Underground Ocean – Get Me Out

Underground Ocean_RingMaster Review

Get Me Out is the debut single from UK rock band Underground Ocean and it is fair to say that the strong and seriously agreeable encounter sets a very potent base from which the band can spring forward from. It is an attention sparking introduction, not a song to set a fanfare ringing in the head, but one easily suggesting Underground Ocean are moving in the right direction to becoming a very viable rock success.

The Worcester quartet began early 2014, breeding their sound from inspirations ranging from Foo Fighters, The Police, and Manic Street Preachers to Stereophonics and Fleetwood Mac. The foursome of vocalist/rhythm guitarist Stuart McDonnell, lead guitarist Matt Beddoes, bassist George Parker, and drummer Lee Evans all come into the band with experiences of playing across the UK with various bands, Evans alone a part of outfits supporting the likes of L.A. Guns (Both), Ratt, Twisted Sister, Poison, Vince Neil, Bang Tango, Skid Row, Faster Pussycat, and Dirty Penny over the years. Experience is always a plus factor and you can feel that kind of knowledge and prowess soaking the new single, its creator’s learning of craft in the field so to speak, bringing as much to the maturity and rich songwriting fuelling the band’s sound and indeed Get Me Out, as the undoubted individual skill and invention of its members.

cover_RingMaster Review    Get Me Out emerges on a sonic lure, quickly unveiling a weave of melodic and rhythmic enterprise ready for the warm tones of McDonnell. With everything in place as the song hits a vibrant and punchy stride, a familiar air washes over the track yet it brings no distinct comparisons, just a general glaze of melody rich rock and quickly enjoyable endeavour. There is also real catchiness to the song which has feet tapping and voices involved in its easy going chorus, that infectiousness enhanced by the great shadowed feel of the bass which bring an opposing and a similarly rounded depth to the song as the vocals.

Recorded with Gavin Monaghan at Magic Garden studios and originally released last December, the re-release of Get Me Out feels like it is in the right place at the right time to awaken greater awareness of Underground Ocean and their persistently engaging sound. The song does not have you sparking into rigorous declarations about the band just yet but ahead of their new single I See Through You in September and their first EP later this year, it inspires definite intrigue to hear more.

Get Me Out is out now on iTunes and most other major platforms.

Upcoming Underground Ocean live dates…

7th August, Worcester Beer, Cider and PERRY FESTIVAL – Pitchcroft, Worcester

22nd August, Boars Head – Kidderminster

http://undergroundocean.com/  https://www.facebook.com/undergroundocean

RingMaster 13/07/2015

Copyright RingMaster: MyFreeCopyright

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Raised Emotionally Dead – Memo

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     When we say that the sounds you hear on Memo are nothing you have not really heard before do not take this as a slight or criticism as the debut from Canadian hard rockers Raised Emotionally Dead is one of the most enjoyable releases to come along this year. It is pure metallic rioting, with songs and music to turn any occasion or hour into an adrenaline soaked, sonically sculpted thrilling storm. There is also a distinctive breath and tone to the album which does go against our opening line but simply if you are already seduced by the sounds of say early Marilyn Mansion, Murderdolls, Rob Zombie, and Dope you are going to have a ball with this Toronto quintet.

    Raised Emotionally Dead was born from the earlier project of vocalist Jezla and guitarist ZeeDee called The Hellz Kitchen Show. 2011 saw the pair build their own recording studio and start Red Channel Records as they sought to discover and perfect their own unique sound. Now you could happily argue that uniqueness is one of the less immediate attributes of Memo but to be fair it is hard to think of anyone who presents the familiarity in the same breath-taking way that these gentlemen do. With a line-up completed by ex-Zeroscape guitarist Specializt, ex- Papa’s Delicate Condition bassist Nibz, and drummer Naz, the band has opened for the likes of Marilyn Manson, L.A.Guns, John Corabi, Vince Neil, Gilby Clark, The Birthday Massacre, DOPE, Faster Pussycat, Dog Fashion Disco, Trash Light Vision, Carnival Diablo, Nash the Slash and many more. Memo is the next major step and one with luck which will open them up to the hunger of the metal/rock world.

     The release opens with one of the most contagious songs heard in a long time. Channel Radio stomps all over the senses the moment it leaps from the initial sample, drums thumping with antagonistic provocation whilst the guitars eagerly grind through the ear with compelling riffs and vigorously seductive grooves. With the throaty bass adding its devilry to the mix and the vocals of Jezla scowling over it all like an expressive tempest,  the track takes mere seconds to tempt thoughts and passions into joining its bruising cause. Every second and atom of the song is pure contagion, a wicked device to have the limbs, voice, and energy of its recipients expelling their enthused participation. Ok it has that call of recognition to it but the likes of Dope, Mansion, and Wednesday 13, whom the song reminds most of, have not had this effect and persuasiveness about them in a long time, if at all for some.

   The outstanding start is soon complemented by the equally hungry and tempting sounds of Shed It, guitars carving up the air with muscle clad riffs alongside an infectious rhythmic menace. The hard rock voice of the song is a clear call which suggest elements of G ‘N’ R whilst vocally again that confrontational squalling tone of Jezla assisted by great group calls, rides the torrent of aggressive energy like a sinewy surfer, syllables and words caught in the appealing wake. As the song and its successor Selfish Inc. rampage with varied intent and enterprise it is hard not to be wrapped up in the fun and energy of it all, whilst that openness of resources just makes it easier to engage and participate with the lure of each track.

     Whilst the previous two songs slip slightly below the immense opener both Resistance and Code Red have little trouble in staking their claim for top honours on the release. The first of the pair has a slight industrial lilt to its enticement which makes for a NIN/Pitchshifter like incitement with an extra unintended nod to Italian band Houston! which only adds to the imaginative craft and adventure of the song. The track also continues to push the diversity within the album beneath that surface recognition, something the second of the two equally reinforces with creative ease. There is a feel of Gruntruck at times here as the guitars shape the body of the song and rhythms cast their cage over the senses to appease further the greedy appetite slavering now over every song.

     The underlying mystique of Faceless makes an enthralling temptress next, even if the song falls short of the pinnacles set, whilst the likes of Out Of Control with its Jane’s Addiction like groove and the slow burning Messenger captivate with a virulent toxin that leaves nothing less than rich satisfaction.

   Closing on the fiery and reflective Applaud, a song which arguably is the weakest on the album yet still enlists full union with its badgering rock sounds, Memo is an album that leaves you exhausted but enriched in pleasure. Yes the band probably need to explore for a distinct voice ahead but right now they have delivered one undeniable treat.

https://www.facebook.com/pages/Raised-Emotionally-Dead/191217410892909

http://www.raisedemotionallydead.com

8.5/10

RingMaster 24/03/2013

Copyright RingMaster: MyFreeCopyright

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Furyon: Gravitas

You can hear great things about a band as the promotion wagon behind starts its mighty trail enticing the eyes of the world but until you finally get your ears upon the sounds of said band do you obviously find the depth to the truth. With UK rock band Furyon the words written certainly do justice to the band and an album that is deeply impressive and thoroughly uplifting.  Gravitas strikes up the heart with an engaging bounty of rock sounds sourced from their hearts and the world around bringing influences and flavours from across multiple genres. The release is a mighty slab of songs infused with heavy metal, prog, and classic rock as well as some tasty metal touches, all flavours the band from Brighton cut their musical tastes upon.

Having evolved and grown over a few years Furyon entered a studio in Atlanta in 2009 with Platinum selling US Producer Rick Beato (Shinedown, Fozzy and Vince Neil), the result from this vibrant link-up and creative meeting being Gravitas. A limited run of 2000 copies of the album took them to the attention of the likes of Metal Hammer and Classic Rock magazine, each featuring tracks on their over mounted CDs. Two videos followed, one for the subsequent single Disappear Again, each again grabbing more and more eager acclaim and attention, and all the time the band reinforced this tide of recognition with blistering live shows and appearances at the likes of Bloodstock, Hard Rock Hell, Hammerfest, and High Voltage. Now following a management deal with Germany’s Rock N Growl and a link up with Frontiers Records Gravitas gets its full debut and rock music is set to feel a new breath of freshness following through its veins.

Consisting of vocalist Matt Mitchell, guitarists Chris Green and Pat Heath, bass guitarist Alex Bowen and drummer Lee Farmery, Furyon grab the ear from the opening guitar invitations of opener Disappear Again and never releases until it is ready to depart when it chooses. The song epitomises the whole album, infectious, intelligent and unafraid to court the ear with addictive melodies, heavily loaded riffs, and a catchiness which is hard to deny submission to. The song has a sound seemingly melded from the likes of Adrenaline Mob, Alice In Chains and Soundgarden with extra classic rock essences, a mesh that ensures nothing but keen attention going its way.

Following track Stand Like Stone immediately shows the diversity to the band and sound, its heavy tumbling rhythms and formidable metallic riffs thunderous as they burst through the ear. With a groove that beckons like a loose woman the song fills every pore with well crafted melodies and the impressive vocals of Mitchell. In two songs he sets the quality of his tones and delivery high something that never drops throughout the album. The guitars and melodies are quite wanton, eager to excite and thrill, which they do with incredible songwriting skill and realisation.

Songs like the excellent Souvenirs with its lovely deep crusty bass lines, New Way Of Living offering a glorious hard rock/grunge majesty, and the mesmeric Wasted On You, come and go with wonderful quality and the ability to light up the senses. Gravitas is an album despite or rather due to its open diversity and adventure that has a consistency which is refreshing, not once does any of their ideas or surprising avenues fail to connect fully. There is one track that eclipses all though and that is the magnificent Desert Suicide, a song not as obvious as others maybe but one which marks the band already as a mighty addition to rock and gives evidence of what they will yet evolve into. The song meanders in with a mystical and a subdued atmosphere, the guitars slow to reveal themselves fully and the vocals reserved. Soon it evolves into a mighty beast of sound, slowly pacing around the ear before its muscular legs start to run with the senses though it never explodes outright. The song is truly stunning, addictive and unpredictable; the height of invention without indulgence, a stirring animal that remains inside long after the album departs.

Gravitas is an essential investigation for all rock fans; an album that only raises one question. If they sound this great with songs at least two years old how impressive must their new material be? Furyon will be massive, no question so join the ride from the start by grabbing yourself some Gravitas.
www.furyon.net

RingMaster 19/03/2012

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