Dick Venom & the Terrortones – SnakeOil for Snakes

Dick Venom_RingMaster Review

Eagerly awaited and as rascally salacious and creatively lecherous as hoped, SnakeOil for Snakes shows exactly why for a great many, Dick Venom & the Terrortones is THE essential British rock ‘n’ roll band. The band’s debut album is a web of flirtation and riot of rhythmic agitation bound up in vats of garage punk contagion posing as songs. It is manna for the insane and inspiration for the lascivious, but most of all, the album is punk ‘n’ roll to get a nation and continent romping.

Formed in 2010 by the inimitable Dick Venom, the Nottingham hailing band has left a fevered trail and reputation behind their live presence, an acclaim infected assault matched in plaudits by their increasingly impressive releases. Aside their own sweaty live stomps, the band has shared stages with the likes of The Meteors, The Rezillos, Bad For Lazarus, Demented Are Go, Lawnmower Deth, The Radiacs, Vince Ray & The Boneshakers, and Savage Messiah amongst a great many whilst first EP RockinRollin VampireMan set the trend for luring strong reactions and praise. Invasion Of The Spider Queen in 2013 only increased awareness and the band’s fan base, with last year’s EP The MonsterPussy Sessions nudging broader spotlights to match the band’s new step forward in sound. Yet another plateau of trash punk invention and pleasure has been breached by SnakeOil for Snakes, its crowd of dirty rock ‘n’ roll bred tracks the kind of thing addiction was invented for.

cover_RingMaster Review     With Wrex St.Clair, Dusty Vegas, and Stevie Vee alongside, Dick Venom is soon infesting ears with his distinctive and zealous tones, leaping forward from the choppy riff toothed entrance of Gun of a Tongue. The opener is soon into an eager stride, interrupting its jagged scenery with glam rock enterprise and sonic mischief. The Rezillos were mentioned earlier and there is an air of the Scottish band as the song bounds into the passions with its garage punk/rockabilly revelry.

I Can’t Find my BrainCell swiftly keeps attention and appetite engrossed and increasingly wanton for more straight after. As a thickly enticing bassline from St.Clair leads the virulence of the song, guitars spring tendrils of sonic temptation whilst beats roll along with a promiscuous tenacity. Venom as ever is a schizophrenic bundle of vocal imagination and rebelliousness, lauding over but only adding to the theatre of the track with his rousing energy, a success only repeated time and time again across SnakeOil for Snakes as shown quickly by TightPants (DoubleHeaded). Surf kissed strands of guitar spin their own irresistible weave as female vocals add a great snarl alongside Venom’s. The song despite its edge is more restrained than the previous pair of songs but just as fiercely catchy and impressive in its fifties rock hooks and tangy melodic imagination.

Three tracks in and it is fair to say that building from the potent inventive base of The MonsterPussy Sessions, the band has honed hooks to be more barbed and gripping with roars even more anthemic and rousing as ideas…well they are shaped by even greater ferocious imagination. Taken from that last EP, Dead Deadbeat Delinquent first time around was proof of a greater adventure being forged and even now, as an old well known friend, it holds the same rich enticement amongst just as devilishly imperious tracks. With bass and guitar bouncing around with slim yet inescapable addictive post/garage punk lures as the beats of Vegas rumble with the senses, the song is primal seduction; everything from toes to emotions quickly recruited and eagerly involved in its fresh psychosis of sound and maniacal enterprise.

Shimmering grooves from Vee welcome ears in next up FFFunny Kinda Luvin, the song’s winy nectar of temptation framed by more inciting rhythms and the measured vocal rowdiness of Venom. Bass and drums subsequently create a tribal enticing as sonic hues smoulder and grow into bedlamic invention around them, it all strung together by a prime hook which even in its absence within the proposal seems to weave rich magic on lustful emotions.

Dirty rock ‘n’ roll colours the walls of Last DumbDregs of Dragsvile after that, essences of The Stooges merging with something akin to The Spits feistily pleasing ears, whilst Go Fuck on the Sidewalk gets garage punk funky with its Cramps meets The Ghastly Ones tango. Both tracks thrill and lead to forceful hip swinging, especially the second of the pair before things get scuzzy with Do The Mash. Though not quite living up to its predecessors, certainly in swift convincing, the track soon boils with its fire of spicy guitar and robust rhythms courted by Venom at his most grouchy and gruff yet.

Taunting with an initial coaxing which surely is a distant relation to something the Knack might have conjured, No Good to get Up To thrills as it spills its intoxicating devilment next. Bluesy to the air, punk rock to the growl, the track prowls and stomps around with attitude and intimidation, igniting another wave of greed from the appetite along the way. It is success emulated by the gloriously lustful seduction of Planet of the HoneyFuzz. Imagine Sweet as Turbonegro and then bound in The Phenomenauts contagion and you have a hint of this unique Dick Venom & The Terrortones treat of an infestation.

   MyWay or the DryWay saunters in next, rhythmic taps a lead into a gorgeous creeping of noir woven creative theatre, whereas Crypt Tonight is a throbbing of garage rock ‘n’ roll which throughout its surf embraced rhythmic meander and melodic shimmering, is like a tongue led insatiable kiss on the senses and passions.

A final trespass of deeply biting and lingering hooks amidst compelling vocal and sonic imagination brings the album to a riveting close, Get Fucked Up Good a brilliant libidinal enticing and entrapment of ears and equally lusty reactions and a sensational end to an album exciting in all departments. Hopes were high and demanding because of The MonsterPussy Sessions, but now left looking lightweight by SnakeOil for Snakes. Dick Venom & the Terrortones are ready to be spoken in the same breath of the garage punk greats yet it is still easy to feel we have still only tapped into the first layer or two of their devious majesty.

SnakeOil for Snakes is out now via Jailhouse Morgue digitally and on 12” vinyl @ http://terrortones.bandcamp.com/

https://www.facebook.com/DickVenomandtheTerrortones  

http://www.dickvenom.com

Pete RingMaster 09/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Dick Venom & the Terrortones – The MonsterPussy Sessions

DV

Still fresh from infesting our psyche with 7” single Invasion Of The Spiderqueen, Britain’s warped rock deviants Dick Venom & The Terrortones return with the just as salaciously compelling The MonsterPussy Sessions. The new EP provides five tracks of juicy sex encrusted rock ‘n’ roll soaked in the inimitable flavouring distilled and increasingly spiced by the Nottingham quartet. It comes with a new breath of individuality too, a stronger uniqueness which twists the inspirations from the likes of The Cramps and The Stooges into a richer vein of their own distinctive carnal devilry; quite simply it is the band’s finest slice of dementia yet.

Since forming in 2010, the band has been drenching audiences in live sweat and juices across the UK, recruiting eager bodies to their mischievous stomp of psychobilly, garage rock, and old school rock ‘n’ roll. Sharing stages with the likes of The Meteors, Bad For Lazarus, Demented Are Go, The Radiacs, Vince Ray & The Boneshakers, and Vince Ripper (ex-Alien Sex Fiend) has left a lingering mark just as their own one of a kind shows and releases. The RockinRollin VampireMan EP was the first to play havoc with morals and bland music followed more recently by Invasion Of The Spiderqueen. Now with a line-up of Wrex St.Clair and Dusty Vegas alongside the frontman, the band unveils an even more potent case of rascality and mischief upon the imagination for equally increased rewards.

     Valley of the AlleyAlligator Girls sets things in motion with a blues kissed flame of guitar coaxing and swiftly joining enticing rhythms, each a sultry lure on their own whilst together a captivating bait ready for the magnetic vocal Dick Venom & the Terrortones – The MonsterPussy Sessions prowling of Dick Venom. There is an immediate swagger to the song that recruits an instant appetite for its striding temptation and sex tinged horror kissed lyrical narrative. There is the heated and commanding stroll which is to be expected from the band but also a thrilling fire of a solo and a rhythmic shakedown into the song pointing to a new breath to the songwriting and aural tempting of the band. It is a masterful feet recruiting and passion igniting start to the release which is straight away backed up by next up BellySlam City.

The second song boldly walks in with its own individual striding and ear provoking incitement. Beats pounce with an eager reserve whilst the guitar offers an almost stabbing enticement amidst the rolling bassline. It is a simple but potently persuasive romp with the warped colouring of the band oozing from every limb igniting twist and creative shrug of its old school shoulders. Like Gene Vincent meets Lux Interior with The Pirates serenading both with trash rock revelry, the track seems to bask in the lustful hunger shown for its raw charms before making way for the dark seductive spicery of Crypt Tonight. Bass and rhythms throw out a net of rock ‘n’ roll shadows with virulent hooks whilst Venom canters over its canvas with his pouncing syllables and lustful expression. Again a garage rock blues bred toxin plays pleasingly with senses and thoughts as the release shows more of the richer maturity and diablerie coursing through songs.

The delicious garage/surf rock tempting of Dead DeadBeat Delinquent teases and thrills ears next, its prime hook an irresistible breeding of addiction to which fire cast riffs and dangerously hypnotic rhythms prey. It is a glorious roar of punk ‘n’ roll driven deeper into the passions by Venom’s bracing roguishness. The best song to come out of the band, certainly recorded, the track leaves psyche pumped and energy aflame ready for the closing No Good To Get Up To. The track seemingly is driven by its predecessor too, it’s thumping beats and high kneed entrance an agitated enticement of contagion and hot creative juices which spill into washes of sizzling soul infused squalls. The impressive burn of a track brings one exceptional release to a mighty and mouth-watering close.

Though there can never be another to rival The Cramps, it has not only been us who have thought Dick Venom & the Terrortones had the potential to be the British equivalent in potency and influence of subsequent sounds and artists. There is a long way to go before the band reaches those heights but The MonsterPussy Sessions shows that the possibility could definitely be a reality if further great impressive steps are continued.

The MonsterPussy Sessions is available now digitally and as a ltd edition cassette on Jailhouse Morgue Records @ http://terrortones.bandcamp.com/

http://dickvenom.com/

9/10

RingMaster 04/07/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

Dick Venom & The Terrortones – Invasion Of The Spiderqueen / Planet Of The Honeyfuzz

DV

Everything about the new 7” three track single from UK psyche rock ‘n’ rollers Dick Venom & The Terrortones is irresistible. From the outstanding and deliciously alluring packaging right through to the insatiable and rapaciously mischievous sounds the release is an exhilarating riot of sex brewed blood lusting rock, a fusion of psychobilly, garage rock, and old school rock ‘n’ roll which recruits every atom and emotion possible into its carnal devilry.

    Dick Venom and co first grabbed our attention with The RockinRollin VampireMan EP last year, the release consisting of a trio of wantonness clad songs reinforcing the strong reputation and presence of the band which had been earned through three years of live show revelry, their appearances capturing the primal needs of a fervour fuelled fan base. As well as their own headlining gigs the band has toured the UK with the likes of The Meteors, Bad For Lazarus, Demented Are Go, The Radiacs, Vince Ray & The Boneshakers, and Vince Ripper (ex-Alien Sex Fiend), continuing to increase their fingerprint of mischief on UK rock. The new release sees the line-up of frontman Dick Venom, bassist Wrex St.Clair, guitarist Hurricane Valley, and drummer Sugarbeats opening doors to even more potent rascality with creative and body fluids heating up the band’s unique depravity under the mask of sci-fi schlock ’n’ roll.

    Invasion Of The Spiderqueen opens up the release with a swagger of off kilter harmonies which herald in the arrival of the man before spiderqueen_coverbass and guitars unlock the key of greater pleasure with eager and raw caresses. Soon joined by the distinctive tones of Mr Venom, his colour soaked narrative of outer space glamour seizing greedy attention, the track swaggers with pungent riffs and rolling rhythms taking the senses and thoughts on a heady ride. Tight hooks spear the passions throughout, their breath familiar yet fresh, whilst the core groove is the master of addiction aided by the throaty bass and continually riveting delivery of Venom. Holding an air of The Cramps and Screaming Lord Sutch to its voice and Batmobile to its sound, the song is a thrilling encounter to start things off, thoughts and imagination taking off their space helmets to stand side by side with the band on a strange temptress of an adventure.

The following Planet Of The Honeyfuzz strolls up to the ear with the bass laying down its deep toned lure as twisting twine of sonic guitar wrap acidically around the brewing picture. A psychedelic whisper and garage rock taunt brings vibrant hues to the emerging episode, celestial bodies again explored and provoked as band and song flex their riveting enterprise and instinctive misbehaviour. As the track fingers the passions and musical potency with a kind of Revillos meets The Ramones and The Doors like trickery and Slade like rowdiness, full submission to the release is cemented though there was never any chance of another outcome from the first few minutes of the opener.

The release is completed by Doodlebug Blitz, a tempered dance of psychotic joy which stomps around with an ever increasing melodic and rhythmic chicanery. The track holds its rabidity and energy in for the main of the song, its reins tight on the openly vampish heart of song and band though at times allowing it moments to send luscious weaves of trashy irreverence into the aroused passions.

With the single wrapped in the stunning artwork of Catherine O’Connor, and the enclosed 8 page comic book, quite simply Dick Venom & The Terrortones has never sounded so good. The loud suggestion that the band was one to help shape the future of UK psychotic rock was already in play from their earlier release but now Invasion Of The Spiderqueen/ Planet Of The Honeyfuzz declares the band as not only certainties but also without competition the twisted sex laded psychos all your mothers warned you of.

 Invasion Of The Spiderqueen /Planet Of The Honeyfuzz is released on Sept 9th

www.dickvenom.com

https://www.facebook.com/DickVenomandtheTerrortones

9/10

RingMaster 23/08/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

 

Dick Venom & The Terrortones – Rockin Rollin Vampire Man

With a warm smouldering glow deep inside the new EP from Dick Venom & The Terrortones is placed in the slot and the play button pushed by an eager excited finger. It has been a long long time since a psychobilly release has passed this way, a form of music that brings tingles that most genres can only aspire to at The Ringmaster Review. But can this UK quartet fulfil this anticipation or disappoint to bring an anti-climax?

The Rockin Rollin Vampire Man EP is a gem, from the moment the first track flexes its sweat soaked mischievous pecs the release courts and seduces the senses with honest graveyard rock ‘n’ roll.  Actually the press release calls this a double A-side single of ‘Rockin Rollin Vampire Man’/ ‘Sticky Pants Trance’ but with a third track included too I am sure they will excuse us calling it an EP.

Consisting of Dick Venom, Vicky Twist, Sugar Beats, and Wrex St Clair the band have a insatiable garage/rockabilly/psychobilly sound evolved through a nasty flesh violated union between the likes of The Cramps, Heartbreakers, Reverend Horton Heat and Demented Are Go. It is a glorious tease upon the senses and an instinctive instigator of the body’s rhythms, essential rock ‘n’ roll. The quartet has sucked energy and blood from audiences all over the UK sharing stages with the likes of The Meteors, The Radiacs, and Vince Ray & The Boneshakers and this EP instantly nurtures the need and want to catch the band live as for all the excitement generated on the release you just know they on stage is a totally different experience.

Sticky Pants Trance’ ~(we’ve all been there right?) opens up proceedings with a Cramps spawned garage punk energised sound and pulse racing rockabilly urgency. You can add a touch of early Birthday Party and Meteors to this but for all the comparisons and references that openly ooze the finished sound s are all Dick Venom & The Terrortones. The guitars chop greedily across the senses as the bass throbs like a wanton beast on heat whilst Venom spits and writhes with words as he thrusts the messy fun filled lyrics forth.  The rest of the release could be crap and it would not matter thanks to this excellent opener.

Of course the remaining tracks only get better. ‘Rockin Rollin Vampire Man’ is the best track on the EP, irresistible and hypnotic. With a wonderful lustful and inviting drum beat alongside a grumbling bass the song  hooks its seductive nails in firmly. This opening reminds one remarkably closely of a Zanti Misfits song ‘Kidz Songs’ (look it up) from the 80’s and it is hard to think of a better beginning to a song.  The track also carries the dark energy of 80’s band Bone Orchard and sweeps one up in its pulsating scrawny arms in a blood fuelled dance.  The track is psychobilly majesty that will bring deep smiles and longing desire from all fans of the genre.

Dirty Heartbreakers flavoured rock’ n’ roll lines the final track ‘Lilly & The Killers’, its beginning coming with a spice reminding of ‘Chinese Rocks’. As always Venom conjures a tale with his words inspiring crypt borne imagery and dangerous romance. Brief, straightforward, and direct the song is the perfect closure for a stunning release. I tried to find fault somewhere but it is impossible. Yes music like this finds a relatively narrow market, its delights and death drawn mischief a mystery and confusion for many but if you have tasted the wells of rockabilly and psychobilly and grown appreciative fangs then Dick Venom & The Terrortones will soon be an addition to your favourites folder.

Rockin Rollin Vampire Man and the decayed treasures within are simply manna from the cemetery and the cause of impatient anticipation for much more from the band. UK psychobilly is in safe hands, we can all rest in peace for that.
https://www.facebook.com/DickVenomandtheTerrortones

RingMaster 26/01/2012

MyFreeCopyright.com Registered & Protected

Dick Venom & The Terrortones – Sticky Pants Trance

Photobucket

The best and easiest way to get your music on iTunes, Amazon and lots more. Click below for details.