A Parade of Goodness

The past month going into the next has seen our friends at SaN PR send over a host of artists with new singles to tempt and rouse the senses. o we thought we would club the best together and give you the heads up on their striking propositions.

First up and coinciding with their next tour of the US, is British punksters Ghouls who have just uncaged their new single Be. An irrepressible slice of the raucously infectious and boisterous punk rock the Londoners are becoming keenly renowned for, the track just bounds through ears taking the spirit with it on a rousing stomp. Yet equally its heart and words reveal shadows and emotions to hook and captivate thoughts and imagination.

Formed in 2013, the quintet has earned a potent reputation and an increasingly growing and dedicated fan base through their songs and a praise wrapping live presence which has seen the band play numerous UK and international festivals and share stages with bands such as Less Than Jake, Slaves, The Skints, The Ataris, Sonic Boom Six, Random Hand, OPM, and ROAM. It is hard not to hear why the increasing attention on the band when hearing Be and also a handful of months back its predecessor, the similarly bold and compelling Internet Famous.

Be is an immediate blast of catchy sound driven by swinging rhythms and rapacious guitars. Just as swiftly though it is a bloom of imagination and unpredictability, calms and crescendos plus brass flames adding fun and adventure to its dynamic punk funk antics and though seemingly over before its time, the track is as arousing and manipulative as anything heard this year; simply a real gem of a song.

Next up is Dead Ground, an alternative rock trio from Exeter consisting of Ollie Harris, Edward Tucker, Jake Friese-Greene who has just released their new single, We All Feel The Same, another song rather hard to ignore.

Emerging in 2015, the British trio has earned plaudits through shows with the likes of Idles and Black Foxxes and are sure to again through their latest offering. It is a song which echoes inspirations which include Muse, Black Peaks, and Radiohead though it is the former which most comes to mind across the magnetic track. Even so, from its first breath and the strong lure of voice and guitar, We All Feel The Same shows the band’s music has its own unmistakable identity. The track is a calm yet eventful piece of melodic rock which never seems over busy or creates a tide of sound but is as rich in enterprise and aural intimation as a full on tempest.

With smart twists and little turns within its magnetic body, the track is another seriously enticing offering from Dead Ground and a potent invitation to newcomers.

The wait is over, British punks Eight Days have returned from their eighteen month hiatus and roared back with a major holler of a track.

Stray barracks and harries the senses like it is making up for lost time yet has an imagination in its creation which revels in the time taken to breed its angst bursting outcry. Equally is has a fresh breath to it which echoes the potency and character of the band’s very well-received 2016 EP More To Life but reveals a whole new thrust of energy, invention, and potential, maybe no surprise as Eight Days returns with new members offering new ideas and essences in creativity.

A fusion of punk, hardcore and alternative rock in varying degrees, the track immediately had ears on board as its opening lure of hook loaded riffs beckoned. It proved the prelude or rather lead into a tempest of ferocity and sonic tension but an emotion loaded storm ripe with swinging grooves, tenacious rhythms and subsequently unsettled calms and post hardcore-esque intimation.

The track is a fine return by the band and hopefully a hint of big things to come.

With their debut album of this year, Face Value, still luring new fans and plaudits, UK hardcore outfit Of Legions are poised to unleash their new single Vision Of Misery. A brand new track, it is a beast of a trespass, a cauldron of the band’s fusion of hardcore, punk, and metal which not so much warrants attention but orders it.

From Stoke, the quartet has steadily risen up the hardcore ranks since emerging in 2015. Embracing inspirations from artists such as Black Flag, Slipknot, and Parkway Drive, Of Legions has honed their individual sound across two EPs and that recently their highly praised album and earned a potent reputation for a live presence taking in shows with Silent Screams, Liferuiner, Martyr Defiled, Continents, Brokencyde, Sikth, and Loathe among many others.

Intimating a new wind of adventure in the band’s sound, Vision Of Misery prowls the senses initially, riffs a scowling predator against a rhythmic rumbling. A melodic tendril though lights its advance calming the intensity a touch before the shackles are off and the track invades. There is still somewhat of a restraint to its attack but that only accentuates its power and animosity.

Continuing to bawl and punish with its hardcore bred, metal infested confrontation, a contagious mix despite its punishing tempest, the track is a thick indisputable declaration of a band heading the way of major attention.

Be from Ghouls is out now.

https://www.facebook.com/ghoulsuk/    https://twitter.com/ghoulsuk

Dead Ground has We All Feel The Same on the loose now.

https://www.facebook.com/deadgroundmu/

Eight Days has Stray available now.

https://www.facebook.com/EightDaysUK/   https://twitter.com/eightdaysuk

Of Legions unleash Vision Of Misery November 9th.

https://www.facebook.com/OfLegions/     https://www.instagram.com/of_legions_uk/

Pete RingMaster 24/10/2018

Copyright RingMaster: MyFreeCopyright

Popes Of Chillitown – Work Hard, Play Hard, See You In The Graveyard

Releases which have us throwing feet, hips, and bodies around in an uninhibited frenzy are just as boisterously devoured here as those provoking thoughts and imagination into the same eager exploits. Work Hard, Play Hard, See You In The Graveyard, the new album from UK outfit Popes Of Chillitown is one such example, an encounter which stirs up every aspect of the human spirit across thirteen slices of what for the moment we will simply call ska punk but is so much more. The band and release swiftly had the body bouncing, energies uncaged, and mind feeding off its insightful social and personal lyrical intimation. It is one of those unforgettable, deviously manipulative propositions which will surely set Popes Of Chillitown on the way to being a household name far beyond the ska and punk scene.

From London, Popes Of Chillitown has already bred and nurtured a fine reputation across two albums and a live presence which has had venues and bodies bouncing, as the album now, with lustful participation. 2013 saw the release of their pledge-funded debut album A Word To The Wise, a keenly embraced encounter eclipsed by its even more eagerly received successor To The Moon two years later. Since that first offering, the sextet has further lit up the live scene, from the Capital bursting across the UK and into Europe sharing stages with the likes of Reel Big Fish, The Selecter, The Skints, Imperial Leisure, [Spunge], Mouthwash, The Snare and many more along the way.

As Work Hard, Play Hard, See You In The Graveyard swiftly reveals, the band’s sound has an irresistibility which borders on the viral. It is a fusion of upbeat ska, punk, 2-tone, dub, drum & bass, reggae, indie with plenty more flavoursome spices working away in the mix; a rousing incitement which never flirts with the predictable and across the new album, easily the band’s finest moment yet, persistently has body, imagination, and spirit bounding.

Straight away as intrigue coaxes ears there is a sense of drama and mischief at play which swiftly sparks opener Prang into life, the track springing along with wilful exuberance. The guitar of Tom Penn winds around ears from an already persuasive hook spraying stroll while the rhythmic prowess of bassist Arvin Bancil and drummer Jack Ashley gets under the skin in no time. Matt Conner’s rousing vocals are just as effective, listener participation we found inevitable and can keen testify to. The track is superb, its twist into discord and off kilter imagination icing on the stomp.

The flames of trombonist Ieuan Williams and saxophonist Jon Pryce open up the following Get Off/Get On, lighting the way to another persuasive saunter ridden by the increasingly captivating vocals of Conner. There is a touch of [Spunge] meets King Prawn to the track, a tasty flavouring quickly ignited by the band’s own raucously individual enterprise.

Fair to say Work Hard, Play Hard, See You In The Graveyard already had its temptation racing through our veins in two songs but raised the temperature of its persuasion even more with next up Vexed. Cored by a hook which had ears and appetite dangling like a fish on a rod as well as a glorious teasing yet taunting grumble of a bassline, the track instantly took the album’s seductive clamour to another level. Brewing an addictive roar something akin to The Mighty Mighty Bosstones meets Capdown with the rawer edge of The Hostiles, the track simply and quickly had us enslaved and adding our less able attributes.

The equally outstanding No Manners In Ireland is next, the song a web of twists and turns littered with creative hooks and melodic lures which seduce like sonic sirens. Guitars and vocals dance on the swagger of the rhythms, their dark lined joy seared with the soulful flames of brass as the song evolves in form and imagination across four minutes plus of pure magnetism. Its glory is matched by that of the far briefer but just as riveting Graveyard. A dub infested mix of Skindred and again King Prawn, the slither of a track just ignited the senses before Upside Down got the body rocking and rolling with its almost salacious bounce and antics.

Across the fiery ska fuelled punk ‘n’ roll of The Last Elephant and the swinging holler of Mr. Piotr, physical reaction is inescapable as thoughts invest in more of the band’s lyrical inference, both tracks cauldrons of drama and physical manipulation so easy to devour while the likes of What A Guy and Inner Peace add yet more variety and adventure to the album’s beauty. The first erupts from a haunting melancholic sigh into another inescapable to resist canter, voice and hips soon embroiled in its creative romp before its companion smoulders seductively on the senses with its less boisterous but just as tenacious reflection. From guitars to rhythms, brass to voice, the song serenades and seduces; volatility in its heart adding greater depth to its inventive cry and increasingly rising temperature and intensity.

Take Control is punk rock blessed with the ear clipping tenacity of ska; a rousing trespass of an incitement under a sweltering climate of suggestion cast by sax and trombone. Unsurprisingly again indulgence in its swing is unavoidable, a lack of discipline thankfully the whole of Work Hard, Play Hard, See You In The Graveyard exploits.

The album closes up with firstly the melodically shimmering Lego Prisoners, a track resembling what you might imagine emerging from the essences of Ruts DC, The Skints, and a calm Random Hand being locked in together, and lastly Culpa and its reggae brewed saunter where grooves and beats overwhelm restraints even before voice and hooks sink their temptation into ears.

It all makes for one deliciously riveting and rousing adventure going by the name of Work Hard, Play Hard, See You In The Graveyard. Popes Of Chillitown has been firing up the ska and punk scene pretty much from their first days but are now ready to be spoken in the same breath as those bands which immediately come to mind as inspirations to the across the array of styles the Londoners skilfully embrace and employ in their own adventure. After Work Hard, Play Hard, See You In The Graveyard they might just be the first name to lips.

Work Hard, Play Hard, See You In The Graveyard is out now on 12inch vinyl, CD and Digital Download @ https://popesofchillitown.bandcamp.com/album/work-hard-play-hard-see-you-in-the-graveyard

 

Upcoming Popes Of Chillitown tour dates:

MAY 27 – BOURNEMOUTH Cursus Festival

JUN 02 – NOTTINGHAM The Maze

JUN 09 – CHEPSTOW Balter Festival

AUG 04 – BLACKPOOL Rebellion Festival

AUG 09 – NEWCASTLE Trillians*

AUG 10 – GLASGOW Audio*

AUG 11 – LONDON Underworld*

AUG 12 – WINCHESTER Boomtown Fair

*w/ Fishbone

http://www.popesofchillitown.com/   https://www.facebook.com/PopesOfChillitown    https://twitter.com/popesofctown

Pete RingMaster 18/05/2018

Copyright RingMaster: MyFreeCopyright

THE TiPS – TWISTS’N’TURNS

pic C_Helge_Tscharn

pic C_Helge_Tscharn

An album to get you dancing, thinking, and acting on your instincts, TWISTS’N’TURNS is a mighty reminder that its creators, THE TiPS, is a band you really need in your life, especially if reggae, ska, punk, and funk brings your ears and emotions to life. The third full-length from the German band, it is also their most eclectic and imaginative adventure yet and in turn their most rousingly enjoyable.

Hailing from Dusseldorf, THE TiPS was formed in 2009 by vocalist/guitarist/keyboardist Aljoscha Thaleikis after returning back to his homeland after spending some of his formative years in the United States where he was introduced to styles of music that he was previously unfamiliar with. Having explored the merger of flavours such as soul, ska, reggae and dub with the punk rock of his roots, his return to Germany led to the creation of THE TiPS. The band’s debut album High Sobriety was released in 2011 with its successor Trippin’ unveiled two years later, both to potent success. The past two years alone has seen the trio of bassist Philip Pfaff, drummer Janosch Holland, and Thaleikis play over 130 shows, the sharing of stages with band such as The Mad Caddies, Die Rakede, Ruts D.C., The Toasters, and Jaya the Cat amongst them. Now they are poised to stir up broader and stronger attention with the Alexander Beitzke (Jamiroquai, Ed Sheeran, Florence And The Machine) produced and Pete Maher (U2, Linkin Park, Lana Del Ray Nine Inch Nails) mastered TWISTS’N’TURNS; twelve tracks which swing and stomp whilst taken a bite at issues impacting on all.

The album opens with Birds in Trees, instantly clasping ears with vocal and melodic temptation before showing its sonic and rhythmic muscles. From that wall of energy a mellower but no less magnetic stroll emerges as the song saunters with its reggae bred gait. Thicker eruptions break throughout, grooves and spicy hooks adding to the welcome trespass before things relax into captivating calm again. It is a riveting persuasion, a rich tempting only blossoming further with the distinctive tones of Skindred frontman Benji Webbe who guests on the excellent start to the album.

THE_TiPS_TWISTSNTURNS_RingMaster ReviewThe following Leaving Home gently swings in next, its sultry sway aligned to the thick brooding tone of bass and gripped by the excellent vocal presence of Thaleikis. Impossible not to be hooked by its reserved yet anthemic chorus alone, the song has a By The Rivers meets The Skints nature which simply entices, a success matched by the seductive croon of Wasting Time. Similar spices line the infectious romancing of ears, as too an equally catchy and tenacious energy which soon has hips and voice in eager involvement. Both tracks are irresistible, easy going yet imposingly compelling proposals though both are overshadowed a touch by the outstanding Chosen Fool. Stabbing riffs collude with the grouchy bass to quickly excite ears; imagination and an already keen appetite swiftly inflamed by the Ruts like punk ‘n’ roll invention which also emerges to add fresh bite and attitude to the exceptional encounter.

The band’s punk heart is given full rein for Johnny’s Song next, another striking and virulent arousal of body and emotions carrying an essence of Russian punks Biting Elbows to it. Similarly THE TiPS brew flavours which hint at a Sublime/Living End link-up, but coming up with something distinct and incendiary to themselves. It is uniqueness just as apparent in the infectiously sultry funk infused saunter of If You Want To and the noir lit landscape of City Lights. The first glides through ears with a slightly mischievous enterprise whilst the second is pure aural and emotive drama. From vocals to keys, exotic hooks to the ever pungent tone of Pfaff’s bass, the transfixing incitement is a web of intrigue with a volatility that is seemingly Skindred seeded.

Alien emerges with the same shadowy hues and emotional intensity next, flowing from the provocative shadow of the previous track. It swiftly wraps heavily persuasive and seductive tendrils around ears, at times conjuring a darker climate of intimidation to contrast and unite with the bluesy hued flames also arising from the mellower strains of the slow burning treat of an encounter.

Igniting another devouring of the band’s punk ‘n’ roll imagination straight after, Parade shares a riveting steely bass lure amongst swinging rhythms from Holland, before Do It Right prowls and flirts with its predacious ska punk devilry. Managing to be as sinister as it is irresistibility tempting, the song has body and emotions bouncing, matching all feisty movements in catchy and melodic kind. Equally, it powerfully stirs up thoughts too; an impressive knack the band has leading to full involvement from all aspects of the listener as evidenced by the Red Hot Chili Peppers spiced Back in the Days. There are some songs which are instinctive manna for the soul; encounters which simply turn on the sweet spot for an everlasting romance and this definitely qualifies as one.

Completed by the simply mesmeric, emotive serenade of Still Turning, another song which leaves a lingering imprint, TWISTS’N’TURNS is one thoroughly and imposingly thrilling union between band and ears. It is surely the release to take THE TiPS to the attention of spotlights beyond their homeland’s borders and the underground scene in general, at the very least destined to make a mark on a great many end of year favourites lists.

TWISTS’N’TURNS is out now on Long Beach Records Europe @ http://thetips.de/shop/

http://thetips.de/   https://www.facebook.com/thetipsofficial

Pete RingMaster 22/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Spark The Sail – Sapphire Deep

Spark The Sail Promo Shot_RingMaster Review

There has generally always been a strong underground scene spreading out in Bristol but right now the British city seems to be at a new high in excitement and potency. There is a vast horde of artists catching ears and attention with, for us, bands like The St. Pierre Snake Invasion, who just released their exceptional debut album, Jesuits, Left Side Brain, and the currently quiet Mind Museum leading the way. To that list we can now add rock popsters Spark The Sail, a quintet releasing a debut EP that simply leaves ears and pleasure aflame.

The Sapphire Deep EP is a rousing romp of pop ‘n’ roll, a feel good contagion built on open craft and fresh imagination. Every one of its five songs has the body and emotions leaping, the appetite for its boisterous beauty greedier by the second, with the psyche lost in its web of virulent catchiness. To local fans this is no surprise and now the UK and further afield can wake up to magnetic rock music as virulent as it comes.

Spark The Sail initially began as the duo of vocalist Jodie Davies and vocalist/acoustic guitarist Ryan Moore. Then as 2013 called it a day, the band had grown to a quintet with the addition of electric guitarist Robbie Rowe, bassist James Killackey, and drummer Mitchel Lucas. Honing their unity and sound, the band subsequently hit the live scene and were soon adding the sharing of stages with the likes of The Hoosiers, Dub Pistols, and Tinie Tempah to their quickly expanding CV. Successful appearances at The Isle Of Wight Festival this year and a host of other shows across the south of England has only added to their reputation and fan base; both now set to explode as Sapphire Deep unveils its rich revelry.

Spark The Sail Cover Artwork_RingMaster Review     The band’s inspirations include bands such as Panic! At The Disco, The Skints, and Paramore; fair to say open influences in varying degrees from the first track onwards though equally there is an energy in the songwriting and melodies which has a feel of Irish bands The Radioactive Grandma/ K.N.O.T.S. As opener Sapphire reveals, it is potent flavouring to something, if not unique to Spark The Sail quite yet, easily allowing them to standout as something highly promising and special. The song opens on a melancholic piano cast melody, around it the atmosphere hazy and slightly distorted. Energy brews simultaneously, erupting in a stroll of punchy rhythms and coaxing riffs led by the excellent dual vocal persuasion of Davies and Moore. Alone their voices entice but together enthral and ignite ears as easily as the weave of acoustic and electrified enterprise aligning to their creative theatre. Like a gem, the song has a host of faces to its adventure, each having a moment to shine and tempt before the song concludes on another boisterous roar of pop devilry.

The following Never The Moment keeps ears and enjoyment flying, the opening bait of rhythms from Lucas setting the template of the song with its anthemic shuffle soon joined by smiling melodies and hooks. Again the vocals transfix and bewitch, side by side or hand in hand a thrilling colour to a track again twisting and turning with perpetual imagination. The glorious encounter leaves rich hooks in ears and memory, its character a lingering friend but as Outlook shows next, that also applies to each song. Like its predecessor, the swinging slice of fun has meaty rock ‘n’ roll at its core and spicy pop melody in its heart, both wrapped in a swirling folk pop scent for a riveting and lively drama with a good whiff of Fall out Boy to it.

   Trust Me is next and with elegant melodies as its first caress, swiftly has the imagination floating away with its atmospheric and emotive air. A relatively more restrained and intensive affair than the first trio of tracks, it still weaves a rosy hug of vocals, harmonies, and expressive melodies around a firmer lure of rhythmic bait.

The release is brought to an energetic and tenacious end by Pieces, another easy to get physically and mentally involved in proposal bouncing round with creative enthusiasm and melodic flirtation. The track sums up the whole of the EP in its closing dance of passion and sound to light up any day and shadow.

Spark The Sail is now firmly installed as not only one or our favourite Bristol exports but of our pop /rock joys. Mark our words; this band is going places if Sapphire Deep is the sign of things to come.

The Sapphire Deep EP is released November 6th through all stores.

https://www.facebook.com/sparkthesail   http://www.sparkthesail.com   https://twitter.com/sparkthesail

Pete RingMaster 06/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Richie Campbell – In The 876

Richie campbell_RingMaster Review

With the release of third album In the 876, Richie Campbell shows exactly why he is revered in his homeland of Portugal and becoming one of the most greedily devoured propositions in global reggae. Also infusing rich essences of soul and Latin flirtation into an array of individually distinctive songs, Campbell and album has the body bouncing and ears smiling.

Already drenched in acclaim and rabid attention which has seen the album hit the top of the Portuguese iTunes Charts within 2 hours of its European release in May, In The 876 now gets its UK unveiling with anticipated similar reactions going its way. Recorded between Kingston and Lisbon, and with a title referring to the telephone area code of Jamaica, In The 876 features numerous guests and is the next potent step in the seemingly unstoppable rise of Campbell and his creative stature. The Lisbon hailing singer/songwriter began concentrating on a solo career from 2010 having played in bands over the previous six years. Debut album My Path came out as a free download and subsequently amassed over 250,000 downloads which in turn led to Campbell playing a sold-out show at Lisbon’s Campo Pequeno Bullring. Second album Focused was just as well-received and successful, gaining a nomination in the Portuguese Golden Globes of 2013 and seeing its lead track, That’s How We Roll, awarded Song of the Year at the National Radio Awards.

Now is the turn of In The 876 to arouse thicker spotlights and awareness, in the UK and around the globe, and it gets off to a mighty bang, after its intro like title track, with I Feel Amazing. One of the singles from the album which has already earned potent radio play, the song is pure reggae flirtation. Its rhythms swagger with infectious beats aligned to bass spawned hips whilst guitars and vocals swing with virulent contagion and melodic seducing. From the off, the warmth of sunny skies around optimism rich emotions swim through ears and into the psyche, the whole song quickly an irresistible incitement to dance and smile. Though three and a half minutes long it is seemingly over in a flash, leaving exhausted but over flowing enjoyment behind to be whipped up again a by another single from the album in Best Friend.

cover_RingMaster ReviewThe second song has a mellower gait but is no less insistently catchy and melodically glowing, vocally and musically. Again keys and guitar incite a vibrant canter which has the body swaying incessantly whilst, as in its predecessor, a familiar but refreshing character only adds to its seriously persuasive climate. Vocally Campbell allows his naturally harmonic tones to entangle a more expected reggae seeded delivery resulting in something, as the music, instantly friendly and recognisable yet individual in character to most others.

The impressive start continues with Feels Like which features the wonderful gruff growl of Agent Sasco (also known as Assassin). The song is sublime temptation, its flow and melodies smooth over a canvas just rippling with character and diversity. There is a touch of New Town Kings and UB40 to the encounter and an instinctive romance between ska keys and ears. It is glorious and as it has body dancing and voice crooning, the lead thought is that this surely is a done deal as the next single.

The broader flavouring of the magnetic 25 to Life comes next, its emotive shuffle employing richer rock textures to a soul/reggae blending whilst Man Don’t Cry slips into a smouldering embrace graced with sultry backing vocals around another infectious rhythmic collusion of bass and beats. At times across the album Richie Campbell casts a sound which has familiar seeds in a musically hard to pin down landscape, and here that quality is at its most captivating best, with the song vocally and musically almost kaleidoscopic.

That’s Not Mine sees Jesse Royal guesting in its intimate yet wide social statement which has ears as absorbed by its lyrical jaunt as its aural jabbing and melodic tantalising. Thoughts of The Skints emerge as the song shows, like so many, glimpses and clearer twists of invention and imagination in all aspects before leaving full enjoyment in its wake which Get Over You uses to take ears and limbs into its own flirtatious dance. With the siren-esque beauty of Toian’s voice joining the scintillating escapade, the track boils like the surface of an aural heat wave, its relentless shimmer sizzling and pulsating surface unstoppable.

Both Give It All Away and Knock Me Out provide reasons for the imagination and body to rejoice, though neither can spark the same lusty responses as the tracks before them with personal tastes. The first is one of those songs which have the listener unconsciously lost in movement whilst its successor, which includes the guest appearance of Sara Tavares, is an embrace of soul and Latin elegance. Each fully engages but as suggested lack the same spark as the earlier adventures, something to a lesser extent which applies to the tenaciously lively and colourful Rise From We Fall and its reggae/rock pop samba.

In The 876 is concluded by firstly the excellent Standing Firm, a more formula reggae romp but given plenty of the Campbell Latin spice and vocal soul to fascinate and excite before Better than Today brings it all to a soulful close with provocative keys, emotive vocals and harmonies, and a melancholic jazz lined air. In many ways the song does not quite fit the rest of the album, or shouldn’t but it only provides a powerful end whilst revealing more of the impressive depth within Campbell’s writing and invention.

Exciting us most in its first half but only offering a thickly enjoyable time from start to finish, In The 876 shows exactly why the reggae world is excited over Richie Campbell. It is the UK’s time to explore and get involved with his riveting sound and songs now, and no doubt to get excited too.

In The 876 is released in the UK on August 28th via Chet Records.

RingMaster 27/08/2105

Copyright RingMaster: MyFreeCopyright

For more independent exploration check out http://www.zykotika.com/

New Town Kings – Pack Up Bye Bye

newtownkings-packup_RingMaster Review

New Town Kings has more than earned the reputation as one of the UK’s most exciting new reggae propositions, through their irresistible live presence and just as potently last year’s outstanding Pull Up & Rewind EP, which drew as much rich attention upon its reboot earlier this year. Now the Essex based nine-piece are poised to grip national awareness and energy with new single Pack Up Bye Bye, a contagion of Jamaican reggae/ska pop which if there is such a thing as the sound of summer, has it ingrained in every vibrant pore.

Pack Up...cover_RingMaster Review   Formed in 2007, New Town Kings has lit up the UK and European live scene with their inventive and tenacious sound. They have been declared Britain’s greatest traditional Ska band, a claim backed up by shows with the likes of Reel Big Fish, The Slackers, The Skints, Congo Natty, and just recently Neville Staple. Acclaimed festival appearances have also only reinforced and increased the Colchester band’s stature over the years whilst the Pull Up & Rewind EP, as suggested earlier, set out a new statement of creative intent and success for the band. It was a declaration and ascent in sound which is now poised to whip up a new surge of fresh and broader appetites through Pack Up Bye Bye.

From its first rhythmic click the song flirts with ears and imagination, quickly taking them on a warm dance of catchy hooks, warm bubbly keys, and a vocal enticing from Dabs Bonner which just lures closer attention. Swinging with a reggae groove lined with choppy ska clips of guitar, the track just commands involvement from the listener, especially when unveiling its anthem of a chorus. The song is pure addiction from start to finish but that crescendo of virulence is simply irresistible, a sultry temptress offering the richest seduction within the lively simmer fuelling the rocksteady sculpted alchemy.

With a summer ahead of exciting festival and show endeavours, Pack Up Bye Bye with its open look at the angst of relationships, is the strongest, most vocal reason why New Town Kings should be on the agenda for all event goers and your new daily soundtrack.

Pack Up Bye Bye is available now as a free download @ https://soundcloud.com/newtownkings/pack-up-bye-bye-1

Upcoming New Town Kings live dates…

August 1st – Brightlingsea Music Fest (UK)

August 6-9th – Rebellion, Blackpool (UK)

August 13-16th – Boomtown, Winchester (UK)

September 11th – Colchester Arts Centre (UK)

September 12th – Norwich Arts Centre (UK)

September 17th – Cluney2, Newcastle (UK)

September 19th – Borderline, London (UK)

September 22th – Lille (F) – Venue tbc

September 23rd – Berlin (GER) – SO36 (w/ THE SLACKERS)

September 24th Hamburg (GER) – Hafenklang (w/ THE SLACKERS)

September 25th Cologne (GER) – Underground (w/ THE SLACKERS)

October 30th – Skalloween, New Cross Inn, London (UK)

October 31st – Aalst, (Belgium)

https://www.facebook.com/newtownkings      http://www.newtownkings.com/

RingMaster 24/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

The Meow Meows – Friends On Benefits EP

meow meows_RingMaster Review

Starting with one of the most flirtatious embraces likely to be heard this summer and proceeding to cast another two slices of pure aural suggestiveness, the Friends On Benefits EP from UK ska rockers The Meow Meows, puts the irresistible into virulent temptation. Three songs of the Brighton nine-piece’s increasingly renown fusion of eighties ska and even older garage rock with a more than healthy punk bred diversity, the EP is one inescapable incitement for body and imagination.

The Meow Meows emerged on the Brighton live scene around 2005, the collective rising from the ashes of several bands from the south-coast ska-punk scene. It was not long before their reputation and fan-base flourished through their energetic live presence and a sound which bewitched feet and ears with infectious ease. The years since forming have seen the band share stages with the likes of The Temptations, The Skatalites, Reel Big Fish, The Beat, The Selecter, King Blues, The Skints, and Hollie Cook amongst many, and the release of a couple of well-received albums. Debut full-length Songs From The Fridge stirred up plenty of attention but it is probably fair to say that its 2013 successor Somehow We Met, helped push the band into new spotlights. Friends On Benefits, like that album, was recorded with producer and reggae legend Prince Fatty and quickly confirms The Meow Meows as one of the UK’s truly instinctive creators of contagion.

cover_RingMaster Review     The seeds to the Friends On Benefits EP arose from the band being one of ten artists commissioned by Fuel Theatre for their Music to Move to project, its aim to create works from bands in union with choreographers which would inspire the general public to dance. Equipped with another pair of toe inciting swingers, also loaded with humour laced and snarling social /political themed lyrics, band and release swiftly set hips to work with the EP’s title track. Brass and rhythms instantly collude in a gentle but forceful sway as guitars within another breath add their sultry hues to the melodic smile of the keys. Alternating their individual vocals over the verses, both Danny and Hanna spark further hunger, the two ladies temptress like within the rousing swagger and shuffle of the song. With a whiff of The Bodysnatchers to it, as well as The Beaubowbelles and The Jellycats, the track is a spellbinding and lingering bounce of a persuasion swiftly matched by its successor.

London Road has an even chirpier gait to its stroll, brass and beats quick-footed protagonists within the key’s smouldering caress. As in the first, the music embraces the vocals with a more restrained energy yet it never loses the infectious lure ripe in its presence and enterprise, in fact springing new melodic flames with every twist of its irresistible tempting. As it proceeds with a distinctive and magnetically quaint Hammond organ tone seducing, the song gently and seamlessly evolves to subsequently emerge with a Martha and the Muffins like new wave colouring which seems to feed and accelerate the excellent ska fuelled and increasingly agitated climax of the outstanding song.

The EP is completed by Tits & Hatred, a more old school punk endeavour which echoes with essences of bands like Au Pairs and The Raincoats within its severely tantalising and eagerly varied character. The track is again primarily brewed from the band’s seventies inspired 2-tone/ska punk inspirations which of course are in turn dosed up with the band’s compelling touch and imagination; the result being one mouth-watering end to one thrilling proposition.

The Meow Meows create ska punk ’n’ roll to lose your inhibitions and body to, with Friends On Benefits the spark to lustful endeavour.

The Friends On Benefits EP is available on vinyl from July 13th via Jump Up! Records and digitally @ https://itunes.apple.com/gb/album/friends-on-benefits-single/id997669416 or http://www.amazon.co.uk/gp/product/B00Y6EIGXO?keywords=Friends%20On%20Benefits%20EP&qid=1436784848&ref_=sr_1_1&sr=8-1

http://www.themeowmeows.com/     https://www.facebook.com/themeowmeows

RingMaster 13/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net