This Burning Age – Desolation

this-burning-age-ep3-desolation-band-photo-5th-day-records-2015_RingMaster Review

It has taken a while to get here but now inciting ears and emotions, Desolation proves the wait was more than worth it. The new EP from British electro rockers This Burning Age is the third in a four EP cycle which began last year. The three track encounter is a rousing and forcibly provocative proposition proving that whatever has happened and evolved in the time between releases, the This Burning Age songwriting and sound has potently grown through it.

The EP’s songs feel physically and emotionally fiercer than ever but equally more inventively woven from the depth of sound and flavours which have always marked the band’s sound and releases. Originally a solo project for vocalist/songwriter/guitarist Friday, the Birmingham band emerged on the live scene as a full line-up after the release of debut album A Muzzle for the Masses. Wanting to take its heart and success to live venues, Friday enlisted guitarist/keyboardist Jon Farrington-Smith, bassist Davey Bennett, and drummer Christian Jerromes (since replaced by Jack Josypenko) to the band, with the years since seeing This Burning Age play with the likes of Fearless Vampire Killers, William Control, Heights, and Hundred Reasons amongst many.

this-burning-age-ep3-desolation-5th-day-records-2015_RingMaster Review   The band’s sound fuses essences of post-punk, industrial, Synth-pop and post-rock to really simplify its tapestry, with influences arising from bands such as NIN, Interpol, Rammstein, Sonic Youth, and Smashing Pumpkins. It is a fusion which potently gripped attention through the first pair of releases in the four EP project. Both Supplication and Devotion revealed an evolution in the band’s sound with a fresh thick web of textures to that within the band’s album, whilst exploring the theme of love and sex in their destructive form across their songs. That growth has continued with Desolation, its tracks inspired by a look at death and the human condition. As to the timeline of songwriting between the EPs we cannot say but there feels a new maturity to the band’s latest EP which not only seriously ignites ears but offers the potential of even bolder and deeper things ahead.

First song up on Desolation is Tatterdemalion, a quickly voracious and rousing proposal but one just as quickly slipping through an unpredictable and tempestuous landscape of intensity and creative resourcefulness. From its initial fuzzy flame of riffs, imposing rhythms stir the blood with just as potent scything grooves getting involved. The song hits a commanding stroll before relaxing into a prowling gait lit by a great steely twang of the bass. This ‘restful’ passage in turn welcomes the distinctive tones of Friday, his expression and emotion as open as ever as keys glow with simmering but bright temptation around him. Fiery expulsions of energy and heart then drive the soon to break chorus, its ferocity lingering to add richer hues to subsequent melodic and slightly restrained moments. For the main though, the track is a cauldron of inventive twists and turns, an array of styles colluding in a striking blaze which at times pokes thoughts of bands like Joy Division, in others of the likes of Pitchshifter and Smashing Pumpkins or Trent Reznor and Anti-Clone.

The outstanding start makes way for Drown In Silence, a song which leans more or certainly quicker to its industrial and electronic rock side as lively cascades of punchy rhythms and suggestive synths fall upon ears before dissipating for the emotive reflection of voice and atmospheric melodies. Calm before the storm, the track is a furnace of emotive energy and heart but again thick intense shafts which share time and the imagination with increasingly volatile and ferocious crescendos, all these keen essences uniting in an explosive and dynamic climax to another increasingly contagious persuasion.

As striking and irresistible as they are, the first two songs are slightly over shadowed by the closing Ab Aeterno (From Forever), a mesmeric introspective unveiling from Friday in voice and emotion. A crystalline twinkle of keys light a creeping mist of evocative melodies from the song’s first breath, the vocals emotionally raw as guitars and stirring beats add their weight to the unfolding intimate drama. Like a mix of Bauhaus and very early U2 embraced by the dark ethereal craft of Nine Inch Nails, the song glows with charm and shadows, eventually igniting in a searing fire of sound and suggestiveness.

It is a transfixing end to a breath-taking release from This Burning Age, the band’s finest hour without doubt though you get the feeling even now that we have seen nothing yet.

The Desolation EP is out now via 5th Day Records @ http://thisburningage.bigcartel.com/

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Pete RingMaster 05/10/2015

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This Burning Age – Supplication and Devotion EPs

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This month sees the release of the Devotion EP from UK rock band This Burning Age, the second of a quartet of EPs to be released over the year every three months which will culminate in a full 12 track album with extras. Following the Supplication EP which came out in April, the new encounter continues the impressive incitement bred by its predecessor. Bringing things up to date in this already impressive series of releases we look at both EPs as the Birmingham quartet continues to craft a potent presence with their alternative electro rock endeavour.

This Burning Age was initially a solo project created by vocalist/songwriter/guitarist Friday around five years ago. Debut album A Muzzle for the Masses subsequently appeared before the musician in wanting to take the project into the live arena expanded its line-up with the addition of guitarist Jon Farrington-Smith, bassist Dave Bennett, and drummer Christian Jerromes. Still driven in all aspects from songwriting to artwork by Friday, the band infuses a wide expanse of styles and flavours into its electronic/industrial bred canvas which makes certainly each track on the EPs an imaginative and attention gripping proposition. Each release is an exploration of sound and enterprise musically and lyrically where the themes of broken and twisted love are investigated and embraced.

The Supplication EP opens with Disappeared, a song lyrically inspired by the Dylan Thomas poem Do not go gentle into that good night. An initial flirtation of electronic enticing is soon reinforced by a teasing guitar and EP01 - Supplication - 7016x7016pxdarker bass coaxing, the web immediately awakening the imagination and keen anticipation for what the song is to offer. It is not long it is gripping ears with fiery grooves and atmospheric intrigue whilst its electronic bait continues to embrace and tempt the senses. There is an instant Nine Inch Nails air to the track and as its potent chorus expels its fiery breath, of Gravity Kills. Equally there is a heavier rock and metal infusion to the invasive and compelling intensity which fuels the strenuous atmosphere, even in the track’s more restrained moments. It is a powerful and potently captivating start soon back by Your Will Is MY Kill, whose entrance with its industrial stalking also fires up an eager appetite within seconds. A track about “sado-masochistic and destructive love from the perspective of a disturbed dominant male character”, it strengthens its first wave of coaxing with a post punk-esque predation and antagonistic urgency which rages and seduces in equal measure as the song reveals its heart and inventive rabidity. Though not a brutal encounter, there is a bruising weight and exhaustive fury to the track in presence and invention which steals the breath and lights the imagination even more voraciously than the previous track.

The Tom Gittins produced release is completed by Want, a song slowly caressing ears from its start with piano and vocals, both offering a Bowie like whisper. The track is all the time brewing up a vivacious climate though which brings courteous synth rock suasion to its evocative narrative. That gentle tempting eventually expels a fiery and raucous sigh for a climatic finale to the song and though it is the least gripping of the trio of songs it leaves the EP engaging senses and thoughts with a lingering strength.

EP02 - Devotion - 7016x7016px - 300dpi - 11-06-14     The tracks on second EP Devotion continue from the first in premise with “eulogies to hope and redemption, from despair and disconnection, to mutually destructive passion. “ It makes its first move with the explosive There Is No Hope Except For That Which You Give Me. From a vocal enticement the track ebbs and flows in its intensity but sears ears and imagination with a blaze of ingenious temptation and feverish passion. Vocally it is the best track of the two releases yet, a resonance to their expression working intently with the sonic endeavour and melodic seducing within the volatile rhythmic and energetic rapacity of the track. There is a Pitchshifter like edge to the track too which prowls riffs and syllables throughout the riveting tempest.

The following Hollow suggests a mellower experience with its first wash of melancholic piano and though the song builds a crescendo of energy and melodic drama it does not veer away from that reserved elegance for the main of its evocative narrative. Though the song is another to miss the benchmark of for example its successor, it offers intrigue and a spatial elegance which is undoubtedly captivating, drawing thoughts and emotions to immerse in its emotive prowess with an unerringly successful creativity and adventure.

The EP is concluded by Nothing, the best track of the sextet released in the series so far. Its incendiary bait of riffs and hooks from virtually its first move is insatiably contagious, guitars and bass showing they are in no mood to let ears and imagination slip from their grip at any point in the track as beats frame and cage their exploit just as infectiously. Society 1 comes to mind whilst as Friday vocally prowls ears a returning essence of Bowie comes to his expression. The track itself is a feisty almost hostile taunting which enslaves and provokes body through to thoughts relentlessly for the most thrilling engagement across the two encounters.

Though not every track lights a fire in the belly as the opener for Supplication and the brilliant closer of Devotion, both EPs leave the craft and invention, not forgetting enthralling sound of This Burning Age a gripping proposition to devour greedily. Roll on EP three…

The Supplication and Devotion EPs are available now on CD via 5th Day Records @ http://thisburningage.bigcartel.com/ and digitally at most online stores.

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Supplication EP 8.5

Devotion EP 9

RingMaster 28/07/2014

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