Cabro – Humano Ignorante

If six tracks across eight ferocious punk minutes whet your appetite then we can only say strap yourselves in as Humano Ignorante is one ear bullying, senses corroding ride sure to leave you either a broken mess or a lustful perpetrator.

The release is the new cassette EP from Cabro, a band which…well there is little we can tell you. Humano Ignorante could be their debut assault or not and they could be from Spain as all tracks are sung in Spanish yet you like us may feel there is something definitely English punk seeded to its hardcore irritability. The piece accompanying its release says “word has it that James Domestic is involved in some capacity” and as James, the frontman of both The Domestics and PI$$ER among other propositions, kindly sent the EP our way we can only confirm that…but little more we can share apart from six ravening punk bred tracks which violently demand attention.

Released through Kibou Records, Humano Ignorante unleashes itself on the listener with Azul De Muerte and instantly the feedback fuelled breath of the release is scouring the senses, scraping their tolerance to their limits before a scourge of feral punk descends on a scarred surface. It is raw and ravenous incitement, devouring the air and listener with a primitive contagion as virulent as it is fearsome while vocally we can only suggest that it is indeed Mr Domestic leading the assail or someone with a striking impression of him; they all thick reasons to dive into the EP.

Sangre is uncaged next from the sonic lancing which links all tracks, the song’s sanguineous thirst fuelling some infectiously menacing rock ‘n’ roll. With somewhat more restraint than its predecessor, the track courts and nags more than bludgeons the senses yet still left an appetite sparking stain before swiftly departing for Suicida Navidad and its insatiable animosity and urgency. Rhythms make for a relentless harrying as guitars spring a caustic enticement to fear or devour; vocals within accentuating the delicious savagery of it all.

In turn Vacunación and Apuñalado En La Espalda got under the skin, abrasing as they go with their respective callous causticity and predatory stalking, the latter soon becoming a barbarously grooved infection impossible not to greedily feast upon.

With Victima Permanente a final homicidal incursion which proved as violently catchy as it is unapologetically spiteful, Humano Ignorante left us wasted and hungry for more. As we said at the start, Cabro is a mystery in some ways but not in the delicious raw, grooved toxicity that is their hardcore punk enmity.

Humano Ignorante is out now via Kibou Records @ https://kibourecords.bandcamp.com/album/humano-ignorante-e-p-preview-tracks-only

Pete RingMaster 26/03/2020

Copyright RingMasterReview: MyFreeCopyright

Servant Leader – Raised by Wolves – Part 1

The promo received tagged Raised by Wolves as set in the hard rock genre but it took little time to prove much more diverse and ambitious than that suggests, and also that it is one aggressively enjoyable encounter.

Raised by Wolves is the first of two EPs from Servant Leader, the solo project of Leigh Oates (vocalist of Xilla, Soldierfield, Rise To Addiction and Ninedenine). Offering five ear grabbing tracks, it is boldly fertile with a sound as much grunge and metal as it is rock bred. It makes for a potent and powerful proposition which swiftly had ears gripped through EP opener Daybreak.

Initially the first track rhythmically entices, from a distance shaping intrigue until a few seconds later it stands eye to eye with the senses and uncages its full hungry presence. As those rhythms continue to bite, grooves and melodic enticement is woven around the distinctive and ever magnetic tones of Oates. With keys just as enterprisingly involved and hooks unleashed with almost feral intent, the track proved immediate captivation and only tightened its hold with melodic and harmonic dexterity, a Soundgarden meets Skyscraper scenting around its worldly observation extra irresistibility.

Boundaries quickly follows, a roar erupting from its first breath in voice and sound to instantly engage keen attention. With boisterous energy, eager rhythms set the tone of its contagion, guitars and bass aligning in suggestive enterprise as Oates ignites the air with his resourceful tones. Again there is a certain grunge nurtured graining to its melodic rock bred body, the subsequent melody spun twists virulent captivation in nothing but riveting enticement.

Immediately August Parade stamped its authority on attention, the melodic twang of guitar soon followed by the swing of heavy beats and the richer wiry lures escaping guitars as vocals set their insightful contemplation within an Alice in Chains-esque sunset of sound and vibrancy. As its predecessor, the track sets a striking moment within the EP, success quickly emulated by next up Siamese with its rousing and voracious metal steeled rock ‘n’ roll. At times melodic winds temper the tempest but only to escalate the song’s addictive nature and imagination, the later a perpetually evolving treat in a similarly twisting body.

Raised by Wolves closes out with That Girl, a track which maybe has a touch of Stone Temple Pilots to it but proves as individual and rousing as those before it. By now it was proving no surprise that Oates was embroiling a host of varied flavours in his invention wolfish and sound whilst entangling his esurient tones sounds and no surprise that again ears were feasting on a moment in time which left a lingering and enterprising mark on thoughts and a greedy appetite for more which hopefully will soon come our way courtesy of the now highly anticipated Part 2.

Raised by Wolves – Part 1 is available now.

http://www.servantleaderband.com

Pete RingMaster 26/03/2020

Copyright RingMasterReview: MyFreeCopyright

Molly Karloff – Supernaturalation

Two years after their acclaimed debut EP, Dancing for Money, UK rockers Molly Karloff have uncaged its successor in the fiery shape of Supernaturalation, a collection of songs which quite simply and hungrily demand attention.

Oxford based, the trio of vocalist/guitarist Simon Guilliard, bassist Dan Podbery, and drummer Jowie Adkins has bred and earned a strong reputation for their high-energy performances and a similarly energetic sound bred on hard rock, grunge, and punk ‘n’ roll inspiration. The Dancing for Money EP back in 2018 more than alerted the UK rock scene of their rousing presence and though it has taken a couple of years to follow that potent introduction, Supernaturalation not so much builds on the success of its predecessor than leaves it in its dynamic wake.

Unleashing a vocal dispute with the issues life endures, Supernaturalation swiftly rips into attention with its title track, the EP opener dangling an instant hook impossible not to bite on as bass and drums add further thick bait. It is an entrapment which continues to grip as Guilliard’s similarly potent and energetic tones erupt. Familiarity and individuality collude in the track’s rousing roar, boldness of imagination which only grows more fertile across the release adding greater drama to the enterprisingly crafted encounter.

It is a great start to the EP which She Said, its lead single only reinforces. With slightly less energy but just as magnetic intensity, the track builds its might and roar resulting in a chorus which explodes on the ears as a rich climax to appetite nagging verse and creative escalation.

As stirring and thickly enjoyable as both tracks are, the pinnacle of the release for these ears comes across the next pair of Do You Wanna? and Do It Again. The first of the pair is pure virulence, bursting upon the senses with insatiable hunger with its riffs as predacious as they are contagious. A ferocious fusion of grunge lined hard rock and primal punk rock, the track swiftly proved irresistible, hooks a passion scything lure and rhythms a ravenous incitement within an enterprise which only grew more adventurous by the twist while its successor in its own individual vein proved just as viral driven and shaped by the swinging beats of Adkins and Podberry’s brooding bassline. That rhythmic unity quickly got under the skin, an addiction which bound in the guitar wiring and coaxed by the vocal prowess of Guilliard only escalated.

The Other Side brings things to a close, its funk nurtured swing the seed to another individual slab of Molly Karloff hard rock as keen to get the body bouncing as challenging, in this situation, taboos. With a fire in its belly and roar in its throat, the track provides a powerful and thickly enjoyable conclusion to one impressive and equally thrilling release.

The best rock ‘n’ roll leaves an indelible mark and incites the rebel inside, both fiercely potent traits of the Supernaturalation EP

Supernaturalation is available now through Roulette Media; available on CD and vinyl @ https://mollykarloff.co.uk/super-ep/

https://mollykarloff.co.uk/   https://www.facebook.com/MollyKarloff/

Pete RingMaster 13/03/2020

Copyright RingMasterReview: MyFreeCopyright

Sheafs – Vox Pop

With rebellion in its heart and every senses trespassing riff that it unleashes, Vox Pop is the debut EP from UK outfit Sheafs and we suggest one of the most rousing and truly exciting encounters you will be likely to come across this year.

Formed in 2015, Sheffield hailing Sheafs has certainly teased and tempted attention with their songs and live presence which has seen them support the likes of The Amazons, The Coral, IDLES, and Greta Van Fleet but they have now made a full-blooded demand on scrutiny and recognition with Vox Pop which surely will prove impossible for the masses to ignore. Produced by Dead Nature/Spring King talent Tarek Musa and Jonathan Hucks, the EP pounces on ears from its first breath, its indie rock/pop punk nurtured sounds insatiable in their aggressive virulence and defiant condemnation loaded words “confronting the frustrations of a consumerist world that profits from people’s low self-esteem and self-doubt” a potent incitement.

Thinking Out Loud bursts from EP and speakers first, the track rhythmically pounding out an invitation to which guitars add rich impetus with their inviting grooves. Once a thick bassline joins the enticement, the song was in full control of attention, vocalist Lawrence Feenstra completing the fertile lure with a delivery as striking as the hooks which litter the already irresistible song. The guitars of Chris Goodacre and Charles Mellor spring a web of riffs and melodic wiring, clarity and fuzziness aligning within its irrepressible trap. The song is superb, addiction spilled with every note and syllable as the band’s already proving individual sound leapt upon ears and appetite.

As reinforced by next up World Is Falling Apart, the distinctiveness of Sheafs‘ sound is inescapable though there is something of an Asylums meets Baddies breath to it at times. The EP’s second track shows more restraint in its energy though every aspect is a boisterous incitement from its intoxicating groove to the rhythmic shuffle cast by the bass of Callum Wright and Charlie Eastap’s beats. A psych rock spice wraps each melody and seeps into every atmospheric intimation bred in the open imagination of the quintet as again inherent infectiousness fuels every intensity soaked moment uncaged before the band’s new single Total Vanity erupts. Straight away rhythms and riffs seize the moment, each pounding out audacious virulence incitement as Feenstra’s tones and words spring their own inimitable motivation upon ears and thoughts. The track is raucous splendour, a slice of fearless irresistibility sure to lead fresh hordes to the mutiny of Sheafs.

Shopping equally gripped from its first call, a post punk nagging at the heart of another unapologetically virulent tempting. As with all tracks there is a delicious tempestuousness which boils up in varying degrees but always adds riveting drama and energy to the contagion of in this case consumer exploitation.

With the just as magnificent Care Less bringing the EP to a close, the incendiary track an insatiable infestation of punk bred, dissent soaked rock ‘n’ roll, Vox Pop is an explosion of sound which certainly stopped us in our tracks. New music consistently grabs attention and excites but few things spark real anticipation of major things ahead; Sheafs and their full introduction is one of those rare moments so are you ready?

Vox Pop is out now via Blood Records.

https://www.sheafs.co.uk/   https://www.facebook.com/sheafsband   https://twitter.com/sheafsband

Pete RingMaster 13/03/2020

Copyright RingMasterReview: MyFreeCopyright

Radio Mafia – Don’t Think About It EP

An email from band member Dave introduced us to Irish outfit Radio Mafia and a debut EP which offered surprise after surprise. Don’t Think About It springs four tracks upon ears which are openly distinct to each other but united in treating expectations with contempt.

There is little we can tell you about Radio Mafia right now apart from they being a quintet hailing from Drogheda who have been a potent part of the local and Dublin music scene. They also have a debut album set for release later in the summer but first there is the small but seriously potent matter of this first EP to explore and quite likely get excited over.

With a general tag of being a rock band, Radio Mafia swiftly reveal that term covers a canvas of flavours and styles which never left us anything less than fascinated. Don’t Think About It opens with its title track, the song a gentle lure on ears with its instinctive funk pop stroll. The deep tone of the bass swiftly proved thick captivation matched by that urged by the emotive prowess of the vocals, both gaining a fiery energy as the track brews an earthy rock fuelled eruption.

It is a potent start to the release but soon eclipsed by the impressive presence of B.R.S., the second track immediately revealing muscle in its character and infectiousness. With eager riffs and ripe hooks aligning with thick swinging rhythms, the song roars and growls, unapologetic irritability coursing through its veins as electronic intimation adds bold temptation. In time, that energetic aggression turns into a senses crawling predation with a sludge thick appetite, the track only escalating its weight of persuasion and enjoyment with the unforeseen twist.

Glass Soldier is next up and again immediately had attention gripped with its flirtatious bassline, one soon matched by keys and the general swing bred nature of the track’s eager stroll. The bass continues to throw its rhythmic sway as drums set the track’s manipulative shuffle, guitar and keys brewing their own particular melodic captivation around the united vocals of the band. As with its predecessors the song simply hit the spot and as those before it in sharing its own particularly unique sound showed expectations a middle finger and pleasure a warm welcome.

Fit To Die completes the line-up, the track another with a heavier rock heart with just a touch of Therapy? like punk to its rapacious roar. As temptation lines every raw melodic wire intensity wraps each vocal roar just as aggression soaks the rhythmic intimacy of the track. It is a great end to a fine first union with Radio Mafia, an EP which may be thrilled the most with its earthy rock instincts but only lit ears and imagination from start to finish.

Don’t Think About It is out now.

https://www.facebook.com/RadioMafiaOfficial/

Pete RingMaster 13/03/2020

Copyright RingMasterReview: MyFreeCopyright

Sixth Dimension – Tabula Rasa

It has been a fair while since we have heard from Czech thrashers Sixth Dimension and time which has seen the band go through a few changes but now they have returned to accost attention with a new EP and a quartet of tracks which we have no reserve in saying are their finest yet.

Based within Most and Teplice, Sixth Dimension emerged in 2002 and swiftly made a strong mark on the local and in turn national metal scene. A quartet of EPs has pushed their presence and reputation further afield with the last pair of Přežít! and Trauma firmly nudging on richer and broader spotlights. Four years after the release of the latter the band is back, now a quartet and with fresh aggressive fertility in their sound and songwriting, it all encapsulated within their striking attention demanding new EP, Tabula Rasa.

Tabula Rasa opens up with Vztek (Rage) and a barrage of barbarous but defined rhythms from drummer Buchy, his heady beats banging on the door of the senses and attention before being joined by a tide of riffs and the heavy grumble of Jenda’s bass. Quickly the bassist’s vocals spring their antipathy and magnetism into the assault, the guitars of Bombo and Špirda continuing to entrap and arouse with voracious riffs and grooves. There has always been a raw feral breath to the band’s thrash metal confrontations and the first song of the EP alone shows it has lost none of its potency even as craft and imagination in songwriting and sound has further grown.

The striking start to the release is only accentuated by next up Soudy (Judgments) and this time riffs from Jenda’s bass ignite ears alongside the bone shaking rapier swings of Buchy. It is another compelling start to a track that only brews greater animosity and temptation as guitars and vocals bring their accusation and dispute. As with the first song there is a richer metal spicing to the band’s individual thrash bred creativity, a composed and skilfully crafted enterprise which already sets the Tabula Rasa apart.

Inspired by the poem Der Ackermann aus Böhmen (Ploughman of Bohemia) by Johannes von Tepl dated 1401 A.D., …A Smrt (…and the Death) is a ravenous indeed malicious affair in heart and attack. Rhythms fly with voracious intent as riffs and grooves sear the senses, Jenda’s tones and indeed the backing calls of the band as spiteful as they are anthemic. Even so the melodic design of the song is raw seduction, the irritability of the track fuelling its nagging before the EP closes out with Závist Navzdory (Despite the Envy (A history of estrangement and dream)), a track which itself is inspired by the literary world, in this case by a book by Z.Kalista on Albrecht von Wallenstein.

The most turbulent and tempestuously hostile track on the release, it also springs some of the most infectious grooves amidst addictive sonic temptation. From start to finish the song defiled and inflamed the ears and appetite, a habit forming assail on the senses which pretty much sums up Tabula Rasa as a whole.

As we said it has been a while since Sixth Dimension stood toe to toe and challenged major recognition and now we know who our money is on thanks to their rather fine new EP.

Tabula Rasa is out now across numerous online stores.

https://www.facebook.com/pg/sixthdimensionthrash/

Pete RingMaster 15/03/2020

Copyright RingMasterReview: MyFreeCopyright

Stolen Dead Music – Jacob Eats Dog

Robust and aggressive yet skilfully woven with melodic imagination and hook littered dexterity, Jacob Eats Dog is the new EP from UK rockers Stolen Dead Music. Offering four tracks of alternative rock with a certain appetite for punk, the release is a rousing holler which had us eagerly on board in quick time.

Hailing from the North East, Stolen Dead Music drew firm attention with their ScreamLite Records released debut EP, Penny Drop, last year, an encounter which sparked an anticipation loaded appetite here for their music. The band links up with the label again for the release of Jacob Eats Dog and guitarists/vocalists Jimi Trimmer and Isaak Patterson alongside bassist/drummer Lewis Patterson immediately held thick attention again with the EPs opening title track.

Jacob Eats Dog erupts with a sonic squall from which a great dub styled bass line emerges, its title track swiftly joined by a post punk guitar clamour before settling into an infectious punk bred stroll. Within that opening horde of second, the band reveals their music is woven on a host of flavours, the subsequent saunter akin to a fusion of Joe Jackson and Angelic Upstarts . Never giving a moment for lungs and body to relax, the track is rock ‘n’ roll incitement proving all anthemic and all irresistible.

Whether the EP reaches the same mountainous heights again is down to personal taste but the following Sit In Silence leaves little for ears and appetite to desire with its post punk clang and soulful vocals across another heavy verging on predatory rhythmic incitement which easily got under the skin. A more hard rock scented texture equally shapes a track which commanded swift and constant attention before Broken Record sets its own rhythmically intense and dynamic trespass upon the senses. Even so its body is all infection and vocal prowess an equally catchy enticement; it’s stalking of ears as arousing as it is imposing.

Just Got Back completes the quartet of songs, the enticement a melodic embrace of calm and reflective enterprise but one built on a tempestuousness which lines every rhythm and riff. It is a track which took longer to be persuaded by even though it only proved temptation from the off but with every listen a new shade of imagination and craft revealed their persuasion and it has grown to be another compelling moment within Jacob Eats Dog, a release you really should be checking out.

Jacob Eats Dog is available now via ScreamLite Records; available @ https://screamliterecords.bandcamp.com/album/stolen-dead-music-jacob-eats-dog

https://www.facebook.com/realStolenDeadMusic

Pete RingMaster 29/02/2020

Copyright RingMasterReview: MyFreeCopyright