Feral Sun Give Their Explosive Debut Album A Reboot In January

Feral Sun cover

Drawing from the inspirational powers of Stone Sour, Karnivool, Alter Bridge and Trivium, ‘Feral Sun’ are part of the new wave of hard-hitting British Rock bands that are poised to break in 2015. Armed with colossal riffs, soaring melodies and raw emotion, Feral Sun nationally re-release their debut album ‘Evacuate’ on Monday 26th January 2015 and will tour throughout the winter in support of the record.

Feral Sun were formed in London town in the summer of 2009 and feature Mick Burns (Vocals/Guitar), Jay Stephenson (Drums), Alex Nikitin (Bass) and Marco lo Coco (Lead Guitar). Soon after perfecting their live set, the band started to play throughout their local area and swiftly earned a hefty reputation by delivering a series of stunning live performances.

With the band’s live reputation thriving, the four piece decided to turn their attention to releasing their debut record. They proceeded to put down tracks for their debut album ‘Evacuate’ at Stakeout Studios (We Are the Ocean, You Me at Six, Reuben), and now “Evacuate” is finally granted a full national release. The band have previously dropped three singles from the record and they include “Long Road”, “Breathe” and the title track “Evacuate”, and all cuts picked up solid radio airplay throughout the UK and Europe. While the quartet’s sound is ripe for FM airwaves, there is so much more to this band. The layered depth of their debut album is evident as hammering drums and throbbing guitar lines, entwined with engaging hooks, masterfully weave their way around your ears. The foursome’s live show is also a rousing force as proven by their acclaimed support of the mighty SKINDRED last November. With further shows in the pipeline to support the record, everything is now falling into place as the Rocksters battle it out for their place as one of the new breed of Brit Rock bands set to break in 2015.

-FERAL SUN RELEASE ‘EVACUATE’ ON MONDAY 26th JANUARY THROUGH ALL GOOD STORES-

http://www.feralsun.com     www.twitter.com/feralsun   www.facebook.com/feralsunrock   www.youtube.com/feralsunrock

Wovenwar – Self Titled

MainGroupShot_02_byTyWatkins

Pic by Ty Watkins

The events around and causing the imprisonment of As I Lay Dying frontman Tim Lambesis is a well-publicised happening which does not need our commentary. It also left the rest of the band with a major decision. No strangers to success and acclaim, the remaining quartet of guitarists Nick Hipa and Phil Sgrosso, bassist Josh Gilbert, and drummer Jordan Mancino had to decide their next step and thankfully chose with music their life and calling, to strike forward with a new project and what a stunning proposition it has turned out to be. Recruiting lifelong friend and ex-lead guitarist/vocalist of Oh, Sleeper, Shane Blay, the quintet emerged as Wovenwar and has just unleashed a monster of a debut, in their fifteen track self-titled album. Exploring with muscular ferocity and passionate tenacity the melodic metal side of their imagination, the band has created a proposition as distinctly different yet equal in quality and temptation to anything their previous triumphs have unveiled.

Recorded with producer Bill Stevenson (Descendents, Rise Against, NOFX, Black Flag) and mixed by Colin Richardson (Slipknot, Machine Head, Trivium), the album also reaps with sinew driven voracity the rich essences of hard rock to create blazes of sound and enterprise which stand astride genres whilst offering recognisable flames within fresh adventures. On top of that there are the, at times breath-taking and always tantalising vocals of Blay, his clean tones which helped shape his previous band given full expansive rein here to excel and show the strength and weight of the man’s power and craft. It is a magnetic and persistently surprising mesh of sound and ideation which courses the album and immediately awakens attention and appetite through All Rise which follows the opening intro of Foreword. A drama instilled prelude to the creative emprise ahead, the opening track makes for a potent coaxing before the second track explodes with a thumping roll of rhythms, agitated riffs, and a sonic shaping of melodic intent. It is a busy entrance soon enhanced by Blay and the heavy throated predation of the bass. The track is swiftly as anthemic as it is technically bewitching, guitars and drums nimble footed yet leaving heavy impressions with their stormy endeavour.

Death to Rights erupts with similarly intensive and rugged energy and adventure next, jagged riffs and demanding rhythms evolving into scorching weaves of melodic passion and sonic intrigue, though that only hints at the fluid Covermovement and invention within the blistering encounter. As the album, every aspect of the song calls out with invigorated energy and refreshing ideation, raw and almost antagonistic power crowding in with sultry melodies and rapacious infectiousness. It is probably unfair to say the members of the band have found a new lease of life with Wovenwar but certainly there is a freedom and elation to the sound and passion behind it which is as magnetic as the songs themselves.

Through Tempest and The Mason, band and album continue to impress with no restraint. The first of the two finds a carnivorous tone to the bass which alone ignites the passions but also makes a shapely blend of that aggression with an elegant melodically tempering countenance to remind of a more ferocious Sick Puppies. The second of the pair digs into a more furious breath in sound and personality, though the rich tones of Blay never allows the primal intent and fury beneath his vocals to have complete reign with their glorious causticity. The same applies to Moving Up and Sight of Shore, though they are more even tempered naturally with easily pleasing and flawlessly accomplished if less imposingly striking presences compared to previous songs on the album. Each leave a greedy appetite well fed nevertheless before Father Son makes its claim for best track notoriety. The song is simply bewitching, its soothing melodic opening caress over a metronomic lure, irresistible coaxing which increases in temptation as soon as Blay opens up his deliciously mesmeric tones. With keys an evocative ambience over the picturesque narrative of the guitars, and both colourful scenery in a mountain range of epic rhythmic enticement, the track is pure poetry as it leads to its mouth-watering climactic crescendo of a finale.

Profane then thrusts ears into a tempestuous exploit with thunderous rhythms and scathing riffery, the track the rawest and anthemically volatile track on the album yet still holding a seduction which wraps around the aggression and vocal roars which Blay unveils within ever formidable delivery. It is a beast of a track which along with its predecessor puts the likes of Archers and Ruined Ends under pressure to deliver. Neither falls at the hurdle though, the first a voracious blaze of entwining sonic rages, passion drenched vocals, and flavour fuelled melodies whilst its successor is a deeply satisfying mix of abrasing textures and contagious designs ridden by earnest and heated vocal expression.

Things take a bit of a breather with Identity, its well sculpted and unquestionably impressive presence also lacking the spark of those leading up to its moment, though again to be fair there is nothing to leave disappointment a chance to breed. Matter of Time is in its own individual way the same, which offers the suggestion that maybe the album was a couple of songs or so too long but with its compact yet weighty intimidation and stormy air leaving senses and thoughts contented, you feel to omit it and other tracks would be to our real loss.

The album is completed by the acoustically opened Prophets, another spellbinding matching of Blay’s voice and melodic guitar enticing as group harmonies float engagingly over the poetic scenery which works into a climactic landscape of equally thrilling provocation, and lastly the cinematic instrumental Onward which gives the imagination one final flight to immerse in. It enjoyably concludes a scintillating proposition which proves that every cloud has…etc. Though its members are no newcomers to creating inspirational metal, Wovenwar has made a debut which definitely is startling and leaves anticipation for their next step afire, and the passions right now basking.

Wovenwar is available via Metal Blade Records now @ http://www.indiemerch.com/metalbladerecords/band/wovenwar

http://wovenwar.com/about

9/10

RingMaster 08/08/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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SECOND RATE ANGELS get ‘Dragged Out’‏

Second Rate Angels Online Promo picture

RISING METAL COMBO SECOND RATE ANGELS RELEASE NEW VIDEO!

UK metallers ‘Second Rate Angels’ have just unleashed their cracking new video single ‘Dragged out’, taken from their critically acclaimed debut EP ‘The Lost Days’. Watch the video for ‘Dragged Out’ here – http://www.youtube.com/watch?v=DU1Lkyk0zhg .

 

Drawing from traditional heavy metal, as well as taking inspiration from Bullet For My Valentine, Avenged Sevenfold, and Trivium, Second Rate Angels serve up a fresh take on the metal genre. Look out as the ascending quartet hit the road this Autumn in support for their new single ‘Dragged Out’ and current EP ‘The Lost Days’.

 

Second Rate Angels were born at the end of 2011 and soon began to wow audiences with their high octane live shows. Coming at you from Hemel Hempstead and featuring Chris Lewis (Guitars and Backing Vocals), Matt Clark (Guitars and Backing Vocals), Dave Gobran (Vocals and Bass) and Andy Doran (Drums), the foursome nailed performances at Bloodstock Open Air Festival, and went on to play a string of highly successful shows throughout London and the South, landing supports with the likes of Breed 77, Beholder and Zico Chain along the way.

 

The lively quartet have just released their debut EP ‘The Lost Days’ and the record picked up wide praise from national press, radio and key online publications. The band were also featured on the cover CD of Metal Hammer, as well as notching glowing reviews from Big Cheese Magazine and Powerplay. Second Rate Angels now push on with their new video single ‘Dragged Out’ which delivers a serious blow to your senses with its alluring dynamics, stout intensity and soaring refrain. Look out for tour dates and shows soon to be announced via the band’s social sites.

 

 VIEW THE NEW SECOND RATE ANGELS VIDEO, ‘DRAGGED OUT’  HERE http://www.youtube.com/watch?v=DU1Lkyk0zhg  –

 Check out our review of The Lost Days EP @ https://ringmasterreviewintroduces.wordpress.com/2014/06/01/second-rate-angels-the-lost-days-ep/

www.facebook.com/SecondRateAngels

Second Rate Angels – The Lost Days EP

Second Rate Angels Online Promo Shot

It is fair to say that UK metallers Second Rate Angels have bred a rather decent reputation for themselves through their highly flavoursome sound and explosive live performances since forming in late 2011. Now the Hemel Hempstead quartet looks to emulate their success and presence on a nationwide level with debut EP The Lost Days. Consisting of four skilfully contagious and vivaciously inventive tracks which capture the imagination with ease, the release is a striking and potent introduction to a band drenched in rigorous promise and open quality. Their sound on the evidence of the EP is not one to stretch boundaries within melodic metal and heavy rock but certainly it is a fresh and riveting new strain to an established design.

Since forming Second Rate Angels has sculpted an impressive presence on stage, playing with the likes of Breed 77, Beholder, and Zico Chain to name just three along the way. Their appearances at Bloodstock Open Air Festival equally brought a new wealth of attention and support the way of the band and their Avenged Sevenfold, Bullet For My Valentine, and Trivium inspired muscular ideation. The Lost Days EP is the next step of their ascent and you cannot avoid thinking set to be very successful in its intent.

Give It A Name opens up ears and attention with heavyweight rhythms across expansive sways of sonic rapaciousness, its entrance

EP Artwork By Sam Kelm

EP Artwork By Sam Kelm

deliberately predatory yet insatiably compelling, especially with the scythes of guitar sculpted temptation. Once seducing the senses and anticipation fully, the track shifts into a fiery charge of heavy metal riffs punctured by sinew built rhythms, it all driven by the excellent tones of vocalist and bassist Dave Gobran. With a sandy rasp to his impressive voice, Gobran is an immediate lure around which the guitars of Chris Lewis and Matt Clark just as dynamically and impressively entwine their creative exploits. The song itself is a stirring encounter which is unafraid to venture into emotive melodic climates where gait and energy make a gentle canvas for the intensive expression of vocals and sonic hues.

The excellent start is soon reinforced by the following Dragged Out, the new single from the band. A lone guitar coaxes ears first before the pungent beats of drummer Andy Doran strikingly frame and spear the enticement as Gobran again colours the scenery with his voice. Once established the song explores an Avenged Sevenfold like melodic pattern of colour and imagination aligned to heavy rock rapaciousness which is as familiar and inviting as it is individually inventive. It is a less demanding and commanding song than its predecessor but potently catchy alongside being creatively absorbing.

The release is at its strongest over the final two songs, the title track an outstanding suasion which hints at a depth of potential still to be discovered by the band whilst providing an incendiary drama and skilled enterprise which sets them out as a thrilling proposition now and ahead. With great variation to the vocals and the predatory breath of the song, it is a riveting adventure which at times has an essence of John Bush era Anthrax to its hunger and endeavour around thought provoking hooks. The guitars and drums as already expected by this point make for an impressive and expressive incitement whilst the vocals of Gobran flame in passion and expression, and his bass craft is pretty formidable too.

Black Ice is more seeded in classic metal, though again eager to explore and colour itself with varied spices and tenacity of various metallic styles. It is a contagion drenched song which seduces with a chorus that refuses to be ignored or forgotten whilst around the anthemic bait band and song cast a scintillating weave which is as unpredictable and intriguing as it is virulently enslaving. It is an outstanding end to an excellent release which easily suggests that we just might have a new powerful force in British melodic metal in the making. If the thought of The Wildhearts meets Bullet For My Valentine appeals then checking out Second Rate Angels is a must.

The Lost Days EP is available from Monday June 2nd through all digital stores.

http://www.secondrateangels.com/

8.5/10

RingMaster 01/06/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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SECOND RATE ANGELS reveal their ‘The Lost Days’ EP, on 2nd June‏

Second Rate Angels Online Promo Shot

 

BANGING DEBUT EP SET LOOSE THIS SPRING FROM SECOND RATE ANGELS

 

Unstoppable Brit metal unit ‘Second Rate Angels’ nationally unveil their blistering debut EP ‘The Lost Days’, through all digital stores on Monday 2nd June.

With influences stemming from traditional heavy metal, as well as taking cues from Avenged Sevenfold, Bullet For My Valentine and Trivium, Second Rate Angels produce a sound that is a fresh take on the metal genre. Look out as the energetic quartet hit the road this Spring.

Second Rate Angels burst on to the scene late 2011 and soon began to wow audiences with their high octane live shows. Hailing from Hemel Hempstead and consisting of Chris Lewis (Guitars and Backing Vocals), Matt Clark (Guitars and Backing Vocals), Dave Gobran (Vocals and Bass) and Andy Doran (Drums), the foursome nailed performances at Bloodstock Open Air Festival, and went on to play a string of highly successful shows throughout London and the South, landing supports with the likes of Breed 77, Beholder and Zico Chain along the way. The lively four piece are now primed to step up with the national release of their debut EP ‘The Lost Days’.

Featuring four burly cuts of chunky metal, ‘The Lost Days’ EP will be officially unleashed this June. ‘Give It A Name’ starts it off in fantastic style with its dual riff attack and pounding drumming before the band’s new single ‘Dragged Out’ delivers a serious blow to your senses with its alluring dynamics, stout intensity and soaring refrain. Next up, ‘The Lost Days’ further highlights the fiery four piece’s inventive craftsmanship as it showcases killer guitar work, complete with contagious hooks. And lastly, ‘Black Ice’ draws the EP to a close in stellar fashion with its full frontal beastly riffery. Stay tuned as the band plan to tour throughout the UK this Spring, and check out their Facebook page for updates.

 

-SECOND RATE ANGELS RELEASE ‘THE LOST DAYS’ EP ON MONDAY 2nd JUNE THROUGH ALL STORES-

www.facebook.com/SecondRateAngels

 

 

Giving In To Ghosts – Chasing Waves

Giving Into Ghosts Press Shots 22/10/13

Bursting out from South Wales, post hardcore band Giving In To Ghosts have given a very solid promise drenched introduction to themselves with their Chasing Waves EP. The band’s debut is a vibrant and engaging, as well as pleasingly aggressive, entrance by the Cardiff quartet. It is an accomplished and imaginative proposition which without the spark to really light up the passions certainly leaves a hungry appetite in place for the band ahead. Its sound and the band’s presence is not as unique amongst other similarly fuelled bands as you feel both will become in the future, but again still feeds an intrigue and attention for the foursome which cannot be underestimated.

Formed only last year, Giving In To Ghosts have taken little time to trigger a keen and passionate fanbase around their region which is now starting to spread further afield with equal success. Pulling in inspirations from the likes of Funeral For A Friend, Architects, and Reuben their sound certainly has a wide appeal as proven by their successful support slots to bands such as Continents, The Browning, Acoda, and Beneath My Feet. Recorded at Not In Pill Studios in Wales with Martyn ‘Ginge’ Ford and Matt Bond (Slipknot, Trivium, Bullet For My Valentine), Chasing Waves is a potent first persuasion to hit the whole of the country, as said a tremendously solid attention grabbing declaration revealing the open potential within the band.

Rapture starts things off and immediately has ears under the cosh of the raw squalling tones of bassist James Hardiman, his vocals Giving In To Ghost Cover Artworkabrasing the senses and lyrical intent within firm rhythms and a sonic coaxing from the guitars. It is not a dramatic explosion but one with strong grooves and melodic designs from lead guitarist Julian Thomas alongside the equally welcoming riffs of Michael Thomas making an appealing start. The clean vocals of Michael Thomas equally impress; his delivery gentle and a good temper to the gruffness of Hardiman though you feel placing them side by side rather than alternatively could work better. The punchy beats of drummer Alex Bargh and solo casting of Julian complete the expressive forceful colour of the song and arguably stand out on the track most but all aspects skilfully unite for a strong first strike from the release.

The following Sirens makes a less forceful appearance but certainly is as fiery as its predecessor, going on to build a magnetic canvas for the switching extremes of vocals to unleash their narratives. The bass offers a mean growl to the rapacious riffs and antagonistic rhythms as do his scowls, but there is a less potent element to the song against the last which means the track fully satisfies but does not linger. Nevertheless with a pleasing sonic temptation and a belligerent intensity the song proves its worth and reinforces the potency of the band.

The title track opens with a riveting melodic caress instantly joined by the equally warm clean vocals. The bass adds tempering shadows to this embrace to expand the depth and pull of the initial coaxing before the sinews and passionate bruising within the song makes a loud shout. Evolving through both sceneries the best song on the EP provides an evocative adventure which reveals much more about the strength and depth of the band’s songwriting and sound whilst stretching the quality of the encounter. Employing emotively powered keys and a mesmeric spiral of sonic enterprise within a growing snarling dark side, the song is a formidable indication of the creative heart within the band and again its undeniable promise.

Final song To The Sun veers into the more brutal side of the band certainly compared to the reflective warmth of the previous song, it ravishing the senses with grouchy rhythms and caustic vocal spite whilst still drawing on the melodic craft and expression of the band. It is an intimidating and highly alluring end to a very satisfying release, one which maybe suggests more than it delivers but only in the quality you feel is there in the band waiting to evolve. Chasing Waves does not make claims as the new best thing in post hardcore but it certainly provides more than enough to suggest Giving In To Ghosts has the ability and sound to be a loud voice in the UK scene.

http://www.facebook.com/GivingInToGhosts

8/10

RingMaster 29/03/2014

Copyright RingMaster: MyFreeCopyright

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Dzyen – Self-Titled EP

 

Photo Debbie Todd

Photo Debbie Todd

Providing impressive food for thought, UK progressive metallers Dzyen unleash their debut EP to instantly thrust themselves on the genre radar but equally with a rich blend of flavouring to their potent sound it has plenty to draw in a wider expanse of metal fans from groove through to alternative.  The five track encounter is a feisty and inventive riot of sound and energy suggesting that the Stanley, County Durham hailing band is a proposition to keep a close and eager eye upon. Their self-titled EP is striking without being startling, imaginative without being ground-breaking but certainly is one thickly flavoursome and captivating release which sparks imagination and emotions.

     Made up of vocalist/guitarist Scot Goodrum, bassist Bryan Tulip, and drummer Niel Linney and formed in 2011, the band takes influences from the likes of Tool, Periphery, Sikth, and Trivium into their thoughtful and enjoyably crafted adventure. With 15 years of experience behind them from roots which began in death metal, the trio has evolved into a progressive/melodic metal persuasion which has been earning good attention and acclaim from fans and other artists such as members of Tesseract, Monuments, Novallo and Skyharbor, some of whom appear on the EP funnily enough. The release of first single Digital Senseless last December sparked an eagerness and appetite to find out more about the band which their EP feeds whilst confirming all the promise previously suggested.

    The single opens up the EP and features guest vocals from Daniel Tompkins (Skyharbor, White Moth Black Butterfly) as well as a0975414611_2Novallo guitarist Gino Bambino.  A collaboration written by band and guests, Digital Senseless is an instant forceful rub on the ear with a contagious bait of djent seeded riffery and an intensive rhythmic scouring of the air to open up its presence. The mix of vocals between Tompkins and Goodrum is a fiery mix of clean and raw which works a treat and one which at times the sounds struggle to keep up with in impact. Nevertheless the pleasing track strides confidently and powerfully with a compelling veining of melodic enterprise through its bulging muscular body as well as a thoroughly infectious chorus.

     From the strong start things only get tighter and more contagious, Beneath The Surface stepping forward next with progressive nostrils flaring and grooves writing within the instantly appealing temptation. From opening scratchy guitar strokes the track expels a heavy commanding breath, again djent sculpted riffs and crisp sinew driven rhythms plus a great throaty bass sound leading the way into the heart of the song. With a melodic and mellow caress accompanying the chorus within a still rigorous metallic pressuring, the song sparks thoughts of Mudvayne and American Head Charge. It is a healthy mix which the band explores and filters into their individual expressive endeavour for a deeply satisfying and thrilling portrait of sound and enterprise which easily twists the emotions around its infectious enticement.

      Neurosis next keeps the lofty heights going. The best track on the release, it is a voracious impact with thumping rhythms and carnivorous riffs driving its intent whilst the vocals of Goodrum create a fluid blend of raw surfaced attacks and ever agreeable melodic clean tones primed to seduce. The song like most always seem to stomp midway between clean and aggressive, never leaning too far into either despite often hinting a preference but always finding an impressive union which never fails the band. In saying that there is no doubt that this is the most combative track on the EP and shows with ease that the band can create corrosive rampages quite easily and skilfully if they want.

    The good times keep coming as Dzyen offers up an accomplished and thoroughly satisfying cover of Just So You Know, the aforementioned American Head Charge classic. It is fair to say that the band does not stretch or reinvent it in any dramatic way instead providing a faithful and ravenous version which easily hits the spot and with the song already a favourite it just cannot fail to add another big positive to the EP.

   The closing Dualism Part 1 took longer than other songs to fully convince with numerous plays unveiling its rich depths and thrilling textures in their complete persuasion. Featuring and written with Sam Gitiban, the vocalist of US progressive metallers Novallo, the track is an eight minute expanse of gritty rhythms, twisted grooves, and melodic tempting which has a Slipknot feel in their mellower moments. It also comes with an unexpected and unpredictable want to turn in on itself with additional styles and progressively bred imagination evolving into a resourceful provocation which alone shows the richness and expanse of the songwriting and adventure within the band.

     With a Lee Jackson directed first music video in the immediate future soon followed by a debut album and touring, as well as this inspiring and promising entrance, Dzyen look like making 2014 a breakthrough year to remember for them and us. A definite must check out release of the coming year.

www.facebook.com/dzyenband

http://dzyen.bandcamp.com/album/ep

8.5/10

RingMaster 13/01/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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