The Dark Red Seed – Becomes Awake

Providing a kaleidoscope of intrigue, suggestion, and captivation, the debut album from The Dark Red Seed is a journey and experience which almost stains the imagination in its creative breath. It provokes thoughts and incites emotions as it lures ears into its shadowy yet seductive soundscape; Becomes Awake evolving into one of the most enthralling encounters so far this year.

The Dark Red Seed is the personal project of Tosten Larson, guitarist for Seattle dark folk musician King Dude. It is an adventure shared with King Dude engineer Shawn Flemming, the pair creating individual realms and intimation within a fusion of dark folk and heavy psychedelic rock with plenty more hues involved. Becomes Awake follows last year’s Stands with Death EP; a well-received introduction to the project hinting at the rich and immersive adventure to come. To use their words, the new album is “a dark, dusty discourse on the departure and ultimate dissolution of life, “Becomes Awake” symbolizes a movement from darkness into light; finding balance through acceptance of one’s own qualities of both the light and the dark; the good and the bad.”

Featuring the guest contributions of Kelly Pratt (LCD Soundsystem, War on Drugs, St Vincent) and Steve Nistor (Sparks, Marissa Nadler, Daniel Lanois), and wrapped in the superb art of Paul Romano (Mastodon, Dälek), Becomes Awake draws on inspirations from Indian, Persian, and Roma music. There is a nomadic feel to the exploration at times, an aural travelogue of the ancient, old, and modern within its harmonically and rhythmically shaped, melody fuelled exploration. From opener Dukkha, the album just sucked ears and attention into its awaiting and awakening milieu, flame licked psychedelic atmospheres soaring over the infectious rhythmic rockery of its land. Drama lines every note and syllable, a web of sound shaping its suggestion, all through imagination and craft.

Lured in by the first, its successor, Darker Days, just ensnared with its inviting rhythmic stroll and dark rock/country/folk swing. Like a psych kissed Helldorado, the song is a warm infection of body and imagination scorched by brass, caressed my Eastern temptation, and ignited by the underlying tempestuousness of its climate and heart. It is a recipe of pure magnetism taken and then evolved again within next up Alap, an instrumental web of threat and discord, intrigue and trespass, light and dark. The piece did convert its prowess into persuasion as swiftly as its predecessors with fascination a quick return for its mystery.

Through the melodic calm and blossoming rapture of Ancient Sunrise and the animated slightly portentous grandeur of The Mouth of God which emerges from it, ears and imagination were simply roused before The Destroyer deceptively saunters into view with a mellow if sonically volatile air. The melancholic scythes and beauty of the strings are a resignation to an impending result, enticing melodies and harmonies a holding of the hand as the track’s protagonist looms. A well of contrasts and emotions, the track simply enthralled as it made its way towards the jazz smoky atmosphere and darkly lit depths of The Void.

Personal interpretation is as easy as absorbing the inference of the tracks, another enticing element as the outstanding Awakening followed infesting and manipulating body and thought and Sukha mesmerised with its melodic heart and transfixing drone; again contrasting textures so sublimely aligned by The Dark Red Seed. The first of the two is easily our favourite moment within Becomes Awake, a stirring and rousing yet hypnotic canter on a compelling dark bassline through crystalline scenery steamed up by post punk breath.

Diana And Ouroboros Dance completes the release, another track which took its time to grow in ears and appetite yet was laying enticing seeds from its first breath to increasingly grow over time. With its heavy atmosphere and Doors-esque roar, the track is nothing less than enjoyable from the off and thick captivation down the line.

That pretty much applies to Becomes Awake as a whole though straight away we found ourselves gripped by certain moments, enslaved by just as many others. The Dark Red Seed is one heart which will not make for a fleeting attraction.

Becomes Awake is out now through Prophecy Productions and available @ https://thedarkredseed.bandcamp.com/album/becomes-awake

https://www.facebook.com/TheDarkRedSeed/

Pete RingMaster 24/05/2018

Copyright RingMaster: MyFreeCopyright

Introducing Sonic Kharma

This past September Swedish rock band Sonic Kharma unveiled their debut album Too Much is Not Enough. Swiftly finding an eager reception at home, it and the band with the ever potent PR/ radio pluggers Pluggin’Baby alongside are beginning to stir just as keen attention with it in the UK. They have now just pushed two tracks forward as a teaser to that release and themselves upon British ears, songs which are already stirring up strong radio play and rich words.

Hailing from the northern town of Umeå, Sonic Kharma was formed in 2013. Their sound is built on the creative union and songwriting of guitarist Michael Blomqvist and vocalist Henrik Brännlund, though as these two tracks alone prove; every member of the band is a vital and rich part of the mix. Inspirations to their melodic rock bred sound range from bands such as Nomads, Guns N’ Roses, and AC/DC to Foo Fighters, Millencollin, and Sator. There sound is not maybe the most unique proposition yet there is real freshness and imagination to it which makes ears pay closer attention. There is also a finely crafted edge to the songs which suggests a band taking time to take things to their creative limits, a suggestion backed by the fact that the band recorded Too Much is Not Enough twice, not content with the first recordings.

New Day is an instant temptation in ears, its opening melody a beckoning finger into the waiting alternative rock meets grunge like stroll. The guitars of Jonas Edvardsson and Blomqvist entangle the imagination in melodic tendrils and encouraging riffs whilst the swinging beats of PerOlof Tellegård rousingly align with the alluring groan of Kevin Valberg’s bass. Embraced by Brännlund’s strong and emotive tones, it is a superbly infectious proposal with muscle in its movement and seduction in its voice with the veining of nagging melodies and sharp hooks only adding to that attraction and success.

Keep Calm and Carry On has more of a pop punk hue to its rock ‘n’ roll and certainly its opening canter has an Offspring feel to it. The individual traits of Sonic Karma soon take over though as the song hits its stride, again a natural infectiousness flowing through its lively twists and contagious chorus. Spinning its own brand of ear pleasing melodies and imagination snagging hooks, the song backs up its outstanding companion with its own thickly alluring enterprise headed by the pulsating bait of Valberg’s bass.

Both tracks leave pleasure ripe as they do their job of introducing their creators to a new audience; a sonic announcement which does not so much invite further exploration of Sonic Karma as command it.

Find out more about Sonic Karma and their album Too Much is Not Enough @ https://www.facebook.com/sonickharma/ & https://twitter.com/SonicKharma

Pete RingMaster 02/12/2017

Copyright RingMaster: MyFreeCopyright

Miss Chain and the Broken Heels – Uh Uh/Standing the Night

MC&TBH_RingMasterReview

Breeding some tasty Americana/country-esque flavouring in their garage pop sound, Italian outfit Miss Chain and the Broken Heels recently ended 2016 in fine style with latest double A-sided single Uh Uh/Standing the Night. It was a year seeing the band stepping out from a quiet time after the release of second album The Dawn and extensive touring in 2015 as members pursued solo careers, built a studio, and just simply took a breather. Now they are ready to go again and after some shows earlier this year set about getting body and spirit dancing with their new two-track offering.

br-88-front-cover-1_RingMasterReviewUh Uh instantly bounds in, its initial lively melody carrying an appealing tang as boisterous rhythms flirt and entice. That countrified scent swiftly lines the infectious proposal, its body stirring up an appetite for fifties rockabilly and sixties power pop while entangling it in modern imagination and boldness. Flirtatious and mischievous in energy and sound, the song is web like in its lure, vocalist Astrid Dante charm and enticement before the similarly infectious lure and imagination of her and Disaster Silva’s guitars.

Bringing a calmer, though no more reserved proposal, Standing the Night swings seductive prowess around ears from its first melodic breath. The welcoming rhythms of bassist Franz Barcella and drummer Miracle Johnny alone ensure feet and hips are involved while the beckoning tones of Dante and surrounding harmonies brag ears and imagination as freely. There is a Pauline Murray (Penetration, The Invisible Girls) air to Dante’s voice and with its country spicing the song reminds a little of Fool, The Only Ones track the English vocalist featured on.

Produced by Brown Barcella, Uh Uh/Standing the Night is an irresistible ‘return’ of Miss Chain and the Broken Heels and an enjoyable appetiser ahead of a third album currently in the works.

Uh Uh/Standing the Night is out now via Bachelor @ https://misschainandthebrokenheels.bandcamp.com/

https://www.facebook.com/misschainandthebrokenheels

Pete RingMaster 17/01/2017

Copyright RingMaster: MyFreeCopyright

The Sideline Haters – Who Shaves The Barber?

TSH_Band_RingMasterReview

The French metal scene keeps throwing up new encounters which just spark the appetite while fiercely pleasing ears; the debut EP from The Sideline Haters another thoroughly enjoyable example.

The Paris hailing death metallers were formed in 2014 by guitarist Allan “M-Slay” B. and bassist Elodie “Ch!ng” G, both former members of progressive death metallers Aenomy. Within a few weeks, the band’s line-up was complete with the addition of vocalist Florian M. (ex-ADM) and drummer Guillaume “Will” C. (ex-Hyperdump). From then until now, there is little we can tell you about the band’s time but Who Shaves The Barber?, their first EP tells all you might wish to know anyway.

cover_RingMasterReviewProduced by the band’s Allan Bravo, who also created the EP’s excellent artwork, Who Shaves The Barber? opens with The Sideline Effect, a track which quickly winds toxically sultry tendrils of guitar around ears as intimidatingly heavy rhythms prowl. It is not an over imposing or surprising first moment with the band but a setting down of the antagonistic terms the track offers before upping the ante in hostility and intensity. Once in position, raw throated vocals carry deep seated rancor in every syllable they share whilst the bass backs up that menace with its own cantankerous presence. Things become increasingly more enthralling with every passing minute, the track emerging a potent slab of death irritability and craft, making up for it’s sometimes less than surprising exploits with some mouth-watering hooks and slithers of spiky grooving.

The strong start is quickly matched and surpassed by the crawling almost pestilential demands of Tasty Cull. Straight away the song has a creative air and character wearing the scent of unpredictability, those twists coming out through the spidery enterprise of the guitar and the senses spotting suggestiveness of keys. The fact that those latter imagination sparking elements are pushed too far into the background of the tempest is a small issue, but just a minute element with a track which is as compelling as it is ravenous.

The EP closes with its title track, Who Shaves The Barber? going straight for the throat from its first breath in a hellacious tide of riffs and fearsome rhythms. That initial torrent of aggression and intensity barely wavers across the rest of the death metal bred rock ‘n’ roll of the track, its moments of taking the foot slightly off the throttle embracing a delicious weave of winy grooves and psyche piercing hooks. The track quickly steals the show, alone ensuring that The Sideline Haters is firmly placed on the radar of keen interest hereon in.

The Sideline Haters show they will be more than a passing flirtation with attention through Who Shaves The Barber?, an accomplished and increasingly imaginative proposition soaked in a potential which excites. It is going to be interesting to see how they develop and great fun on the evidence of their first trespass on the senses.

The Who Shaves The Barber? EP is out now @ http://thesidelinehaters.bandcamp.com/releases

https://www.facebook.com/thsidhate

Pete RingMaster 18/05/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com

Hardactors – It’s My Life

Hardactors Bridge ORIGINAL_RingMasterReview

Hardactors is a British band creating what they call “Picturesque Pop”. Recently the project released new single It’s My Life, a song which springs from a truly irresistible start into a captivating flirtation of ears and imagination.

The band is the project of Suffolk hailing singer /songwriter / musician Joe Bailey. Last year he released Bloom, a debut release which, with its Ltd Edition physical release alongside its download, was keenly received and praised. Recently its successor was unveiled in the shape of It’s My Life, an EP/ track written as a tribute to eighties band Talk Talk. Without knowing that, the older UK band certainly comes to mind as the single caresses and infects ears but equally for an open homage, it has plenty of its own character to firmly embrace.

The opening lure of bulbous rhythms and soon after a throbbing bassline aligned to throaty guitar strings seduces attention and imagination alone, remaining a pungent attraction as lighter melodies and the warm tones of Bailey join the tempting. Once into its resourceful stroll, the song ambles along with a smile on its creative face and engaging warmth to its eighties seeded body, all the while that initial addictive lure still nagging and further stirring up an already eager appetite for the song.

Unsurprisingly, the track’s air is strongly familiar, given its inspiration, but a scent which only adds to four highly enjoyable minutes that provides a thoroughly pleasing proposal each and every time. The single, as mentioned, is also the title track to an EP completed by the captivating tracks Such A Shame and Dum Dum Girl, with all now available via iTunes and other stores.

http://hardactors.com   http://facebook.com/hardactors   http://twitter.com/hardactors

Pete RingMaster 11/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Akarusa Yami Announce New Video & Departure Of Frontman

AY Pic 1_RingMaster Review

Tech Metallers Release Heavy Climb Clip & Announce Tom Brumpton Has Left The Band

British tech metallers Akarusa Yami recently put together a clip for their new video ‘Heavy Climb’! Created by acclaimed videographer Andy Pilkington, the video for ‘Heavy Climb’ closely follows the message behind the track; despite our beginnings, we can achieve great things if we believe in ourselves and push onwards.

The video can be viewed here – https://www.youtube.com/watch?v=Q8BvZMLp0Wg

The band have also announced that frontman and co-founder Tom Brumpton will be parting ways with the band. Drummer Adam Jones had this to say on the announcement: “We’re sad to see Tom go, as we started this journey together five years ago and we’ve done some amazing stuff together in that time. That being said, we are in the process of training up a new vocalist and we’ll be making an announcement in early 2016. We have already begun work on new material, which we hope to share with all of you next year.

Brumpton has opted to step down due to other commitments, and had this to say on his recent departure: “I’m really proud of everything we as a band have achieved in the last five years. 2015 has been an excellent year for Akarusa Yami, having played some truly incredible festivals, shows and seeing the heart-warming support for “Heavy Climb”. I wish everyone the best of luck, and I’m sure the new material is going to sound great.

Formed in 2010 by Guitarist Tom Clarke (Insidious) and Vocalist Tom Brumpton, Nottingham noisinks Akarusa Yami have worked tirelessly since launching their debut EP “Ouroboros” to glowing reviews across the world in 2011. The band picked up solid coverage in Terrorizer (UK), Zero Tolerance (UK), Metal Hammer (Norway), Legacy (Germany) and many others. Their debut singles ‘Third Eye, Wide Open’ and ‘Millennium Is My Salvation’ were picked up for national airplay in 11 countries throughout Europe, alongside copious airplay on internet stations across the world.

The band went on to play a series of successful shows supporting Textures, The Ocean and Aliases. The band also played as part of Bloodstock Festival 2011. In late 2011 the band recorded ‘Life, The Venomous Way’ with prolific producer James Dunkley (Vallenfyre).

2012 saw the release of their second EP “Trace Element Rebirth”, which saw the band spreading their sound even further across the globe. Moving forward, the band busied themselves preparing their long awaited debut album “Heavy Climb”; a sprawling beast of a record that pulls together the finer elements of their first two efforts with a heap of new ideas. In early 2015, the band announced Guitarist Julia Goatly had joined the band. Akarusa Yami are presently writing new material for their fourth release, tentatively set for a late 2016 release.

A Billion Lions – Doomsday Babies

BILLION LIONS PROMO PIC1_RingMaster Review

You assume all bands unleash their best and most potent song on ears for their debut single, uncage their most virulently attractive proposal to whip up attention and appetites. The following question is always can they back it up next time. Well that query offered has been dynamically answered when it comes to British band A Billion Lions. Earlier this year, they exploded on the imagination with Torquay, a song which with contagious ease provided of one of the year’s most invigorating singles so far. Now they return with its successor Doomsday Babies, a just as fiery and tenacious riot of pop rock which sizzles on the senses and explodes in the passions. If their first single lit the fuse to inescapable attraction, prepare to have lustful thoughts with their second.

Formed in 2012, the Leeds/Bradford hailing A Billion Lions soon had the local scene to their feet with their ferociously energetic rock ‘n’ roll. A pair of demo recordings, On My Lover and I’m Free, began an introduction for the band to broader fields via YouTube, that potent tempting backed by an increasingly acclaimed live presence. This led to End Of The Trail Records paying attention and a subsequent link up between label and band, and in due course the release of the acclaimed Torquay and now Doomsday Babies. The former lured strong media and radio attention, as well as a flood of new fans, and it is hard to see any reason why their newest offering cannot emulate and push further that kind of success.

artworks-A Billion Lions - Doomsday Babies_RingMaster ReviewDoomsday Babies opens on a bait of drum persuasion which alone awakes ears with a licking of lips, the brief and singular but potent lure soon joined by sonic caresses and a moody bassline, all courted by an instinctively suggestive hook. It is a masterfully magnetic start which discovers new fiery energy and a melodic haze as again thoroughly impressive and enjoyable vocals come in. Vocally the band is as energetic and resourceful in igniting ears and imagination as anything but within the just as rousing sounds they seem to gain extra angst and zeal. The layers of the song, as its predecessor, reveal twists of garage rock, punk, pop, and numerous more spicy flavours, all woven and honed into something distinct and individual to A Billion Lions, though at times there is a feel of My Red Cell to the track; a positive in anyone’s book we would suggest.

A Billion Lions have not only followed up their tremendous opening song with one of matching quality and thrills but Doomsday Babies reveals just a little more to what seems to be an increasingly expansive sound and imagination. Ahead of debut album Let It Happen which is scheduled for September, Doomsday Babies makes the perfect teaser whilst A Billion Lions simply reinforce themselves one of the exciting new breaths in UK rock.

Doomsday Babies is available from July 13th via End Of The Trail Records.

https://www.facebook.com/billionlions   https://twitter.com/ABillionLions

RingMaster 13/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net