Indigo Sixteen – Bring on the Rain

Not having previously come across their previous trio of singles, their new track Bring on the Rain is our long overdue introduction to Indigo Sixteen. It is a compelling jangle of indie/punk devilry from a band looking ready to step into the long line of unique and compelling Scottish propositions of decades past.

Creating a sound which by design or chance embraces the essences of classic bands like Scars and Josef K as well as British outfits like The Libertines and Skellums, Edinburgh hailing Indigo Sixteen emerged in 2013. Leaning on inspirations ranging from Kasabian, The Smiths, and Joy Division to The Jam, Daft Punk, Kraftwerk, and Nirvana, Indigo Sixteen previously released the singles Decide (2014), And What? (2014/15), and Come and Go (2016). Now it is Bring on the Rain ready to stir greater attention the way of the quartet and as it plays in the ears it is hard to imagine it not rousing up a host of new fans.

The vocals of guitarist Stephen Mallin pull the song into view, the equally alluring creative clamour of fellow guitarist Matt McPherson adding its melodic jangle to his and the rhythmic shuffle of drummer Callum Davidson and bassist Andrew Stears. Carrying an energetic and virulent swing to its gait and spirited tenacity to its character and enterprise, the song reveals its punk and indie sides with zeal, merging them into a proposition maybe not yet truly distinct but as gripping and exciting as you could wish for.

Those earlier suggested flavours swiftly come to mind in the song to add to its appeal and a quickly bred anticipation for the next band’s next steps.

Bring on the Rain is out now.

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Pete RingMaster 21/11/2017

Copyright RingMaster: MyFreeCopyright

Mosley Bar – Royalties

Following up their well-received debut EP, Another Record Sleeve, which sparked strong attention the way of the band and airplay from the likes of BBC 6 Music BBC Introducing, Mosley Bar uncage successor Royalities this month to show that the potency of the first was no flash in the pan. Offering four tracks with a fine line in instinctive catchiness and enterprise, the EP reinforces the British North West hailing quartet’s potential of making a real impression on the UK rock scene.

Formed in 2015, Mosley Bar draw on the inspiration of bands such as Arctic Monkeys, The Libertines, Catfish and the Bottlemen, Two Door Cinema Club, and Circa Waves in a sound which has a certain familiarity to it but equally a freshness of youth and imagination. Certainly the first pair of artists in that selection of influences comes to mind easily with the band’s sound but infests without disguising the potential of bolder adventures ahead; a promise which is richer and already more imaginative in their new offering against the strong showing within Another Record Sleeve.

Royalties opens up with a song which has already lured praise carrying attention, Two Apart quickly enticing ears with its initial guitar jangle around the distinctive tones of vocalist/guitarist Ryan Ward. In no time, the swinging lure of Tim Williams’s bass and the melodic enticement of guitarist Adam Eccleston add to the song’s blossoming, the lively beats of Matthew Wright driving things with spirit. It is easy to see why the infectious exploits and dynamic prowess of the track has drawn keen plaudits, its boisterous exploits and web of melodic and sonic enterprise an accomplished and riveting proposal lined by that enjoyable Arctic Monkeys spicing.

With increasing drama and emotive intensity roaring through ears, the excellent opener makes way for the similarly instinctively catchy Wide Awake. Its own line in hooks and flirtatious industry is even swifter in persuasion than that of its virulent predecessor, Eccleston and Wards’ guitars infesting feet and hips as the latter continues to bring his magnetic voice to the rousing mix. For us, the track simply outshines the first and pretty much anything from the band to date; its body boisterous and character a fine blend of recognisable and new essences colluding in one irresistible incitement.

The punchy stroll of next up Philip is aligned to a melodic shimmer and psych pop flavouring, contrasting textures which unite with evocative imagination around the hearty stomp of a song erupting with persuasive zeal. It is another frisky and buoyant landscape of sound which grows listen by listen into a rousing temptation; a growing temptation also emulated in Chasing which brings things to a fine close. The slow burner of the bunch, though its breezy energy and playful nature is a quick success on ears and appetite, the song simmers and shines with increasing potency to provide another highly enjoyable outing with Mosley Bar.

Listening to Royalities, it feels like now is the time for Mosley Bar to add bolder, more unpredictable elements to their music. Their new release does have a whiff of that evolution to be fair and added to the band’s natural weaving of infectious music around insightful words, there is no reason that the journey ahead for band and fan will not be eventful and thoroughly enjoyable.

Royalties is out now across  most online stores.

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Pete RingMaster 16/05/2017

Copyright RingMaster: MyFreeCopyright

HANKKS – Love Shy

Hankks pic 1_RingMasterReview

Offering another flavoursome romp to the summer’s soundtrack, British alternative indie rockers HANKKS release new single Love Shy. With the raw clang of a melodic Birdland and a flame of infectious pop n’ roll lying somewhere between Asylums and The Libertines, the track quickly establishes its own character of sound and temptation to alone reveal why the buzz brewing up around the Birmingham quartet.

Formed in the April of 2015, with a name apparently chosen through an admiration of actor Tom Hanks, the band quickly earned a potent reputation for their live presence around their home city. Consisting of Ben James, Jacob Evitts, and brothers James and Harry Davison, the foursome released their well-received debut EP, Wilson, this past March. Backing it up with another surge of live shows, acclaim and radio support courted both shows and release, with stronger recognition of the band’s magnetic sound openly rising; success sure to blossom again with the release of Love Shy.

Taken from their first EP, the single has ears tingling with an initial flame of guitar jangle quickly courted by jabbing beats. As its body swiftly expands, harmonic calls surround the excellent dual vocal attack, their tempting matched in persuasion and adventure by the web of melodic enterprise escaping the guitars and the moodier bassline prowling the contagious stomp.

There is an eighties meets nineties indie pop scenting to the track but equally a fiery and excellently unpolished anarchic edge boiled in modern invention. Together, with the open craft and imagination of the band, it makes for a rebellious feel good slice of pop ‘n’ roll which simply rouses ears and spirit alike.

Love Shy is accompanied by an excellent video @ https://www.youtube.com/watch?v=h21X4kfwfhA

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Pete Ringmaster 08/07/2016

Copyright RingMaster: MyFreeCopyright

The Slumdogs – Lost and Found

TS_RingMasterReview

Formed in the September of 2015, British alternative/indie rock band The Slumdogs is looking like making their first full year together a potently successful one. Hailing from Blackpool, the band has already spread its presence and eager fan base into the likes of Liverpool and Manchester; luring ears further afield too through their first tour of England, a thirteen adventure last December. It is fair to say that the quartet hit the floor running and have only intensified their nudge on broader awareness through shows and the recent release of debut single Lost and Found.

front-cover-single_RingMasterReviewReleased through Shropshire based label Hartfield Records, Lost and Found is a swift arousal of ears and imagination. From a gentle guitar caress it blossoms into a lively stroll shaped by spicy melodies, energetic rhythms, and eager vocals. There is no escaping an Arctic Monkeys meets The Libertines air to the track, a rich flavour but one woven into something as freshly Slumdogs as anything familiar. As the song continues to swing along taking appetite and hips with it, guitars cast a blend of emotive and flirtatious melodies around the grumble of the bass and a lure of tenacious beats, it all under the leadership of the excellent vocals.

Accompanying the highly enjoyable track is Slumdog, a self-titled encounter revealing an even thicker glimpse into the imagination and variety to be found in the band’s music. Sultrily hued melodies shimmer around the seductive dark temptation of the bass, their radiance a psych pop wrap to the shadowy lure of the rhythms. Swiftly enthralling ears, the song brings additional Doors like essences into its increasingly flirtatious pop ‘n’ roll, closing on a spirited climax as much surf rock and sixties garage rock as it is a bold new twist of modern indie rock.

The track is glorious, a thrilling extra to the magnetic prowess of Lost and Found, and together the duo provide an introduction to The Slumdogs which few are going to be able to ignore.

Lost and Found is out now via Hartfield Records @ http://www.hartfieldrecords.co.uk/product/slumdogs-lost-found/

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Pete Ringmaster 18/05/2016

Copyright RingMaster: MyFreeCopyright

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The Velvet Hands – Trains

TVH_Trainsshoot_RingMasterReview

Creating a sound somewhere between punk, garage, and indie rock, The Velvet Hands has begun to stir up a bit of a fuss around their emergence on the British rock scene. The release of new single Trains can only add to the Cornish band’s attention luring success, its two tracks of highly flavoursome sound and temptation something to easily get a taste for.

The Velvet Hands is the creation of Toby Mitchell and Dan Able, a pair who began writing and playing together in 2014. Inspired by the likes of The Stones, Strokes, Beatles, Stone Roses, and The Clash, the band quickly drew eager ears and attention from fans and media their way with a live presences which has seen them share stages with the likes of Wild Smiles, Lost Dawn, Saturday Sun, and The Bluetones over time as well as make a handful of successful festivals appearances. The first pair of singles from the band, Games/Who Cares last October and Habit this past TVHTrainscover_RingMasterReviewMarch, stirred keen praise and support into action which Trains can only stoke up again for Mitchell and Able with Louis Willbourne and Sean Nichols alongside.

Released on 7″ white vinyl for Record Store Day through Easy Action Records, Trains opens on a swiftly potent and virulent bassline which quickly entices melodically spicy guitar and crisp beats to come and play with ears too. It is a great blend of raw pop and stylish enterprise matched by similarly textured vocals and harmonies.  The band has been suggested as being “in the grand tradition of great British bands like The Libertines and The Buzzcocks” in the past and both of those bands do come to mind a touch throughout the song; the first in its vocals and unfussy character with the latter through the nagging hooks and swinging infectiousness shaping the song.

Accompanying the track is Curtains Close, a delicious seducing crafted with surf scented melodies, acoustic enchantment, and vocal expression. Though a more relaxed character than its predecessor, the song is just as addictively catchy and beguiling; to be honest it was our favourite out of two highly enjoyable encounters.

Trains shows why people are crowding round the emergence of The Velvet Hands whilst equally pushing the band’s reputation on again to suggest this is definitely someone to keep a close ear on!

Trains is out now as a limited edition (300) white vinyl 7″ single through Easy Action Records in all good independent record stores with a digital release following April 29th.

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Pete RingMaster 18/04/2016

Copyright RingMaster: MyFreeCopyright

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Mosley Bar – Another Record Sleeve EP

MB_RingMasterReview

Having given a potent introduction to themselves with debut single Record Sleeve, British indie rock quartet Mosley Bar provide an even bigger and bolder statement in their emergence with the Another Record Sleeve EP. Four tracks which jangle and seduce with lively energy and imagination, the band’s first EP is a striking and increasingly magnetic encounter suggesting Mosley Bar as another to add to the new breed of exciting indie bands lighting ears.

Formed in 2015 with the ripe old ages of 17 and 20 across its line-up, Mosley Bar draws on inspirations from the likes of Arctic Monkeys, Catfish and the Bottlemen, Two Door Cinema Club, and The Libertines as additional flavouring to their distinctively toned sound. Hailing from the North West of England, the four-piece released Record Sleeve last October, its ear enticing outing quickly drawing national and local radio play with BBC 6 music and BBC Introducing. Recorded with a second track in the August of 2015, its success saw the band return to The Motor Museum Recording Studio in Liverpool to lay down another pair of songs, the four now making up Another Record Sleeve.

art_RingMasterReviewStraight away it is easy to expect the EP to make a bigger stir as its best track leaps into ears with a dynamic contagion. Risk opens on the swinging beats of Matthew Wright, his arms no doubt a blur as his tenacious and attention stoking bait hits ears. Imagination and appetite is as swiftly grabbed by the dark meaty bassline of Tim Williams and the melodic jangle cast by the guitars of Adam Eccleston and Ryan Ward. The initial boisterous energy of the song relaxes a little as Ward’s alluring vocals join the revelry; alongside him William’s bass with brooding enterprise almost flirting with the song’s increasingly catchy tones. Fair to say, even before realisation of the virulence at work, hips and voice are firmly involved with a track leaving a lingering imprint in its wake.

Record Sleeve steps up next, its low key coaxing also becoming a bolder proposition as guitars and voice entice with spicy and melodic prowess. There remains a warm mellowness to the song, even when its sonic flames and eager energy really catches light with infectiousness pouring from every note and syllable whilst rhythms create their own captivating shuffle. Quickly it is easy to see why the song made a strong impact last year, the track feeding hungry ears with its flavoursome persuasion before parting for the similarly engaging Rendezvous. It too has a swiftly infectious adventure to its presence with some of those earlier mentioned influences open hues to the band’s own resourceful enterprise and imagination. It makes for a song, and indeed EP, which quickly feels familiar but with a vibrant and highly refreshing character, each only push Mosley Bar apart from any others carrying the same kind of inspirations.

The World And I brings the EP to a fine close, it too vibrantly swinging along with flirtatious textures and smiling melodic endeavour within its sultry sonic tapestry. Rhythms as now expected add their own addictive qualities whilst the vocals only continue to impress as they drive the song’s catchy tempting and the listener’s easily volunteered involvement.

The Mosley Bar sound has yet to find its unique feet but big hints and potential ripple through Another Record Sleeve as it has ears and bodies bouncing around in pleasure. Potentially big things ahead for the band we suspect.

The Another Record Sleeve EP is released digitally and on CD April 18th on all digital platforms.

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Pete RingMaster 5/04/2016

Copyright RingMaster: MyFreeCopyright

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Whitecliff – 5 Minutes / ’Till The End

Whitecliff_RingMasterReview

It is fair to say that British rock band Whitecliff is gaining a reputation as rich and inescapable as their drama soaked sound has proven to be, and it is safe to say that it will only increase with the release of new single Five Minutes. The two song offering is a captivating example of the band’s indie/melodic rock imagination with even bolder exploration coming in the atmospherically thick ’Till The End which accompanies the lead track. Released via 25 Hour Convenience Store, the label of The Libertines’ Gary Powell, the single has all the qualities to spark another successful year for the band to match 2015.

The first band signed to 25 Hour Convenience Store, Whitecliff first lured attention with debut single Everybody Knows, its success backed and pushed last October by the Young Lovers EP. Both releases grabbed ears with their fresh and vibrant sounds, in turn drawing potent media attention and support across terrestrial and internet radio. Live too, the band has grown from strength to strength, supporting The Libertines at one of their sold out Alexandra Palace shows and playing London’s Old Blue Last and the Notting Hill Arts Club amongst highlights so far.

art_RingMasterReviewReuniting on the new single with producer Ken Nelson (Coldplay, Paolo Nutini, Badly Drawn Boy) and for mixing Dan Grech (Lana Del Rey, The Vaccines, Circa Waves), both handling the previous EP too, Whitecliff need mere seconds to grip ears with 5 Minutes. Its initial guitar jangle alone has the imagination engaged whilst the subsequent thick bassline of Paul Bates and the skittish beats of Tom Taylor soon spring hips and head bobbing into action. Vocalist Olli Nagy as potently as ever exudes confidence and charm whilst guitarist Jonny Ball gives a new wave character to his flirtatious dance of pick and imagination on strings.

The track is an addictively infectious and provocatively rousing proposal easily whipping up an eager appetite for its prowess before ’Till The End sees the band slip into atmospheric waters with the resonance of bass colouring the poetic suggestiveness of guitar. As Nagy then lays his beguiling tones on the emotive canvas, a Muse/Coldplay like scent arises in sound and tone though pleasingly Whitecliff hone it into something individual to them. Almost prowling ears with its slow gait, the track is a fascinating look at another side to the band’s songwriting and invention; a new strain of variety sure to flourish across future releases.

As much as the Young Lovers EP solidly impressed, both 5 Minutes and ’Till The End outshine any previous Whitecliff endeavour. The single is a rousing and transfixing proposal across its two tracks and yes with it as evidence; it might be safe to say that 2016 is going to be another potent year for the band.

5 Minutes / ’Till The End is released April 8th via 25 Hour Convenience Store /Believe Digital through most online stores and @ http://whitecliffband.bigcartel.com/product/five-minutes-single

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Pete RingMaster 05/04/2016

Copyright RingMaster: MyFreeCopyright

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