Pyramid Park – The Unexplained

With their debut album luring rich attention and plaudits since its recent release, Pyramid Park now unveil its first single in the fiercely infectious and emotionally open The Unexplained; a track which captivates in sound and character whilst providing a potent invitation into band and that first album, Vulnerability.

Pyramid Park is the creation of Cambridge based songwriter/musician Peter McAllen; primarily a one man alternative/ indie pop project though McAllen readily embraces the talent and imagination of others. Emerging from a time of “personal struggle” when he says “as a consequence I couldn’t seem to write songs that meant anything to me, and I was bored of my guitar playing”, Vulnerability, the album’s title track and subsequently its body, became his cathartic release.

The Unexplained was the last song to emerge for the album, taking a year to finish, before the whole thing saw McAllen uniting with producer Iain Hutchison in the studio. The single epitomises the emotive and melodic elegance to be found across Vulnerability, McAllen bearing his heart and thoughts with open intimacy. The single closes in from a distant melodic mist, keys shaping its invitation and impending drama. Once within touching distance, McAllen’s heart bred expression and tones caress ears and thoughts, keys and rhythms soon joining its reflection with a vibrant energy and an eager catchiness.

References to artists such as Phoria and Two Door Cinema Club have been laid at the feet of the Pyramid Park sound but for us the eighties scented character and swing of the song reminds of Paul Haig and to a lesser degree Heaven 17.

Hooking ears and imagination within a few breaths and increasing its captivation with its lively enterprise and emotional depth, The Unexplained is a stirring temptation for Vulnerability and the magnetic sound of Pyramid Park.

The Unexplained is released November 10th with Vulnerability available @ https://1pyramidpark.bandcamp.com/

https://www.pyramidpark.net/    https://www.facebook.com/1pyramidpark    https://twitter.com/1pyramidpark    https://1pyramidpark.bandcamp.com/

Pete RingMaster 07/11/2017

Copyright RingMaster: MyFreeCopyright

Mosley Bar – Royalties

Following up their well-received debut EP, Another Record Sleeve, which sparked strong attention the way of the band and airplay from the likes of BBC 6 Music BBC Introducing, Mosley Bar uncage successor Royalities this month to show that the potency of the first was no flash in the pan. Offering four tracks with a fine line in instinctive catchiness and enterprise, the EP reinforces the British North West hailing quartet’s potential of making a real impression on the UK rock scene.

Formed in 2015, Mosley Bar draw on the inspiration of bands such as Arctic Monkeys, The Libertines, Catfish and the Bottlemen, Two Door Cinema Club, and Circa Waves in a sound which has a certain familiarity to it but equally a freshness of youth and imagination. Certainly the first pair of artists in that selection of influences comes to mind easily with the band’s sound but infests without disguising the potential of bolder adventures ahead; a promise which is richer and already more imaginative in their new offering against the strong showing within Another Record Sleeve.

Royalties opens up with a song which has already lured praise carrying attention, Two Apart quickly enticing ears with its initial guitar jangle around the distinctive tones of vocalist/guitarist Ryan Ward. In no time, the swinging lure of Tim Williams’s bass and the melodic enticement of guitarist Adam Eccleston add to the song’s blossoming, the lively beats of Matthew Wright driving things with spirit. It is easy to see why the infectious exploits and dynamic prowess of the track has drawn keen plaudits, its boisterous exploits and web of melodic and sonic enterprise an accomplished and riveting proposal lined by that enjoyable Arctic Monkeys spicing.

With increasing drama and emotive intensity roaring through ears, the excellent opener makes way for the similarly instinctively catchy Wide Awake. Its own line in hooks and flirtatious industry is even swifter in persuasion than that of its virulent predecessor, Eccleston and Wards’ guitars infesting feet and hips as the latter continues to bring his magnetic voice to the rousing mix. For us, the track simply outshines the first and pretty much anything from the band to date; its body boisterous and character a fine blend of recognisable and new essences colluding in one irresistible incitement.

The punchy stroll of next up Philip is aligned to a melodic shimmer and psych pop flavouring, contrasting textures which unite with evocative imagination around the hearty stomp of a song erupting with persuasive zeal. It is another frisky and buoyant landscape of sound which grows listen by listen into a rousing temptation; a growing temptation also emulated in Chasing which brings things to a fine close. The slow burner of the bunch, though its breezy energy and playful nature is a quick success on ears and appetite, the song simmers and shines with increasing potency to provide another highly enjoyable outing with Mosley Bar.

Listening to Royalities, it feels like now is the time for Mosley Bar to add bolder, more unpredictable elements to their music. Their new release does have a whiff of that evolution to be fair and added to the band’s natural weaving of infectious music around insightful words, there is no reason that the journey ahead for band and fan will not be eventful and thoroughly enjoyable.

Royalties is out now across  most online stores.

https://www.facebook.com/mosleybar/    https://twitter.com/mosley_bar

Pete RingMaster 16/05/2017

Copyright RingMaster: MyFreeCopyright

Mosley Bar – Another Record Sleeve EP

MB_RingMasterReview

Having given a potent introduction to themselves with debut single Record Sleeve, British indie rock quartet Mosley Bar provide an even bigger and bolder statement in their emergence with the Another Record Sleeve EP. Four tracks which jangle and seduce with lively energy and imagination, the band’s first EP is a striking and increasingly magnetic encounter suggesting Mosley Bar as another to add to the new breed of exciting indie bands lighting ears.

Formed in 2015 with the ripe old ages of 17 and 20 across its line-up, Mosley Bar draws on inspirations from the likes of Arctic Monkeys, Catfish and the Bottlemen, Two Door Cinema Club, and The Libertines as additional flavouring to their distinctively toned sound. Hailing from the North West of England, the four-piece released Record Sleeve last October, its ear enticing outing quickly drawing national and local radio play with BBC 6 music and BBC Introducing. Recorded with a second track in the August of 2015, its success saw the band return to The Motor Museum Recording Studio in Liverpool to lay down another pair of songs, the four now making up Another Record Sleeve.

art_RingMasterReviewStraight away it is easy to expect the EP to make a bigger stir as its best track leaps into ears with a dynamic contagion. Risk opens on the swinging beats of Matthew Wright, his arms no doubt a blur as his tenacious and attention stoking bait hits ears. Imagination and appetite is as swiftly grabbed by the dark meaty bassline of Tim Williams and the melodic jangle cast by the guitars of Adam Eccleston and Ryan Ward. The initial boisterous energy of the song relaxes a little as Ward’s alluring vocals join the revelry; alongside him William’s bass with brooding enterprise almost flirting with the song’s increasingly catchy tones. Fair to say, even before realisation of the virulence at work, hips and voice are firmly involved with a track leaving a lingering imprint in its wake.

Record Sleeve steps up next, its low key coaxing also becoming a bolder proposition as guitars and voice entice with spicy and melodic prowess. There remains a warm mellowness to the song, even when its sonic flames and eager energy really catches light with infectiousness pouring from every note and syllable whilst rhythms create their own captivating shuffle. Quickly it is easy to see why the song made a strong impact last year, the track feeding hungry ears with its flavoursome persuasion before parting for the similarly engaging Rendezvous. It too has a swiftly infectious adventure to its presence with some of those earlier mentioned influences open hues to the band’s own resourceful enterprise and imagination. It makes for a song, and indeed EP, which quickly feels familiar but with a vibrant and highly refreshing character, each only push Mosley Bar apart from any others carrying the same kind of inspirations.

The World And I brings the EP to a fine close, it too vibrantly swinging along with flirtatious textures and smiling melodic endeavour within its sultry sonic tapestry. Rhythms as now expected add their own addictive qualities whilst the vocals only continue to impress as they drive the song’s catchy tempting and the listener’s easily volunteered involvement.

The Mosley Bar sound has yet to find its unique feet but big hints and potential ripple through Another Record Sleeve as it has ears and bodies bouncing around in pleasure. Potentially big things ahead for the band we suspect.

The Another Record Sleeve EP is released digitally and on CD April 18th on all digital platforms.

https://www.facebook.com/mosleybar/   https://twitter.com/mosley_bar

Pete RingMaster 5/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

We-Are-Z – Walkaway

pic by@AndyWillsher

pic by@AndyWillsher

The song might be about “taking a journey into the recesses of consciousness, exploring perceptions and angles that don’t add up”, but musically Walkaway is just one inescapable funk ‘n’ roll devilment of indie pop come new wave virulence. The song is the new single from We-Are-Z, a UK band which on the evidence of their new release, springs a sound on the senses as agitated and warped as it is infectiously magnetic. It incites body and imagination with tribal like rhythms amidst paranoia kissed sound, each racked with St. Vitus dance like activity within theatrical melodies and mellow washed vocals. The track is pure temptation, like Shriekback meets Late Cambrian in a Two Door Cinema Club embrace, yet different again.

The London based Anglo/French quintet formed in 2012, with its line-up already seasoned musicians bringing experiences of playing with the likes of Beyonce, The Waterboys, and James Morrison into the mix. Debut track Airbrush swiftly drew strong attention and support from media and fans alike, whilst the band since then has lured in diverse comparisons from Vampire Weekend to Devo and Franz Ferdinand to XTC. Inspirations are equally varied within We-Are-Z, the likes of David Bowie, Serge Gainsborough, Talking Heads, Blur, The Clash, and Static cited but as their new single shows, the band ultimately emerges with something yes a little familiar but perfectly peculiar to them.

Walkaway from its first touch is a rampant shuffle of jabbing beats and a dark flirty bass lure from Guillaume Charreau and Marc Arciero respectively. The guitar of Drew Wynen adds a lively temptation to the attention grabbing start also, little but gripping hooks and slithers of melodic spices a flirtatious tempting adding to the instant magnetism. Seductive and quirky keys are colouring the song further next, Clement Leguidcoq bringing a smouldering coaxing seeping around and within all the other tenacious textures at play whilst vocalist Gabriel Cazes has a drama and flirty quality to his insatiably vibrant tones and harmonies. There is no escaping the enslaving effect of the song, the puppeteer like lure of rhythms on limbs and the addictive contagion of everything else on voice and emotions, a proper feel good treat.

According to reliable sources, with an energetic and irrepressible live presence to match the adventure of their new single alone, it is easy to suggest we will all be hearing and devouring a lot more of We-Are-Z from hereon in.

Walkaway is available via Sputnik Records from May 18th

http://we-are-z.com/   https://www.facebook.com/WeAreZmusic

RingMaster 17/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

The Inkhearts – Temper Temper/Uptight

Picture 39

Formed in 2010, UK rock band The Inkhearts has a mature sound which belies the ‘immaturity’ of its creator’s ages. With the quartet aged eighteen or nineteen across its line-up, the West Lancashire band casts a sonic proposition which lies somewhere between The Libertines and fellow youngsters The Jacques, whilst vocally there is a regional twang which hints of ‘county rivals’ Arctic Monkeys. It is a healthy mix finding its own individuality through, on the evidence of the band’s new single, potential flooded indie pop songs.

The union of Temper Temper/Uptight is a magnetic lure of raw textures and creative imagination which simply intrigues and excites whilst brewing up a certain appetite for more. As mentioned formed around four years ago, The Inkhearts’ seeds began at a music tuition initiative at The Engine Rooms in the band’s hometown of Skelmersdale. Meeting for the first time there, a seven piece emerged but it was with the departure of three of the founder members that the band found its natural sound and direction. Taking inspirations from the likes of The Vaccines, Two Door Cinema Club, and The Libertines into their writing and music, the four-piece roused up an eager following for their live performances and focus in the media through previous single Keeping Up. With its recent release, Temper Temper / Uptight is poised to spark another surge in attention and hunger, whilst suggesting rigorously that The Inkhearts is one band all should be keeping a close eye on.

Temper Temper instantly holds ears in a melodic jangle and sultry caress, the guitars of Lauren Shaw and Ryan Ward a swift expressive temptation. Equally the voice of Shaw makes an Picture 37immediate persuasion, her tones distinct and flavoursome within the spicy melodic web cast by both guitars. Framed and driven by the pungent basslines of Ben Warburton and punchy beats of Matthew Wright, the song rattles along with a confident stride and virulent infectiousness, hooks and vocals a contagious lure in the lively enterprise of feet and imagination igniting revelry.

Uptight is more subdued in comparison to its companion, yet with another tangy tease of guitar and shadowed toned bass enticing, the track is an easy going and richly satisfying proposition. It reveals more of the inventiveness within the songwriting and craft of the band and though it is lacking the spark of Temper Temper its golden harmonies and great unpredictable twists of gait and energy ensures the song nudges another wave of hunger for more.

With a single this promising and potent from a band so young that you still assume they still get Mum to do their washing, the future looks rather rosy if they carry on and evolving like this. Remember the name, The Inkhearts.

Temper Temper/Uptight is available now @ https://itunes.apple.com/gb/artist/the-inkhearts/id792653411

https://www.facebook.com/TheInkhearts

RingMaster 11/12/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

Glory Glory – So Long

gg

Seemingly holding a torch for eighties new wave and indie pop, Canadian band Glory Glory unveil their new tantalising EP, a release which mesmerises and tempts with a melodic seduction which is hard to find any resistance to. So Long is an encounter which makes a pleasing impression on first listen but evolves into an irresistible and essential breeze the more you allow it to stroke and coax the imagination. There is a smile to the music of the band which radiates incessantly from within the release, an enticing charm which caresses senses and thoughts whilst an understated but rich invention blossoms deep within the songs. It all adds up to a rich persuasion which maybe does not give its recipient a blood rush but certainly leaves them smouldering with content.

Hailing from Halifax, Nova Scotia, Glory Glory was formed in 2006 with a sound which was said to be more post punk sculpted. They create a brew though which merges a wealth of styles and essences to defy any exact labelling, So Long just as its slightly rawer and darker predecessor, the You Need a Heart to Live EP of 2011, providing the richest evidence. The new three track proposition was mixed by Grammy nominated producer Justin Gerrish (Vampire Weekend, The Strokes), and pushes the band’s presence into an even greater potent spotlight which is sure to open up wider attention on the band. The trio of Adam Warren, Ryan Brown, and Gavin Maclean has already drawn references to the likes of Rush, Grizzly Bear, Caribou, and Twin Shadow their way but as So Long wraps its suggestive arms around the ears there is a definite feel of China Crisis and Scritti Politti to the offerings.

The first of those two comparisons is loud in opening track Take My Time. From its opening lure of dark bass tempting the track has GG coverintrigue and attention gripped and primed for the swiftly following tangle of guitar crafted melodies, they having a ABC whisper to them, and excited percussive endeavour. It is a gentle but lively start given extra warmth by the flowing mellow vocals and occasional backing harmonies. The song strolls with relish through the ears, casting a dream bred elegance and glaze over its captivating narrative, whilst a slight Two Door Cinema Club air adds to the textured beauty of the song.

The impressive start is backed up by the slower gaited but equally absorbing and immersive Indigo Son. The atmosphere of the song is part celestial and part sultry, its melodic romance nestling provocatively with thoughts whilst the poised joyful swagger of the song provides that Scritti Politti enticement to its enthralling textures. Though not as dramatically gripping as its predecessor, the song holds imagination and appetite firmly in its resourceful enterprise whilst providing a hazy climate to the emotively engineered suasion.

The closing Everybody Lies envelopes and dances with the senses much as the opening song, it’s certainly individual adventure wrapping a refreshing weave of invention and evocatively hued melodies around body and reflection like a graceful temptress, one as across all the tracks driven by a dance seeded pulsing and rhythmic ensnaring. Though much like the surface of the music lyrically everything seems a peaceful soar, beneath shadows and flirty twists play their part in trapping imagination and emotions. It is a clever and imaginative underbelly which only adds to the overall caressing whilst forging deep textures and colour to the songs.

Though So Long is the first we have heard of Glory Glory, a swift look at their previous and also thoroughly appealing EP shows the evolution in progress within the band’s songwriting and sound. It is an exciting emergence which is increasing its potential to spark a greedy anticipation for their forthcoming horizons. Glory Glory looks like being a band we are destined to hear and enjoy for a long time to come.

The So Long EP is available now @ http://gloryglory.bandcamp.com/

http://www.glorygloryband.com/

8/10

RingMaster 20/04/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

Ed Zealous – Medicines

Ed_Zealous_Press_shot

    A feisty energetic explosion of electro rock and dance pop, Medicines the new single from indie electro band Ed Zealous is an irresistible dance for the senses. The glittering piece of melodic temptation is devilishly infectious and even if their chosen genre does not normally excite the passions, the wanton lure and mischievous sun of the song makes it impossible for anyone not to have a hunger to immerse within its compelling warmth.

The Northern Ireland quartet creates a dazzling and seductive persuasion from a magnetic blend of synths, punchy rhythms, and vibrant cassios; add vocals which swagger with harmonic relish and ridiculously addictive melodic hooks, and submission to their sound and especially the new single is a foregone conclusion. Their influences come from the likes of David Bowie, Talking Heads and Pulp, as well as A-Trak, Boys Noize and TV On The Radio, though the song itself just as easily brings essences of Blancmange and Does It Offend You, Yeah?  to the fore. Recorded with producer Eliot James (Bloc Party, Noah and The Whale, Does It Offend You, Yeah?), and taken from the Ed Zealous forthcoming debut album, the Label Fandango released Medicines is a thumping heart attack of eager urgent beats and greedily drooling melodic keys which simply ignites the dancer and playfulness in all. Having started the year supporting Two Door Cinema Club at their homecoming show in Belfast, and now the release of this stunning single, with of course the album to follow, 2013 is looking a radiant year for the band, and us.   Medicines_Cover_Art

The single immediately sizzles upon the ear with slightly acidic but fizzy synths teasing the senses whilst further electro pops explode with a smiling intent. A shadowed heavy pulse forges its presence at the core of entrancement, spreading its embrace further within the expansive heat of the chorus. As the vocals add their mutual quality and sultry blaze to the song, the heart of the track is a furnace of sweltering energy and electro passion. Simply it is electronic pop at its very irresistible best.

As the final humid note takes its leave and the foursome of Steve McAvoy, Andrew Wilson, Pete Lloyd, and Paul Irwin make their last potent persuasion, the only prevalent thought is that the album cannot come soon enough.

https://www.facebook.com/pages/Ed-Zealous/89457839303

8.5/10

RingMaster 06/04/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com