The title track from their latest EP, Come on & Dance is the new single from French outfit Caesaria. As with the band’s previous releases the song sees the band’s fusion of electronic rock, pop, and dance music tease and tempt with ear grabbing enterprise, and like those encounters adds greater stock to the building reputation of the quartet.
Emerging in 2013, the foursome of Théo Chaumard, Ced Machi, Thomas Fariney, and Louis Arcens whipped up broader attention last year with the Bring My Ears Back EP. It was an ear grabbing introduction to a wider audience of the band’s magnetic electronic rock pop first heard in debut EP Sparks of Visions and since further explored in the singles Wavin’ Goodbye and now Come on & Dance. As its source EP, the track pushes the band’s songwriting and sound into a new adventure just as easy to dance to as anything before while offering even richer incitement for the imagination.
The song instantly wraps ears in an atmospheric electronic cloud, its touch gentle yet shadowed. From within the band’s already impressive enticement a harmony of vocals serenade, their varied textures matched by the blossoming sound and its flirtatious stroll. An unexpected passage of invention provided by Irish rapper Sheridan subsequently steps forward, adding further magnetism as potent as the dance of the rhythms dance and the eighties spiced temptation cast by the synths.
The track’s captivation is full from start to finish even if it never erupts into the vigorous celebration its energies suggest; in fact that restraint adds to its depth and character ensuring that expectations are left lonely in its adventurous and virulently haunting escapade.
Caesaria is a band beginning to make a potent mark on the European rock scene, something Come on & Dance will only assist.
Come on & Dance is released November 24th
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Pete RingMaster 21/11/2017
Copyright RingMaster: MyFreeCopyright
As mentioned, Wavin’ Goodbye is the prelude to their next EP, a song embracing familiar essences in its own fresh and energetic bounce. Keys shimmer in and around ears initially, closely following vocals cloaked in harmonies as eager to entice as the rhythmic coaxing now at play. Once into its infectious stride, the song glistens with melodic enterprise whilst its jangle feels like it is teasing the darker grooves of the bass. In some ways the track is like a fusion of Heaven 17 and Orange Juice, in other ways MGMT meets Empire Of The Sun comes to mind; all flavours which add to the overall shine of the song and its introspective theme of a dying person looking back on their life.