False Heads – Steal and Cheat

FALSHEADS _RingMaster Review

There was without a doubt a rich twinge of intrigue and anticipation when UK rockers False Heads got in touch about a new single coming out. It was a surge of excitement inspired by memories of the band’s still impressing and thrilling previous pair of EPs and soon fiercely lit again by the actual rousing temptation of Steal and Cheat itself. The single is a thumping stomp of indie rock tenacity amidst grouchy rhythms and punk seeded invention; a track which whips up ears and enthused involvement as easily as it awakens a greedy appetite for more.

artwork _RingMaster Review     East London bred False Heads made its first steps in the opening month of 2014 and quickly began enticing attention and whipping up a loyal and quickly increasing following. Around the summer of that first year, the trio released the Tunnel Vision EP, a rousing quartet of tracks more than doing its bit to lure further and greater focus the way of the band. It also provided a strong base from which the band could expand and explore its songwriting and sound, and that they had by the time its successor, the Wear and Tear EP, had leapt into ears this past April. Whereas the first encounter was a grunge hued affair, its successor revealed a dirtier and heavier rock tempest to its enterprise and invention. Steal And Cheat shows another strong twist in sound from those before it whilst carrying the increasingly distinctive False Heads character and voice.

Steal and Cheat is quickly into its punk ‘n’ roll canter, the guitars and rhythms colluding in a boisterous canter as the trio of Luke Griffiths, Jake Elliott, and Barney Nash get to work on the imagination with theirs. This time around, the threesome weaves a more restrained and minimalistic proposal of, as suggested earlier, indie and punk enterprise bound in a wind of virulent energy and vocal revelry. The bass is a hefty lure, its throaty swing and presence a cantankerous incitement alongside the sonic web of guitar and the invitingly anthemic vocal delivery. With the drums leading the tempting, it is fair to say that everything about the song is an incitement of catchiness though, and increasingly irresistible over its length and every play.

Like a fusion of Houdini, The Vibrators, and Libertines, whose Gary Powell releases the single on his 25 Hour Convenience Store label, Steal And Cheat is instinctive manna for the ears and easily the finest track from False Heads yet.

Steal And Cheat is released December 4th via 25 Hour Convenience Store @ http://falseheads.bandcamp.com/track/steal-and-cheat

http://www.falseheads.com/   https://www.facebook.com/FalseHeads   https://twitter.com/falseheads

Upcoming False Heads live dates:

November 27th – Cult Cafe in Ipswich

16th Jan – Stag and Hounds in Bristol

Pete RingMaster 19/11/2015

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False-Heads – Wear and Tear

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Proving that their impressive introduction in outstanding debut EP Tunnel Vision last year was no fluke, UK alternative/psyche rockers False-Heads now unveil its successor the Wear and Tear EP. In fact such its magnetic manner and devilish invention, the new release makes its predecessor feel like just an opening teaser to its glory, a rather tasty one for sure, but the prelude to the outstanding and masterful adventure now igniting the passions. Consisting of four attitude cored incitements of noise and psyche rock unafraid to weave in just as warped essences of pop, alternative rock and more, Wear and Tear is a confirmation and wake-up call to the creative might and potential of another seriously exciting band within the British music scene.

Hailing from the East London area, False-Heads is a band which needs little time to grab attention with their imagination gripping sound, swift evidence provided by EP opener Wrap Up. Its first breath comes with a spicy and fuzzy wind of persuasion and energy, a raw guitar courting of the ears soon backed as potently by a heavy and predatory bassline and crisply delivered beats. The trio of Luke Griffiths, Jake Elliott, and Daniel Delgaty have within the first seconds of the track, coaxed eager attention which only strengthens as the song relaxes into a cleaner climate of sound still driven by that initial throaty bass temptation and just as magnetic vocals. Now firmly into its stride, the song unveils a confident swagger but also an appetite to explore heavy rock riffery, stoner-esque grooving, and noise rock imagination, all teased with post punk like infectiousness. It is a fluid and unpredictable adventure keeping ears and thoughts on their toes and emotions high.

False-Heads-Wear-Tear-artwork-450x444  The thick flavours and enterprise fuelling the song continue into the grungier Twentynothing, a proposition opening with a Nirvana like enticing but soon evolving into an intimate design of melodic expression and melancholy wrapped rhythms. Any moment is just that in the passage of the song, and it swiftly moves into an embrace of a more Melvins meets Asylums like tenacity and imagination, though still circling that early magnetic grunge bred hook. As all the tracks there is a glint in its creative eye, a devilment which relishes teasing familiar spices and twisting them into fresh and infectious uniqueness.

The following Snatch is the same, a proposition drawing from recognisable flavourings but disfiguring them with ingenious revelry for something new and distinct to False-Heads. Persistently the band seems to be compared to The Pixies, not as obvious a reference for us until you hear this one song. It strolls along with a virulent swing and addictiveness which could easily be Frank Black composed, serenading with minimalistic charm and just the right amount of causticity to the guitars and dour monotony to the rhythms. Around it though, sounds and textures seduce and flare up, creating a web of intrigue and volatile enterprise which swiftly and inescapably inflames ears and the passions.

It is another sensational offering upon Wear and Tear leaving closing track Nothing In There some work to do to end the release on a similar height. It is fair to say it fails, but only just as it mesmerises the senses with its dark drone of sonic incitement. Like a post punk/shoe gaze proposal held in a post rock atmospheric embrace, the song is simultaneously cold and sultry with noise seduction and psyche rock provocation as open and riveting as the other textures mentioned. It is a fascinating and compelling end to an irresistible provocation of body and mind.

False-Heads left a lingering and convincing impression with their first EP a year ago but have more than overshadowed it with Wear and Tear. There are a few bands which trigger the deepest, intensive excitement in the grand landscape of emerging bands right now and of those that do, False-Heads stand to the fore.

The Wear and Tear EP is released March 23rd on Hi4Head Records and available at http://false-heads.bandcamp.com/album/wear-and-tear

https://www.facebook.com/FalseHeads

RingMaster 23/03/2015

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