Mordant – Demonic Satanic

cover_RingMasterReview

Released towards the rear of last year, Demonic Satanic the new album from Swedish black metallers Mordant just has to be looked at and recommended no matter the length of time since it’s unleashing. Fusing black, thrash, and death metal into one corrosively virulent proposition, the band’s sound and in turn album is a tempest of fearsome rock ‘n’ roll which welcomingly infests and devours the senses.

Formed in 1997, Mordant has released two previous albums in Momento Mori (2004) and Black Evil Master (2008), a trio of demos, and a split with Sabbat in 2013. Each has increasingly nurtured the band’s unique style of black metal fuelled pestilence now raising the cancerous infectiousness of Demonic Satanic out of the sole confines of its source genre. As suggested, the album is pure rock ‘n’ roll without losing any of the Swedish black/metal traits it has its seeds in.

Vengeance from the Dark is the album’s first trespass, the track swiftly luring ears with rhythmic bait and stabbing riffs before driving headlong into a scourge of raw rapacious riffs and toxic grooves. As the throat bleeding tones of vocalist Bitchfire scowl, the thrashier instincts of the band collude with melodic and sonic flirtation but are never allowed off the leash as the track confronts ears like a venomous celebratory waltz. It is a constantly enjoyable nag on the senses with hooks sharing character with old school rock ‘n’ roll, even at times rockabilly.

The excellent start continues as Devastating Storm… Evil Holocaust bounds in with its own incessancy of riffs and rapier like rhythms, the scything swings of drummer Necrophiliac managing to simultaneously bludgeon and be precise in their touch as the bass of Carnage growls with mercurial intent. As the intrusive assault of rhythm guitarist Soulmolester harries ears the grooves of Angelreaper wind themselves around the psyche, venom lining their every twist; masterful assets repeated in the album’s title track straight after. The track is as much psychobilly as it is extreme metal in many ways, that host of elements making up the Mordant sound diverse and expansive not only release by release to date but song by song upon Demonic Satanic. It is still blackened death metal at heart but as catchy as you could wish for; an epidemic of spiteful temptation.

Evil Impalers is another scourge easily taking limbs and appetite in its grip, its thrash sparked charge the drive for insidious suggestion and endeavour to seduce whilst courting the track’s bestial side before the Dals långed based quintet infest the Sabbat track Blacking Metal with their own creative curse. Both tracks leave nothing left to desire with the former pure incitement for pleasure, a potency tapped into by the hellacious outpouring of Desecration from Hell, a tempest of sonic poison also with an embrace of melodic adventure with persuasive toxins of its very own.

Through the pair of Infernal Curse of Evil and Screaming Souls, the senses are tormented and instincts aroused, the first as much a slab of salacious rock ‘n’ roll as it is emotional malignancy and its successor a web of injurious enterprise woven from varied strands of metal. Each leaves a greed for more with the former another peak in the album’s landscape.

Count Lucifer brings the album to a close, its tempest raw yet majestic and surrounded by a web of invasive imagination and magnetic craft. Again you can only describe the enmity as carnal rock ‘n’ roll and one hard to evade becoming enslaved by.

With thanks to Kunal at Transcending Obscurity who personally recommended the album, we may be late to it but have not missed out on something which may happily share its genre inspirations but is, as the Mordant sound, a fresh creative rancor to be in turn inspired by.

Demonic Satanic is out now through To The Death Records and available @ https://tothedeathrecords.bandcamp.com/album/demonic-satanic

https://www.facebook.com/mordantblackmetal

Pete RingMaster 03/03/2017

Copyright RingMaster: MyFreeCopyright

Black Mirrors – Funky Queen

 Black Mirrors Pic Nanna Dis 2016

BW, Black Mirrors, Belgium, Music, c Nanna Dis 2016

Every loud acclaim loaded whisper and incessant buzz needs something to back it up and that is exactly what Belgian rockers Black Mirrors do with their debut EP. The Brussels hailing quartet is one of the keenest new names on more and more keenly crowing lips and Funky Queen offers plenty of reasons why.

There is little we can give as background to the band but with their music doing all the talking on their Napalm Records released first EP, additional details can wait. The Black Mirrors sound is a myriad of flavours; at times it is bluesy and punky, in other moments a mix of grungy stoner and psych/heavy rock imagination, more often a blend and varying combination of all and more; a varying web easy to hear in just the four songs within Funky Queen alone. Imagine a boiling pot of essences from the likes of Queens Of The Stone Age, My Baby, Soundgarden, Janis Joplin, Jess and The Ancients Ones, and Led Zeppelin and you get a sense of the fevered sound seducing and rousing ears.

Funky Queen opens with its title track making first contact with gnarly riffs and controlled pounding beats contrasted by fuzz gifted harmonies. Swiftly a driving spine of swinging rhythms and grumbling grooves court the alluring tones of vocalist Marcella Di Troia, her magnetic presence and prowess matched by the infectious throes of the sounds around her. There is nothing to stop hips swerving and feet shuffling in league with the virulence, the track’s fusion of desert and blues rock almost tribal in its catchiness.

707_blackmirrors_cmyk_RingMasterReviewIt is a stunning track awakening ears and appetite with lusty zeal and setting them up for the garage rock and blues punk revelry of Kick Out The Jam. Winding around the dark bait of Gino Caponi’s bassline, the grooves and melodic flames from Pierre Lateur’s guitar sizzle as the sticks of drummer Nicolas Scalliet land with relish. Di Troia again stands vocally astride it all with commanding dexterity and vocal zeal, a union of enterprise in spirit raising rock ‘n’ roll providing a striking cover of the MC5 classic.

Actually it is four such escapades on offer, The Mess just as persuasive as it ventures on a slower more controlled stroll soaked in anthemic temptation and sultry melodic juices. Like a siren, the song draws ears and emotions in but the rewards are invigorating not dangerous, except to swinging hips quickly involved in the fiery seduction.

Canard Vengeur Masqué brings things to a invasively captivating close, the song also reserved in its gait but eager in its sonic and melodic tempting with Di Troia a seductress to sound and listener as rhythms twist and turn around glowing grooves and hooks keen to infest the psyche. There is a touch of the now demised British band Karn8 to the song and of the aforementioned My Baby too, but Black Mirrors for the fourth time in the EP stand individual and irresistible in ears and praise.

The Funky Queen EP is quite superb and will only accentuate the band’s already heady reputation while drawing a horde of newcomers to the bold seduction that is Black Mirrors.

Funky Queen is released March 3rd via Napalm Records across most stores.

Upcoming Live Dates:

07.03.2017 TU – Ankara / ODTÜ

06.04.2017 BE – Antwerp / Trix

w/ Horisont

16.03.17 DE – Hamburg / Logo

17.03.17 DE – Siegen / Vortex

18.03.17 DE – Düsseldorf / Pitcher

23.03.17 DE – Munich / Backstage

25.03.17 CH – Pratteln / Z7

26.03.17 AT – Vienna / Das Bach

27.03.17 AT – Salzburg / Rockhouse

28.03.17 DE – Mörlenbach-Weiher / Live Music Hall

29.03.17 DE – Lichtenfels / Paunchy Cats

30.03.17 DE – Berlin / Privatclub

http://www.blackmirrorsmusic.com/   https://www.facebook.com/blackmirrorsmusic   https://twitter.com/BlackMirrorsmus

Pete RingMaster 03/03/2017

Copyright RingMaster: MyFreeCopyright

Primal Age – A Silent Wound

photo-promo_RingMasterReview

Four years after their 3 way split with Mostomalta and Cherish on Deadlight Entertainment, French outfit Primal Age return with a new EP again through the Foix based label. A Silent Wound is a caustic roar of the band’s hardcore infested metal giving evidence that the time between releases has been spent bringing a fresh air and touch as well as malice to their invasive sound.

Given in tribute to Mika “Bleu” Adjennian who passed away last summer, the manager at Customcore Records who remained a close friend after the label released the band’s album A Hell Romance in 2007, A Silent Wound opens up with The Whistleblowers VS World Health Organization. From the first rally of drum enticement, the track explodes into a furious surge of riffs and bone rapping beats, their animosity echoed in vocal growls and the raging heart of the song itself. The incessant pressure and assault of the track is a viciously compelling infection, the senses blasted emotionally and physically as the band pull no punches with their scathing political/social outpouring. Fusing thrash and classic metal elements with raw punk ferocity, the track is an exhausting, almost crippling onslaught and quite exhilarating.

ep-cover_RingMasterReviewThe EP’s title track steps forward next, its charge less vicious energy wise but a still as imposing and predatory trespass of the senses as its predecessor. Featuring Felipe Chehuan from Brazil metalcore outfit Confronto, the tempest careers across the senses like a violent tango, hardcore animosity and rigour surrounding metal bred grooves and riffs. Already appetite for the encounter is becoming greedy and only urged on by the almost tribalistic, certainly rhythmically, Counterfeiters of the Science. With thrash bred riffs and wiry grooves entangling rampant rhythms and listener alike, things are swiftly and uncompromisingly catchy and increasingly antagonistic. Another buffeting of the senses ensues, one hungrily welcomed especially as the song twists and turns through a web of swinging beats, grumbling basslines, and vocal incitement as the rousing defiant soaked encounter challenges the opener for best track honours.

The EP is completed by To Jeff, a tribute to Slayer guitarist Jeff Hanneman featuring a medley of the thrasher’s songs. Primal Age are aided by guests in vocalists Julien Truchan of Benighted and Hiroyuki ‘Koba’ Kobayashi from Loyal To The Grave and offer a fine homage to the man and pleasure for the ears.

What comes next from Primal Age metal and hardcore fans will eagerly await especially as A Silent Wound suggests it will be something to savour as itself is.

A Silent Wound is out March 3rd through Deadlight Entertainment @ https://deadlight.bandcamp.com/album/a-silent-wound

https://www.facebook.com/PRIMALAGE/

Pete RingMaster 03/03/2017

Copyright RingMaster: MyFreeCopyright

Hollow Leg – Murder EP

hollow-leg_RingMasterReview

With a new drummer on board, John Stewart (Bloodlet/Caribou King) replacing departed founding member Tim Creter, Florida doomsters Hollow Leg unveil a their two track trespass this March. An individual grumbling fusion of the doom/sludge fuelled metal the band has already been the subject of acclaim for, the Murder EP reveals a new fresh roar and growth in that proposition and, as suggested by its press release, emerges “the band’s strongest material to date”.

murder-final-cover_RingMasterReviewMixed by Sanford Parker and mastered by Collin Jordan, Hollow Leg starts its proposal with Raven. The initial volley of firm beats almost stalks the listener as the song makes its first move. A momentary breath then follows, opening the way for dirty riffs and scowling vocals to lay their hand on the senses as rhythms bring their heavily sinew bound incitement to bear on the blues scented, sludge fuelled consumption of ears. Shifting through the gears back and forth in attack, the track quickly becomes a grumbling treat; essences of the likes of Eyehategod, Weedeater, and Crowbar making tempting hues in the band’s provocative web of sound and texture.

The following title track is just as generously flavoured but veering towards the more stoner-esque side of their sludge/ doom collusion. Tangy grooves are swiftly entwining rapacious rhythms and eager ears, riffs a bed of controlled antagonism beneath them as vocals carry a more open snarl to their character. Though generally a more energetic proposal, the song does slip into moments of  lumbering doom threat only increasing its intensity and bait as melodies gather in the shadows waiting to provocatively dance on a subsequent passage of lighter flirtation before things return to the predatory incitement it all began on.

Both tracks bring a fresh wind to an already in place appetite for Hollow Leg and their compelling sound found through debut album Instinct a fair while back, and a keener anticipation for what is to follow.

The Murder EP is released March 3rd through Argonauta Records on all digital formats with a physical release to follow later in the year.

 

https://www.facebook.com/hollowlegfl/

Pete RingMaster 03/03/2017

Copyright RingMaster: MyFreeCopyright