Tess of the Circle – I’m Not Ashamed

tess-of-the-circle-im-not-ashamed-art_RingMasterReview

With their outstanding album Amplify, released earlier this year, still drawing attention and acclaim the way of Tess of the Circle, the UK band’s new single just confirms its irresistible qualities and caps a major ground-breaking year for the Oxford hailing outfit.

Formed by and based around the songwriting singer/guitarist Tess Jones, Tess of the Circle is a collective of musical and creative talent which has really caught the wider imagination with second album Amplify, the striking successor to the equally well-received debut Thorns. With lead guitarist Lee Clifton, bassist Ben Drummond, and drummer Paul Stone alongside Jones on the Gavin Monaghan produced full-length and now the new single which comes from the, Tess of the Circle is awakening broader waves of eager appetites for their melody rich rock ‘n’ roll, something I’m Not Ashamed can only add impetus to.

There is a Numan-esque glaze to the initial feel of sound escaping the speakers and Jones’ emotively delivered vocals, a spice remaining to appeal as the track blossoms into a fiery blaze of blues kissed, grunge toned rock ‘n’ roll. Subsequent dips into mellow climes are built on the same eventful melodically suggestive enterprise which shapes the whole of the song, while the bolder feistier body of invention around them provides hazier almost psych rock spun waves of imagination to eagerly surf.

I’m Not Ashamed is one of the numerous treats making up Amplify and alone as their new single, a potent lure for newcomers to explore the increasingly impressive creative world of Tess of the Circle.

I’m Not Ashamed is out November 25th across most online stores.

Upcoming Live Dates:

December 3rd – Planet Rock’s Rockstock Festival

February 3rd 2017 – Sunflower Lounge, Birmingham

Friday May 26th – BEARDED THEORY 2017

http://www.tessofthecircle.com    https://www.facebook.com/TessOfTheCircle/

Pete RingMaster 23/11/2016

Copyright RingMaster: MyFreeCopyright

Tess Of The Circle – Love Is The Drug That You Crave

Tess of the Circle pic 1_ Reputation Radio/RingMaster Review

Ahead of their new album Amplify due this coming September, UK band Tess Of The Circle release new single Love Is The Drug That You Crave, and a finer temptation to explore the band’s impending full-length you could not wish for. The song shows just why acclaim and potent attention has been given to the band through its previous releases but with a sound hinting at brand new adventures ahead.

Tess Of The Circle is a British Independent Collective based around the songs and music of singer/songwriter/guitarist Tess Jones and his circle of friends, a group of live and album musicians. The project began in 2013 and quickly released debut album Thorns, a collection of songs from Jones bred from a mix of 70’s electric rock with acoustic guitar riffs and enterprise around biographical lyrics. The release was quickly embraced and praised from fans and media alike, seven of its tracks played on BBC RADIO 2 amongst many national stations, leading to 11 BBC RADIO sessions last year. If the Gavin Monaghan produced Love Is The Drug That You Crave is an example of the wares within Amplify, the band can expect more of the same we suggest upon its release, certainly plenty of close and eager attention.

Tess of the Circle artwork_ Reputation Radio/RingMaster Review     Love Is The Drug That You Crave is themed by “how we often mistake temporary objects and fixations for love. It suggests that we just see these things for what they are; a wish to feel connected” and straight away the great tones of Jones are gripping ears within swathes of guitar and percussive coaxing. Swiftly though, the song twists into a blazing stroll of fiery rock, that seventies breeding a rampant essence within guitars and keys yet equally there is a feel of varied decades within its spicy grooves and flirtatious hooks. The bass of Ben Drummond is a great shadow and grounding to the roaring flames of guitar from Jones and Lee Clifton, but never dulls their incitement with his string’s resonating throaty tones; it all provoked and stirred up further by the rapier like swings of drummer Paul Stone and the potent vocal incitement of Jones.

Hints of bands like The Cars and The Motors nudge thoughts alongside those of Steve Miller Band and the John Butler Trio, but ultimately the roast of a hot rock ‘n’ roll is something pretty much distinct to Tess Of The Circle.

Love Is The Drug That You Crave is a song which simply rocks the listener with an irresistible swagger and passion to which you can only say roll on Amplify.

Love Is The Drug That You Crave is out now on most online stores with Amplify scheduled to be released September 2015.

Upcoming live dates:

June 19th – Acoustic Festival, Uttoxeter

June 25th – 28th – Glastonbury Festival.

July 11th – Bodfest, Horse & Jockey, Bodicote

August 14 – 16th – Pandora Festival, Buckinghamshire

http://www.tessofthecircle.com/   https://www.facebook.com/TessOfTheCircle

RingMaster 16/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

The Deathtrip – Deep Drone Master

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Deep Drone Master is a fascination proposition whose tracks either has ears and emotions in rapture or certainly seriously contemplating what they have undergone and wanting more. That is how it ignited our personal reactions; at times the debut album from The Deathtrip sparking lustful ardour and in other moments simply has thoughts and emotions deliberating eagerly, with occasionally undecided results, the undeniably impressive provocations. Ultimately though the Svart Records released ravaging is an inescapable lure emerging as one of the more compelling black metal encounters heard recent times and very easy to recommend to all genre fans.

The Deathtrip goes right back to 2003, its seeds sown with British guitarist Host and his early compositions. Raw in atmosphere and sound with a badgering heart of hypnotic and repetitious structures, perfectly evidenced upon the album, Host’s sounds came to the attention of Aldrahn (Dødheimsgard /Thorns) who offered any assistance to the project, subsequently becoming the vocalist and chief lyricist. An early demo led to Snorre Ruch of Thorns showing interest in helping on a full-length album which he eventually produced. Recorded, re-recorded, and mixed over several years, with bassist Jon Wesseltoft and drummer Storm completing the line-up for the recording, Deep Drone Master finally had its worldwide unleashing via Svart a few weeks back and it is easy to feel it will be leaving lingering scars for black metal to exalt over.

The album’s Intro is a sinister cinematic incitement, danger leering from the shadows as life goes on seemingly unaware. Its portentous suggestiveness is soon lost in the tsunami of caustic riffs and battering rhythms which descend on the senses through Flag of Betrayal, their ferocity bound in spicy sonic acidity. It is fiercely alluring entrance, building further threat and fury as the distinctive tones of Aldrahn roar and brawl with ears. First listen suggested a clash between his bear like delivery and the scorched sonic and dour melodic flow of the sounds but it was a conflict soon winning thoughts and igniting tracks to greater effect. The unrelenting tempest of the track is a gripping onslaught but it is the acidic drone which most ignites the passions, a serpentine seduction which makes certain tracks elevate far above others, as shown by the next up Dynamic Underworld. As potent and impressive as its predecessor was, it instantly has ears and imagination lost in rapturous bliss as the guitar of Host winds a searing tendril of melodic causticity around the senses. Its nags ears with a glazed expression; mesmerising as it expels a monotonous seduction to irresistible effect. Around it this though the song has plenty to flirt with too, slow footed beats thumping with predatory intent as Aldrahn expels the narrative with mischief and drama whilst bass and further guitar enterprise roam with merciless persuasion. The song is exceptional; the best on the album and for personal tastes the moment the album truly taps into the psyche.

Both Sewer Heart and Cocoons seize attention with voracious onslaughts, the first almost scavenging emotions with its furnace of erosive sonic designs again bound in coarse textures and gutturally rasping vocals. Its successor is similar in many ways, its core a barbarous incessant torrent of malicious intent and creative fury but arguably even darker and hungrier than the previous aural ravishment. Both tracks have a swing to their bleak landscapes and enthralling repetition driven grooves which, without matching the pure toxic manna of Dynamic Underworld, keep imagination and emotions intrigued and hungry. Something Making Me has no problem with either, its rhythmic rampancy and sonic teasing perfectly aligned to a tangy groove which simply worms under the skin. The track is another which simply festers in dark majesty and relentless persuasion, almost insidious in its addictiveness and infectious fluidity which sees even the vocals of Aldrahn develop a bruising swagger to match the insatiable magnetism of Host’s invention.

Cosmic Verdict taps another vein of lustful submission, the unfaltering drone of its sonic grooving a venomous temptress in a maelstrom of spite, so much so that even when it relents and lets the heavier savage terrain of the song have its moment, it is still a lingering seducing that ears are impatient to have back scorching their flesh. Its tempestuous alchemy is followed by the rapacious climate of Something Growing in the Trees, the sublimely evil and deliciously toxic song a crawling beast fingering ears and psyche with salacious predation as a flavoursome southern twang veins its corrosive haunting.

From the corrosive turbulence and fury of A Foot In Each Hell, a track impressing without leaving a deep mark though it has moments which spark extra satisfaction to be fair, the album closes with Syndebukken. The final track is an evolving adventure of sonic niggling and atmospheric exploration, its body cavernous and soul Cimmerian, but as everywhere with plenty of enthralling discordant sculpted expressive under an emotionally brooding ambience.

That pretty much sums up Deep Drone Master, a nightmarish emprise which can devour the light of the soul or inflame primal cravings, very often at the same time. Despite certain aspects of the album spellbinding the passions far more than others, The Deathtrip and first album makes for one seriously exciting black metal corruption which can only be heartily recommended.

Deep Drone Master is available now via Svart Records @ http://svartrecords.com/shoppe/home/2739-the-deathtrip-deep-drone-master-cd.html

https://www.facebook.com/pages/The-Deathtrip/1454994818117379

RingMaster 05/12/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

Unforgiving the black and raw: an interview with Thorns of Kult

Thorns Pictures by Blazing Visions

Pictures by Blazing Visions

It has been six years in the coming but the return of Italian black metallers Kult with their second album Unleashed From Dismal Light has equally regained and reinforced the band’s presence and reputation as one of the rawest essential old school black metal provocateurs and ignited another fervour of passion from fans and those new to the band. With a new vocalist on board, the Como quartet has uncaged a force of sonic causticity, vitriol, and rapacious malevolence which provides the healthiest depths of satisfaction in its victims. To learn more about Kult, their new album, the long time between releases and much more we had the pleasure to talk with drummer Thorns.

Hello and thanks for talking with us at the Ringmaster ReviewCould you start by telling us about the beginnings of Kult and the origins of its members?

Kult was born in 2002 with the only purpose of playing old school Black-Metal. The band released one demo tape, 2 albums and a split EP with The Stone so far. The band had some line-up problems during the years and also some problems with personal life that forced the member to stop activities for almost 3 years in the recent past. But actually I have to say we’re finally back to stay. The actual line up is composed by:  Kacele (guitars), D.White (bass), Tumulash (vocals) and me Thorns (drums).

You mentioned that purpose which came with the band has that intent changed or evolved over time?

Nope. Nothing has changed from the beginning actually. When the band was created the guys wanted to play old school and as you can listen on the new album after more than 10 year of existence, nothing has changed, and of course I can assure nothing will change in the future as well.

Your sound is bred in raw old school black metal as you say, what have been the influences over time which has seeded inspirations?

Well, as you can imagine we’ve grew up listening to raw music so our influences are actually from that. I’m the older guy of the band so I can speak from myself telling that Darkthrone, Burzum, Gorgoroth or early Immortal were my solid basis of my youth…but well I can also speak for the guys saying they loved hell bands like Armagedda, Craft or Gorgoroth as well…and we can definitely say we can hear that from our music!

kult_unleashedfromdismallight_cover (1)You have just released your strongly anticipated second album Unleashed From Dismal Light, how has it been received from those waiting appetites?

I have to say that I never expected such a great “welcome back!” As I told before, the band had to stop for 3 long years and you know…a lot of people usually forget what it was so I truly believed a lot of people forgot about us…but I have to say I was wrong. A lot of people wrote us back saying they were happy to see we were still alive and kicking with a new album out. This was awesome for us…these kinds of things give you more energy and determination to go ahead stronger than before.

It has between six years between Unleashed From Dismal Light and debut album Winds Of War; you touched on it earlier but can you elaborate on the reasons for the long stretch of time?

Life sucks man…some of us got into some troubles with jobs, other personal issues about family…and also consider we’re not living so close (me and the other guys around 400km) so it is not easy all the time to get the right mood and be strong enough to “survive”. Sometimes you just need a break because it is too much. This is what basically happened within the band…but as you can see after all those problems were solved, the band rises back from the ashes with renewed energy and strength.

We suggested the album was not concerned in breaking down boundaries for black metal but concentrating on giving it a new and fresher toxicity and sonic pestilence to get excited about; a fair comment?

Not sure to understand exactly what you mean…but by my side I can surely tell that this new album is more powerful and direct than the first one…but if you listen carefully the music is also slower than the early composition. We actually focused on the songs, not asking ourselves what people would expect from us after a so long break. We could release a killer high speed album to get people some fresh meat to grind but we preferred going ahead completely true with ourselves, following our hearts. Mostly of the new songs are mid tempos or slow and the mood is more heavy and “pestilential” I would say. This is pure bone-breaking music, no bullshit! There are many bands out there playing fast…we’re not in the same race; we’re not looking for some medals! We’re not interested in competitions!! Do you want to get sick? Do you want to get mad? Do you want to get pain in the neck? “Unleashed From Dismal Light” might be what you’re looking for. Give it a try.

How has the creation and recording of Unleashed From Dismal Light compared to its predecessor and how would you say your sound and songwriting has evolved between the pair?

Well, to tell you the truth this album, except for some lyrics, is 3 years old. I mean we already composed it back in 2010 when we had the break. Everything was ready to be recorded shortly after but well, you already know the story. So basically I can say there is not much difference between the 2 albums except for the fact that on the second one it’s me on drums, and on the first one they had another drummer. Technically I can say the new one is more tight and powerful but musically I feel not much difference. Probably we could start noticing some years passed on new compositions but I can tell nothing about it right now.

What is the writing process with Kult?

Probably nothing exciting: the guitar player show the other guys some riffs and all of the band starts working on it. Average band modus operandi.

kult pictures by Luneth Vinönen

pictures by Luneth Vinönen

We already knew, knowing before his vocals style, that the album would have sounded completely different so we gave him the complete freedom to express himself the way he liked the most. We are friends since a long time ago so when we asked him to join the band we already had some kind of common vision of how the album should have sounded. We also downtuned the guitars/bass to give it the general mood. To be honest everything went better than expected ’cause I had an idea about the final result that Tumulash completely burned to the ground ‘cause he sung in a completely different and new way I didn’t expect from him. So yeah, today I’m more and more confident about the decision to take him on board.

Please give us some insight into the recording of the album and its raw unforgiving sound, was it as it hints at done as a live recording to achieve the rich merciless sound?

We didn’t want to record the new album in a proper studio this time…we wanted a raw approach that only someone who knows what we’re talking about can give it. So we recorded it in our rehearsal room (Beastcave Studios) with the precious help of a friend of mine that is a talented black-metal musician and sound engineer. We used our equipment and all the things we usually have in the dark room, so even if all instruments have been recorded separately like in a normal professional studio, the general mood sounds like a live recording. It is exactly what we wanted.

Lyrically the songs feel like a statement and attack on the toxicity in the world and us as people but also at times seem to carry a personal breath or essence of the writer, how much of the album is that close to the personal thoughts and experiences of the band?

Some songs come from the previous singer and have just been revisited and adapted by Tumulash, others have been written by Tumulash himself and they speak about some personal things I really don’t like to talk about. Some lines are quite clean to understand, some are more cryptic. Each listener can find his own way to decode them.

It is hard for any band to grab a spotlight when releasing an album, even a band like Kult with a strong and acclaimed pedigree from previously releases; how have you found it with Unleashed From Dismal Light especially within black metal circles?

Our previous label, French Debemur Morti Productions, did an amazing job some years ago spreading the Kult name all around and selling/trading a lot of copies as well…so well, when we recorded the new album we just sent some promos around and Folter Records was the fastest one which gave us a good offer. Actually we knew the label and the guy behind it for a long time so we quickly agreed to work together. It is always easier when you know the guys personally and there is some kind of mutual respect for each other work.

KULT_BandfotoCan we expect a full on presence from Kult from now on live and from the studio, no six years before the next release? 😉

I hope not of course! ha ha! Kult are back to stay but you know, life is full of traps and misfortune behind every corner. The only sure thing, except Death, is that we have a lot of live shows booked for the next year including some interesting festivals as well, so no time to slow down even for a bit!

Talking of those live shows is there anything planned tour wise to promote Unleashed From Dismal Light?

We discussed many times with Folter Records about a possible tour for Kult but we need to check all the details each time. It is not easy ‘cause we all have a regular job but we’ll see what we can do. For sure we’ll play as much as we can and are talking about single shows or festival appearances.

Once again many thanks for sparing time to chat with us, any last thoughts you wish to share?

Thanks for the space. Give “Unleashed From Dismal Light” a listen.

https://www.facebook.com/pages/KULT/166348940061985

Read the Unleashed From Dismal Light review @ https://ringmasterreviewintroduces.wordpress.com/2013/11/29/kult-unleashed-from-dismal-light/

Pete RingMaster

The RingMaster Review 16/12/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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