Promethium – Faces Of War

There is nothing better than hearing, release by release, the growth of a band in craft and sound especially when their potential is realised step by step whilst offering plenty more promise to be anticipated. Such has been the case with British metallers Promethium, a band who has openly blossomed record by record and now breaches a whole new plateau with Faces Of War.

Creating a sound merging old school with modern rapacious flavours, Lancaster hailing Promethium formed in 2007. Inspirations to the quintet included the likes of Black Sabbath, Metallica, Megadeth, and Pantera, essences still colouring a sound today which is as individual to its creators as you would wish. Quickly releasing their first EP, The Revenge, it was in 2009 and with debut album, Welcome to the Institution, that the band grabbed our, as so many others, attention. It was a raw yet accomplished introduction rich with that earlier mentioned potential brought to some fruition in its successor Origins four years later. As it built upon its predecessor’s strengths, so Faces Of War builds upon the second album but with a far more dramatic impact in songwriting to imagination to craft.

A concept album with each song offering a different perspective to war, the album launches at the senses with opener Enemies of Fate. A portentous sonic tone lures a march of riffs and rhythms into view with grooved armoury in its midst as vocalist Steve Graham swiftly joins the attack. It is a composed assault though, the band almost sizing up the listener rather than going at them full charge, providing a healthy mix of intrigue and predacious intimation. In no time guitarists Dan Lovett-Horn and Rossi are weaving a transfixing tapestry which is more than matched by the great vocal backing unity between Rossi and bassist Henry Greenwood; just two aspects in the inescapable maturity and growth in the band’s sound already being unveiled.

The outstanding start is followed by the similarly impressive Declaration. From its initial grooved trespass and Graham’s earnest calls, the track just wormed its way under the skin. The swinging strikes of drummer Kev Yates potently stir the senses, their rapacious incitement aligned to the groaning contagion of Greenwood’s bass as again a great maze of sonic enterprise is cast by the guitars with Curran Murphy guesting with a flavoursome solo. Drops in intensity brings spoken words from Nev Jones as Graham croons, a fluid twist which subsequently sparks a roaring finale before the outstanding P.O.W steps forward with its own dark clouds and intent. Grooves and rhythms instantly collude around vocals as an irritability fuels the nature of the track, essences of those aforementioned influences to the band spicing the volatile air of the track.

A shadowed calm is brought in by next up Shell Shock, its atmosphere as claustrophobic as it is seductive. That reflection rich restraint intermittently erupts in a cauldron of turbulence and emotive turmoil yet all the time guitars continue to weave a suggestive web of melody and predation. It is another gem and though only four songs in fair to say Faces Of War had us firmly hooked; a grip only tightened by 20,21,15 and its wirily grooved stroll. With Barry Mills sharing vocals with Graham across the song it boils with sonic dexterity while rumbling with rhythmic manipulation.

Such the massive heights of the first half of the album maybe it is inevitable that the task of living up to what came before slips up meaning personal tastes are not always stoked up as rigorously yet everything about Turncoat, from its vocal mix and rousing rhythms to sonic invention, is an ear grabbing proposition. It just misses some of the major sparks of its really striking predecessors.

As soon as the grooved webbing of Stolen Valour wraps ears straight after appetite was back to greedy, guitars and rhythms almost dancing on the senses with their snarling and badgering enterprise as again a vocal blend simultaneously entices and harries. With every passing minute the track simply blossoms as it evolves, harmony loaded vocals and creative unpredictability fuelling its compelling arsenal of invention. Another candidate for best track it is swiftly followed in matching captivation by Final Solution, itself an almost deceptive proposal being as intimidating and predatory as it is invasively infectious.

Featuring one of our favourite guitarists in Jay Parmar, Kill on Demand is one of those rousing anthems which have thoughts and spirit as eagerly active as the body. Led by the crunching beats of Yates and the brooding tones of Greenwood’s bass, the track is a magnetic fusion of old school and current ferocious metal shaped by the ever imaginative work of Lovett-Horn and Rossi and capped by the stylish raft of Parmar.

The album closes with its title track, another rigorously catchy and aggressive creative raid warlike in its tone and galvanic in its character. Epitomising the fresh strength and guile not forgetting that real maturity in the band’s sound, the track is a masterful conclusion to one mighty fine release.

Promethium and their sound just go from strength to strength, in turn so too pleasure. Yet there is still the feeling that they are yet to hit their full potential which considering the sheer unrelenting  quality of Faces Of War is something to keenly anticipate.

Faces Of War is available now @ https://www.promethiumband.com/product-page/faces-of-war

https://www.promethiumband.com/    https://www.facebook.com/Promethiumband/    https://twitter.com/promethiumband

Pete RingMaster 12/02/2018

Copyright RingMaster: MyFreeCopyright

Promethium – Origins

promethium pic

Two years ago UK rockers Promethium impressed with their debut album Welcome to The Institution declaring themselves as a band rife with promise and enterprise. Their mix of heavy and classic metal, despite its strong and gripping entrance, also seemed to be saying ‘you have seen nothing yet’ as it left a certain hunger in its creative wake. Now awaiting its moment to burst into the world on September 30th, Origins with ease backs up that apparent statement with a collection of tracks which scream from the rooftops just how much Promethium and their sound has matured and evolved between albums.

Formed from the remains of Skin Crawl, Bodies, Desolate and Natual Thing around six years or so ago the Lancaster band first opened up a wave of attention with their first EP Tribute to the Fallen of 2009. Followed by the successful and well received Welcome To The Institution the feeling that the band was about to erupt upon the higher levels of UK metal was maybe a little premature at that time. Met with acclaim and support things still seem to have moved on slowly for the band in regard to recognition though certainly tours with the likes of Furyon and Beholder as well as their own shows, did their stature no harm at all. Listening to the rich textured sounds and riotous energy and appetite of Origins only supports the notion that we all jumped the gun on their ascent but now could be the time it all kicks off for vocalist Gary McGahon, guitarists Daniel Lovett-Horn and Rossi, bassist Barry Mills, and drummer Dominic Clayton.

Whereas the previous album was a multi-flavoured mix of metal, for Origins the quintet has gone back to the roots of the band and promethiumcentred the core of their sound in prime heavy melodic metal, though it is as full of aural colour and sonic spice as ever. This definition of their direction we would suggest goes much towards the bigger deeper sound making the songs immersive and captivating, that and the obvious evolution in maturity and musical skills. From the opening track Won’t Break Me the leap in sound and composition openly hits, the track immediately wrapping the ear in sonic flames from the guitar and a bass and rhythmic inducement which stands bold and tall in craft and presence. The vocals of McGahon have also found a richer voice and delivery to match the sounds, and as the contagious opener rampages it all makes for an intensive lure for thoughts and hunger. There is a familiarity to the song which teases but as from day one with Promethium, band and music refuses to be compared to anyone else such the unique flavour of their music.

From the impressive beginning the album unleashes two more fierce encounters in the form of the confrontational Gunslinger and the antagonistic beast The Art of Hurting. The first of the pair, and the track which has been publicly teasing people up to release date, brings a great mix of vocal styles and intensive riffing veined by a cage of rhythmic prowess but it is the searing charm and flames of the guitars which steal the show before passing on to its equally rapacious successor. Holding its rabidity in check certainly compared to the previous songs, the track prowls the senses sucking air from the lungs with its oppressive and menacing nature. It is a brute of a treat which continues the vigorously strong start of the album provoking more thoughts that the band’s time has come.

Bringing a less intensive but no less striking offering, Counterfeit with sonic spires of melodic potency and riveting craft leads the listener into further fresh avenues whilst Rain with its power ballad like passion pushes the envelope of the songwriting and its realisation on the album yet again. The song is a real slow burner with its first engagement drawing strong acclaim and over subsequent listens drawing real ardour.

The riff sculpted almost Sabbath like The Hunted reeks old school metal in the best of ways though the vocals lack the bite and potency on earlier songs, especially the less successful mix of harsh and cleaner hues. It is still a richly satisfying ride which is matched by the slow melodic drawl of Plagued by Evil, another song which reminds of something else but will not give up the source, probably because there is none. The songs make for a less impacting but undoubted magnetic middle to the album which is given another adrenaline boost with Revolver, a song which conjures up a predacious animosity and within its storm an anthemic persuasion to capture the imagination.

Completed by the excellent Believer, a track which has more twists and turns to its inventive sound and melodic furnace than a dog chasing its tail and an invention which leaves each listen a little more rewarding and revealing, and the closing mesmeric instrumental title track, The Sky Rocket Records released Origins is a mighty release and step in the dawning of Promethium as one of UK’s most thrilling metal bands. Strangely it still suggests there is more to come from and hone within the band which is as dramatically exciting as the album itself.

Origins is released on October 7th

http://www.promethiumband.com

9/10

RingMaster 28/08/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Interview with Dan Lovett-Horn of Promethium

Promethium is a band that through an excellent and acclaimed EP and album plus a reputation for excellent and impressive live shows that has more than earned their right to be spoken as one of the best emerging metal/rock bands in the UK. With the band preparing and working on their next album we thought it was about time to catch up with guitarist Dan Lovett-Horn to find out more and reveal more about a band that will soon be making a very distinct mark on UK rock.

Welcome guys and thank you for sharing your time with us.

Could you first introduce the band members?

Many thanks dude. On vocals we have Gaz McGahon, Guitars, Dan Lovett-Horn and Rossi, Bass Barry Mills, Drums Allan Gardener.

How long has the band been going and how did you all meet?

The band started around five years ago. I was planning a studio project after my last band was disbanding.  I met up with some musicians friends and all of a sudden we had a new band. Many members later and we are still here.

Promethium is not your first experience in a band then?

It’s quite weird actually. I had always wanted to play in a band with Rossi and after much pestering I finally had the opportunity when he left his last band Desolate. Gary had been an old band mate from our school years and he had just returned from London after his last band had come to an end. Barry is the frontman in the fantastic rock band Massive Wagons and his main reason for joining was he was missing playing the bass.  Allan is the newest member from a now defunct experimental band.

Has metal been the sound you have created as musicians or is there a touch of Ministry in your journey to date if you know what I mean haha?

My previous band was influenced by 80’s rock and the music I was starting to write was going in a far heavier direction. So there was a change of direction because my own style of playing dictated that the music was becoming heavier. I must admit that Rossi is the one who brings the Ministry side to us. I guess it’s his old man influence.

Your debut release was Tribute to the Fallen in 2009, tell us about that initial acclaimed EP.

It was really great as we knew we were onto something cool, and as soon as it was released the reviews were very positive. The radio airplay then started, and we knew we had to crack on getting the album recorded.

It seems things between that and your first album two years later did not accelerate as one anticipated for the band is that fair to say?

That is fair.  What is funny is the album was recorded very quickly, however the delay came from the manufacturing end and also the release date got altered a couple of times. Originally everything was ready for April 2010. There were delays and complications we couldn’t control.

That album was the excellent Welcome to The Institution which came out last year. How has that been received?

Overall it’s been good. We have had a lot of positive feedback and some great reviews. This in turn has also been helped by our debut music video “Visions” which has been banned on most music channels. We did two versions, one to get banned and create publicity and the safe one as a fallback for, and both got banned. It would seem what we consider acceptable the outside world does not.

As with any release there are always going to be people who dislike a recording, however we have found that even with negative reviews, people check us out, and so it works in our favour.  The artwork could have been better but in all honesty you don’t judge a book by its cover so why would you with an album.

The album is a powerful and varied release, what was the inspiration behind it?

The concept behind the album was to make a recording of a new kind of metal, one that fuses a varied style of influences and isn’t bothered about current bandwagons.

As mentioned Welcome To The Institution is diverse in sound suggesting varied influences within the band, is that so and what are your most inspiring ones?

Big influences overall are Metallica, Megadeth, Annihilator, Testament and 2pac 

Months on from its release what are the things about Welcome to The Institution you feel could have been better and alternately give you the deepest pride?

Overall we love the album. My biggest pride is the fact that it’s an album created with friends.

What have you learned from making it that will stand you in good stead for future recordings?

We’ve definitely learnt the meaning of Pre Production, and that’s something we are doing heavily for the next album. Also learnt what I need to do in regards to recording tips for more varied sounds.

How does songwriting work within the band?

We have now got it down to a fine art. I right the bulk of the music. Rossi then re-writes it, and then together as a band we arrange it. The final piece of the puzzle comes when Gaz sits down to process his thoughts and write the lyrics.

Is Promethium a democratic or is there a final voice on certain aspects of the band?

That’s a bit of a weird one. Yes we are a full band however we allow certain people to have a final voice depending on the matter.

You are currently working on your new album, what surprises and treats are we going to discover within in?

It’s going to be awesome. I have friend who turned up at the studio the other day and literally said the songs were jumping out of the speakers at him. We have really gone back to basics on this album, looked at every riff, every solo, every drum beat and fill, and every vocal melody.  It is going be an album that people will take note of and I am certain it will open the gates for us.  We have really gone back to our musical roots and this is where that album comes from.

Are there any definite songs you can reveal for it and an album title for the project?

We have decided not to release the title yet, but current song titles are Believer, Gunslinger, Wont Break me, and Plagued by Evil.

Apart from the album what plans do you have for 2012, plenty of gigs?

2012 is a busy year with the first half packed with gigs all over the country including the fantastic Future Perfect festival in May in Manchester. The second half of the year will be studio based so that we can look a spring 2013 release for album two.

How hard is it to keep outside life from distracting and coming before the life of Promethium for you guys?

Music for all of us all is a passion. We love it whether it is gigging or in the studio or in rehearsal. We all work full time and if we didn’t love doing this it would be difficult to manage both things. We just don’t see it as a difficulty its part of our life and we love doing it.

Many thanks again for chatting with us.

Can we end with a couple of in depth questions…firstly which band member would you be most reluctant to share a broken down elevator with?

Rossi – he would geek you death before the oxygen ran out – although that might be a good thing suffocating in a lift sounds like a horrible way to die.

And lastly which of the band has the darkest embarrassment to hide and what is it?

If you buy a copy of our album when it comes out the sleeve notes will tell all!!

Read the review of   Welcome to The Institutionhttps://ringmasterreviewintroduces.wordpress.com/2011/08/30/promethium-%E2%80%93-welcome-to-the-institution/

RingMaster Review 04/04/2012

MyFreeCopyright.com Registered & Protected

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.

Promethium – Welcome to The Institution

It is always with great satisfaction when a band that may not be new in existence but new to the ear surprises and delights as in the case of UK rockers Promethium. Though the Lancaster band has been going for at least three years it is fair to say even with the acclaim for their debut EP ‘Tribute to the Fallen’ in 2009 they have not found the deserved notice outside of their more localised area, with their debut album Welcome to The Institution that is a situation that should be soon rectified as it finds its way into more ears and awareness.

Promethium emerged from the remains of Skin Crawl, Bodies, Desolate and Natual Thing, all bands well known and respected in the Lancaster / Morecambe music scene. This pedigree of Promethium brings a distinct and extremely skilled ability and song writing process to the band that is very evident upon the ten tracks that rumble within Welcome to The Institution.  As represented by the band’s name the music they produce is a kind of by-product of varied rock ingredients such as hard rock, metal, classic rock, and thrash, all melded and worked into a resulting energised sound that with equal power, eagerness, and open accessibility entertains with honest enthusiasm and unrelenting intent. The one thing that stood out apart from the strength of the songs was that despite these varied influences apart from one time, they did not particularly remind me of any other band which is rare and that is never a bad thing.

Firstly to get the negatives out of the way, well just the one and that is the artwork, as well as being poor and generic in many ways it gives a wrong impression of the band, suggesting another formula rock band trotting out Sabbath/Maiden like tunes, and to those who run to the hills at the thought it is too easy to move on quickly without checking out what is a very fine release out.  

The album opens on the excellent instrumental ‘Distant Illusion’, which after the packaging’s initial interpretation immediately intrigues but also deceives a little, holding off from revealing the sounds to come, once ‘Visions’ bursts in with its hard rock vigour soon the truth is revealed. The song which is also the first video from the album is a perfect introduction to the band, its relentless riffs and addictive chorus openly inviting and impossible to not be joining in with by half way. It also shows the fine vocals of Gary Mogahon, filling the song with a delivery equal in power to the surrounding sounds.

As the tracks play the creativity of guitarists Daniel Lovett-Horn and Rossi is obvious, driving hard and flowing in all the right places backed by the intense drumming of Fraser and the calming and eventful bass of Wayne Ward. At times Ward’s riffs firmly hold a song in check and in others he adds distinct and throbbing inclusions of his own.  The consistency from all across the whole album is very solid but three tracks really show the promise and a definite upward climb in popularity for the band.

Tribute To The Fallen’ flies with devastating wall crumbling riffs and harmonious vocals backed by growls that add a great extra dimension to the song. The heavier attack certainly suits the band as they skilfully blend it into melodic play that dances on the ear. This was the one time thoughts of another band came to mind, a Disturbed flavour seeping through though this track. Equally impressive are the closing duo of tracks ‘The Curse’ with a gloriously compelling bass sound and the mighty ‘Murder Inc’ showing murder based rock is more fun than one can imagine as drums pulse in the skull whilst intrigue and revelations in lyric and sound excites.

Welcome to The Institution is a great album and though the band still have a little way to go to find a sound immediately distinctive they have shown they are one of the more promising bands and should be watched closely in the future.

Welcome To The Institution is available now on Casket Music for details go to http://www.myspace.com/promethium666/

RingMaster30/08/2011

MyFreeCopyright.com Registered & Protected

Photobucket

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.