Finding Kate – If I Fall

finding-kate-promo-shot_RingMasterReview

With eager praise surrounding debut EP Inside Out, British melodic rockers Finding Kate are now pushing for wider recognition with their first album and fair to say that If I Fall is twelve tracks of melancholy soaked and emotionally powerful rock which just demands attention.

The brainchild and creative outlet of alt-rock vocalist/lyricist Kate Pavli, her London hailing project has earned a potent reputation for its live presence to match that earned by that first EP. Linking up with pianist Chris Charalambides who wrote all the music for the album and a host of additional contributors to If I Fall, Kate is ready to tap into bigger spotlights with a release which ripples with skilful songwriting and strongly enterprising sounds.

Influences listed include Deftones, Flyleaf, Avril Lavigne, Karnivool, The Pretty Reckless, and Evanescence and there is no escaping a comparison to certainly the latter for the Finding Kate sound though you can add Forever Still like essences also helping shape the band’s potent first full-length. If I Fall opens up with the swiftly impressive Drowning, a track soon luring ears and appetite into its imaginative landscape. Little time is needed either to embrace the emotional fuelled voice of Kate, her presence and qualities catching eager attention  within seconds of her opening melodic cries. As often common to the album’s character, the song is a fiery simmering of intensity, an emotional cauldron which ignites from time to time but seduces rather than blazes within ears as guitars and keys especially echo the drama of Kate’s vocals.

White Lies follows the strong start, opening up with a rhythmically feistier coaxing which shapes its subsequent infectious character and energy. As with the first, there is something familiar about the song drawing those comparisons earlier mentioned yet both tracks develop a personality of sound and invention built on the potential of uniqueness.

finding-kate-cover-artwork_RingMasterReviewNew single, Forever is next, its sombre breath and emotional intimacy bred from the alluring voice of Kate and the plaintively shadowed melodies of Chris’ piano alone; their potency backed by the expansive suggestiveness of guitars and strings as rhythms court a darker climate. It is equally a template behind the emotive theatre of next up Don’t Let Go which is taken to even more intimate depths as Kate’s voice flames across another enticing tapestry of flavours and textures. As strong as its predecessor was, the track easily eclipses it.

Both Get Over You and Inside Out leave ears richly satisfied, the first creating another fiery landscape of sound and heart felt declaration matched by the second in its imagination seducing web of sounds and invention. Strings again add a sublime texture and presence to both songs, especially the former while its successor enthrals through that unpredictable and mouth-watering array of invention. It makes a great claim for best song honours within the album though quickly rivalled by Did It Again with its cinematic stringed beauty and the melancholic union of keys and voice.

Through the album’s dynamic yet tender title track and the magnetically sorrowful yet hope lit I’ll Save You, band and release only cement their hold on attention while Semper Fi explores arguably the album’s most adventurous creative scenery in its impassioned roar. It is fair to say there is a bit of a surface similarity which wraps many of the songs within If I Fall, though digging deeper frequently reveals a kaleidoscope of real individual imagination, but this track is an openly unique proposal to stir ears and enjoyment.

The dark vocal/piano romance building It’s Over captivates from its first breath and note straight after; a beguiling ballad hard to be anything but taken with before Gone brings the album to a fine and memorable close with its emotion soaked roar which pleasures with ease.

If I Fall shows that Finding Kate may have yet to find a truly distinct voice in their sound but the potential is a loud promise within their first album and its enjoyment rather easy to find.

If You Fall is released November 18th with pre-orders now taken @ https://findingkate.bandcamp.com/releases

http://www.findingkatemusic.com/    https://www.facebook.com/FindingKate    https://twitter.com/FindingKate_

Pete RingMaster 16/11/2016

Copyright RingMaster: MyFreeCopyright

Adelitas Way – Getaway

AW_RingMasterReview

Adelitas Way has persistently shown themselves capable of writing and creating anthemic roars that instinctively ignite the spirit and adrenaline. From their self-titled debut album and tracks like Invincible, the US band has early on uncaged impassioned and dynamically persuasive proposals. With new album Getaway though, they have hit a new peak. From start to finish, it is a conveyor belt of rousing proposals, as sturdy and aggressive as they are melodically contagious. It is probably fair to say that the Adelitas Way sound has never been one close to re-inventing the wheel, but they and certainly these ears have no issue when body and spirit is relentlessly given a shot of the band’s fresh and anthemic virulence.

Getaway is the fourth album from the 2006 band, and as suggested another in a line of highly persuasive and captivating releases. Whether they have hit the personal sweet spot or not, all have gone to establish the Las Vegas quartet as one eagerly devoured proposition on record and indeed live where they have shared stages with the likes of Guns N’ Roses, Shinedown, Creed, Alter Bridge, Three Days Grace, Chevelle, Theory of a Deadman, Breaking Benjamin, The Pretty Reckless, Godsmack, Staind, Flyleaf and many more.

The successor to Stuck of 2013, the Johnny K (Disturbed, Staind) produced Getaway sees the foursome of Rick DeJesus, Tre Stafford, Robert Zakaryan, and Andrew Cushing in no mood to hold back on their emotive intensity and sonic dexterity. The evidence is immediate as the band’s new single Bad Reputation, and first taken from the album, launches at ears with infectious bait. Choppy riffs and similarly tempting rhythms immediately press suggestively upon the senses as the always welcome tones of vocalist DeJesus step forward. Inspired by his own feelings about a reputation he has earned over the past few years, his reflections come entangled in a web of spicy melodies and snapping hooks within a climate of sound which builds small but effective crescendos of energy and intensity.

COVER_RingMasterReviewIt is a great start which barely waivers over the next stretch of songs starting with the album’s title track. The band’s hard rock bred sound is in feisty mood from its first breath, almost irritable in its sonic jangle backed by attitude lined rhythms. Increasingly fiery yet equally catchy, especially around its sizzling chorus, the track has feet and emotions quickly involved and in time exhausted, though they get a chance to relax with the sultry smoulder of Good Die Young. The fiercely energetic tracks always emerge as personal favourites across an Adelitas Way encounter but as proven here, the band is very accomplished at creating emotively and sonically incisive balladry. Expectantly it does come with a raw edge and dramatic intensity which only helps it make a potent impact as enjoyment flies high.

Low brings a great grouchiness to its riffs and nature next, guitars almost carnivorous in tone as a Sick Puppies like flame of melodic and harmonic energy emerges from within the song’s growl. As many tracks, ears feel like they are meeting up with an old friend, being enveloped in a recognisable infectiousness which adds colour to the band’s blaze of heavily pleasing and fresh enterprise. By the end of the first minute, vocal participation is inevitable, a temptation most tracks are equipped with as shown by the volatile roar of Put You in Place with its web of spidery steely grooves and the mercilessly contagious I Get Around. A resonating bassline invitingly groans from the heart of the second of the pair, its dark hues a gripping tempering and spark to the tempestuous and boisterous roar around it. Not alone in showering the senses in serious infectiousness, the song epitomises the power, attitude, and rousing ferocity of the band’s sound, and equally its rock pop prowess.

Across the tenaciously excitable Filthy Heart with its blues spiced sonic winery and the mellower coaxing of Harbor the Fugitive, band and album, maybe without matching earlier heights, has ears and firmly attentive whilst Sometimes You’re Meant to Get Used really stirs things up again with its tantalising blend of rapaciously snarling textures and melodic revelry bound in emphatically infectious imagination.

The album concludes with firstly the blues rock flavoured Shame, an enticing flame of enterprise which again might not create the same lustful reactions as others but with a whiff of Bowie-esque toning to parts of the vocals, only holds attention firm before Deserve This twists and turns with robust rhythms and crunchy riffery leading its fractious yet anthemically layered tapestry of striking sound and endeavour.

It is a fine end to a thoroughly enjoyable release where major surprises are low but invigorating rock ‘n’ roll is nonstop incitement. Getaway is the most rounded and fertile release from Adelitas Way, and for us, the most fiercely enjoyable so far.

Getaway is out now via most online stores and @ http://adelitaswayshop.bigcartel.com/category/cd

https://www.facebook.com/adelitasway   https://twitter.com/adelitasway

Pete RingMaster 07/03/2016

Copyright RingMaster: MyFreeCopyright

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Avastera:The Clocks Have Ticked Too Long

avastera

On the eve of making a big splash across the globe with the release of their debut The Clocks Have Ticked Too Long EP, to emulate its success in homeland Australian earlier in the year, Avastera is set to be a noisy whisper of the lips of a great many. This is a band which defies pigeon holing such the eclectic flavours and styles veining the exciting sounds created within striking and compelling songs. The music is not arguably unique, the spices making up the aural recipes openly familiar but no one else is brewing up the same kind of stirring encounters as the band.

Starting out in the early weeks of this year, the Perth quintet has made a major impression in a very short time. From recording and releasing the EP to great acclaim and success in Australian a few months back, the band has shared stages with the likes of Silverstein and The Getaway Plan whilst lighting up a festival as a chosen headline act alongside Mayday Parade, The Pretty Reckless, The Wonder Years, A Skylit Drive, The Maine, Forever The Sickest Kids and Marinas Trench. Press attention has also been keen and led to the band featuring on cover CDs for Blunt and Big Cheese magazines. Produced by Paul Leavitt (All Time Low, Yellowcard, The Dangerous Summer). The Clocks Have Ticked Too Long is set to grab the world by the scruff of the neck and make a very persuasive argument for the band, as though as stated it may not be the most ground breaking or even original release it is without doubt one which is very enjoyable.

Avastera cleverly and seamlessly infuse strong essences of alternative rock, melodic post-hardcore, and metal into a pop punk core avastera_coverleading to engaging and appealing songs with plenty of passion, energy, and invention. The music is certainly distinct to the band if at times familiar from the multi-flavoured essences employed but without question the EP is a continually intriguing and pleasing encounter right through to its very end from the opening treat Hear Me Out. The track alone tells you all you need to know about the band and their imaginative intent. The song is an immediate compulsive encounter of forceful rhythms and pop punk urgency completed by sturdy riffs and angular sonic guitar invention which offers an Avenged Sevenfold like heat to the melodic coaxing. The guitar work of Chris Crole and Chris Hanssen is exceptional whilst the rhythms of bassist Dave Thoomes and drummer Jamie Savage are unrelenting in strength and inventive composure. It is clear to hear that the band has a musicianship equalling their imagination which undoubtedly allows the songs to fuse so many potent flavours into an immense creation of their own, with vocalist Mike Lang the striking and impressive pinnacle to spear the songs forth.

It is a mighty start followed up just as strongly by As The Tables Turn and December Sun. The first of the two is veined by wonderful bright keys amongst the muscular riffs and thumping rhythms to start the diversity which marks the release. With extra metalcore tendencies and symphonic caresses to captivate, the track is magnificent and the best on the release. As it plays one band comes to mind, The Urgency though they do not arguably have the same palate of sound which Avastera work from or the Atreyu like muscle which the Australians also infuse. The second is a slower emotive wash of passion and thoughtful ambition further unveiling the expanse to the sound of the band.

Next up This Beautiful Nightmare continues the dynamic start though the song is a close mix of the previous two songs without finding their heights, but with the persistently skilled guitar enterprise and perpetually evolving landscape of the song it is a more than welcome companion. As the song and the following pair dance with the ear and thoughts the feeling that the band will soon emerge with a unique guitar sound, like the aforementioned Avenged Sevenfold has, is rife such the distinct style of the band. Highways From Home is another to match the earlier songs and an energetic partner to the senses which one would assume is a crowd favourite whilst Ms. Conception is another to engage fully without lighting the same fires as elsewhere. All the tracks reveal a band which is as powerful in sound as it is in constructing the canvasses their play works with, the songs unmistakably finely crafted and composed. Add the accomplished artistry of each member and you have a release which only catches the imagination.

Completed by a fine acoustic version of December Sun, one can only recommend The Clocks Have Ticked Too Long and Avastera to all melodic rock fans especially those of groups previously mentioned and others like All Time Low, Mayday Parade, and A Day To Remember. The Aussies are coming feel free to enjoy.

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RingMaster 01/12/2012

Copyright RingMaster: MyFreeCopyright