Chasing Dragons – Faction

There is no doubt there has been plenty of eager anticipation for the debut album from British rockers Chasing Dragons, especially since the release of their last EP, Faction: Prologue, a couple years back. It was a kind of teaser for the band’s first full-length, unsurprisingly called Faction, which built on their earlier offerings and successes whilst peering into a whole new landscape of sound and imagination, indeed intimation now fully explored and expanded within the new encounter where we would suggest, the Chasing Dragons sound has come of age.

The time since the last EP has also seen the Leeds outfit truly establish themselves on the UK live scene with a big reputation to match, Chasing Dragons sharing tours and stages with the likes of Stone Broken, The Qemists, Skid Row, SikTh, InMe, Diamond Head, Aaron Buchanan and The Cult Classics, Courage My Love, Skarlett Riot, Theia and many more. Featuring nine new songs along with re-recorded versions of the three tracks from the Faction: Prologue EP, the album swiftly ignites attention and imagination with opener Factionless. Part intro part full intimation, the track stretches up from its initial arousal on the ever striking tones of vocalist Tank. Like a flame within unsettled atmospherics, her potent presence is a rich lure and spark for the outstanding piece’s subsequent shadow bound predacious stroll. Portentous yet virally inviting, the track masterfully erupts before making way for the melodically inflamed How The World Went Black. Guitarist Adam quickly spins a web of metallic temptation woven with melodic rock enterprise whilst the track bites through the determined beats of Katie, they courted by the dark rumble from Murf’s bass. Progressive hues emerge as the song evolves, technical craft lining its invention as all the while Tank radiates with her powerful and impressive delivery.

Amongst the band’s influences stand artists such as Halestorm, Avenged Sevenfold, and Bullet For My Valentine, all open spices to the band’s individual recipe as proven again by the melodically vociferous roar that is Parasite and the dramatic exploits of Like Gravity. The latter is a tempest of textures and flavours carrying a volatility which accentuates its warmth and elegance rather than devours them. As many tracks, it is a proposition which grows by the minute through new twists and avenues, all unpredictable and each an imaginative turn along the track’s magnetic journey.

 Through the equally tense Bareknuckle Lover, the mercurial attack of the track as alluring as it is resourceful, and the lively emotive roar of For Kingdom For Glory, Chasing Dragons continue to add fresh adventure to their release. The second of the two in some ways promises more than it delivers, certain inventive moments not exploited as much as personal tastes wished yet is still a gripping snare of sound.

The calmer climate and croon of This Time Is Ours allowed a breath as it simply enthralled though it too has a sprightly nature which eventually catches fire with Adam casting another striking blaze veined with mazy temptation before the riveting Devil In Her Eyes wound eager attention around its tantalisingly creative fingers and in turn The Connection takes ears on a saunter through gothic lined shadows and emotionally suggestive caresses before subsequently erupting into a furnace of muscular sonic theatre. The second of the trio is especially irresistible, every moment a clever thread into the next unexpected and virulent turn of the song though then pretty much matched in glory by its successor.

As the classic seeds of the similarly impressing I’m No Devil (I’m Just A Girl) catch fire within its metal/heavy rock drama and Whitehorse teases and fascinates, the album continues to reveal new aspects in sound and craft; the latter’s haunting opening passage an especially mouth-watering incitement for ears and imagination which hints at new corners and corridors for the band to explore ahead.

We Are The Wall concludes the release, the track a ravenous onslaught of sound and intent driven by rapacious rhythms and coloured by wiry grooves and rich melodies as Tank for a final time powerfully incites thoughts as she potently roars.

It is a fine end to an equally ear-catching album which as suggested declares Chasing Dragons at a new level in songwriting, sound, and performance, a plateau teasy to suspect the metal/rock world will be unable to ignore.

Faction is available now across most online stores.

Chasing Dragons November 2018 Faction Headline Tour

 2nd – Manchester – Satan’s Hollow – support Ward XVI, Soul Desire, Fear Me December

3rd – Croydon – Croydon Rocks Fest

4th – Southampton – Joiners – support Novacrow + TBC

6th – Norwich – Brickmakers  – support The Killing Culture + TBC

7th – Birmingham – Hammer & Anvil – support Novacrow + TBC

8th – Nuneaton – Queens Hall – support Novacrow + Simai + Fleer

9th – Stamford – Mama Liz’s – support Synthetic + Black Hawk Down

10th – Wakefield – Black Mass – support Novacrow + The Sourheads + Seas Of Scarlet

https://www.chasingdragons.co.uk/   https://www.facebook.com/chasingdragonsuk/   https://twitter.com/xchasingdragons

Pete RingMaster 18/10/2018

Copyright RingMaster: MyFreeCopyright

Seething Akira – Sleepy Skeletor

Since emerging back in 2011 within the sea faring surroundings of Portsmouth, British crossover outfit Seething Akira has been teasing away at rich attention with increasing success. We suggest though that it has been a mere nagging compared to the hunger the band can and should expect with the release of debut album Sleepy Skeletor. It is a web of alternative metal and electro rock imagination with plenty more to entice and ensnare. It is a sleepless affair rousing body and spirit which even in its calmer moments has the body bouncing and imagination feasting.

Created by Charlie Bowes (songwriter/keyboardist/vocalist) and Kit Conrad (lead vocalist), the band has leap from local success to national recognition through their sounds and a dynamic live presence which over the years has seen them shares stages with the likes of Skindred, The Qemists, Hacktivist, Senser, Don Broco, and Pop Will Eat Itself as well as play Bloodstock Festival, Victorious Festival, Breakout Festival, Mammothfest amongst others. This year the band was chosen as one of five upcoming bands, alongside, Saint Apache, Damn Dice, The Rocket Dolls and The Sixpounder, to support Pitchshifter on their first UK tour in ten years. The Incoming Transmission EP of 2012 was when our fascination with Seething Akira began, it becoming so much keener as for so many others through their acclaimed 2015 single Airstrike, a song frequently eclipsed and more than matched by the offerings within Sleepy Skeletor.

Walking a fine balance between alternative metal, industrial rock, and electro punk; never fully committing to any but always entangling the richest traits of all and more, Sleepy Skeletor opens properly with The Monster from Brussels. Instantly the synths of Bowes provide an infectious pulse, the guitar of Harvey Ware swiftly adding its lure before the rest of the band jump in with fevered energy to create a Senser like confrontation. Thick and imposing, it is a captivating wall of temptation creating a grooved stroll alongside a Beastie Boys inspired vocal arousal rather easy to become addicted to, its tenacity interrupted by melodic washes of intimation and seduction.

It is an outstanding start quickly matched by recent single Matching Poles of Magnets. With steelier textures to its electro metal predation, bands like Axis Mundi and Silent Descent coming to mind, the track twists and turns with instinctive and rapacious adventure before Half Empty brings a warm calm to the senses. Immediately vocals echo this mellow breath with their melodic unity but equally a rising discontent in the heart of the song brews as things become more intense and irritable. It never reaches an aggressive state though, revolving through melancholic elegance and emotive exposure as a weave of rich enterprise wraps vocal reflection.

I Am The Devil, another single released earlier this year follows, instantly infests ears with its electro metal rumble and a hook which needs meres seconds to have us lustfully wanting more. Something akin to G.R.I.M meets dirt encrusted Pop Will Eat with the rousing catchiness of Hadouken, the track throbs and snarls as the rhythmic prowess and incitement of bassist Richard Ellis Speaight and drummer Stu Radcliffe manipulate.

Featuring Olly Simmons from Brighton band The Qemists, Backlash is next up and similarly merges heavy almost dissonant attitude and sound with electronic trespass as it prowls the senses. It is a predacious edge which never dissipates across the track’s mercurial but persistently invasive landscape. Another of the songs released prior to the album as a single in 2018 ensuring its anticipation was heightened; the absorbing encounter passes over attention to the outstanding Pack Animals. It too has a whiff of Senser to its emotionally and lyrically charged incitement; synth and guitar weaving an intimation of intrigue and danger around the threat of the rhythms as once again vocals irrepressible entice.

The character of successor Paralysed is similarly natured and conjured but swiftly evolving into a melodic croon and seduction which inspired even greater participation before the cycle repeats with greater volatility but equally greater elegance in its respective moments.

The album ends with firstly Even Angels Break Hearts which sees Dani Uziel guesting and finally Disconnect. The first of the two is a fluid blend of sonic antagonism and melodic beauty with Uziel’s tones simply beguiling, she almost like a siren luring ears into Conrad’s feral attack and the song’s tempestuous depths. The second provides three and a half minutes of electro punk metal thick in attitude and malcontent but equally rich in rousing energy and adventurous imagination.

Major attention upon Seething Akira has been a little overdue to our mind; Sleepy Skeletor should remedy that, arousing a whole new tide of fans to their insatiably and dramatically potent sound.

Sleepy Skeletor is out now; available on all major streaming platforms.

Upcoming shows:

Sleepy Skele-tour:

July 6th – Anvil, Bournemouth (Album release show)

July 7th – The 27 Club, Liverpool

July 8th – Mulberry Tavern, Sheffield

July 9th – Satan’s Hollow, Manchester

July 10th – The Underground, Plymouth

July 11th – Fat Lil’s Bar, Witney

July 12th – The Unicorn, Camden

July 13th – The Junction, Ashford

July 14th – The Sussex Arms, Tunbridge Wells

July 15th – The Joiners, Southampton

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August 25th – Electrowerkz London supporting CUBANATE

August 26th – BYLINE FESTIVAL, Pippingford Park, Ashdown Forest with Pussy Riot, Badly Drawn Boy, The Vapors, The Blow Monkeys, John Cleese, Hugh Grant, Alexie Sayle…

November 19th – Wedgewood Rooms, Portsmouth supporting PITCHSHIFTER

http://www.seethingakira.com/   https://www.facebook.com/seethingakira   https://twitter.com/SEETHINGAKIRA

Pete RingMaster 03/07/2018

Copyright RingMaster: MyFreeCopyright