Deference / Vanity – Condemned To Repeat EP

The Condemned To Repeat EP brings together two of the UK’s most promising, indeed already exciting metal prospects and across rousing ear gripping tracks shows why both are creating a real buzz.

The release sees South London metallers Deference and Southampton outfit Vanity provide two tracks each of their increasingly individual sounds. It is an encounter springing from the idea of a prospective collaboration between both bands which Deference members, vocalist Rob Lea and vocalist/guitarist Matt Dennison, offered forward late 2017. Vanity guitarist Luke Jervis explains, “We decided against creating a hybrid band between the two but wanted to focus more on the initial project of creating music as a collective.” The four tracks do see the vocalists of each band sharing vocal duties in each other’s offerings though to add to the open adventure of the release.

Deference provides the first pair of songs, starting things off with Sins. The band has seen their melodic metal constantly lure a host of new fans particularly from sharing stages with the likes of Bless The Fall, Miss May I, Fit For A King, Currents, Rolo Tomassi and Napoleon in recent times. Their first track initially coaxes ears with a suggestive melody, a calm but potent lure soon joined by the carnivorous textures of Dennison and Jonathan Prince’s guitars. Rhythms are less eager but resonate with every growl of Shaun Kirtland’s bass and the swinging attack of drummer Mike Hill, until it all boils over in a rousing roar. Even then there is a certain control to the eruption, a creative prowess which perfectly aligns to the growing vocal spread of enterprise. Drama soaks every note unveiled as too rich imagination, the track giving hints as to why the band has been compared to the likes of Architects and Northlane.

Their second track is just as compelling, Burial a voracious slab of discontent and creative fury strapped with hungry grooves and rapier thrusting rhythms. It is a sonic wrath tempered by an atmospheric sigh and turbulence interrupting melodic flames, a song never settling or allowing the listener to before its tempestuous roar and like its companion hits the spot right on but the second unleashes an especially inventive spleen impossible to resist.

It is the same with the two incitements from Vanity, a band which has already excited our appetites as many others through the Perspective//Dread and Perspective//Empathy EPs a couple of years or so back. They too have made their mark on the European live scene, playing with bands such as We Came As Romans, Chelsea Grin, Thy Art Is Murder, Black Tongue and I Killed The Prom Queen. Humane is first up from the quintet, emerging from an atmospheric mist with a rich wiring of grooves and a hellacious web of vocal ire. Swiftly the song expands its sonic lures and suggestive atmosphere, unpredictability joining volatility in the breath and heart of the increasingly enthralling trespass as all the while it preys on ears with growing dexterity, stalking the senses to share fear and pleasure.

Disillusioned is equally predatory as it completes the line-up, the track crawling over the listener with carnal intent whilst equally providing a magnetic blend of vocal adventure and melodic intimation. Again, the invasion never follows expectations, every second and breath bringing fresh challenge borne of real imagination to arouse and captivate.

Condemned To Repeat is an outstanding incursion from two bands which so far are only growing more striking and thrilling by the release and declaring UK metal is in exciting hands.

The Condemned To Repeat EP is available now.

https://www.facebook.com/WeAreDeference   https://www.facebook.com/VANITYUK/

Pete RingMaster 30/04/2019

Copyright RingMaster: MyFreeCopyright

Making Monsters – Bad Blood

2015 promo_RingMasterReview

We heard the buzz and now we know it is pretty much on the mark, UK band Making Monsters is one striking and seriously exciting proposition. Our evidence comes with the band’s new EP, Bad Blood. It is six tracks of highly irritable and even more contagious rock ‘n’ roll equipped with the snarl of punk and bold diversity of alternative rock; a proposal which stirs the instincts and spirit from start to finish; oh the fact that the band’s sound has a touch of Animal Alpha to it does it no harm either.

Emerging in 2011, the Derry based Making Monsters soon poked at keen attention with their self-titled debut EP the following year, that potently back by successor, Attention, two years later. Alongside that success, the quartet has developed and honed their sound and live presence, impressing and luring new flocks of fans while sharing stages with the likes of Young Guns, Silverstein, We Came As Romans, Max Raptor, and Skindred amongst many. A clutch of singles have increasingly stirred the blood and ears these past couple of years while a full UK tour with Fightstar and Arcane Roots last October cemented the band’s growing reputation. With Bad Blood though, it is easy to expect the band stepping into new spotlights and strength of acclaim, the EP holding all the creative cards to be a game changer in the ascent of the band as it is in their sound.

Straight away the EP suggests there is a new maturity and even bolder adventure to the Making Monsters sound, a thought confirmed song by song across Bad Blood. It opens up with its mighty title track, a slab of punk ‘n’ roll straight away teasing with spicy hooks as the instantly impressing roar of Emma Gallagher takes on all challengers in attitude and quality. Guitars and boisterous rhythms continue to entice and intimidate across the excellent encounter, Gallagher’s emotive fire backed by male scowls as Brian Doherty’s drum sticks beat out an addictive pattern.

MM - Better _RingMasterReviewIt is a glorious start with, as suggested at the start, a great Animal Alpha hue to its tempest; an imagination and appetite inciting beginning to the release quickly and potently backed up by Call Me Out. A kinder affair on the senses for the main but with an imposing volatility, the dark stroll of Gary Todd’s throaty bass at first holds court with the provocative tones of Gallagher, who is already showing much more of her versatility; the pair soon colluding with the fiery enterprise of guitarist Paul Monk and heftily swung beats to stir up an already keen appetite.

Latest single Better comes in next; its entrance also less intrusive but taking a quickly unshakeable firm grip on ears as shimmering melodies and senses piercing hooks lay their bait into the rhythmically virulent swing of the song. There are moments throughout it where thoughts wonder if Distillers were fused with Stolen Babies, would they sound like and as riveting as this. They are essences which continue to flavour a song which has the energies breathless and hunger greedier by its end, so luckily We Aren’t Living is next to eagerly share its melodic pop ‘n’ roll with a growl and a tenacious will. Like those around it, the track offers plenty of unpredictable twists and moments of fascinating imagination, neither ever disrupting the flow and impact.

Rose seduces next, Gallagher caressing ears with her warm yet snarly tones as sultry tendrils of guitar sway. It is a mesmeric coaxing soon over run by a torrent of spiky riffs and busy rhythms providing a just as enticing invitation. As now expected things are soon turning down new avenues and offering a variety of twists woven into a blaze of a song as raucous as it is emotively inflamed and intimate.

Bad Blood ends on our favourite track, a rampaging beast of attitude and invention going by the name of Noodle Sync. Noise and garage rock meets punk metal infused rock ‘n’ roll, the track is a blistering assault and trespass on ears and the senses. It is a cauldron of raw riffs and invasive hooks driven by the diverse drama and emotion of Gallagher’s explosive voice and presence, her ability and invention more than matched in sound and imagination by the rest of the band.

It is a stunning end to a quite exhilarating release; an EP which just might be the making of Making Monsters and certainly another step towards major things for the band one suspects.

The Bad Blood EP is out now digitally @ http://makingmonsters.bandcamp.com/ with physical copies available @ http://makingmonsters.bigcartel.com/product/bad-blood-ep

http://www.makingmonsters.co.uk/   https://www.facebook.com/makingmonsters   https://twitter.com/makingmonsters1

Pete RingMaster 16/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Despite My Deepest Fear – Selfish Generation

It has been two years since UK melodic metalcore sextet Despite My Deepest Fear released their very well-received Make Or Break EP; time which, on the evidence of its successor Selfish Generation, has seen the band dig deeper into their imagination, uncap bolder adventure in their songwriting, and hone their sound into one fiercely enjoyable incitement. Their new EP is an attention grabbing protagonist, a carnivorous beast with a seductive heart as able to chew up and spit out the senses as it is uncaging an enthralment of melody rich temptation. With maybe major originality arguably not as potent as all its other aspects, the six track involvement suggests there is still the big potential of richer and more unique treats to be come from the band off of the back of this impressive encounter, that alone exciting to be honest such the impressiveness of Selfish Generation.

Formed in 2010, London hailing Despite My Deepest Fear drew on inspiration from the likes of We Came As Romans and The Devil Wears Prada in the creating of their dramatic and enjoyably invasive sound. The Make Or Break EP awoke a host of new fans and appetites for its flavoursome confrontation, its success emulating and stretched again by a live presence which has seen the band make acclaimed appearances at festivals like Breakout in 2014 and Camden Rocks this year, undertake a UK headline tour and a series of dates across Europe with Italians Hopes Die Last. Fair to say Selfish Generation has been an eagerly awaited and anticipated proposal which now here, is sure only to stir up stronger spotlights and greedy attention upon the band.

DMDF SG Front Cover_RingMaster Review     Selfish Generation opens up with its title track and indeed new single/video, immediately cupping ears in a rich emotive melody and a slightly portentous atmosphere, within which guitars weave a web of intrigue in league with the drama of keys. In no time the hostile nature of the track erupts, the stabbing riffs and spicy grooves sprung by Arron Yarrow and Olly Meager laying welcome siege to the senses along with the grouchy rhythms and harsh vocal squalls. There is a familiarity to the tempestuousness of the song but equally a fresh and individual character too which is more accentuated by the clean vocals and developing swinging gait of the track. We cannot say which of Ryan Endacott and Nick Nowak provide the coarse and mellow vocal persuasions but each is swiftly impressive and a striking texture in the roar of the track and indeed release.

The following F.Y.F continues with the shadowed air and noir toned ambience of its predecessor but sculpting its own furious and rousing incitement aligned again to flowing melodies and evocative contagion. The barbarous beats of drummer Toby Barnswarda take no prisoners to match the primal attitude of riffs, whilst bassist Julian Murray conjures an alluring shadowing to it all which perpetually grips ears and sparks further predation within the tempest. As across all proposals within Selfish Generation, it is a superbly bred and blended collusion of contrasts, the savagery intricately and seamlessly merged with creative and impassioned brutality; Stranded instant back-up of that success with its initial electronic shimmer within elegant keys subsequently overwhelmed by caustic assaults from riffs and rhythms led by the blaze of raw vocals. Nevertheless the calmer and beauteous elements are still working away, springing through the ebbs and flows of the antagonism to breathe heart spawned reflection and air into the turbulence. The track is constantly a revolving proposition, its body sweeping fluidly through its weave of emotions and enterprise to continue the mighty start of the EP.

The Repressed follows suit in design whilst creating its own insatiable theatre of power, craft, and increasing drama. It does not quite match up to the earlier successes on the release yet is a mighty lure in its inventive brutality and resourceful enticing through the melodic maze which emerges whilst its successor Infinite, unleashes a hellacious brawl with the capability of opening up moments of virulently catchy temptation. Where it wins though is in the full diversity making up these opposites, the invention blurring their lines and skilfully uniting them in one of the major peaks within the EP.

The release is brought to a formidable close by Long Way Home; Despite My Deepest Fear as now expected invading the listener with rabid energy and hostile craft, unveiling a fascinating weave of melodic and sonic imagination throughout, here with a deep rooted exotic hue and seduction to its imagination. The track provides a tremendous conclusion to Selfish Generation, a final thrilling and skilled slab of ferocity and craft.

Despite My Deepest Fear have returned with a bang, with a release which suggests they are heading towards being one of those doing the inspiring whilst providing this year with one of its most enjoyable metalcore offerings.

The self-released Selfish Generation EP is out now @ https://itunes.apple.com/gb/album/selfish-generation-ep/id1048897037

January 2016 Tour dates:

15.01.15 Northampton – The Racehorse

16.01.15 Manchester – AATMA

17.01.15 Glasgow – Audio

18.01.15 Newcastle – Think Tank

19.01.15 Birmingham – The Rainbow

20.01.15 Basingstoke – Sanctuary

21.01.15 Plymouth – Underground

22.01.15 Swansea – The Scene 2

23.01.15 Bridgwater – Cobblestones

https://www.facebook.com/dmdfuk/   https://twitter.com/DMDFuk

Pete RingMaster 03/12/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/