Frauds – With Morning Toast & Jam & Juice

It cannot be just coincidence that year on year December brings some of the relevant year’s best and often most dramatic releases. Maybe it is just that they generally come within a concentrated two week burst with the year’s final pair of weeks more likely to be party time for all so that it is more noticeable than in other equally productive months but there does seem to be a real gathering of striking encounters  as the year makes its departure. The debut album from UK duo Frauds simply adds to the evidence, With Morning Toast & Jam & Juice a glorious cacophony of noise bred rock ‘n’ roll infested with post punk and post hardcore rapacity.

Formed in late 2012, Croydon hailing Frauds consists of Chris Francombe (drum/vocals) and Mikey Alvarez (guitar/vocals), a musical partnership which seems to hail from well before their latest venture burst into life. Inspired by the likes of Nick Cave, Tom Waits, Sonic Youth, Fugazi, Mclusky, Hot Snakes, and Drive Like Jehu, the pair initially began jamming together again with the intent of only playing covers. Soon though their own imagination and creativity took over and new songs emerged. Since then the band has become a potent presence on the capital’s live scene sharing stages with the likes of Idles, Life, HMLTD, Tigercub, Demob Happy, Kagoule, USA Nails, Slaves, Blacklisters, Queen Kwong and site favs The St. Pierre Snake Invasion along the way. Fresh from tour dates alongside ex-Reuben front man Jamie Lenman, Frauds are poised to nag national attention with Morning Toast & Jam & Juice, a niggling hard to see failing such its raw majesty.

Let’s Find Out kicks things off, a riveting tendril of guitar winding around ears and soon joined by the thump of Francombe’s beats. Second by second the web expands, Alvarez’s guitar creating a clamorous jangle with post punk hues to its sharp spice. Vocals equally have a caustic edge, courting the repetitious magnetism of the encounter with punk attitude and ferocity. Sonic shimmers and distortions only add to the virulent nagging, the track as much an intro as a complete offering luring ears and instinctive attention into the waiting depths of the album.

Next up, Smooth instantly twists and turns around the senses, its post punk/alternative rock antics as invasive as they are seductive. Like the spawn of a union between The Three Johns, The Droppers Neck, and Mclusky, the song swings along drawing the listener deeper into its feral majesty before The Feeding Frenzy envelops ears with its noir clad atmospheric drama. Sonic smog devours as vocals provoke, the underlying volatility brewing a ravenous toxic drone as flirtatious as it is debilitating.

From its virulent inhospitality, the mischievous exploits of Sandwiches emerge, the song a rash of hooks and rhythms around brash vocals; all carrying a liquor of humour and captivating causticity. Again there is an eighties post punk discordance in allegiance with modern creative antipathy and again everything uniting in a corrosion of punk irritability which simply sparks ears and an instinctive appetite for noise rock. As it evolves with increasing imagination, the track feeds ears with a delicious groan of bassoon-esque guitar; its barracuda tone pure manna for these senses and matched in addictiveness by the duo’s vocal lures. There are numerous major moments within the album but this is the pinnacle with ease.

The psychotic rock ‘n’ roll of Just Come Of Age comes next to be a strong rival though, beats a kinetic psychosis matched by the wandering tendrils of guitar and vocal theatre. The Eighties Matchbox B-Line Disaster easily comes to mind as the song plays with the imagination, crawling over the senses with predacious glee and tenacity.

Suck Jobs keeps the thrills high with its senses scathing sonic enticements and vocal abrasions, the song mercurial in air and relentless in infectious dynamics while Doom prowls and seeps through the body with grievous intent. Its suffocating tones devour mood and thoughts, dragging attention by the throat into a finale which is pure punk ferocity. The track is one of the least easily accessible trespasses provided by the album but joining all in leaving pleasure brimming.

With Morning Toast & Jam & Juice concludes with firstly Could’ve, Should’ve, Would’ve, another carnally tart and compelling stroll with an Engerica hue to its visceral contagion, and finally through the transfixing saunter of Give In. Rhythmically hypnotic and melodically haunting with a just as appetising acrid edge, the song slowly entangles the senses, its own individual drone like bait viral persuasion becoming more chafing and disturbing second by second.

With a hidden scar of punk as its actual final breath, With Morning Toast & Jam & Juice leaves pleasure high and anticipation for their next move lustful. As earlier mentioned there have been numerous really stirring propositions this year yet it is hard to remember many as glorious as the debut from Frauds.

With Morning Toast & Jam & Juice is available now through Till Deaf Do Us Party Records and available @ https://fraudsfraudsfrauds.bandcamp.com/album/with-morning-toast-jam-juice

https://www.facebook.com/fraudsfraudsfrauds/

Pete RingMaster 19/12/2017

Copyright RingMaster: MyFreeCopyright

Various – Sea Monsters 3

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It was only a few decades ago that everywhere you turned there was a new compilation album of emerging talent, every city seemingly rife with bright fires on new invention and refreshing creativity from yet to be discovered bands and producing albums as proof. That seems to be a thing of the past now, or maybe just it is so much harder to draw them into the radar, but one series is definitely working hard to unveil the thriving local scene of Brighton and that is One Inch Badge’s Sea Monsters ‘Best of Brighton’ compilations. The late seventies/early eighties saw the excellent Vaultage compilations from the same city, a series of releases which brought to attention the likes of The Piranhas and Peter And The Test Tube Babies, and the Sea Monsters collections is bringing equally or potently even more impressive artists of today from out of the city into are eager ears. Volume 3 is the latest release and as full of quality and irresistible sounds as you could wish for.

Reviewing compilations, especially the size of the two CD/download Sea Monsters 3, is great but also difficult as it is impossible to highlight every deserving artist and on this twenty five track treat it is honest to say there is not one single lull in the depth and richness of tracks. It is an eclectic mix of sounds and artists too which would normally lead to times where you are looking forward but not with this album. We will bring to the fore favourite tracks on the album to fill this review but only on the assumption you accept that every track is worth your undivided attention, got that?

The first CD is opened by the quartet Kins and their song Top and Turn. The song is a busy and raw mix of electro and scuzzy whispering guitars around the excellent vocals of Queline Smith but there is elegance to its ambience which wraps tender arms around the quizzical tempest. It is a gripping start soon equalled and then surpassed by the brilliant sultry guitar crafted instrumental flame of Guiones de Escadrilla from trio Squadron Leaders. The song is a blaze of sixties toned psychedelic rock merged with even richer surf rock; imagine The Shadows starting out today with an indie intent to their craft and nostalgia in their heart and you get this scintillating track.

In close order both Traams and The Physics House Band light up the senses with the songs Peggy and Abraxical Solapse respectively. The first is a guitar crafted piece of garage pop and noise rock which sounds like The Strokes meets The Barracudas, the trio creating a catchy, compelling slice of punkish pop rock, whilst the second simply takes the imagination into a shadow lit piece of disorientating aura drama, the band twisting the song left right and centre and in on itself whilst creating a coherent experiment in sonic adventure. Again a trio (more than coincidence surely?), the band provides arguably the biggest highlight of the release though it is constantly challenged by the likes of Broker, yes another trio who carve out a hypnotic senses buffeting taunt of punk and post hardcore within a psyche punk confrontation with the song Pro Rata. It is a masterful encounter which lingers and teases long after the band’s departure. Coffee from Gnarwolves closes up the first disc with a caustic brawl of punk which maybe is not rife with open originality but suggests this is a band sure to find that unique voice and recognition ahead as it thrills ears and emotions with a battling intensity and persuasion … oh and need I say how many members there are?

The second disc also starts with a pinnacle in the excellent Rule Breaker from hip hop seductor Suave Debonair, not to be confused with the duo from Sacramento playing the same genre. Reminding of Honky, the track sways and swagger with attitude and intrigue, the sounds rippling with invention and the word juggling coming near to the craft and might of Dizraeli. The following Bar After Bar from Rum Committee also walks across the spitting provocation of hip hop, brewing up a swing, jazz, and dubstep chaser to its liquor lined narrative.

Stepping up soon after on the release Great Pagans with Teenage Sillouettes immediately followed by Plasticine and their song Hard Being Strange bring another feast of sound and imagination to feed the raging hunger already ignited by the release. The first band offers up a song filled with guitar led fuzzy warm pop filled within a scuzz littered rock surface, whilst the vocals lay another smouldering harmonic heat to add its glaze to proceedings. Its successor from Plasticine also takes rock music on a melodic ride though with a distinct character to its indie infection and the great slightly quirky vocals of guitarist Andrew. There is a familiarity to the track too but one which defies recognition and adds more to the pleasure.

The pop rock, slightly Green Day like, sound of Loose Lips and their track Dr Evil next bounces across the ear igniting passions and limbs into another thrilled exercise of contribution. It is an excellent piece of contagion which leaves you exhausted and with a needy urge to press play again, and for the record after a few four strong bands, the trios have returned.

The consecutive treats of Little Rope from Tigercub, a riveting stamp of grungy rock ‘n’ roll and virulent anthemic energy, and the soul romping Oh The Days from Almighty Planets stamp their exciting ingenuity permanently on thoughts and passions to demand and undoubtedly receive further investigation, though every artist on the release earns that.

Sea Monsters 3 is outstanding and just shows how much talent there is in one city alone awaiting your discovery. With the likes of 900 Spaces, Luo, Negative Pegasus, Thedealwasforthediamond, and Abi Wade adding their exciting promise and sounds to the equally intriguing offerings of DA-10 ft. Us Baby, Bear Bones, Phoria , Soccer96, Written In Waters, If Heroes Should Fail, Jacko Hooper, and Holy Vessels, this is one compilation only a fool would ignore. With something for everyone it is one of the best introductions to any band anywhere and there are twenty five of the buggers here, some not a trio too.

Stream the album @ https://soundcloud.com/oneinchbadge/sets/sea-monsters-3

Sea Monsters 3 track listing:

Top & Turn (Demo)         Kins

2. Red   Phoria

3. Fears                Luo

4. Aquarius         Soccer96

5. Guiones De Escadrilla                Squadron Leaders

6. Peggy               Traams

7. Natural Jazz   Negative Pegasus

8. Abraxical Solapse        Physics House Band

9. For My Sins    Thedealwasforthediamond

10. Ligeia              Written in Waters

11. Arras (ii)        If Heroes Should Fail

12. Pro Rata        Broker

13. Coffee           Gnarwolves

14. Rule Breaker               Suave Debonair

15. Bar After Bar               Rum Committee

16. Indigo            DA-10 featuring Us Baby Bear Bones

17. Teenage Silhouettes               Great Pagans

18. Hard Being Strange  Plasticine

19. Dr Evil             Loose Lips

20. Eleven Pairs of Wings    900 Spaces

21. Little Rope   Tigercub

22. Heavy Heart                Abi Wade

23. In Angers      Jacko Hooper

24. Fever             Holy Vessels

9/10

RingMaster 31/07/2013

Copyright RingMaster: MyFreeCopyright

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