Juno – Speed Won’t Cut It

Juno_RingMasterReview

Speed Won’t Cut It is a mighty roar to get you to your feet, incite a closed fisted punch of the air, and arouse the spirit to stand defiant and proud. It is also the new irresistible punk incitement from UK punks Juno, a band just bubbling under finding major attention for a while now but now giving it an almighty nudge with their latest four-track EP.

Formed in 2008, the Leeds band sparked keen interest with their debut release We are Juno. A trio initially, they expanded attention and their line-up by the time of second EP Set Sail in 2009. A short break followed before a new head of stream saw the band return with the acclaimed Counting Backwards Causes Explosions EP. It was six tracks of boisterous rock ‘n’ roll which with its 2012 unleashing, drew a host of new fans and led to the band signing with The Animal Farm and the release of its successor Answers a year later, a proposition which eclipsed its predecessor in sound, persuasion, and success. Aligned to a potent live presence and craft which has seen Juno share stages with the likes of Summerlin, ACiD DROP, The Roughneck Riot, Twenty Twenty, Blitz Kids, Forgotten Roots, Adelaide, The Afterparty, Page 44, Failsafe, The Headstart and many more, the foursome of lead vocalist/guitarist Rob Kirk, lead guitarist/vocalist James Duncan, bassist/vocalist Ben Rowe, and drummer Matt Grum are now ready to pounce on full nationwide recognition without stopping at those boundaries and it all starts with the highly tempting Speed Won’t Cut It.

speed_wont_cut_it_RingMasterReviewMerciless hooks and swinging melodies have always been a part of the band’s punk ‘n’ roll offerings but alongside the band’s energy, all have gone up the gears within the new EP. It opens up with new single/video Last Dance, a track which ensures its invitation is quickly taken by feet. It is pure contagious punk rock with a flavoursome touch of AFI to it, though it quickly enforces its own lively character upon ears and imagination. With busy rhythmic bait and fiery guitar enterprise backing up Rob’s anthemically leading vocals, it is gripping stuff and just the start of the voracious revelry to follow.

Will I Be Free steps up next, immediately offering attitude in its riffs and jabbing beats. That continues into the quickly established canvas of jagged guitar tempting and band harmonies, Rob’s voice the ringleader as Ben’s bass prowls deceptive calms before one incendiary chorus. As with the first track, you cannot claim that Juno are re-inventing punk rock but few songs and indeed bands have set ears and emotions alight as effortlessly and rousingly recently as Juno in their first two songs on the EP alone.

Across the tracks the luring of physical participation from voice and body is inevitable and continues with the swinging stroll of Sirens. An arguably less imposing encounter but no weak link in stirring up spirit and thick enjoyment, the song bounds along throwing hooks into a gripping sonic resourcefulness to, like the Pied Piper, tantalise and seduce ears and spirit.

Speed Won’t Cut It ends on its biggest high and the mighty call to arms of Face Our Demons. Like a melodic punk version of Stiff Little Fingers, the track makes thick nudges on thoughts and emotions as its web of guitar tenacity and rhythmic pugnacity aids the song’s inescapable rebel rousing. The track is glorious; an inflammatory slice of intense punk ‘n’ roll which by its unstoppable and virulent finale, is sure to have the listener standing tall and yelling enough is enough to those and things which have taken advantage and more. It certainly did here.

Juno songs have a social and emotionally political aspect to their words which seems to further fire up the sounds around them and in turn the listener. It is a balanced weave though, which makes Juno easily stand out from similarly intense propositions whilst providing a hell of a great time, as proven by the must have Speed Won’t Cut It.

The Speed Won’t Cut It EP is out now across most online stores

http://www.wearejuno.com/   https://www.facebook.com/junoleeds   https://twitter.com/wearejuno

Pete RingMaster 10/03/2016

Copyright RingMaster: MyFreeCopyright

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Guardians: Self Titled

Guardians Promo Shot

With the release of their self-titled mini-album, North West rock band Guardians has staked a strong persuasion in looking at them as strong candidates as the next big thing in British alternative rock. The seven track release is an impressive and thrilling release which captivates from start to finish whilst offering infectious melodic flourishes over highly energetic engagements and powerfully striking rock n roll throughout. A treat for the ear, senses, and heart, Guardians is a deeply pleasing encounter to help set British rock music off in the new year in fine style.

From Wallasey in Merseyside, the band formed in 2006 when the members were still at school. Since then they have moved from playing biker clubs at the age of 14 to sharing stages with the likes of Status Quo, The Blackout, The Automatic, and Twenty Twenty, as well as headlining the HUB Festival and finding strong media exposure. The new album is the next step in their increasing rise to wider recognition and one suspect the key to a big year for the band ahead.

After an intro track which makes for a warm melodic welcome the release starts with earnest with An Enemy Of My Enemy. Guardians Cover ArtworkImmediately a heavy senses skirting bass grabs attention alongside firm beats and feisty riffs. As the great vocals of lead guitarist Brad Doné step into view, his and the rhythm guitar of Craig Henderson initially step back before joining up for a catchy and enjoyable chorus section. Into its stride the track is an accomplished and engaging song if slightly underwhelming after reading the comparisons to the likes of Jimmy Eat World, Foo Fighters, and Lost Prophets for the band. It is an enjoyable start though and soon things take an elevated step with the following surge of tracks.

New World Order steps up next with beats bulging and slashing riffs before expanding into a full riot of sound and energy. The vocals of Doné find a coarser edge to their delivery which is fitting within the track and when the rest of the band add their vocals talents the reference to Lost Prophets is like a banner in the sky of the song. For these ears the Welsh band is the closest comparison throughout the release but without stealing from the originality of Guardians and their distinct sound. The bass of Sean McMinn-Davies and drums of Mike Priest again are exceptional within the storm of passionate and intense sound, and the song arguably the biggest of many highlights on the EP.

The rich heart and melodic wash of Follow Your Heart next makes for a captivating companion, a song which took its time to share all of its riches before emerging as an irresistible anthemic joy forged through contagious riffs and hooks alongside kisses of warm keys and emotive grandeur. At this point in the EP no more convincing of band and release is needed to ensure an enthused affection but just to make sure the deliciously grooved dance floor incitement offered by Make It Out Alive sparks further acclaim and ardour the way of the release.

After the short dramatic and emotive instrumental Interlude, the album closes with the mighty Red Eyes. Again heavily Lost Prophets tinged yet distinctively Guardians, the track is an immense slab of metallic sinew and expressive might which is as compelling as it is diverse and imaginative. Unpredictable but fluid in its passage, the song is the perfect parting for a fantastic release and the confirmed placing of the band as an emerging creative force.

Do yourself a big favour and check out Guardians now, though one suspects it will not be long before you will find their impressive sounds and presence everywhere you turn in the world of UK rock anyway.

www.facebook.com/guardiansuk

RingMaster 03/01/2012

Copyright RingMaster: MyFreeCopyright