A Blue Flame – The Girl Inside of You

A Blue Flame_RingMasterReview

Adding to a host of recent singles which hint of potent times for their creators and the releases they are taken from is The Girl Inside of You, the new track from A Blue Flame. Plucked from their latest album What We’ve Become Is All That Now Remains, the single is a thumping slice of rousing songwriting and a melody thick sound with a Brit Pop meets folk rock flavouring and an encounter very easy to get seriously involved in.

A Blue Flame art_RingMasterReviewA Blue Flame is the project of Leicester based songwriter, Richard Stone and What We’ve Become Is All That Now Remains the successor to debut album Someone Else’s Dreams Will Fill Our Home which was released in 2013 under the name of Woodman Stone. With its lead song Does Madonna Dream of Ordinary People gaining strong airplay across the likes of BBC 6Music and BBC Leicester, Tom Robinson was one declaring their support, calling Stone’s music: “wonderful unashamed pop music that comes with an inbuilt English Pop sensibility running through to its very core“. The Girl Inside of You is destined to find the same success and more, with What We’ve Become Is All That Now Remains, which features some of Leicester’s best musicians including co-producer Adam Ellis on guitar and Tony Robinson from The Beautiful South on keys and brass, following suit.

The Girl Inside of You strolls in with bold hooks and rhythms aligned to an instant melodic lure. It’s commanding breath relaxes slightly as Stone’s lyrical and vocal prowess works on the imagination but the song’s potency never lessens as creative enterprise and punchy emotion fuelled imagination is added to its web of temptation.

As subsequent smart twists and turns ensure there is nothing predictable about the song, there is something of The Jam in their Setting Sons period spicing to the encounter which as you can imagine does it no harm either. The Girl Inside of You is one of those songs hard to get enough of; one all the while suggesting that a definite look at the album it graces (look out for our review soon) is in order.

The Girl Inside of You is out now with What We’ve Become Is All That Now Remains available 19th August @ https://itunes.apple.com/gb/artist/a-blue-flame/id1078425623 and http://www.cdbaby.com/Artist/ABlueFlame


Pete RingMaster 19/08/2016

Copyright RingMaster: MyFreeCopyright

The Sherlocks – Last Night

The Sherlocks_RingMasterReview

Last year saw The Sherlocks release a pair of magnetically catchy and accomplished singles, two very well-received proposals waking up another flock of eager ears to their presence. Hoping to continue that success, the UK quartet is set to release new track Last Night, another single which has feet and hips as involved as ears and enjoyment.

The Sherlocks Last NIght art_RingMasterReviewHailing from Sheffield, the band came about after the Davidson brothers, Josh (guitar) and Andy (bass), moved in next door to the grandparents of another set of siblings, Kiaran (vocals/guitar) and Brandon Crook (drums). A bond over football and music alongside mutual inspiration taken from the likes of Arctic Monkeys, The Beatles, Libertines, Oasis, and The Jam amongst many, led to the creation of The Sherlocks late 2010. Previous singles and the First Bite Of The Apple EP have all marked the band out for attention , as too a potent live presence which has seen them share stages with the likes of The Enemy, JAMES, Simple Minds, Scouting For Girls, Reverend and The Makers, Buzzcocks, The Twang, CAST, The Beat and Starsailor amongst many.

Escapade and Heart of Gold helped push the band into keener spotlights in 2015; two tenaciously infectious and enterprising singles now matched in potency by Last Night. The song is arguably less imposing and dramatic with its virulence and energy compared to its predecessors, but straight away a swinging and inescapable catchiness is offered by rhythms and the lively gait of voice and melodies. The rumble of bass is especially enticing in that initial bait too, matched by the firm beats and a jangle of chords and hooks eager to get their claws into the psyche.

A subsequent sonic shimmer adds to the pull of the song whilst its contagious chorus is temptation only leading to listener involvement. Though for personal tastes not quite matching Escapade and Heart of Gold in impact, Last Night still only leaves pleasure in its wake and a reminder that The Sherlocks are becoming one of the bright lights of the British indie/rock scene.

Last Night is released March 4th @ https://itunes.apple.com/gb/album/last-night-single/id1076703980?i=1076703984

http://thesherlocksmusic.co.uk   https://www.facebook.com/TheSherlocksOfficial   https://twitter.com/TheSherlocksUK

Pete RingMaster 04/03/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Fuzzy Vox – No Landing Plan

Fuzzy Vox in Space

Fuzzy Vox in Space

Wondering how to spend the weekend to its fullest enjoyment? How about filling your home with suitable alcohol, inviting a horde of friends over, and turning the speakers high as the new album from Fuzzy Vox provides a party to remember. I should warn that weak hips will be put under serious stress in this pursuit of fun because No Landing Plan is one of the most energetically feverish and tenaciously insatiable incitements to hit ears and bodies in quite a while. A collection of songs bred on garage rock and power pop, the French band’s second album is pure rock ‘n’ roll virulence with a character as varied and demanding as the medical bills received after it has seduced bodies to exhaustion.

Hailing from Joinville le Pont, Fuzzy Vox is the devilment of vocalist/guitarist Hugo Fabbri, bassist Greg Dessons, and drummer Nico Maïa. Emerging in 2011, the band quickly awoke national ears with the release of first EP, Technicolor in the October of 2012, breaching broader attention with debut album On Heat early 2014. The past couple of years have been especially lively and successful for the trio; tours all over Europe building on the success of their album with a recent adventure alongside Jim Jones Revue & Thee Vicars one particular highlight. Fuelled by the punk DIY ethic which again sees their latest encounter a self-released proposition, Fuzzy Vox is now ready to dive into major spotlights wherever they can be found, and with No Landing Plan as their key, betting against the band hitting new peaks of attention to match the plateau set by the album is pointless.

Recorded in Los Angeles last summer with Andy Brohard and Ryan Castle (Primal Scream, Black Angels), who also mixed the album, No Landing Plan gets straight to devilish work with opener Explosion Of Love. From the first slither of feedback a sense of mischief is a foot, and quickly playing with ears as jabbing beats join a web of temptation cast by guitar with the bass in swift seductive union. Hugo’s vocals alone show the energy and passion running eagerly through the song and sound, hooks and choppy riffs building on it with their own addictive dexterity.

art_RingMaster ReviewIt is a rousing start eclipsed by the following Distracted. The garage rock of its predecessor takes a more sixties scent in the second song, The Stones an easy clue which unites with a more Hives like tenacity as the track blossoms its anthemic adventure. Again feet and hips are as much a blur of involvement as ears and appetite are hungry recipients of the increasingly dynamic mesh of contagious sound and sonic bait.

With Told You Before taking little time to stir limbs into action with its punk rock/power pop shenanigans, the album has body and soul lock ‘n’ loaded in its high octane revelry. Wiry grooves and melodic flames only add to the imagination’s subservience and remember that mention of exhaustion? Already the signs are there barely three songs in.

That variety in sound is also pushing through by now too, the scintillating Grow Evil exploring a lively rock pop prowl with a touch of The Jam meets The Dirtbombs to its almost carnal temptation whilst I Got A Girl bounces around in a power pop stomp drawn from both the sixties and seventies take on the infectious flavour. Both tracks are superb but outshone by the jagged rock ‘n’ roll of Bo Diddley, a song living up to the sound its title suggests whilst creating a catchy incitement of viral proportions.

The Jam comes to mind again as Don’t Leave Me Behind steps up next with its melodic rock ‘n’ roll, equally though, so does an open Elvis Costello inspiration. It is a blend when woven into the band’s own invention simply sparks up further keen endeavour with and within the track, and indeed Charlie once it takes over with its R&B laced pop romp. As easy as it is to get entangled and absorbed by the carnival of sound, lyrically the songs within No Landing Plan are just as potent and impacting, Charlie especially striking. That diversity of sound is also in full swing within the song alone, a float through crystalline ambience following a thrilling surge of Oliver’s Army spiced devilment, leading to another anthemic whipping up of feet and emotions.

Easy Street frolics in ears next with a swinging festivity of sound and voice whilst teasing like something akin to a pop punk version of Supergrass whilst A Reason To Love leaves the listener in the throes of ardour for its surf rock coated, rockabilly bloomed slice of punk ‘n’ roll carrying flames of Living End/Tiger Army in its imagination. As an example applying across the whole album, for the references offered they are mere clues to the Fuzzy Vox uniqueness which fuels all tracks to gripping success.

So get those dancing shoes on and corks popped because Fussy Vox has one memorable weekend, indeed any moment in time you wish, ready and waiting courtesy of No Landing Plan.

No Landing Plan is available from February 26th  from most online stores.

http://fuzzyvox.com/    https://www.facebook.com/fuzzyvox   http://www.twitter.com/fuzzyvox

Pete RingMaster 26/02/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

The Sherlocks – Heart of Gold

The Sherlocks _RingMaster Review

Still looking barely old enough to take driving lessons, UK rockers The Sherlocks follow up their previous acclaimed single of earlier this year, Escapade, with another sure-fire attention grabber in the virulent shape of Heart of Gold. The band’s new single is a romp which continues spinning around ears and thoughts long after departure, a contagion reinforcing the growing notion that the Sheffield band is one of Britain’s most exciting emerging indie bands.

Consisting of two sets of brothers; Josh (guitar) and Andy Davidson (bass) uniting with Kiaran (vocals/guitar) and Brandon Crook (drums) late 2010, The Sherlocks have played shows at over 500 national venues these past three or so years, supporting the likes of Simple Minds, Scouting For Girls, Reverend & The Makers, The Buzzcocks, Starsailor, and The Enemy along the way, and earned great plaudits at festivals such as this year’s Isle of Wight event. Recent singles it is fair to say has pushed attention on the band to new levels, a success sure to be emulated again by Heart of Gold.

It opens on a smoky twang of sound and crisp beats, their brief jab the spark to a canter of jangly guitar and sultry guitar enterprise driven by the inescapably infectious lure and swing of bass and drums beats. Vocally Kiaran, backed strongly by the band, leads the dynamic croon adding further catchiness to proceedings in a seriously ear pleasing chorus and the great lead into it.

Band inspirations range from Arctic Monkeys and The Beatles to artists such as Libertines, Oasis, and The Jam, and fair to say there is a good scent of a couple of those in a familiar air across the mightily engaging Heart of Gold, but once again it is a spicing adding to a recipe ultimately distinct to and rousing from The Sherlocks.

To be honest there is the feeling the band has still to find its totally unique sound and voice, but with songs like this the wait can only be pleasurable.

Heart of Gold is out now @ http://thesherlocksmusic.co.uk/our-store/

http://thesherlocksmusic.co.uk   https://www.facebook.com/TheSherlocksOfficial

Pete RingMaster 11/11/2015

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

My Cruel Goro – Self Titled EP

My Cruel Goro_RingMaster Review

Since its emergence a couple of weeks or so back, the debut EP from My Cruel Goro and its sound, has lured comparisons to bands as varied as The Clash, The Stranglers, and The Jam to the likes of Ash, Arctic Monkeys, The Fratellis, The Hives, the Libertines, Dinosaur Jr., and Weezer. For us the self-titled release brings a weave of Asylums meets Birdland meets New Bomb Turks to the table. That diversity across all references though is because primarily it is hard to pin down the My Cruel Goro sound; it seems bred from varied decades and through a vat of inspirations but with no particularly defined evidence to support any claim, everything just teasing whispers in something quite original.

cover_RingMaster Review     Hailing from Italy, My Cruel Goro is a currently Reykjavík in Iceland based trio which formed in 2014. Vocalist/guitarist Andrea Maraschi and bassist Andrea Marcellini had already been making music together for the previous nine or so years, meeting through a mutual friend, before My Cruel Goro rose from the ashes of their previous project, its demise according to Marcellini because “We couldn’t find reliable musicians to form a proper group with a stable line-up.” Then they met and linked up with drummer Tommaso Adanti, from whence My Cruel Goro stepped forward with now their new EP an introduction to broader awaiting appetites for their raw and virulent rock ‘n’ roll.

It opens with Clash and an instant blaze of enticing riffs and probing beats. A single breath of a ‘pause’ brings the throbbing tones of the bass in before the band strolls and swaggers with indie revelry, thick guitar incitement, and mischievous electronic enterprise. The song is a tapestry of fuzzy hues and blustery flavours colluding in a punk ‘n’ roll roar which is as creatively unpredictable and agitated as it is contagiously rousing.

Next up is Crapford, a song quickly endearing itself to ears and appetite with a wonderful opening melodic hook which is as Buzzcocks like as you can get without a touch of stealing. With tangy bass bait and crisp beats alongside, it is a gripping start which only gets stronger as warmer flowing vocals and pop punk hues add to the texture and richness of the song. As its predecessor, if without the final raucous spark, the track is an addictive anthem to get fully involved in before Glue Buzz takes over with its new wave meets garage rock devilry. A perpetual bounce with seventies punk attitude and tone, as well as a horde of spiky hooks, infectious swings, and a noise rock centre which simply transfixes as it meanders and evolves towards its scuzzy atmospheric climax, the song is a glorious end to a striking and thoroughly enjoyable stomp.

It is of course early days but if their first EP is the sign of things to come, My Cruel Goro could be making a hefty impact on rock ‘n’ roll ahead.

The My Cruel Goro EP is out now via Rebel Waltz Records as a free download at the My Cruel Goro Bandcamp.


Pete RingMaster 05/10/2105

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Los Bengala – Festivos Incluso

LosBengala_RingMaster Review

If it is released by Dirty Water Records it is going to be worth checking out. That is a theory we have bred over time which once again is proven to be spot on as Spanish duo Los Bengala turn the day into one of devilish festivity with debut album Incluso Festivos. Seeded in garage rock but embracing many more prime flavours of rock ‘n’ roll, the ten track encounter is a perpetual feast of sound and fun.

The list of inventive and thrilling duos is a growth industry in world rock, but there are some which just step out from the crowd to steal the show. Canada has The Black Frame Spectacle, the US has bred In The Whale, and now Europe has the mighty sounds and thrilling creative instincts of guitarist/vocalist Guillermo Sinnerman and drummer/vocalist Borja Tellez to drool over, and since being introduced to Incluso Festivos that is what we have been doing. Hailing from Zaragoza, Los Bengala is another tasty proposition emerging from the flourishing garage rock Latino scene. Last year saw the pair win a national battle of the bands competition in their home country and now have broader fields in their sight with Incluso Festivos which is co-released on their own imprint Wild Lion and Dirty Water Records, the latter spotting them playing a show last August in London with UK’s own garage punk geniuses The Mobbs.

The seeds of addiction are laid straight away through album opener La Caza, a minute and a half of rhythmic slavery. Tellez needs barely seconds to have ears and appetite gripped, his opening thuds soon a rolling jungle of rhythmic craft and incitement which just gets keener and more virulent with every rally. That alone would have left nothing less than lust behind but things only get better as the guitar of Sinnerman adds southern honed hooks and enterprise into the instrumental revelry. It is a scintillating anthemic start which is potently backed up by Sé A Dónde Voy. The band’s garage rock inspirations are ripe colouring in the jangle and eager energy spread by the song, its riffs and beats a persistent invitation for the Spanish sung lyrics to leave their expressive lures on.

cover_RingMaster Review   No Hay Amor Sin Dolor has the scent of The Clash to its opening bait of guitar next, a spice which continues as Tellez springs another fresh dose of rhythmic tempting into the brewing mix. The song has a definite punk breeding to its r&b invention and tenacious stroll whilst revealing another shade and arm to the Los Bengala sound and imagination. It is diversity which continues in Jodidamente Loco, a track which jabs and roars its way into the psyche with a mix of noise punk and dirty rock ‘n’ roll twisted into contagion of steely guitar, badgering beats, and volatile vocals. The track is irresistible, a song taking an already high plateau to the album up another notch before Máquina Infernal keeps release and listener on the same high with Latin lures and sixties toned catchiness.

65 Días next seduces with a psychobilly/surf croon, its sweltering air and haunting balladry mesmeric even as it subsequently lifts its tempo and emotional discord within the dramatic landscape. Like Reverend Horton Heat in league with UK band Milton Star, the song is bewitching, and increasingly so with every listen, much as the album itself.

Things get hectic and scuzzier again with the brilliant Aaah, a riot which reminds of earlier mentioned In The Whale but revealing its own groove infested, rhythmically incendiary, and unique stomp. Rock music does not get much better than this, just finds new ways to match such glory just as the band does with the swinging devilment of Ataco. Arguably the most pure garage rock track on the album though its successor might have something to say about that, it just grabs body and energies in its contagion led grip to take the listener on a controlled but exhaustion inducing stroll.

Perfect Body is the only English sung offering on Incluso Festivos, a mischievous celebration and virulent romp flinging grooves, hooks, and rousing beats around like creative confetti. The sixties, seventies, and the now are all rolled up into its infection loaded alchemy, body and emotions the swift slave to its glorious tempting.

The album is close by the similarly sensational Abran Paso, a song which again shows glimpses of The Clash as well as others like The Jam and less so Queens Of The Stone Age, but emerges as its own fascinating and torrentially captivating protagonist. It is a mighty end to a majestic encounter, and another reason to understand why the guys at Dirty Water got excited when first seeing Los Bengala. Thanks to them we now have one exciting and invigorating release courting, nay demanding broader attention and quite honestly the bottom-line is that you and the world needs this album in a fulfilled rock ‘n’ roll life.

Incluso Festivos is available now via Wild Lion/Dirty Water Records on vinyl, CD, and digitally.

RingMaster 25/08/2015

Copyright RingMaster: MyFreeCopyright


The Sherlocks – Escapade

The Sherlocks

Bursting with bulging rhythms and just as rigorously captivating sonic invention, new single Escapade reveals exactly what Sheffield has been shouting about for quite a while; that The Sherlocks is one rather exciting band.

The UK rockers is bred from family and friendship, emerging in 2010 after brothers Josh and Andy Davidson, guitar and bass respectively, moved in next to the grandparents of vocalist/guitarist Kiaran Crook and his drummer brother Brandon. The quartet were soon bonding over football and music, uniting over favourite artists such as Arctic Monkeys, The Beatles, Libertines, Oasis, and The Jam. This led to jamming sessions where they discovered, explored, and honed their sound, and subsequently gave birth to The Sherlocks. Since then the quartet has played over 500 gigs, sharing stages with the likes of The Enemy, Simple Minds, Scouting For Girls, Reverend and The Makers, The Buzzcocks, Twisted Wheel, Tom Hingley, and Steve Cradock thesherlocksescapadeartworkalong the way, and in 2013 released debut EP First Bite Of The Apple.

The well-received EP, as their following top 100 single Live For The Moment, set down a marker in sound and adventure which Escapade now runs with in fine anthemic style. From the first spicy breath of guitar, the song has ears and emotions leaping to attention, especially once potently jabbing beats and a flush of riffs add to the initial coaxing. The lure of the song then just gets stronger and more virulent as a gripping hook emerges from the start and swiftly binds imagination and emotions in its wine of a temptation. The strong vocals also add appealing expression and energy to the song, never imposing but just helping increase the catchiness of the track.

A great throaty bassline flirts across the song too, but it is the overall contagion of the encounter and its inventive dance which most enthrals and has feet and voice seriously involved in the creative commotion. Ground-breaking the song is not but certainly it is invigorating revelry of the irresistible kind and a reason alone to keep The Sherlocks under a tight spotlight.

Escapade is available now @ https://itunes.apple.com/gb/album/escapade-single/id952378243

The Sherlocks are touring the UK with remaining dates at…

20/02/15 Soundcontrol MANCHESTER

27/02/15 The Cookie LEICESTER

28/02/15 Talk Tea Rooms BIRMINGHAM

05/03/15 The Picture House HUDDERSFIELD

07/03/15 The Joiners SOUTHAMPTON

21/03/15 The Lemon Factory SWANSEA

10/04/15 Buskers DUNDEE

11/04/15 Stereo GLASGOW

18/04/15 Plug SHEFFIELD

25/04/15 Corner Flag SUNDERLAND

01/05/15 The Maze NOTTINGHAM

02/05/15 Club Academy MANCHESTER

16/05/15 Studio 2 LIVERPOOL

20/06/15 The Leadmill SHEFFIELD


RingMaster 17/02/2015

Copyright RingMaster: MyFreeCopyright


Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from http://www.thereputationlabel.today