Hipbone Slim and the Kneetremblers – Ugly Mobile

Hipbone Slim_RingMasterReview

With some artists, the news of a new release sparks a twitch in the hips and itch in the feet. Such it is with Hipbone Slim and the Kneetremblers after enjoying four slabs of the band’s individual rock ‘n’ roll, and such it was coming into new album Ugly Mobile. Containing fourteen slices of multi-flavoured incitements bred on the seeds of original rhythm ’n’ blues, the album is manna for the ears and a puppeteer to the body. Released via the ever treat giving Dirty Water Records, the press release for Ugly Mobile stated that the album is the band’s “finest offering so far!” After the umpteenth romp with the irresistible release, we can find no reasons to disagree.

It is hard to be surprised at the sound and infectious mischief that Hipbone Slim and the Kneetremblers create when you look at its members. The band is led by vocalist/guitarist Sir Bald Diddley (aka Hipbone Slim), the man seemingly involved in more bands than a wedding courting jeweller. Among the list is the inimitable likes of Louie & The Louies, The Kneejerk Reactions, Sir Bald Diddley And His Right Honourable Big Wigs, and The Magnificent Escapades; that just ‘scratching the surface’ of his tenacious presence and work. Alongside him is drummer Bruce ‘Bash’ Brand, a veteran of bands such as the Milkshakes, Headcoats, the Masonics and more who has also worked with Holly Golightly, the Pretty Things, Downliners Sect, Wreckless Eric, Mungo Jerry, and Link Wray. The line-up is completed by bassist/harmonica player Gastus Receedus who has played in the likes of Big Wigs, Arousers, Playboys, and worked with legends such as Billy Lee Riley, Sonny Burgess, and Dale Hawkins amongst many. It is a trio which let rips from the first note of Ugly Mobile and relentlessly continues to incite and thrill until its flirtatious last.

The album opens with Bald Head, Hairy Guitar, a track opening like a Hank Mizell scented rumble as bass and drums grumble with a wink in their creative eye. In no time Sir Bald is spilling guitar and vocal bait into the virulent mix, the song mixing prowling devilment and infectious stomping to grip ears and body with relish. The same applies to the album’s title track which follows. You can almost see the grin on its creative face and eager energy as it flirts with a Bo Diddley spiced shuffle very easy and very quick to get physically and vocally involved in.

art_RingMasterReviewOrangutan steps up next, it’s beguiling coaxing carrying a great Johnny Kidd & the Pirates feel to its sultry persuasion and sound. The beats of Gastus alone create an anthemic trap reinforced by the great throaty roam of Bash’s bass. Further bound in the spicy string picking prowess of Sir Bald, the song as its predecessors, needs little time to seduce and enslave before One Armed Bandit brings its own quick persuasion, this time the band slipping in a seductive Del Shannon reminding melody amongst strands of surf rock tempting. A spark for ears and imagination, the instrumental also shows the variety already flowing through the album’s first quartet of songs.

The garage rock boisterousness of Sally Mae continues that flavoursome spread, keys and nagging riffs riveting textures in its rawer rock ‘n’ roll before Voodoo Love puts its late fifties/early sixties hex on ears and appetite. The fun uncaged simply continues as the exotic mystique of Hieroglyphic dances and flirts with the listener, its instrumental seduction nostalgia and fresh revelry combined whilst Hey Ramona! simply has the body bouncing with its lively contagion.

A steely texture lines the guitar bait as Hammond-esque enticement adds further tasty hues to next up Indestructible Love; the track part garage punk and part blues in its old school seeded rock ‘n roll that warms ears up nicely for the throbbing suggestiveness of Why Can’t I Find What I’m Lookin’ For. From its opening bass swing, the track has lust offered in return and only increasing its hold as a Meteors meets Billy Lee Riley like croon blossoms thereon in. The track simply hits the spot as too the excellent Don’t Know Where To Start, an irresistible and ridiculously catchy call for voice and body participation swiftly answered as the Johnny Cash tinted track ignites the passions.

The smouldering flirtation of Meanwhile, Back In The Jungle keeps things inflamed with its tribal rhythms and imagination stroking hooks  before Number One Son brings limbs into even keener action with its blues hued rockabilly and Joe Poovey like tenacity.

Closing with the bracing rocker, There’s Only One Louie, band and album provide a feel good stomp that simply leaves ears, spirit, and emotions high. If real rock ‘n’ roll is to your fancy, Hipbone Slim and the Kneetremblers and Ugly Mobile are a must.

Ugly Mobile is out April 22nd via Dirty Water Records @ http://www.dirtywaterrecords.co.uk/shop/#!/~/category/id=10017028&offset=0&sort=normal

http://www.dirtywaterrecords.co.uk/hipboneslim

Pete RingMaster 18/04/2016

Copyright RingMaster: MyFreeCopyright

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The Tuesday Club – Lady Gargar EP

TTC_RingMaster Review

After a summer taking their notorious concert party around the UK to the usual heavy dosage of acclaim and noise complaints by the neighbours, The Tuesday Club are breaking out the tea and tunes with the release of new EP Lady Gargar. The third in of a set of 4 EPs eventually uniting for the band’s next 4 x EP Box Set album, the ‘Body’ section of the eventual full-length brings three songs drenched in the recognisable Tuesday Club sound and devilry but as is always the way finding just that little more mischievous invention to refresh and excite.

Still looking and endearing like rejects from the Home Guard, men and woman who most likely would have been thrown out for goosing the vicar and flattening haystacks in the arms of land girls, The Tuesday Club just get more essential and addictive with every release, Lady Gargar as an EP and new single no exception. The successor to the My Consciousness EP out last October and the Forbidden Kiss EP of June this year, Lady Gargar romps and stomps like a Canadian/US soldier providing illicit booty in the Blitz, seducing and swaying with virulent punk ‘n’ roll pop temptation.

ep cover_RingMaster Review   The EP opens with its title track, the Walmington-on-Sea septet bringing Lady Gargar into view on a lone scrub of guitar and soon after, the distinctive vocal devilment of Andreas Vanderbraindrain and The Minx. Like Dirk Wears White Sox Adam and The Ants colluding with Oingo Boingo era Danny Elfman, the track slips through ears with thick flirtatious hooks and a broadly smiling swagger. Within this festivity, the keys of Rogerio Marauder bloom with melodic warmth as the beats of Titti Bartelski jab and lead an inescapable incitement on feet and hips. Everything about the song is magnetic, the guitars of Dave Worm and J Rod spewing catchy riffs and grooves as freely as the bass of The Beautiful Wolf wanders through it all in its own individual way.

Scars are Superstars steps up next, straight away laying down bait of jagged riffs and punchy beats as the rest of the band add their infectious spices with increasingly riveting success. Weaving in new wave and power pop enterprise into its relentlessly keen energy and gait, the song bounds along like a teenager in the heat of summer and puberty; grinning with sparkling hooks and the ever becoming vocal union of Vanderbraindrain’s spiv like devilment and The Minx’s Amazonian lure.

     Resistance (Makes the Heart Grown Fonder) completes the line-up upon the EP, its personal instant magnetism the perfect coaxing into an even stronger contagion of inimitable temptation. More a canter than its predecessors, the song ambles along with a Radio Stars meets Wreckless Eric enticing, at times a whiff of Ten Pole Tudor also showing its scent, simply bewitching at all times as it incites the body to use every angle at the hips disposal for a gentle but determined swing.

Recent releases have shown The Tuesday Club on a trend of being more and more creatively captivating with the Lady Gargar EP their new pinnacle in the defence of our pleasures and souls. Roll on EP 4 is all that is left to say.

The Lady Gargar EP is released on October 19th wit pre-orders available now @ http://thetuesdayclub.tmstor.es/cart/product.php?id=26399

https://www.facebook.com/thisisthetuesdayclub   http://thisisthetuesdayclub.co.uk/

Upcoming Live shows:

Oct 19 8:00pm     The Horns     Watford, UK (EP Launch Show)

Oct 23 8:00pm     PDM At Harveys     Luton, UK

Oct 24 7:00pm     Cockfest! at The Town Hall     St. Albans, UK

Oct 31 7:30pm     Trestle Arts Centre     St. Albans, UK

Nov 01 6:00pm     Lower Red Lion     St. Albans, UK

Nov 08 8:00pm     The Garage     London, UK (supporting Toyah)

Pete RingMaster 14/10/2105

Copyright RingMaster: MyFreeCopyright

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