The Dirty Youth – Just Move On/Atomic

The Dirty Youth Promo Shot_RingMaster Review

Reminding us of the impressive roar and contagion of their album Gold Dust which was released this past May, South Wales rockers The Dirty Youth now uncage a new double A-side single. It is confirmation of the tenacious potential and quality fuelling the band’s dynamic and virulent sound, and further evidence that The Dirty Youth is one of the bright sparks in British alternative rock.

For the new single, The Dirty Youth have united Just Move On from their aforementioned second full-length with a cover of the Blondie classic Atomic, the Americans one of the imagined inspirations of the band listening to their music. Formed in 2007, the quintet grabbed attention by the neck with acclaimed debut album Red Light Fix, it and a rousing live presence which has only grown to this day with the band sharing stages with the likes of Korn, The Rasmus, Heaven’s Basements, Fozzy, InMe, and Reckless Love along the way and making potent appearances at festivals such as Download; there numerous times. Fair to say Gold Dust opened up a new strength of spotlight and support over the past few weeks with its thrilling stomp, success which the new single can only build upon and prompt again.

The Dirty Youth Cover Artwork_RingMaster Review   Just Move On moves in with a feisty nature and on a roll of rhythms from drummer Freddie Green, the sonic coaxing of guitarists Matt Bond and Luke Padfield no less a lure with their emerging cascade of riffs. Once in full view, the song settles into a robust stride lined by the throbbing bass bait of Leon Watkins, it all leading, once the superb vocals of Danni Monroe spring in, to a busy and eager roar of energy and sound. The rhythms continue to be as galvanic as the fiery delivery of Monroe, whilst sonically the track sizzles with infectious enterprise. The flowing flame of keys, also cast by Bond, only add to the warm and incendiary character and contagion of a song which alone is a powerful call to newcomers to check out The Dirty Youth further and indeed Gold Dust.

It is a brave move to cover a song like Atomic, it so well ingrained in the psyche and with a design that there is little you can do with without dissecting it down to its DNA. Nevertheless The Dirty Youth have taken it on and done a fine job. Admittedly they have simply given it their own voice rather than twist it to their own recipe, but it works well and provides a thoroughly enjoyable time.

If you have yet to join The Dirty Youth there are two very good reasons why you should via their new single, with Just Move On an especially compelling and inescapable argument.

Just Move On/Atomic is released November 13th via Transcend Music.

http://www.thedirtyyouth.com/ https://www.facebook.com/thedirtyyouth/   https://twitter.com/thedirtyyouth

Pete RingMaster 13/11/2015

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The Dirty Youth – Gold Dust

The Dirty Youth Promo

After the success of their highly acclaimed debut album Red Light Fix, The Dirty Youth have returned with a rousing stomp of a follow-up, a sophomore album to firmly establish the South Wales band as one of the dynamically refreshing and emotionally rousing bands on the British music scene. Gold Dust manages to be infectiously familiar and dramatically new simultaneously, with emphasis on the latter. It also offers a collection of angst and passion fuelled roars which impact and linger far beyond the length of the release itself. Its sound is a fiery blend of alternative/rock pop which plays like a mix of Paramore meets Fall Out Boy with healthy whispers of The Bambi Killers and My Chemical Romance. It is feisty, contagious, and sure to give the summer some irresistible anthems.

Formed in 2007, The Dirty Youth has seen an increasing arousal of support and praise since the release of their debut single Fight three years later. Already the band was earning strong and eager responses through their live presence, but the song which became an internet hit gaining over 3 million views on YouTube, was the catalyst to broader recognition. Debut album Red Light Fix which followed soon after, exploited and drove the awakening attention on in fine and persuasive style, earning potent acclaim across media and fans alike. Since then the band has toured with the likes of Korn, The Rasmus, Reckless Love, Heavens Basement, and this year Fozzy and InMe, as well as making successful appearances at the likes of Hyde Park alongside Bruce Springsteen, Getaway Rocks with Slash, and Motörhead, and Download last year.

The Dirty Youth - Gold Dust Cover Artwork   Now the band uncages their second album and Gold Dust takes little time to stir up attention and appetite with its presence. Opener I’m Not Listening To You is an instantly eager protagonist just as quickly capturing the imagination with a stabbing tirade of beats from drummer Freddie Green matched by raw strikes of guitar wrapped in expressive melodies courtesy of Matt Bond’s keys. Hitting a magnetic stride straight after, the song becomes an enticing web of riffs and melodies spread by the guitars of Luke Padfield and Bond and courted by the great throaty bass lures provided by Leon Watkins and the equally dramatic swings of Green. Within its first minute the song shows that predictability has no place in the music of The Dirty Youth, every moment adding new twists ensuring the verse chorus verse etc. passage is never the same second time around. Vocally Danni Monroe, also showing great diversity in her delivery, is a rich flame to the song, a focal point around which surrounding sounds lick to earn their rightful share of praise.

Alive comes next and similarly has ears and imagination enthralled with its vocally charged and impassioned croon. Encased in a cage of rhythmic agitation and a sweltering key bred atmosphere, the song has a more restrained embrace to its energy compared to the all-out stomp of the first, yet is just as creatively and emotionally tempestuous as keys, guitars and voice entangle to create a dramatic character.

Its successor Just Move On, explodes on a rolling temptation of again galvanic rhythms, expanding its bright and alluring adventure with a host of inescapable hooks and a melodic breeze of invigorating enterprise. Like the songs before it is a busy encounter in its own distinct way ensuring, as the album, every listen has a fresh feel to ears as more is discovered with the song’s depths.

The great electro fuzz opening to The One sets up the infectiousness of its revelry up perfectly, the song going on to dance with inescapable virulence across its lusty body as vocals and keys spin an insatiable weave of imagination backed by striking rhythmic and guitar endeavour. The track manages at times to be as predatory as it is vivaciously catchy, The Dirty Youth again showing from songwriting to presentation, no assumptions can be made as the track stalks ears with its attitude shaped invention.

Darkest Wedding opens with a darker almost gothic air to its presence, a theatrical essence reminding of MCR colliding enjoyably with the melodic and harmonic fire of the song, which in turn has a feel of Forever Still to it. Fair to say the track does not impact as potently as its predecessors on its first few showings but instead smoulders and almost burns away at thoughts to emerge as a rich tempting over time.

Both Invincible and Bury Me Next To Elvis have body and emotions fully involved, the first again maybe needing a few more listens to complete its persuasion compared to earlier songs, but with a rip-roaring essence to its rich melodic breezes and a potent drama to the keys matched by the ever tempting vocals of Monroe, the song only wins the day. The second of the two shows its thick seductive hand early before bursting into an exhilarating tango of thumping beats, seductive grooves, and enflamed melodies matched by the siren tones Monroe. The song is glorious, sheer intoxication.

The poppier enticing of Don’t Feel Right is just as endowed with rhythmic muscle and sparkling invention as anything on the album whilst the evocative roar of Who I Am provides a conflagrant wind of emotion and creative drama. Both only impress, but get outshone by the immersive depths and kicky exploits of Bedroom Karate, the song a huge bracing bluster with an intricate invention at its heart.

The closing reflective hug of Holding On has the album leaving on another energetically imposing and captivating high, its rugged balladry a final voracious kiss on ears and pleasure. As that song, Gold Dust is an illustrious and majestic offering as at ease getting its rock hands dirty as it is in powerfully seducing the listener. Certainly some tracks out-perform others but from start to finish album and The Dirty Youth leave a smile on lips and a spring in the step.

Gold Dust is available from May 11th @ http://www.thedirtyyouth.bigcartel.com/ and most online stores.

http://www.thedirtyyouth.com   https://www.facebook.com/thedirtyyouth

RingMaster 11/05/2015

Copyright RingMaster: MyFreeCopyright

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