The Hector Collectors – Remember the Hector Collectors? ..You Won’t Believe What They Sound Like Now!!!!!

There are some bands which truly are one of a kind and The Hector Collectors surely fit the bill and have so since the day they made their first inimitable steps back in the year 2000. Almost tinkering with a revival after their demise/hiatus around 2004, the Glasgow hailing mischiefs are back in full swing with new album, Remember the Hector Collectors? ..You Won’t Believe What They Sound Like Now!!!!!, an encounter which teases, flirts, and keenly pleasures ears in the band’s unique way.

Something akin to a blend of Television Personalities, The Freshies, and Half Man Half Biscuit, the quartet of vocalist A.J.Smith, guitarist I.D.Smith, bassist Joseph Greatorex, and drummer Gavin Dunbar have honed in on their poppiest instincts yet within Remember the Hector Collectors? though that creative dissonance which sets them apart still drives their lo fi revelry.

The album opens up with Drowning in Dorito Chips, rhythms immediately calling on attention before the track’s infectious stroll works on feet and imagination. Flirtatious keys add to the potent lure still led by those manipulative beats and the call of group vocals alongside A.J.’s magnetic lead. With a sniff of Josef K to its untamed pop, the song quickly and deviously got under the skin, establishing itself as surely the next single teaser for the album.

It Takes a Lot to Laugh, It Takes a 25 Minute Response Video to DESTROY your Argument follows with its own shade of the jangling goodness fuelling its predecessor; the song just as anthemic in its slightly more restrained but no less rascal of an incitement before Content Farm pokes at the appetite with its spikier pop punk antics with a mischievous wink at familiarity. There is a hint of bands like The Sums to the song and also within its successor, Bullies, another inherent indie pop soaked stroll which is pure pleasure courting nostalgia and modern DIY enterprise from within which a Top Buzzer whiff escapes. Featuring as a handful of tracks the featured keys of Dave Gillies, he one of a number of guests across the release including guitarist Cal Wiseman Murray, keyboardists Chris Elkin and Billy Samson, and backing vocalist Martin Smith,  the song like so many needs little help to captivate ears and a never too far from the surface smile.

The brief folkish medieval devilment of White Knight to F5 needed mere seconds to hook feet and lust, a success immediately repeated by next up Just Lovely, another incomplex pop jangle stocked with inescapable hooks and lo-fi misdemeanours recalling essences of bands such as Swell Maps and Fatal Microbes.

Across the pop ‘n’ roll of The Ad Hominem and the pop fray of Overton Window, band and album just accentuate their rich enticements, the first of the pair especially persuasive while Cognitive Dissonance eclipses both with its punk coated misbehaviour again hinting at the seventies and the antics of bands like O‘Level and Teenage Filmstars.

Edgelords provides a satisfying sing-along moment next, one proving very hard to resist within its melodic web with Abandoned Website following up its incitement with its own individual indie rural tinted jangle so easy to get involved with.

The album is completed by the outstanding Leeson Windfarm, a Scars hued encounter with espionage lined rhythms and intrigue loaded guitar. Vocally and lyrically, the song reflects on local and social observations, a regular spark to the band’s smart, playful words and those wicked song titles backed by similarly impish sounds.

As suggested at the start, The Hector Collectors is like few others, if any to be truthful, and as they re-energise their presence with new adventure in their sound that is not going to change any time soon, Remember the Hector Collectors? ..You Won’t Believe What They Sound Like Now!!!!! and its thickly enjoyable fun proof of that.

Remember the Hector Collectors? ..You Won’t Believe What They Sound Like Now!!!!! is out now; available digitally and on Ltd Ed vinyl @ https://thehectorcollectors.bandcamp.com/album/remember-the-hector-collectors-you-wont-believe-what-they-sound-like-now

https://www.facebook.com/thehectorcollectors/

Pete RingMaster 06/11/2018

Copyright RingMaster: MyFreeCopyright

Uniforms – Reasons To Breathe

Uniforms has a name which if not careful when searching out the band can lead you in the wrong direction, a single additional letter a spark to that deceit alone, but find the Scottish quartet and you will hear nothing  but an individual prospect not so easy to miss. The band has just released new 7” EP, Reasons To Breathe; three slices of earthy punk rock as infectious and rousing as they are emotionally raw and attitude laden.

Hailing from Dundee, Uniforms uncaged their presence and sound in 2011 and has since become one of Scotland’s most potent punk experts. Fresh from rousingly closing up the Manchester Punk Festival, Uniforms have now unleashed the successor to their acclaimed 2015 Pink Couch EP, to show they are still writing and banging out some stirring punk moments.

Though punk rock bred, their music and the new release also show a dab hand at bringing pop punk and additional raw hues to its sound. Opener Get Me Out Of Here immediately entices with guitar wires before rhythms bound in to escalate the song’s initial hook on attention. Swiftly the catchiness of the track aligns to its rawer instincts, an infusion of pop enterprise lining and breeding a chorus which soon has the body bouncing. In many ways it is akin to a collusion of Stiff little Fingers and Yorkshire Rats with a whiff of Top Buzzer pop rockiness but soon establishing its own individual roar and presence in highly magnetic proposal.

The following My Wise Friend is just as adept at getting the body bouncing, its own contagious exploits merging punk belligerence to organic infectiousness. Stabbing rhythms and sonic clashes of guitar magnetically align to a vocal incitement just as potent in rousing the senses. For two minutes, the track snarls and incites ears and imagination, a time of natural pleasure repeated in final song Searchlights. It too had limbs and hips flying in quick order, retaining their subservience as it revealed a revolving cycle of energy and enterprise, every twist, each turn, bringing fresh temptation to eagerly chew upon.

Inspiring an appetite from something larger from the band, Reasons To Breathe is Uniforms back better than ever and providing a trio of excuses why DIY punk is still one of music’s essentials.

Reasons To Breathe is available now via TNS Records digitally and on Ltd white vinyl (300) @ https://tnsrecords.bandcamp.com/album/reasons-to-breathe or https://uniforms.bandcamp.com/album/reasons-to-breathe-ep-2

 https://www.facebook.com/WEAREUNIFORMS/   https://twitter.com/weareuniforms

Pete RingMaster 31/08/2018

Copyright RingMaster: MyFreeCopyright

Ben Wood & The Bad Ideas – The Reveal

Luxurious in its temptation, haunting in its touch, The Reveal is the new single from Ben Wood & The Bad Ideas. The song is a proposition which tantalises as it seduces, every one of its creative threads uniting in a weave of real magnetism for ear and imagination. We have not every track from the band’s repertoire but we can be confident in suggesting that The Reveal is one of if not THE finest moment from them yet.

Ben Wood started life as a busker and acoustic guitarist in Essex scene. An opportunity to contribute to an X-Ray Spex charity album in the US, Wood and co one of only two British artists involved meant he had to find a band, record a track and get it sent over to the States in just 48 hours. Succeed he did and in 2012 Ben Wood & The Bad Ideas, its name inspired by his doubts over swiftly resolving that scenario, began going on to play Prince Charles’ Garden Party at Clarence House, headline the Yes To Life festival and releasing that compilation track, Obsessed With You as their first single.

Alongside Ben Wood in the band is Andy Duke of Top Buzzer, Cauldronated, and most recently Flesh Tetris fame; the two co-writing the new single. For The Reveal, the pair is also joined by Bruce Thomas from Elvis Costello & The Attractions on bass; a line-up which alone bred instant intrigue for the release with also features Cristabel Christo . It is an anticipation swiftly fed and pleasured by the song, keys and rhythms immediately teasing and wrapping ears respectively. The latter’s atmospherics caress the dark pulsing of Thomas’ bass as a post punk-esque resonance blossoms. Even at this early point there is feeling of The Sound to the song, a hue thickening and enriching its growing prowess and lure. It is a flavouring though which is woven into the track’s uniqueness and increasingly haunting majesty.

Wood’s vocals are just as captivating as every element entangled; the track a web of strands rather than a boiling mass but just as powerful in its emotion, intimation, and craft. From verse to chorus, note to rhythmic enticement, the track is pure captivation and for us simply one of the best tracks heard this year so far.

The Reveal is released on 25th June.

https://www.facebook.com/BenWoodTheBadIdeas   https://twitter.com/benwoodbadideas

Pete RingMaster 19/06/2018

Copyright RingMaster: MyFreeCopyright

Flesh Tetris – Insert Coin EP

Pic Chris Clark

We have all come across and been excited by the prospects of Super Groups; adventures bred from the union of various members of renowned and occasionally legendary bands. Sometimes it leads to new pleasure sometimes disappointment. In the far busier landscape of the musical ‘underground’ such fusions of talent are as prevalent and very often much more thrilling as in the mouth-watering case of UK outfit, Flesh Tetris.

The London quintet makes their introduction to the world with debut EP Insert Coin in May; a collection of songs which with the ease of the summer sun has the spirit rising, body dancing, and juices flowing. To be honest our imagination and excitement had their running shoes on even before a note of their first release was heard; racing away just from the names behind this new proposal. Flesh Tetris sees the coming together of members from four of our indelibly favourite bands and, to us, new musicians just as easily grabbing ears and appetite. First there is long-time friend of The RR, guitarist/bassist Andy Duke of Top Buzzer, Cauldronated, The Duel and a clutch of other projects fame. Then there is the inimitable presence and vocal prowess of vocalist Eva Menon also from Cauldronated as well as the distinct creative mischief and character of vocalist Andy Heintz from The Men That Will Not Be Blamed For Nothing who has already released one of the year’s essential gems in the shape of the album Double Negative. Alongside the three is Karen Bell who quickly reveals herself as one mighty ear lure with keys, voice, and theremin on the EP and drummer Jez Miller, who lays down inescapable bait with his manipulative swings.

pic by Neil Anderson

It is a line-up which quickly turned an instinctive interest because of their other adventures into lusty attention and an eager appetite for their sound. Described as “Retro SciFi Eurotrash”, Flesh Tetris weave a kaleidoscope of styles and flavours in their music, embracing everything from punk and its electro form, to pop and rock, techno, industrial and much more. It makes for something fresh, virulently infectious and imaginatively gripping eager to throw the body and imagination around like a puppet through its animated antics.

Insert Coin opens up with Rabbits, keys initially hugging, inciting, and worming under the skin with lively rhythms for company before Heintz and Menon add their vocal character. The pair have two of the most distinctive voices and unique deliveries in music which alone just stir the passions but together…well it is as if they were born to be alongside each other at some point such their magnetic union. Swiftly the song had the body bouncing and vocal chords employed, its electro dance a viral infection to feet and hips as the cosmic enterprise of Bell and the hypnotic escapades of Duke and Miller romp. With more chance of there being parity across society than escaping the creative fingering of the song, Insert Coin is off to a flyer and only builds from there.

Next up Partners in Crime instantly looms up with intrigue and adventure, like an adult electro bred Scooby Doo adventure with defiant threat and noir kissed romance at its heart. The great grizzled tones of Heintz and the equally alluring European lilted suggestion of Menon take ears and thoughts on the run, sound providing scenic temptation before the seriously magnetic tones of Bell serenade from the midst of the caper. Few bands have one great vocalist, to have three feels greedy and just another reason to explore Flesh Tetris. The track is superb, managing to even eclipse its outstanding predecessor before The Hardest Part swings in with its dub nurtured electronics and rhythmic intimation. Duke has hips swerving with a gentle but keen hunger whilst the controlled skittishness of Miller’s beats is an additional glorious itch to movement. Within this magnetic landscape vocals prowl and roar stirring up even greater greed and lust for a track which simmers before it boils compared to the more instant explosions of those before it but sizzles to the same heights all the same.

The EP closes up with Glass Bottom Boat, a seaside ode starting with a poetic casting regaling the romantic days of old Brighton. As waves lap a delicious hook springs its bait, a potent lure which you would surmise could only come from the imagination of Duke such its individuality. With Bell’s keys flirting alongside, the slice of smiling rock ‘n’ roll quickly has body and participation rocking; nostalgic pop nurtured harmonics adding to the song’s grin. Imagine a fusion of The Revillos, Chicks On Speed, and The Dreadnoughts and you get a whiff though nothing more of the great EP finale.

Flesh Tetris describe their music as “pop music for unpopular people” and if this is what ‘hate’ inspires we for one quite content to be among the disliked at the kind of thrilling party where you Insert Coin and salaciously enjoy.

The Insert Coin EP is released 26th May across most online stores.

https://www.facebook.com/fleshtetris/

Pete RingMaster 24/04/2018

Copyright RingMaster: MyFreeCopyright

Top Buzzer – Inside is a Room Vol. 1EP

top-buzzer-inside-is-a-room-vol-1_RingMasterReview

It has been two and a half years since British pop punk ‘n’ rollers Top Buzzer had us leaping around with the thrilling stomp of The Sprollie EP. It is a time though which has seen the band still a busy live proposition and its members, especially vocalist/bassist Andy ‘Dukey’ Duke, get involved in a horde of other projects and bands alongside the ‘day job’. Now to stir up and entertain ears at home again, the London based trio have uncaged the Inside is a Room Vol. 1 EP; four tracks of the band’s inimitable and contagious rock ‘n’ roll. It might be more recognisable prime Top Buzzer devilry but the release also reveals a broader embracing of punk and varied rock flavours within a fresh snarl and even keener hooks than ever.

Originally Jersey bred and formed in 2011, Top Buzzer has been a feisty punk proposition from day one, in sound and DIY attitude. Quickly they created their own label Back2Forward Records for first release, the Hands Up EP, and in turn the highly successful single Remission which followed. Praise and support followed across the written press, such as Kerrang, Rock Sound, and Big Cheese and on radio as UK and US shows and stations, terrestrial and online, took a shine to their mischievous pop punk revelry. Debut album Outside Is A World, again released that first year, grabbed greater and keener attention which was subsequently eclipsed by The Sprollie EP in 2013 and the band’s contribution a year earlier to the 2012 Rebel On The Underground – A Tribute To X-Ray Spex compilation.

As mentioned it has been a fair old gap between releases, but now Dukey, guitarist/vocalist Soni, and drummer/vocalist Welshy ensure the wait for something new is a quickly forgotten moan with Inside is a Room and indeed opener Trapped In The Room. Straight away ears are accosted by a swarm of riffs and rhythms, guitars and bass instantly lining that initial surge with sharp catchy hooks before expanding them further as the song settles into its tenacious stroll. Feet and hips are a swift blur to the equally animated nature and motion of the song. Dukey’s familiar tones adding to the recognisable air of the song but equally pushing the new lusty and punchy nature to the band’s sound. Like the ‘bad’ kid down the road your mother warned you about, the one destined to cause trouble and encourage develop bad habits, the track stirs up the spirit and an urge to lose inhibitions.

That same irresistible nagging arises with Meanwhile in San Francisco and its deliciously spicy melodic beckoning around Welshy’s enslaving anthemic bait. There is a touch of The Vibrators to the song as it settles and blossoms a thick lure of beats and bass temptation whilst on top Soni’s guitar uncages a blues frisked spiral of sonic enterprise. Ultimately creating a rousing proposal which at times is almost akin to Toy Dolls meets The Adicts, the track has body and voice firmly involved before allowing Denny’s Song the chance to run its grittier hard rock meets pop punk persuasion by ears for a matching success. Again resistance to getting physically and emotionally involved is futile once hooks and swinging rhythms seize hips and the imagination; the vocals across the band only stirring things up further with their boisterous encouragement.

The EP ends with the old school punk seeded Live is Blind where the three prong vocal attack alone is a riveting and thickly enjoyable incitement. Imagine The Ramones, Radio Stars, and The Wildhearts colluding for a riotous, rip-roaring stomp and Top Buzzer have that covered with the excellent closer to another thrilling incitement of ears and bold fun.

We have had a serious sweet tooth for Top Buzzer since that first EP, no denying that, and with releases like Inside is a Room EP, it only gets more acute. Pop infested punk ‘n’ roll does not get much more fun and to be honest better than this.

The Inside is a Room EP is out now via most online stores and @ http://back2forward.bigcartel.com/product/inside-is-a-room-vol-1-cd

http://www.topbuzzer.co.uk/   https://www.facebook.com/topbuzzermusic   https://twitter.com/topbuzzermusic

Pete RingMaster 18/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Mellor – Damage/ Joy

Mellor_RingMasterReview

Formed in 2011, British quartet Mellor has earned some high praise and interest from fans and media alike, and there are plenty of reasons to expect things to continue and get busier around the band with the release of new EP Damage/ Joy. Four tracks which leap and bound into the imagination, the EP is a rousing slice of kinetic indie pop easy to get a healthy taste for.

The band itself calls their sound “Pop Smack”, but it can be best described as raucous Brit pop with an arsenal of twists. On the EP, it is like a galvanic stomp woven from the indie adventure of The Jackals, the punkishness of a Top Buzzer, the eighties fervour of a Purple Hearts or Secret Affair, and the transatlantic mischief of Weezer. It is a sound which has already lured potent attention through a trio of singles and a debut EP to date as well as a highly praised live presence which has seen the band share stages with bands such as The Milk, Carl Barat, and The Kooks. Now it is the turn of the Mo Hausler (Babyshambles, Everything Everything) produced Damage/ Joy to whip up fresh ears and appetites the way of Reading quartet Gary, Josh, Evert, and Sam.

The release gets straight down to it too with opener Win Me Over. Punchy rhythms and a fine clash of guitar swiftly springs a hook lined swagger which soon has hips and ears locked into it’s a seriously catchy and flirtatious stroll. Bursts of feisty energy and aggression add to the spicy drama on offer whilst its melodic infectiousness and rhythmic shuffle is not too far removed from sixties beat bands like Herman’s Hermits.

logo_RingMasterReviewIt is a gripping and eventful proposal entangling a host of flavours across the decades into its bouncing body; a treat of imagination emulated again in Dolly Daydream. A slower but no less enticing proposal which gets increasingly compelling with every minute, the song is a serenade of emotive keys and vocal prowess within rhythmic shadows and an underlying but restrained urgency. It is an energy which gets more of an escape in the riveting Going Nowhere, a track which from its delicious opening groan of bass has ears and appetite on board. Sultry caresses of guitar and melodic seducing need little time to captivate the listener either whilst fiery grooves and the ever potent vocals, as well as that persistent dark lure of rhythms, ensures enjoyment is full to the rim.

The EP closes with Schadenfreude; a rip-roaring romp of indie rock ‘n’ roll with again a breeding in each of the past five decades via various strains of galvanic sound. If reading all the references to times and flavours past triggers thoughts that the band may have missed their time in musical history, be rest assured that Mellor, certainly going by Damage/Joy, is very much a band of the now and one of those with the potential to eventually steer the adventure of the British indie rock ‘n’ pop scene.

Damage/Joy is available from 11th March 2016 via iTunes and other stores.

http://www.mellorsounds.com   https://www.facebook.com/melloruk   https://www.twitter.com/melloruk

Upcoming Live Dates:

Saturday 12th March – Oakford Social Club – Reading (READING EP RELEASE SHOW)

Friday 25th March – The Railway – Winchester

Friday 8th April – Sebright Arms – London

Pete RingMaster 10/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Gaffa Tape Sandy – Smart Dressed Guy

GTS_RingMasterReview

Bury St Edmunds is having a heyday right now with the wealth of impressive and imaginative bands emerging from its music scene. With bands like Horse Party, The Machismo’s, and The Vitamins leading the way, the Suffolk market town is making its mark on the UK music map. Now there is another potential soaked and seriously captivating proposition to emerge from the same creative bed. Gaffa Tape Sandy is the band, a trio on the evidence of debut single Smart Dressed Guy creating their own flavoursome form of rock ‘n’ roll by fusing the rich essences of garage punk and alternative rock.

Formed last year, Gaffa Tape Sandy consists of vocalist/guitarist Kim, vocalist/bassist Catherine, and drummer Robin; three friends “with an undying love for music that makes you want to move around and punch your best friend in the head.” They certainly back up that description with their two-track single; a pair of songs with attitude and an instinctive catchiness impossible to ignore.

Gaffa Tape Sandy - Smart Dressed Guy (Single) - cover_RingMasterReviewSmart Dressed Guy swiftly has ears alive and hips swinging, an initial rhythmic volley sparking a lively stroll of jangly chords and eager beats split by a pulsing bassline. There is a scent of rockabilly to the song but equally there is indie revelry reminding of bands like Strangler Figs, it all colluding to stir up the imagination whilst the blend of Kim and Catherine’s vocals adds another enticing hue to back up the former’s naturally energetic delivery. With a further touch of tenacious devilment carrying a touch of Damn Vandals/Top Buzzer to it, the track is an incitement for an exhausted body and a greedy appetite for more, something the track’s companion soon helps with.

L’appel Du Vide is a slightly more reserved proposal; the key word being slightly as it too unveils a frisky mix of dirty riffs and gripping hooks as garage rock inspired as they are punk spiced. Again, little time passes before limbs are flinging moves and energy is shared with the boisterous rock ‘n’ roll of the song and just as quickly that lustful hunger is inspired to greater greed.

This is only two songs of course, so a touch early to claim that Gaffa Tape Sandy is destined to make a major impact on the British rock scene, but Smart Dressed Guy as a whole suggests they certainly have the potential. More of the same or even bolder incitements will only confirm it.

Smart Dressed Guy is available now for free @ https://gaffatapesandy.bandcamp.com/

http://www.gaffatapesandy.co.uk   https://www.facebook.com/gaffatapesandy   https://twitter.com/GaffaTapeSandy

Pete RingMaster 09/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/