Ventenner – Invidia

Ensuring 2017 gets off to a powerful start, UK’s Ventenner are poised to release their new album; an encounter which from start to finish rapaciously devours ears and imagination. Increasingly irresistible with every passing slice of alternative metal, rock, and industrially infused electronic involvement, Invidia is the natural yet inventively bold offspring of the band’s previous successes across. When giving us the heads up last year about the forthcoming encounter, band founder Charlie Dawe (vocals/synth) suggested that “This one is set to be a lot heavier, more powerful and a superior record!” It needs little time and barely one listen to confirm his hopes and assessment are right on the money.

Variety and imagination has never been lacking in the Ventenner sound as evidenced by previous albums This Is The Reason of 2012 and the acclaimed Distorture two years later. Power and forceful enterprise has never been absent in the band’s music either since emerging initially as a solo project for Dawe in 2007. Ventenner’s last album alone was an encounter leaving “the senses beleaguered and imagination ablaze from start to finish”, its emotionally raw dystopian soundscapes seductive and compelling but indeed Invidia while embracing similar qualities taps into an almost primal yet involved intensity and abrasive energy which consumes the listener.

Produced by Esoteric vocalist/guitarist Greg Chandler, Invidia also unveils the most intricate tapestries of sound from the London based outfit yet starting with opener The Start Is The End. A synth resonates in ears first, it’s coaxing swiftly joined by the prowling tones of Dawe with restrained but striking rhythms alongside. As riffs and hooks bring their invention to the mix, the song breeds a Nine Inch Nails scented predation; exotic hues lining an emerging melodic suggestiveness within a controlled yet tempestuous proposal. Throughout, the song’s character is intrusive and raw yet magnetically infectious, traits blossoming throughout the album.

cover-art_RingMasterReviewBreak In Two reinforces the release’s impressive start, its resourceful entrance calmer yet just as instinctively invasive as its predecessor’s as a Gravity Kills meets Celldweller air grows and colludes with Ventenner’s openly distinct imagination. A gorgeous melodic hook caps off a mighty temptation, its prowess and potency matched by the sinister charm and emotive fire of next up Saligia. Almost devious in its weave of flirtatious melodies and sonic causticity, the song is pure addiction as industrial metal and electro punk merge for a hauntingly irritable raid on the senses.

A superb and masterfully woven conflict of textures makes up Enemy next, an outpouring of beauty and the beast sound and creativity lined not for the first or last time within Invidia by a Pitchshifter like essence while next up Be Still brings fresh crabbiness to ears as Ventenner again confirm their expertise at aligning melodic elegance and bordering on hostile emotional and musical tetchiness.

The former of the essences is embraced primarily by the bewitching Only The Empty Remain, though it too has a disgruntled undercurrent which erupts throughout before Circle while carrying a touch of Society One to itself, roars commandingly, making its mere two minutes another of the most powerful and essential moments within Invidia.

Dividing Seed just as enjoyably hits the spot, its web of guitar and synth intrusiveness as disarmingly seductive as it is cholerically bracing; essences further inventively twisted by successor Bruxism. A bear of a song with bone shuddering beats and senses binding vines of sonic invention around the emotional challenge of Dawe’s vocals and words, the track is sheer power but tempered by the disarming flow of melodic grace and harmonic beauty which breaks through the October File spiced tempest.

A predatory air is cast by Anamnesis, a trespass captivatingly countered by the reflective melodies and warm textures blossoming in voice and sound. Like two souls in dispute yet eager union, the track adds to the pinnacles of the release before being instantly matched by the imagination gripping landscape of closing track Omega. Its melancholic beauty immerses ears and thoughts in a haunting almost spatial flight accentuated by Dawe’s transfixing tones in a temptation which alone urges a swift return to the roar of the album.

Distorture impressed two years ago but has been easily eclipsed by Invidia, already one of this year’s important highlights. In many ways the Ventenner sound has come of age yet it is easy to still feel there is plenty more for they and us to discover.

Invidia is released via Hibernacula Records 20th January on CD and also digitally and on vinyl through http://www.ventenner.com/store

http://www.ventenner.com/

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Pete RingMaster 10/01/2017

Copyright RingMaster: MyFreeCopyright

Ventenner – Distorture

Ventenner

Sculpting a collection of startling and emotionally stark yet seductive soundscapes which combine for one immersive and compelling dystopian landscape, UK band Ventenner has unleashed one of the year’s most compelling incitements with new album Distorture. A release and experience which leaves the senses beleaguered and imagination ablaze from start to finish, it is a mouth-watering intrusion of aural drama taking the listener on a gripping and invasive journey into not only the heart of the album’s own narrative but their own shadows. It is an extraordinary proposition which persistently crafts and frees intimidating seductions and contagiously raw rages with every imposing twist and evocative turn, and simply gets better and more emotionally vocal over time,

The successor to the well-received This Is The Reason album of 2012, Distorture arrives after a movement in not only sound but the shape of the 2007 formed London band; Ventenner once the solo project of Charlie Dawe (vocals/synth) growing into a quartet with Jonno Lloyd (guitar), Ben Martin (bass), and Luke Jacobs (drums) now alongside him. The move has resulted in the new album exploring a more guitar driven investigation against the previous predominantly synth and electronics fuelled approach of the project. Released via Sonic Fire Records, Distorture presents a cacophony of industrial and post punk seeded noise aligned to chilled textures and melodic invention against barren yet mesmeric atmospheres. That though is still only a glimpse of the creative shadows and colouring presented by the sonic paintings confronting ears and thoughts.

The adventure opens with Rise, a raw and portentous ambience bringing the track into view before the instrumental casts a rhythmic enticement which is as challenging as the atmosphere brewing up around it. The electronic starkness is gently corrosive bait but tempered by the intrigue clad riffs which soon line-up to ignite the imagination. It is a dramatic introduction to the dark creative emprise ahead but just a teaser as swiftly shown by the outstanding Six Blood. A predatory stroll breaks out from the song’s first seconds, its gait cloaked in mellow and slightly monotonic vocals as well as grouchy riffs which cast a grizzled hue over the gripping scenery of the track. Nine Inch Nails meets early Pitchshifter, the song is a fascinating entanglement of textures and tones, a kaleidoscope of erosive sonic hues, compelling monotony, and emotional turmoil twisted into an addictively captivating tempest.

The following Wave is just as enslaving for ears and passions. Again a chilled terrain is walked by seemingly disinterested yet persistent riffs and vocals before exploding into incendiary roars which sear the senses and inflame the imagination. It is a demanding suasion of Gravity Kills like temptation and Die Krupps bred fury yet something wholly unique and pressingly bewitching. Its oppressive angst and fiery climate is followed by the openly different yet magnetically similar Unaffected, another abrasing furnace of sound and intent which takes the listener gently by the hand before throwing them into a turbulent pit of sonic rage and passion. There is an underlying tempting though, melodic and rhythmic, which nags throughout the tempestuous offering and has its loudest say in the passage of restrained emotion and sound which provokes before a climactic finale.

The instrumental title track gnaws on the senses next, its cavernous shadows and tones drawing on Killing joke and Wire seeding as a sonic haze haunts and provokes the emotions. It is an intimidating web of noise and intent which continues into the hidden depths and dark corners of Skin Ritual. Again Wire springs to mind, its bleak breath and enticing slithers of melodic coaxing engrossing, especially with the additional female vocals aligning to those of Dawe. It is a strenuously mesmeric encounter which smoulders and ripples with emotional temptation and electronic incitement like a hope fuelled dream within a suffocating sleep.

From that somnambulistic flight, Begin Again offers a raw and corrosive embrace which is ignited by the virulently infectious military exercise of the drums. Simultaneously crawling over the senses and exposing body and thoughts to a dervish like assault of inescapable rhythmic captivation, the predominantly instrumental track is a mystique lit fall into a bedlamic state of sonic and emotional antagonism. It is an uncompromising and exhaustive yet reassuringly rewarding seduction which is surpassed by the outstanding Metacell whose rhythmic temptation is also driven by an irresistible virulence. A rolling swagger of drums jabs is soon joined by a predatory voracity of riffs and vocals, their charm carnivorous and touch hostile yet courted by a magnetic stride of beats. It makes for a deep rooted addiction, much like the album, and provides another pinnacle of what in many ways is a resourcefully psychotic release.

Both Fallout and Cast assault and transfix ears with a creative voracity within deceptively minimalistic structures and temptations. The first is a seductive croon prone to sonic outbursts crossed with passion drenched rages and its successor a haunting caress of the senses brought by an emotional causticity. Both tracks test and spark reflective reactions with their absorbing ingenuity. Neither though can match the glorious deep shadows and intimate provocation of Undone, a song soaked in melodic beauty, classically seeded keys, and seductive elegance. It is a sonic sunset which engulfs the imagination before making way for the similarly enthralling closing track Shade, its title telling you all you need to know about its tone and emotions, if not the sweeping beauty and melodic majesty within its temptation.

It is a mighty end to an album which enslaves the imagination and passions from start to finish. Reaping the seeds of old school post punk austerity with a more modern industrial rapacity, Ventenner twist them into something scintillating and emotionally epic verging on disturbing as evidenced by the brilliant Distorture.

Distorture is available via Sonic Fire Records now @ http://sonicfire.bandcamp.com/album/distorture

http://www.ventenner.com

9/10

RingMaster 01/09 2014

Copyright RingMaster: MyFreeCopyright

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