Sweet Gum Tree – Sustain The Illusion

With the single, The Gift, still ringing entrancingly in ears we thought we should catch up with the album it comes from and lures attention to. Sustain The Illusion is the second album from Sweet Gum Tree, the solo project of French singer songwriter/musician Arno Sojo and a release which simply captivates from start to finish with melodic beauty and emotively provocative exploration.

After the collaborative creation of its acclaimed predecessor three years ago, The Snakes You Charm & The Wolves You Tame, a release featuring among a few Isobel Campbell of Belle & Sebastian, Earl Harvin from the Tindersticks, and The Church’s Marty Willson-Piper, Sojo has created and recorded Sustain The Illusion pretty much on his own with producer David Odlum and musicians Romy and Lise Douylliez adding the only additional contributions. The result is a release which manages to feel even more intimate than its heart bred predecessor while embracing a richer texture and array of sound and enterprise.

Sustain The Illusion opens with the atmospheric Breaking The Bond, electronic beats leading in the inviting melodic coaxing of a lone guitar as colder winds whistle around them. Sojo’s tones soon join the blossoming reflection, the emotion of his voice and words stirring greater intensity in the suggestive sounds. It is energy though which sublimely ebbs and flows as the instinctive beauty of his music seduces the senses, at times with melancholic elegance.

The following Twinkle has a livelier gait, its electronic shimmer and melodic rock guitar stroll as transfixing as the rhythmic dance and vocal adventure within them. As the track gently explodes around ears and imagination certain essences remind of bands such as Slug Comparison and Sigur Rós before Someday hugs thoughts with its confidential emotions and sonic tension. As the song before, it is seriously mesmeric, deeply immersing the listener in its raw heart and emotional drama further expressed through the impressing tones of Sojo.

The infectious swing of Rollercoaster firmly entices next, its boisterous energies and enterprise pure magnetism infesting body and spirit. It is pop infused rock at its best and quite bewitching as too is successor Fairweather Faith, a folk spiced croon with the most delicious melody and a compelling XTC like air. It is an exquisitely layered seduction graced by worldly spices which absorbs attention and ardour like a sponge.

An earthy bass opens up Stars Align, its flirtatious nature matched in vocal and melody as the song evolves into a Nine Inch Nails meets The The like treat. Its eventful minimalistic air and Sojo’s vocal prowess alone stokes pure pleasure which angelic harmonies and an array of sounds and imaginative twists simply accentuates in the album’s best track.

The equally outstanding Guilt Trip similarly has something of Matt Johnson’s band to it, a touch of The Pineapple Thief too as its mix of eighties synth pop and post punk nurtured rock captivates with increasing dexterity. It is another beacon of songwriting and craft within the album taken to a greater plateau by Sojo’s passion and energy.

As the calmer but darker emotional waters of Clean Slate and Burn Your Icons, a track merging Cure-esque rhythms and shadows with jazzier progressive rock adventure, surround ears on the way to seducing the psyche Sustain The Illusion only strengthens its hold, squeezing tighter with recent single The Gift. The track caresses the senses with its golden melodic romance, its heart similarly graceful and reassuring to subdue the shadows which skirt but never threaten its hope fuelled beauty. It is fair to say that the song has been a powerful draw for a great many into Sustain The Illusion and for newcomers into the creative realm of Sweet Gum Tree, and even after a flood of plays seduces as powerfully as ever.

The album closes with the reassuring lullaby of Keeper, a safety clad hug which encapsulates everything masterfully charismatic and fascinating about not only the album but Sojo’s songwriting and talent. So we suggest you do yourself a big favour and check out Sustain The Illusion and Sweet Gum Tree now!

Sustain The Illusion is out now @ https://sweetgumtree.bandcamp.com/

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Pete RingMaster 03/10/2017

Copyright RingMaster: MyFreeCopyright

Sweet Gum Tree – The Gift

To reinforce the already successful release and temptation of latest album Sustain The Illusion, French project Sweet Gum Tree have another magnetic slice of melodic seduction poised in the shape of new single The Gift. We first became captivated by Sweet Gum Tree through debut album The Snakes You Charm & The Wolves You Tame three years ago and the latest offering and other tracks heard since then shows that the qualities and potential of that impressive introduction have grown and blossomed.

Sweet Gum Tree is the creation and solo project of songwriter/multi-instrumentalist Arno Sojo, a musician who has been part of various rock and electro bands over the past fifteen years including another of his creations in Sojo Glider. The first album saw Sojo draw on the talent of guests such as Isobel Campbell, Tindersticks drummer Earl Harvin, and Marty Willson-Piper from The Church. With Sustain The Illusion, he has recorded everything on his own with only Irish producer David Odlum who also worked on The Snakes You Charm & The Wolves You Tame helping out.

Within its melodic beauty that first album was a heart of melancholic elegance, an enticing blend which is just as ripe within The Gift. Its gentle caress of melody instantly has attention alert, guitars weaving a disarming proposal backed by the emotive tones of Sojo. A catchy air is just as swiftly invasive, luring ears within the low key but vibrant stroll of the song where every passing second seems to welcome a fresh ingredient of enterprise; strings and keys two elements rising up to add colour and depth to the heart sharing proposal.

The Gift is a serenade for the imagination, a shadowed but open kiss for the ear much as many of the tracks within that first album alone but with a new richness in enterprise and songwriting which can only see Sweet Gum Tree become the centre of bigger spotlights. It is not a lone offering within Sustain The Illusion though as songs like Guilt Trip and Twinkle show. The first of the two is a compelling mix of eighties synth pop and post punk nurtured rock playing like a fusion of The The and The Pineapple Thief while the second, again merging electronic minimalism with melodic rock tenacity, simply rouses the senses like a fusion of Slug Comparison, XTC, and Sigur Rós; both outstanding tracks though emerging unique to Sweet Gum Tree.

All songs are must check out proposals with The Gift, for ears, more than living up to its title.

The Gift is available to download from September 15th with Sustain The Illusion out now across most online stores.

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Pete RingMaster 12/09/2017

Copyright RingMaster: MyFreeCopyright

Calling All Astronauts – Life As We Know It

lawki_RingMasterReview

With their second album still drawing wide acclaim, British electro punks Calling All Astronauts ensured 2016 left in fine style with Life As We Know It. Their ninth single and taken from Anti-Social Network, the song is more enticing evidence to the variety in the band’s sound and their ability to get the body grooving as eagerly as the spirit devours their rousing sounds.

Backed by three remixes of the single, the proposition is more an EP than single and a fine end to another increasingly successful year for the London based trio of vocalist/keyboardist/programmer David B, guitarist JJ Browning, and bassist Paul McCrudden. Earlier single Empire reached the No.2 spot on the Official European Indie Chart while the band twice hit top spot in the Hype Machine Twitter Chart, success capped by CAA headlining the Bandstand Stage on the final night of Beautiful Days Festival.

Released on Supersonic Media, Life As We Know It is an encounter hard for hips and the imagination to resist. It is a warmer, mellower affair compared to the band’s usually eclectic but attitude loaded sound; irresistibly catchy with a nostalgic air bringing thoughts of bands like The The and B-Movie whilst being distinctly CAA. Few bands create a sound truly unique to themselves but the threesome persistently achieves that while still pushing their creative boundaries. With suggestive melodies colluding with punchy beats and David B’s uniquely captivating tones, the song is an offensive of melodic charm and funk spiced basslines wrapped in tempting guitar and caressing keys, all fuelled by a contagion which as suggested has feet and bodies at its mercy; manna for any dance-floor.

The remixes bring bold new shades to the song with the Daak Sun Remix especially striking. Darker bordering on sinister as it rumbles in sound and atmosphere, the track is a far more physical proposal which if anything has the body and imagination even more frenetically involved.

Surrounding it the Naked Highway Remix is a fuzzy stroll under a spatial sky, its bassline earthily scuzzy as keys radiate a cosmic revelry while the Malandrino Remix is a seductive sunset, intimately exotic as keys dance evocatively through ears to the bouncy beat of the rhythms like a tropical Thompson Twins.

Together they all add up to another richly enjoyable outing with Calling All Astronauts with the original slice of Life As We Know It further evidence of a band deserving the keenest attention.

Life As We Know It is out now through Supersonic Media across most online stores.

http://www.callingallastronauts.com    https://www.facebook.com/CallingAllAstronauts/     https://twitter.com/CAA_Official    https://callingallastronauts1.bandcamp.com/

Pete RingMaster 11/01/2017

Copyright RingMaster: MyFreeCopyright

Antigone Project – From Its Room

Antigone Project _RingMasterReview

Hailing from the creative belly of Paris, Antigone Project made a potent first impression with their self-titled EP late 2014; a debut which has only strengthened its persuasion over time and listens. It was stirring and eventful tempting, a fusion of provocative flavours which has been lifted to a whole new plateau with its successor, the From Its Room EP.

Embracing the emotive qualities of post and progressive rock in electronic and guitar conjured soundscapes whilst equally drawing on the eighties inspired post punk /synth rock essences which marked its predecessor, the EP is a bolder and more immersive adventure exploring persistently evolving and evocative rock landscapes within tempestuous sonic climates. The leap in creative maturity and indeed experimentation between releases and their individual characters is as open as the wealth of textures woven into the EP’s six striking tracks, and as thoroughly enjoyable as that first offering was, From Its Room simply leaves it in its shadow.

Antigone Project is the brainchild of vocalist/guitarist/keyboardist /songwriter Frédéric Benmussa and a project initially intended as a solo venture. Formed in 2002, the band expanded over time with bassist Manu Ventre and drummer Fred Monaco alongside Benmussa upon the latest encounter. Inspirations to the band includes the likes of Pink Floyd, Depeche Mode, Radiohead, Joy Division, Tool, and numerous more, spices which were an open spicing within that first release but far less prominent in the unique proposal of From Its Room.

art_RingMasterReviewThe EP opens with First Rush, an immediately provocative mist of keys and sonic suggestiveness surrounding the senses as the song simultaneously brews up a dramatic and tempestuous climate. Benmussa’s soaring tones soon launch across the brooding canvas, his alluringly harmonies entwining with the floating wash of keys. Both powerfully draw ears as riffs and rhythms brew up within them, the imagination firing intro leading the listener to the following creative theatre of The Black Widow. Tangy hooks and sultry surf rock bred grooves engage ears and appetite straight away as the song’s sinister but seriously alluring character blossoms. As Benmussa’s voice brings another beguiling texture into play, the track’s exotic mystique and post punk charm enjoyably increases, addictive rhythms courting the surrounding adventure cast by guitar and keys. The track is stunning, an early favourite and highlight of the EP which alone shows the new diversity of sound and creative boldness soaking the release.

A live version of Trismus comes next, the band opening with grungy guitars as gothic hued keys rise up around them and the darker lure of the bass. Earlier Radiohead was mentioned as an inspiration to the band and here there is no escaping their scent as again a sweltering sonic colouring with surf/psych rock shading escapes guitars and harmonies as cinematic drama and haunting essences collude. It is a beguiling, imagination igniting immersion of the senses and thoughts, soon matched in creative endeavour by the following Sphere.

In three parts but meant as one musical movement, it begins with MoonSphere where gothic toned keys enclose ears as poetic melodies slip from the acoustic prowess of Benmussa, both expanding their temptation with an array of warm and imposing textures as vocals and rhythms bring their contrasting elements. There is a touch of The Cure and The The to the song, that previously mentioned eighties feel showing itself in a song seemingly as much Nine Inch Nails spiced. The track’s infectious union of shadows and melodic persuasion, a dark and light side, leads into the rousing revelry of VenuSphere. Straight away the track erupts, bounding along with tenacious rhythms aligned to a just as frenetic sonic and melodic resourcefulness. Inescapably though, it is still bred from the same emotional heart as its predecessor even when involving ears in its salacious temptress like festivity. Again a skilful collusion of contrasting shades and textures, this time honed into a virulent spirit arousing canter of electro rock/pop, the track sets flows straight in the final movement in the piece, PerfectSphere.

A darkly shadowed and almost portentous coaxing of ears and imagination, its riveting theatre and emotive tapestry of sound beguiles as it inflames and though as the other two, the song does work as a single proposal, Sphere has to be played as one whole flight of sound to ensure the fall through its cinematic and fascinating depths are felt to the full.

From Its Room is a thrilling new experience with Antigone Project; as suggested a major step on from their certainly impressing debut but one still seemingly like it is only part of the way towards something bigger and bolder, of which anticipation is already brewing.

The From Its Room EP is out now digitally through iTunes and on Ltd Edition vinyl via Season Of Mist @ http://shop.season-of-mist.com/vinyl/antigone-project-from-its-room-lp

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Pete RingMaster 05/04/2016

Copyright RingMaster: MyFreeCopyright

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Kitchie Kitchie Ki Me O – Are You Land or Water

Kitchie7_RingMaster Review

Are You Land or Water is like a colouring book for the imagination; the template is there in its inspiration and themes but each track within the new album from Norwegian band Kitchie Kitchie Ki Me O, is as much an adventure to self conjure as an atmospheric and evocative landscape to explore. The six track incitement immerses the senses then grows in thoughts; each of its proposals a unique art rock seducing awash with warmly invasive ambiences and when united a release which has body and emotions enraptured.

Part of Are You Land or Water was inspired by the Barbarossa Cave in the Kyffhäuser region of Germany and behind it the myth of Frederick Barbarossa – former German monarch and Roman Emperor of the twelfth century – who is said to slumber within these caverns in a palace beneath the Kyffhäuser hills where his beard grows in circles around the table at which he rests. He is said to be waiting until either he can reign once more over a unified Germany or till the end of the world; whichever arrives first. Its beauty made a potent impact upon the band’s main creative force, Alexander Kloster-Jensen (Alex K), his visit coinciding with the fermentation period of ideas for the album to come. Talking about its theme, Alex said of the album “Are You Land or Water is about tension, and describes the states of passive and active. You cannot be the two at the same time, but the two states are equally important.” They are dynamics which play skilfully throughout the release, and again essences which simply spark ears and imagination into creative responses.

The album opens with Barbarossa (Fire Birth) and its swift compulsive lure of rhythms. Metronomic beats and a heavy dark bassline instantly enslave attention and an ever ready appetite for brooding post punk, steely eyed temptation. In the shadows slithers of sound and percussive skittishness also play, their often tribal flirtation bringing a scent of eighties bands like King Trigger to mind before the rapacious sonic trespass of guitars electrifies the compelling jungle of sound with their intimidating breath. The track is irresistible; its instrumental canvas inescapably gripping and raw sonic air scintillating.

KKKMO_Gatefold_RingMaster ReviewThe following Saleph (The Voyage) pulls the listener into a magnetic electronic stroll with melodic guitar ripples and the seductive tempering of rhythms. Once more electro imagination brews a host of provocative spots of noise across the track’s suggestive sea, each adding more colour and intrigue for the imagination to play with. As with its predecessor and songs to come, there is a great repetitive coaxing working on the psyche, a polite nagging that holds an already greedier appetite fast as rhythms dance and guitars cast their sail in the besetting sonic flight.

Going Forth By Day is the first to offer a vocal texture and narrative to the release, the track another with eighties hues which engage like a blend of The The and David Byrne. Instantly infectious with a great cast of shadows to its atmosphere and broody rhythms, the frequently evolving song is instinctively mesmeric with its celestial harmonies within a sultry climate. It provides a persistent sparking of thoughts with its fresh reflective excursion before Are You Land Or Water (The Deluge) invites feet and hips into its funk ‘n’ roll shuffle with again resonating beats and stirring dynamics colluding with vibrant yet melancholy laced emotion and lively enterprise.

Another inspired by those aforementioned caves and legend, Kyffhäuser (The Path) is a psych rock infused instrumental with again that grounding of sublime repetition and mythical drama; all low key but potent in their capture of ears and adventure forging thoughts. The track tantalises from first to last breath, its slightly predacious bassline within an intoxicating warm sonic mystery making for another masterful collusion of contrasts to become deeply involved in and linger in contemplation with.

The album is completed by the expansive spatial delving of Europa (First Light), the track like a celestial dawning and examination within a subdued yet tempestuous ethereal flight drawing the listener towards an introspective single hearted croon. The vastness of the contrasts and extremes is fascinating, their bewitching and surprising merger a darkly tranquil and hugely stimulating proposition.

Are You Land or Water is one of those encounters providing new adventure with every listen; it’s often minimalistic landscapes as powerful and persuasive as its involved atmospheres and poetic ambiences. Kitchie Kitchie Ki Me O has provided the year with an early treat, now we suggest you do the same for your imagination and ears.

Are You Land or Water is out now via House of Mythology @ http://houseofmythology.com/releases/view/kkkmo-are-you-land-or-water

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Pete RingMaster 25/01/2016

Copyright RingMaster: MyFreeCopyright

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In Isolation – A Certain Fractal Light

In Isolation_RingMaster Review

Amongst the gifts you hopefully receive this Christmas Day, we suggest you drop big hints that one of them should be the new single from UK band In Isolation. Released on the 25th, Parlance is a riveting post punk/new wave inspired anthem for ears and emotions taken from the band’s upcoming debut album A Certain Fractal Light. To kill two birds with one stone, we are going to dive into the full-length right now, a release showing that the single is no flash in the pan in great nostalgia seeded sound and fresh imagination.

Hailing from Nottingham, In Isolation emerged in 2009 openly drawing on inspirations found within eighties post-punk and new wave. Equally though, their sound has seeds in the indie flavours of the following decade and more, with influences on the trio’s invention found in artists ranging from The Smiths, Buzzcocks, and David Bowie to Killing Joke, Editors, and Bloc Party. The years have already seen In Isolation stir strong attention, their well-received singles Film Noir Scandal and Berlin making potent impressions with the latter appearing in the 2013 Steve Best directed movie Zombie Hood alongside the track The Wrong Girl, which In Isolation performed as themselves in the opening club scene of the film. A host of other appearances for their music in movie and TV productions followed whilst live the past years have seen the band share stages with the likes of Republica, Spear Of Destiny, The Chapman Family, and Trailer Trash Traceys amongst a great many and play festivals like Out The Box with Jake Bugg and DV8 alongside Gary Numan.

Parlance cover_RingMaster Review   Having spent fair amount of 2015 writing and creating A Certain Fractal Light, In Isolation is poised to prod even bigger spotlights and appetites with their excellent Gavin Monaghan (Editors, Babes In Toyland, Paolo Nutini) recorded album and before that through Parlance, the second single from and opener to its striking adventure. The song opens with sultry caresses of guitar quickly joined by a great throaty bass tone which quickly reveals an irresistible hook all of its own. Its appearance in turn sparks the guitars to spring new zeal and colour in their enterprise; it all framed by the hypnotic beats and percussion of drummer Tony Ghost. As the vocals of Ryan Swift join the mix, his and John Berry’s guitars still casting a tangy web of temptation, there is a great feel of The Teardrop Explodes to the song but equally a pungent scent of something fresh and solely imaginative to the band with the perpetually snarling bassline the added cream.

The outstanding start makes way for the album’s title track and a similarly potent seducing of ears and appetite. Keys and guitars lay the initial tempting, warm melodies kissing the senses with a China Crisis meets Spandau Ballet like elegance as darker hues bring greater depth to the track through the bass and atmospheric shadows, both skilfully tempering the glow of the song. It is hard not to be swiftly bewitched by the familiar yet unique proposal and further excited by its successors Not Noticing and Truth Or Dare. The first of the two enters on an electronic prowl but with a bold saunter to its gait which is quickly wrapped in a siren-esque harmony. The ever delicious gnarly tone of the bass is there tempting in quick time too, offering its raw bait amongst the just as magnetic hooks of guitar and voice as exotic hues add to the great drama and contagion of the encounter. There is plenty going on to be grabbed by including an electro suggestiveness which perfectly colludes with the dark theatre of guitar and bass in a persuasion lying somewhere between The The and US band Post Adolescence.

From one striking track to another as Truth Or Dare, the first single from the album released a few weeks back, takes over to reveal a body similar to that of the track A Certain Fractal Light but one soon casting its own emotive charm and melodic imagination to swiftly seduce and enlist eager participation from the listener before Elder Statesman engages ears with another imaginative fusion of dark and light soaked textures. As all songs within the album, familiar hues and influences are bold but woven into an evocative proposition creating its own unique character, The Letter straight after, with its rawer tenacious rock ‘n’ roll heart and enveloping virulence, providing another aspect to the potent variety within the post punk inspired melodic tapestry of the album.

Strange Thoughts keeps ears inflamed next with its catchy intent and richly textured romance, female vocals reappearing to add to the resourcefully captivating song. Keys and bass alone make the broadest contrasts as they stand side by side, their union wrapped in the excellent blend of vocals and sonic flames that spring from the pen and invention of In Isolation with compelling ease.

The equally fiery but energetically controlled Ghostburn, its body a close but unique enough design to that of its predecessor, and the classically shaped Gods both keep ears treated, the latter a reflective croon merging gothic overtones and provocative melancholy with poetic melodies. Each again show another facet to the In Isolation sound and invention, before Mist brings the album to a fine close with its own individual heart bred serenade built on a lively canvas of varying and contrasting elements.

Released in March 2016, A Certain Fractal Light is a glorious fusion of old and modern imagination, nostalgia and originality uniting for a highly enjoyable waltz of light and dark adventure. Treat yourself this Christmas with Parlance we say and then really go for it a few weeks later; the single will be a big enough persuasion for deciding on the latter anyway.

Parlance is released December 25th with A Certain Fractal Light out March 2016, both via the band’s own imprint Aye Aye Records.

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Pete RingMaster 16/12/2015

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Practical Lovers – Agony

 

Practical Lovers_RingMaster Review

Glorious is the only word for Agony, the debut album from UK synth pop duo Practical Lovers. It might be soaked in melancholy, be the outpouring of frustration and torment bred by lost and unrequited love, but the album is simply a majestic tapestry of skilfully cultured shadows and the beauty lying within all emotions.

The band is the union of singer songwriter Jack Wiles and his long-term musical partner Mark Connell. Originally it was intended as a solo project for Wiles with a collection of songs written “in an attempt to vent some of his frustrations with love in the 21st Century.” After introducing the idea and songs to Connell, the pair creatively united and stepped forwards as Practical Lovers, this around late 2010. The band signed with Nottingham based label I’m Not From London Records the following year, releasing a couple of singles over the next three whilst earning a rich reputation for their live performances. Now they unveil their eagerly awaited debut album, a stirring incitement of vintage synths and analogue drum machines bound in nostalgic radiance, heavy and seductive emotions, and compelling enterprise.

artwork_RingMaster Review    Every track within Agony is a love song; the dark side of and fallout from inspired explorations for sure, but all seeded in love. They come with an intimacy which feels like they are echoes of their creator’s heart and experiences and makes it easy to emotionally connect with, whilst each is presented within sounds which are as infectious and hopeful as they are similarly solemn to their lyrical pleas. From the opener band and release has ears and imagination chained, and emotions basking in the pleasure given.

Put It Bluntly tempts ears with a few dark pulses of synths whilst brewing a more feisty lure in the background, that swiftly coming forward and blossoming on the strains of a deliciously grouchy bassline. The inescapable enticement of Wiles’ wonderful dour lined and magnetic tones soon adds another rich texture and hue to the already invasively infectious encounter. That element of nostalgia is often eighties spawned and here on offer is a Paul Haig meets New Order coaxing with a touch of Interpol to it, a mixture only adding to the thrilling virulence of the song.

The following Never Again brings some fiery guitar to ears, the fizzy texture invitingly colluding with poppy synths as Wiles and Connell avail an already greedy appetite of their individual prowess. The fevered stroll does not hang around, offering a bubbly simmer over two minutes of inimitable bait before Inside Job provides another diverse and fiercely captivating string to the bow of Agony. Like The The in league with The Smiths, with Wiles vocally as throughout the album creating a vocal presence somewhere between Morrissey and Ian Curtis, the song is a plaintive serenade, a vibrant croon which whips up ears and emotion within seconds and increasingly involves the listener with every passing second.

A similar hue glows within Full of You next, though the track again reveals a distinct character of its own as synths smoulder and caress with emotive expression. The mix of vocals, presumably from the two artists, adds another riveting texture, though it is Wiles and the Smiths blessed earthy elegance that seals the deal between lustful ears and song, an ardour just as eagerly given to the Joy Division coated Nobody There which follows and straight after that the post punk scented brilliance of The Work Around. Hints of Blancmange and Orchestral Manoeuvres in the Dark emerge from within the outstanding track, and in many ways, having seen OMD live in their first days, there is a definite resemblance between the bands if not exactly in overall sound.

No Reply slips into the dark corners of its emotive heart next, that Joy Division suggestion again an easy offer as the track morosely yet enticingly prowls ears before its big success is eclipsed by the skittish energy and devilry of Restless. Think Fad Gadget meets early The Correspondents with Editors in tow and a clue to its irresistible endeavour is close to the mark whilst for Textbook Romance maybe John Foxx era Ultravox and early Cure is a good hint. To be honest, for all the references sparked, each track is a thrilling proposal unique to Practical Lovers, just enhanced by a great weave of recognisable colours, whilst the second of this pair also unveil its warm party on the senses with a hopefulness arguably not explored as fully elsewhere.

The album closes off with firstly the insatiable contagion of Falling Down and finally the melancholic serenade of Grave of Romance, a song impressing initially and just seducing the passions to greater effect over time. Both also provide another aspect to the multi-faceted sound of Agony, an album which is blossomed from some of the harshest and deepest felt emotions possible but is anything but agony to listen to.

Practical Lovers is one of the finds for our ears of 2015 and Agony one of its most thrilling and invigorating releases.

Agony is released November 27th digitally and on limited edition cassette tape through I’m Not From London Records @ https://itunes.apple.com/gb/album/agony/id1051440048

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Pete RingMaster 27/11/2015

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