Dienamic Announce Japanese Tour Nordic Thrash Mob To Hit Japan For Four Dates

dienamic

Norwegian thrashers Dienamic are heading to Japan for the second run of dates! The band are heading over to support their new record “Afterlife” which will be released in Japan on September 3rd.

The band are to play the following dates:

Sept 3rd – Flying Son, Sendai

Sept 4th – Tight Rope, Nagoya

Sept 5th – Wild Side, Tokyo

Sept 6th – Wild Side, Tokyo

Dienamic Poster - Japan

Straight from the heart and right in your face! Dienamic has a super energetic and intense live show, with unique audience contact and a great atmosphere. The band first saw the light of day in 2010, and ever since the first live show following the release of their self titled EP they have been bringing it on the stage.

With over 60 live shows to date, they have become a bone crushing five piece metal act that will definitely leave a mark on the world. The band has already toured Japan, most of central and eastern Europe along with their home country Norway. This band is addicted to touring and get out there every chance they have!

Horse Party – Paydirt EP

photo by Kate Wood  White-Robot Photography

photo by Kate Wood White-Robot Photography

Often there comes an underlying fear with something that is so good it makes you drool but still seems to go unrecognised by the masses, that success always managing to evade the deserved. So it is with the music of Horse Party which continue to release fiercely exhilarating songs bred on a sound which is furiously fresh but with an old friend like invitation. The British alternative rock ‘n’ rollers have done so yet again with new EP Paydirt, a captivation of three fiery tracks breathing open diversity within the band’s superb fusion of emotive aggression and bewitching charm. It is an incitement which manages to be raw, mellow, and incendiary simultaneously, basically manna for ears and imagination. There is a line in the EP’s second song which declares “We are the eye of the storm”, and that sums up Horse Party and their gripping sound as a whole perfectly.

Since emerging in 2012, Bury St Edmunds based trio of guitarist/ vocalist Ellie Langley, guitarist/vocalist Seymour Quigley, and drummer/vocalist Shannon Hope have explored and developed their music through a host of songs, starting with the track Clarion Call which was even more impressively followed by their first official single Back To Mono in 2013. Grabbing ears and appetites of an increasing fan base and the underground media, the band pooled that early success, in turn sparking greater spotlight on them and acclaim, with their debut album Cover Your Eyes a year later. Equally the band’s live and hungry presence has also lured only praise and a potent reputation, Horse Party sharing stages with bands such as Tunng, Pinkunoizu, Shonen Knife, Heartless Bastards, Ghostpoet, Slaves, Levellers, Basement Jaxx, The Nightingales, Dingus Khan, We Are The Physics, and Vuvuvultures over the past years.

cover_RingMaster Review     This year has already seen a pair of striking propositions from the band with a new chapter in the movement and evolution of their sound. The double A-side single Out Of Sight/Receiver was first, its two songs revealing new growth and smoother textures to their still raunchily organic sound, an exciting turn taken forward again by What I’d Do just a few weeks back. The single was a rousing mix of bracing roars and intimate caresses, of light and dark emotions with again that now keener surface to an instinctively unpredictable and riveting enterprise. Paydirt continues the captivating adventure in sound but also as most of its predecessors comes with its own stock of individual surprises and addictive invention.

The EP’s title track is first, pumped beats and spicy riffs the first bait offered with the former just managing to hold a rein on urgency and the latter sizzling on flesh with their inviting tang. Within a few more breaths additional slithers of groove and nags of magnetism join in through the second guitar as Langley just as potently entices with her recognisable, melancholy lined tones. Alone the song has the appetite chained, lips only more ravenously licked as the track burst into scuzzy roars within an ever addictive stroll. Dark emotions and predatory shadows equally lurk throughout, as too a hint of bedlam in the song’s exciting tempestuous moments; it all uniting for another breath-taking Horse Party incitement.

Second track Animal similarly makes a rousingly compelling start with choppy rhythms and riffs which almost stalk the rich voice of Langley. It swiftly forges its own identity though as teasing melodies and caustic tempting spring from Quigley’s fingers on string, licking the senses like flames whilst Hope badgers with her flirtatious beats. A sublime breeze of psych rock brews within the track too, finding its moment to croon in an oasis of mellowness within the stormy textures of the song. A whiff of post punk only adds to the alchemy, with Au Pairs coming to mind as the track leads the listener on a merry escapade of drama and imagination.

The closing acoustic based seduction of October has ears enchanted as the EP completes its rich temptation. In every second of the song, melancholy smoulders through word and emotion whilst melodies and the vocal union of Langley and Quigley simply mesmerises. As in every release to date, increasing depths to the songwriting and invention of the band are revealed, sublimely in this third song and though it does at first take a touch longer to whip up the lustful reactions as earned by its companions within Paydirt, it has emotions and thoughts chained with increasing potency over every eager listen.

Paydirt is another irresistible gem from Horse Party, a band which it is impossible to tire of saying ‘ just gets better and better’. It is time for the UK to wake up, indeed Europe and the world, to the Horse Party; if you do not you are truly missing out.

The Paydirt EP is available via R*E*P*E*A*T Records/Pure Deadly digitally and on 7” vinyl from 4th September.

Pete RingMaster 31/08/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

Orange Vision – Dark Around the Eyes

OV_RingMaster Review

Listening to Dark Around the Eyes, the new single from UK quartet Orange Vision, is like delving into a treasure trove of sounds from the past five decades or so. It is a kaleidoscope of flavours bred from sixties psych rock, seventies post punk, eighties new wave/shoegaze, and twenty first century imagination, and one delicious temptation revealing why there is a hoo-hah brewing up around the band.

cover_RingMaster ReviewIt was almost two years to the day that Oxford hailing Orange Vision emerged from the creative bonding of vocalist/guitarist Edmund Quigley and lead guitarist Matthew Holford. Finding a mutual “love of clothes, music and a generally delinquent approach to their depressing surroundings and sapped music scene”, the pair formed the band with its line-up subsequently completed by the addition of bassist Daniel Jones, and drummer/backing vocalist Jacob Mott. The past year has seen Orange Vision impressively support Superfood and Honeyblood on the NME New Breed Tour, earn strong radio attention from the likes of Huw Stephens on BBC Radio 1 and Steve Lamacq on BBC 6 Music and more recently release the acclaimed How You Feel single. There is a certain feel going round that this is a band going somewhere, especially after Dark Around the Eyes works its compelling charm.

A stroke of jangly guitar is an instant lure, one quickly joined by more stringed bait and bass seduction speared by crisp and equally tempting beats. As soon as the sultry tang of melody breaks out persuasion is in full and relentless flow. The song’s early smouldering acidic charm is soon hugged by rumbling rhythms and spicy enterprise which is almost XTC entangled in Echo and The Bunneymen further embraced in Pulp meets The Cure honesty and pop alchemy. A relentless breeze of sparkling hooks, dark rhythms, and dourly tantalising vocal adventure entangle ears and imagination but all the time a host of other gripping twists and inventive essences enthral within the bewitching mix; a sixties pop shimmer of guitar just one irresistible element in the glorious infestation of dark pop.

Dark Around the Eyes is one half of the new double A-sided single from Orange Vision. Sadly we were not sent Wish You were Orange over to cover too, but if it is half as potent as its companion and the band’s other songs released to date, then it too will be part of possibly the best pop song unleashed this year.

Dark Around the Eyes/ Wish You were Orange is available from August 31st

Pete RingMaster 31/08/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

Blood Divisions – Self Titled

Blood Divisions _RingMaster Review

Blood Divisions, band and EP is the coming together of a host of metal’s talented for a two track encounter that without sending excitement into overload provides one very satisfying offering. The self-titled proposal will also see a portion of proceeds raised by sales donated to Rock & Rescue, a charity helmed by acclaimed producer Jay Ruston, as well as the Warren County Tennessee Humane Society; that alone is worth the investigation and offering of your cents and pennies.

Released via Metal Blade Records, the EP features two cover songs brought to life by the likes of, amongst many, Ralph Santola, Dave Austin, Greg Gall, Terry Butler, and Chris Jericho (full list below); the latter when recently talking about the project stating “BLOOD DIVISIONS is an all-star collection of some of the most talented musicians to ever come from the legendary southern Florida metal scene. Being a HUGE fan of all of these musicians and their legendary bands, especially Nasty Savage, when David Austin himself asked me to lay down the vocals, I responded immediately, ‘YES! What songs do you want me to sing and how many studded leather gauntlets can I wear?’ I’m so honored and proud to be a part of the project and very excited with the results. Trust me, it’s going to tear all of your fuckin’ heads off, in the best possible way!

First track is a cover of the Nasty Savage incitement The Morgue, a song which has ears and imagination fascinated from its opening breath of keys and sinister dark stringed portentousness. Drama oozes from every choral fanfare and melodically epic enticement as the song grows within ears, it soon settling into a dark chamber of string plucking craft and rhythmic predation lorded over by the distinctive tones of Jericho. Shadows continually come alive as the musical narrative evolves, enthralling ears and attention with only a slight slip of persuasion when the song opens into a more expected heavy metal stroll, though again twists and turns are part of the continuing adventure. There are times it feels like the track is trying to fit in as many of the individual skills of the line-up as it can within the nine minutes or so, and it’s fluidly reflects that a touch but nothing to defuse a thoroughly enjoyable and increasingly alluring encounter.

The second track is a take on the Scorpions classic Top of the Bill, another resourcefully solid version if one which did not take with personal tastes as potently. To be honest our preferences generally never include an appetite for heavy metal/seventies hard rock in their menu but nevertheless and as expected with the musicianship on offer, the track still persuades with a blaze of vocal and creative dexterity in an enjoyable stomp.

Whether Blood Divisions is a one off or something which may as a project evolve we will see, but whichever its EP is certainly worth a moment of your time whilst supporting worthy causes.

Blood Divisions features:

Chris Jericho – vocals

Dave Austin – guitars (Nasty Savage)

Ralph Santola – lead guitar (Death, Obituary, Testament, Iced Earth)

Terry Butler – bass (Obituary, Death, Denial Fiend, Massacre)

Greg Gall – drums (Six Feet Under)

Bill Owen – lead guitar (Purgatory)

John Mahoney – lead guitar (Fester)

Ben Meyer – lead guitar (Nasty Savage, Low Brow, Gardy Loo)

Blood Divisions is available now as a digital EP via Metal Blade Records

Pete RingMaster 31/08/2015

Nemaind – Eclipsi EP

cover_RingMaster Review

There is not a great deal we can tell you about Spanish melodic death metallers Nemaind though the most important bit of information you need anyway is that their debut EP, Eclipsi, is one heavily flavoursome and magnetically alluring incitement. Its three tracks do not break down boundaries or re-invent existing landscapes within the death metal scene, but it undoubtedly provides one potential fuelled, richly enjoyable sonic tempest to eagerly immerse within.

Formed early 2014, Nemaind hails from Barcelona inspired by bands such as Moonspell, Opeth, Death, Gojira, Insomnium, Caladan Brood, Sylosis, Emperor, and Amon Amarth. Created by vocalist/bassist Ferran C, previously of thrashers Rotten, the band’s line-up was soon enriched by guitarists David C and Gerard B, subsequently followed by drummer Martí F. Recorded in February this year, Eclipsi gives the first introduction to a broader expanse of ears of Nemaind, in turn offering a strong persuasion of their craft and potential.

Eclipsi opens with its title track and instantly has attention and appetite wide awake with a swarm of waspish riffery and fierce rhythmic intimidation. It is a masterfully magnetic start which continues to tempt and work on the psyche as the track breaks into and begins exploring a malevolent landscape of portentous grooves and sonic rapacity. The vocals are varied causticity, their diversity never merging major differences between tones and delivery but enough to ensure more fresh textures in the tempest of sound and the increasing adventure emerging within the outstanding and increasingly impressive encounter. The guitars especially spin an evolving web of intrigue and imagination within the volatile atmosphere and confrontation of the song, adding captivating hues and ideation in the face of barbarous intent.

The following Pareidoniria is similarly sculpted within its own individual character and ravenous air, addiction loaded riffs stalking with unrelenting persistence alongside rapier beats and a throaty bass groove. Musically the track conjures a soundscape Gojira like in rousing dexterity and technical imagination, Insomnium seeded in hostile and ravishing emotional trespassing whilst its melodic ferocity is Corbeaux like. It does not quite match up to its predecessor’s heights yet only leaves a want for more and helps build the intent to keep the band on the personal radar.

The EP is brought to an end with Les últimes llums de tardor, another predatory protagonist this time emerging from a primal sonic mist bristling with thickly flavoursome flavours and ear pleasing enterprise. Initially there is an almost eighties like gothic spicing colluding with broadening winds of sonic and extreme metal drama rippling with creative expression and highly provocative aural colour. It is the least physically corrosive of the three songs, though still showing no emotional mercy, weaving a fascinating design of warm and barren scenery which is always emotively lively and boldly adventurous as it scars the senses.

As the final song’s cold climate dissipates, Nemaind leaves only richly positive thoughts and full pleasure behind. As suggested, it is not the most original release yet every listen brings something fresh and individual against other encounters you may come across with a similar canvas of sound. We suggest taking note of the name and enjoying their debut with the promise of increasingly impressive explorations with the band another lingering aftermath.

The Eclipsi EP is available digitally now on Nemaind’s bandcamp profile.

Pete RingMaster 31/08/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

Static Daydream – Self Titled

SD cover_RingMaster Review

Ever had that dream where you are submerged in a thick and ravenous atmosphere haunted by the darkest predatory and invasive shadows, a little like the climate in the Silent Hill games? Listening to the new album from Static Daydream is like being immersed in that except everything about it from its raw breath and melodic discord is seriously invigorating and welcome. Carrying tracks bred in the bracing winds of noise and psych rock and equally cultured in shoegaze and dream pop beauty, the debut album from the US duo of Paul Baker (founding member of Skywave and Ceremony) and girlfriend/musical partner Jamie Casey is a tempest of sound and emotion to simply bask in.

Taking inspirations from 60’s girl groups alongside 80’s and 90’s British noise-pop, the pair began recording The Only One EP, their first release, in 2012. Earning strong critical acclaim upon release in 2014 on Moon Sounds Records, it was a swiftly devoured proposition instantly laying down the seeds of major anticipation for the band’s debut full-length. Released through Saint Marie Records and Moon Sounds Records, that encounter is here, eleven tracks igniting ears from the very start with reverb infested melancholic sound matched in potency by vocal and lyrical prowess within senses disorientating, discord fuelled roars. Within that ‘storm’ too ravishing melodic beauty and creative elegance shines. It is a fusion which has a sense of familiarity yet defies any real pinning down as to why, despite any references to others which may be suggested, for a unique and virulently contagious offering which just grows and strengthens in persuasion with very single listen.

The album opens with the immediately rousing More Than Today, a song which starts with a raw flame of guitar hinting at the raw punk hues of Birdland before blossoming a warm and caustic breeze of noisy but mellow pop with shades of House Of love. The dual vocals of Baker and Casey just entwine perfectly within the fuzzy climate of keys and the continuing sonically punk guitars. It is a stirring start matched by the slightly harsher air of Nowhere To Hide, a song fusing My Bloody Valentine like charm with the coarser haunting sonic ambience of Ceremony. The song gets darker and more energetically rabid with every passing minute, its already tenaciously fiery body just bristling with intensity and turbulence by its exciting close.

Run Into The Night grumbles with rhythms and riffs as it harmonically serenades next, its touch a fierce simmer on the senses and urgent spark for the imagination. Continuing to show a new aspect to the character of the album and Static Daydream’s sound, the song becomes a fire of noise and persuasion though it is quickly over shadowed by the outstanding Blue Tambourine Girl. Ears and emotions were enslaved almost instantly as a glorious Simon Gallup/Cure like bassline colludes with just as magnetic hooks and melodies to set things in motion, resonance wrapped vocals and firmly delivered beats only adding to the again seemingly recognisable but distinct theatre. That bass seducing continues to grip attention and ardour yet never takes away from the other just as masterful and spellbinding sounds aligning with it. The track is aural slavery and the pinnacle of the album, though there are many subsequent close-runs coming to snatch its title.

Just Stay is one such rival, its rhythmic and melody honed shuffle Jam like whilst as a mesmeric shimmer of reverb fascination and splintered but captivating dark rock grooves evolve alongside. The track is brimming with compelling hues which just hang around to light up an irresistible incitement on ears and rich pleasure, even when it brews up its own individual bluster of noise and dark romantic energy.

There is a similar canvas to the following Until You’re Mine, though its landscape is far busier and comes rapaciously inflamed as harmonies and melodies smoulder in the face of a wall of reverberation and scuzz spewing resonance. Throughout the album, Static Daydream weave in enticing essences of post punk, but this is the first song alone which virtually wears the flavour as it continually slips through a soundscape of fresh scenery and emotive atmospheres for another major highlight to the release.

The pair of Another Rainy Night Without You and When I Turn Around You’re Gone keeps ears and appetite aroused, the first with its dirty Jesus and Mary Chain pungency over glowing psych rock melodies and ethereally coloured vocals. Its successor flirts with more seemingly Cure inspired hooks and revelry, smothering them in dramatic sonic clouds veined by acidic grooves and deeply biting hooks, and a bassline which again has nostalgia and salacious seduction in its armoury.

One thrilling and inspiring trespass is followed by another and the eighties spiced The Only One. At times it is a fiercer provocative than its predecessor but in other moments a gentler heatwave of sound, the extremes fluidly united and continually matching inescapable sirens on ears It is a success only continuing with the gloriously aching noise haze of When She Falls and indeed last song I’ve Destroyed Everything. The album’s closer is sweltering smog of sound and emotive intensity with again post punk flavours woven into an alluring cacophony of discordance and sonic spicery breeding impassioned vocals and bristly melodies.

The final triumph helps suggest that Static Daydream’s album is arguably stronger in its second half than first but the difference in invention and certainly enjoyment is marginal at any time. The feeling coming out of the band’s label Saint Marie Records, is that they are rather excited about this release and fair to say they have plenty of reasons to be. If the thought of fuzzy, indeed seductively scuzzy sounds with vibrant imagination excites, then Static Daydream, band and album, is one offering you need to be checking out.

Static Daydream is available from August 28th on Vinyl, CD, and digitally via Saint Marie Records and Moon Sounds Records.

Pete RingMaster 28/08/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent check out http://www.zykotika.com/

 

Grim Vision – War Agony

Grim Vision Pic_RingMaster Review

Living up to its title, War Agony is a battlefield, a savage blood spilling assault on the senses and emotions, but a ferociously compelling one. With three tracks of uncompromising hardcore/extreme metal rancor, the new EP from German band Grim Vision leaves scars, bruising, and a toxic taste in the psyche whilst providing a form of contagion that any band would offer blood for.

The Hamburg hailing and 2013 formed, Grim Vision consists of Bibo, Max, Claus, and Schmauke, a quarter releasing debut EP, With Those Who Favor Fire in 2014 to stir up plenty of attention. It was a brutal introduction to their black and death metal influenced hardcore roar but in many ways just a teaser to the creative and physical might of War Agony. Released through Bastardized Recordings, its songs unleash a fury themed through poem-based lyrics about the destruction, war and agony caused by humanity in the 19th and 20th centuries. To be honest, its narrative is primarily a mystery through the harsh and raw delivery of the words, vocals another hellacious texture amongst many others, but it does not defuse the overall impact of tracks, their raw emotion and merciless persuasion.

BE092 Grim Vision - War Agony Cover_RingMaster ReviewFallen Soldier is first up upon War Agony, its initial sonic searing just the spark to an even more vicious beating by rhythms and a wall of riffs. There is no escape, every angle is covered by the onslaught but within the tsunami of spite, the bass breeds a carnivorous and gripping groove and the song virulent infectiousness forcibly driven by the swinging scythes of drum sticks. It is punk rock at its nastiest, metal at its most cancerous yet together they breed something as catchy as it is punishing. With hooks and increasingly rousing grooves aligning with anthemically violent rhythms, locked in an animus of noise and intent, the track is a rigorously magnetic start to the encounter.

The following War Machine is just as uncompromising and addictive, every creative and body bred sinew loaded with ire and each individual riff drenched in hostility, whilst vocals blend a mix of both as the track again stirs up an infection of toxic air and furious incitement. Whereas its predecessor was an all-out tempest, the second song twists into more controlled and predatory adventure towards its close, an unpredictable and pleasing turn which lays the seeds for the most inventive and diverse song on the EP.

The closing Ten Minutes opens with skittish percussion and beats around seemingly distorted samples. As it embraces the slow, menacing gait of a bass prowl, echoes of war and damaged lives continue to share their voice to the ‘mellow’ passage before sonic smog of doom bred rapacity crawls over song and senses. It is a caustic cloak brewed by guitars which brews up and boils over into an animalistic ravishing with nostrils flared and unbridled antagonism. Again though when hell lets loose there is an inventive resourcefulness within a web of addictive bait which hooks ears and appetite as potently as the raging burns them.

War Agony is obviously not for all, but anyone with a taste for extreme metal and punk crossovers, especially those cultivating the angriest noise and malice, should get a huge pleasure out of Grim Vision’s new furore.

The War Agony EP is available from August 28th on limited edition 7″ vinyl and digital formats through Bastardized Recordings.

Pete RingMaster 28/08/2015

Copyright RingMaster: MyFreeCopyright

For more independent exploration check out http://www.zykotika.com/