Whether by coincidence or intent, Welcome To My World feels like an homage to suspected inspirations to its creator. It offers a bundle of songs and flavours which seem like friends before they even finish making their first persuasion with originality not as ripe as the craft bringing them to life. The result though is a fun time which it is hard not to like and enjoy, and increasingly so with every listen.
The album is the debut from Star Dancer, a band created by Detroit hailing vocalist Robert Star and Sponge members Vinnie Dombroski and Tim Patalan who produced it. Welcome To My World is as much a jukebox of recognisable “snapshots” of assumedly the music lighting the artist’s life and passions as it is of “both the world surrounding Robert and a troubled modern day America” explored “through Robert’s unique lens.”
Highly enjoyable is what it predominantly is and straight away as Welcome To My World opens with its title track, a feisty slice of hard rock with classic rock inflamed grooves wrapped in rousing backing vocals provided by Tosha Owens and Rachel Williams. As well as kicking the album off in potent style, the song gets the appetite and spirit going too and ready to embrace the more restrained but openly magnetic Earth Mother Dancer. Flirting with a Billy Idol meets Johnny Wore Black swing to its rock ‘n’ roll; the song is as instinctively simple and catchy as it is sonically colourful with the leading lures of David Black’s guitar pure captivation alongside the more punk ‘n’ roll riffs of Wally Filipiak.
Great Sexpectations (Turn Off the Lights) provides an eighties hue to its hard rock revelry next, an easy to bite on hook framed and speared by the punchy beats of Jerome Day. Guitars create a splattering of that nostalgic enticing throughout the song whilst bassist Jason Lollio prowls it all with a great throaty and contagious tempting. From one easy pleasure to another as She’s In Love With Joan Jett takes over; a song echoing the focus of its title whilst also sharing an Elvis Costello meets The Cars like air to its boisterous stroll.
Diversity continues to enrich album and ears as the sultry smoulder of The Weed Don’t Lie radiates warm melodic and harmonic persuasion across an exotically textured landscape whilst hugging the increasingly impressing voice and presence of Star before High & The Mighty brings its own individual tempting to bear on the imagination. A web of varied rock flavours from electro to heavy, the song entices like an unexpected mix of Ministry before they went metal, Heaven 17, and Spineshank. The track is another of the peaks of the album matched quickly by the melodic shuffle and seducing of Annie and an excellent spin on EMF’s classic, Unbelievable.
In the first of the two there is a whiff of Bowie which is even bolder in the following IntraVenus FlyTrap, though at times it becomes Bolan-esque as the track grips ears with its steely rock ‘n’ roll built on snarly riffs and electronic imagination. The vocal union again, as across the album, simply whets the appetite as hooks and grooves work freely on the imagination before the punk ‘n’ roll of Before I Die brings the album to spirit rousing close. From a lo-fi strum, the song erupts; leaping and bouncing as southern and punk rock flavouring infests its anthemic vivacity.
The final song epitomises the album; many flavours combining in many ways for something very familiar and so easy to get fully and eagerly involved in. If you are looking for a good time and something to feel good from, then Welcome To My World just might fit the bill.
Welcome To My World is released April 20th on iTunes and other stores.
Pete RingMaster 20/04/2016
Copyright RingMaster: MyFreeCopyright
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