Scant Regard – You Know The Drill

Pic Dave Cox

If its predecessor, Skipping Over Damaged Area, was an exploration and echo of the “apocalyptic destruction and devolution of the planet we live on”, then You Know The Drill is the bold new adventure in its escape; a sci-fi toned tapestry of intrigue and contagion wrapped in sounds which just infiltrate and enliven the body and imagination.

You Know The Drill is the new creative exploit from Scant Regard, the solo project of Will Crewdson; guitarist/musician/songwriter previously acclaim notorious for his work with Rachel Stamp, Adam Ant, The Selecter, Johnette Napolitano, Bow Wow Wow, and Flesh for Lulu as well as currently one half of the equally irresistible She Made Me Do It. It is an encounter which still sows its seeds in the decay and destruction of the modern world but within its body ventures into the hope and relief brought through space lit, sci-fi cultured escapades. Crewdson’s previous offering, the deviously magnetic Skipping Over Damaged Area, felt like the corruption of hope and light by a creeping darkness. You Know The Drill is the reverse in many ways, bringing light and respite to the sunless breath of the world; both encounters casting trips of sonic poetry and rich intimation drenched in uncompromising infectiousness.

 You Know The Drill opens up with Ulterior Motives, electronic pulsing instantly nagging on ears and attention before rhythms collude to pitch immediate contagion upon the senses. In swift time Crewdson’s vocals join the hungry enterprise, the knowing deception of the song’s sarcasm springing greater catchiness by the second before saving its thickest dose of virulence for the delicious throaty bass led groove which breaks out.

The album’s title track follows, blues liquor fuelling its opening flames before a surf kissed breeze courts the controlled but pungent rhythms at its core. As the opener sprung a lure of descriptive intimation in its sound alone so its instrumental successor weaves an even more stirring sonic tale of drama and suggestion to play with before No More follows suit with its shadow wrapped stroll into ears and thoughts. Again every hook carries creative revelation for the imagination to conjure with; the track nurtured in the same suggestive espionage and danger which marked the best themes tunes of sixties and seventies TV shows such as UFO, Space: 1999, The Avengers or The Prisoner.

Its dark temptation is followed by the thickly enticing lures of Projectile Comet, bait which erupts in another of those riveting hooks and grooves which Crewdson has proven so irresistible and diabolical with across the years. The intergalactic hue of the track brings threat and adventure, the concussive rhythms at its heart chased by voracious riffs and intoxicating grooves in a mix which hungrily got under the skin, an infiltration being quickly replicated by the post punk incident that is the outstanding Calamity’s Creation. Bass and guitar unite to project an instant infiltration of theatre and seduction, vocals riding the groove wired hook lined incitement with matching lust bugging enterprise. There is something of The Monochrome Set to the track at times, the scent of Lester Square creative prowess aligning to the inimitable craft and imagination of Crewdson as another momentous moment within the album is cast.

The swarthy southern hues of Nevertheless bring another hug of instrumental suggestion straight after, ears and thoughts united in their swift embrace while both A Process of Illumination and Charmed I’m Sure share thick fascination with their respective electronic web of insinuation and industrial rock incitement, the latter a piece as aggressively imposing as it is mentally manipulating.

Rogue Prototype similarly draws on industrial instincts, its cyber hull the host for pop tempting and dark post punk menace. The track proved pure fascination in its breath and imputation, suspicion and drama soaking every note boiling and erupting in its tempestuous body before leaving Heart Torn Blood Ratio to bring the gripping release to a close. Melancholic beauty and solemn radiance coat every second of the brooding serenade as darker heavier throes of enterprise rumble in its depths; the track an enthralling end to an album which danced with the imagination and provoked eager attention from start to finish with rich pleasure the outcome.

Look up the definition of fascination and you find the likes of captivation, attraction, intrigue, magnetism and obsession as similar meanings and all thickly apply to the also gloriously art wrapped You Know The Drill, Scant Regard’s greatest moment yet.

You Know The Drill is out now digitally and on blue vinyl effect CD @ https://scantregard.com/store and https://scantregard.bandcamp.com/album/you-know-the-drill

http://www.scantregard.com   https://www.facebook.com/scantregardpage   https://twitter.com/scantregard   https://www.youtube.com/user/willcrewdson

Pete RingMaster 29/02/2020

Copyright RingMasterReview: MyFreeCopyright

Elements – Make It Out Alive

Elements Promo Photo_RingMasterReview

As part of the exciting 2015 released Where We Once Begun EP, the track Make It Out Alive was an offering from UK alternative rockers Elements which took longer to spark the senses than many of its companions but alone left expectations of major things from the band. Fair to say it has also proven to be a track which has only grown in thoughts and enjoyment since that first outing, blossoming over persistent listens and now makes for a striking new video single for the Southampton hailing quintet.

Elements Cover Artwork_RingMasterReviewFormed towards the end of 2013, Elements have proceeding to forge a strong live reputation taking in shows with the likes of Bad Rabbits, The Afterparty, DEAD!, Ashes To Angels, The Hype Theory, and Public Service Broadcasting plus tours with They Say Fall, Elessar, As December Falls, and You Know The Drill along the way. The band’s aforementioned second EP, Where We Once Begun sparked eager attention and praise from Powerplay Magazine and Big Cheese among many, with the single Shaman from the Phil Gornell produced encounter leading the way. Continuing to make their name on the live circuit since, Elements now uncages Make It Out Alive on its own to stir up further attention.

The track opens on an alluring guitar jangle and the swiftly impressing voice of Graham Rogers, both quickly joined by a more maudlin bassline amid a sonic shimmer. The band’s rhythmic muscle is soon giving further depth and intensity to the song, the hefty swings of drummer Ash Martin uniting with the darker tones of Max Bakker’s bass as guitarists Ollie Butler and Robin Small cast a web of melodic imagination and dexterity. Captivating with increasing energy, as the backing vocal prowess of Bakker and Butler adds another further impressing texture to the adventurous and cleverly layered encounter, Make It Out Alive grabs ears and imagination alike.

As suggested the song is a grower; quickly pleasing on first listen and growing into a beaut of a proposition over time ensuring anticipation for Elements’ next step takes on certain eagerness.

Make It Out Alive is out now @ http://elementsmusick.bandcamp.com/track/make-it-out-alive

https://www.facebook.com/elementsmusicuk   https://twitter.com/elementsmusicuk

Pete Ringmaster 05/08/2016

Copyright RingMaster: MyFreeCopyright