Deference – False Awakening

Increasingly compelling, False Awakening is the new EP from British metallers Deference. A maelstrom of ravenous textures and flavours caught in an equally imposing web of emotion, the release not only forcibly pleases ears but also suggests this is a band with the potential to be a big part of the UK metal scene.

Coming from Southampton, Deference weave in inspirations from the likes of Architects, Northlane, Periphery, and Oh Sleeper into their tapestry of melody rich metalcore with djent and progressive metal tendencies. The quintet has been climbing the ladder with a rapid ascent in recent times, the release of 2015 debut EP XXXVII and live successes alongside bands such as Rolo Tomassi, Napoleon, The Hell, and Shields as well as a European Tour with True Lie all increasing their reputation. False Awakening is a creative echo of an outfit ready to break into national recognition, the next unavoidable step for a band beginning to make their potent mark.

The release opens with Scavengers. A steely shimmer initially coaxes ears, senses strapping riffs soon following as rhythms and guitars grumble around the plaintive vocal roar of Rob Lea. That djent styled essence is equally as swift infecting song and satisfaction, the guitars of Matt Dennison and Jonathan Prince creating a spiky attitude and touch in their emerging weave of enterprise. Strapped to the muscular grouch of Shaun Kirtland’s bass and the animosity loaded swings of drummer Mike Hill, the track is a formidable introduction to the EP; not necessarily unique but relentlessly exhilarating.

The might start slips away to be replaced by the instantly ravenous Insomnia; its immediate wall of sonic trespass the bed for melodic and technical dexterity to blossom. It is an intriguing mixture which takes longer to ignite the imagination than its predecessor’s tempest but grows into a rich captivation especially as raw and aggression vocal contemplations are joined by an impressive clean delivery from Lea, Dennison adding his potent vocal backing throughout. Persistently turbulent across its vociferous landscape, a tempestuous climate equally as open in the track’s mellower melancholy thick yet stark moments, the song has the imagination as gripped as ears throughout.

New single Departure follows, growing from another solemn but engaging melody equipped peace with keys colouring its atmospheric questioning before again vocal and sonic volatility takes hold and seize the moment. As another maze of sound and invention descends, Deference reinforce the potency of their  presence and creative dexterity, the song shifting through numerous cycles all capturing the imagination if again with increasing persuasion rather than an immediate one though indeed its first listen or two leaves pleasure alive.

The EP’s title track has an almost carnal air and character as it ravages the senses straight away, an antipathy which rather than diminishes simply expands its scope as clean vocals and melodic endeavour gets involved in the volcanic explosion. The track is superb, unpredictable yet with plenty of familiar spices only adding to its impressive blaze of sound and emotive exploration. Rabid and composed, vicious and seductive, the track is a collision of extremes and imagination breeding a mighty storm again fusing varied metal bred hues in its cataclysmic squall.

The release closes with Become Death Part 2, an initially gentle melodic romancing of the senses around a vocal sample. As destructive elements fall upon the calm, the song is fallout of corroded beauty, an epochal epilogue to the EP’s themes looking at “a man-made apocalyptic world.”

The buzz is that Deference is ready to take their place to the fore of the UK metal scene; whether it is sooner or later it is expected success backed up by False Awakening and its striking contents.

The False Awakening EP is out now.

https://www.facebook.com/WeAreDeference/    https://twitter.com/DeferenceMusic   https://deference.bandcamp.com/releases

Pete RingMaster 05/04/2017

Copyright RingMaster: MyFreeCopyright

Syren City – Paradise In The Dirt

Syren City Promo Shot_RingMasterReview

Almost two years ago, UK rockers Syren City laid a hefty punch on attention with the Escape EP, five tracks of multi-flavoured rock ‘n’ roll which was as compelling as it was thrilling. Now the Bristol quintet returns with its successor Paradise In The Dirt and three more encounters which leave ears ringing with pleasure and an appetite for more simply greedier.

Formed in 2011, Syren City swiftly bred a sound from essences drawn across the likes of post hardcore, punk, metal and alternative rock. The 2014 Escape EP quickly showed it was a formidable and striking mix, echoing the band’s live reputation earned through festival appearances and shows with the likes of Turbowolf, The Alarm, Mallory Knox, Max Raptor, The Hell, Roam, Black Foxxes, Futures, Young Legionnaire, Attack Attack, and Blitz Kids. The release of their new proposition shows that the band’s sound has continued to expand and indulge in greater adventurous traits, increasing in magnetism with equal measure. The first in a series of EPs which have a conceptual thread and link, Paradise In The Dirt captures ears and imagination with swift deftness of enterprise and a rousing boisterousness, never relenting upon or releasing the listener until its final note has shared its mighty bait.

Syren City Cover Artwork_RingMasterReviewIt opens up with It’s Morphine Time, a song which descends on the senses like a tempestuous challenge from its first breath, but a threat just as quickly seducing ears and appetite as riffs and rhythms launch their hungry persuasion. In no times wiry grooves are entangling song and listener while anthemic vocal roars across the band find a great Beastie Boys feel to them. As it proceeds, the scent of bands such as Rage Against The Machine and Refused also colour the encounter, with frontman Simon Roach taking vocal charge as the barbarous rhythms of bassist Sam Leworthy and drummer Mat Capper badger and incite. It is a virulent infectious affair with the enterprise and fiery grooves of guitarists Ian Chadderton and Josh Mortazavi arousing, aiding and shaping the songs twists and turns as its metal/heavy rock antagonism and inescapable catchiness fuels pleasure, the song alone surely ensuring the EP’s certain success.

It is quickly backed up by its companions though, Danielle coming next and opening on a melodic caress which inspires the following vocals and flirtatious gait of the song. Little time passes before again a volcanic quality and energy erupts, its theatre creating a My Chemical Romance like attraction before things slip back into the captivating calm and the repeat of the galvanic cycle. As within its predecessor, there is a kind of tempestuousness to ideas and intensity which only adds to the riveting drama provided before 10,000 Knives steps forward to grab its share of the plaudits. Initial riffs and lures have a slight Therapy? feel before the punk heart of band and song grips and adds a Reuben meets Taking Back Sunday hue to the outstanding encounter.

All three tracks are uniquely distinct to each other but fuelled by a sound with a character all Syren City’s. The band impressed with their last release and have only made a bigger impact with Paradise In The Dirt, a release sure to be the favourite EP of 2016 for a great many.

The Paradise In The Dirt EP is out now through all stores-

https://www.facebook.com/SyrenCity  https://twitter.com/SyrenCity  http://instagram.com/syrencitymusic

Pete RingMaster 30/06/2016

Copyright RingMaster: MyFreeCopyright