannot say as background is as absent as raw intensity from the release is constant. Cultus is the first encounter with the project, an invasive proposal recorded with Chris Galvez at Good Fortune Audio and released through Cold Dark Matter Records (Red Harvest, Fange, Compil Prima Giedi, DEAD, Ende, Immemorial).

Making a low key entrance is opening track Love Sermon, a lone guitar invitingly ambling around a vocal sample the first lure it offers. That initial ‘righteous’ moment soon erupts into a cavernous crawl with a demonic vocal insertion the trigger to lumbering riffs, invasive rhythms, and tortuously throated squalls. The raw vocals continue to assail ears amidst the heavy atmosphere; the track’s funereal march predatory and leading to destruction rather than being the aftermath of such, even with the corruption infested celestial winds that at times escape the tempest. As new twists and essences collude, every minute of the encounter becomes more fascinating than the last; a success epitomised by the haunted limbo-esque oasis of melancholy emerging to captivate ears and thought before both are in turn consumed in another avalanche of punishing drama.

Second song, The Seed features Chris Rodriguez of Tundras, and it too opens with calm scenery as church bells court a passing breeze of unsettled whispers. Subsequently though, another leviathan of sound and grievous enmity rises and envelops, it swiftly equipped with a sonic heralding for the ravishment to come. As the colossal tide smothers and trespasses, more angelically hued, siren-esque harmonics radiate in the tempestuous sky of the song whilst clear vocals rupture the wall of doom bred menace with a potency and presence as gripping as the intensity waiting to collapse upon the senses. Despite its weight and pressure, the track as good as stalks the listener rather than unleashes a full-on ravaging, that hinted at intent and confrontation for the main never erupting into the vicious hostility expected; a restraint which only makes the song all the more fearsome.

Cultus is an impressive and punishingly enjoyable first glimpse at Slave Cylinder, a project we are sure to hear more from with no doubt similarly rewarding and debilitating proposals to explore.

Cultus is available now digitally via Cold Dark Matter Records @ https://slavecylinderil.bandcamp.com/releases and on tape through Dickcrush Records @ https://dickcrushrecords.bandcamp.com

https://www.facebook.com/slavecylinderdoom/

Pete RingMaster 09/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/