The Glorious Rebellion – Euphoric

 

Live at the Haven 05/30/2015. Photo by Sandy Rushing. — with Zeke Rushing, Wade Scianimanico and Billy Myers III.

Live at the Haven 05/30/2015. Photo by Sandy Rushing. — with Zeke Rushing, Wade Scianimanico and Billy Myers III.

Euphoric is the kind of bully no one can have a problem with. It is a release which harries and bruises the senses as if it was created to do nothing else, though truthfully, the debut mini album from US noise rockers The Glorious Rebellion is just as uncompromising and seriously compelling with its range of intrusive hooks within an infectious swagger. The band creates corrosive rock ‘n’ roll with a bite and attitude as virulent as the imagination that fuels it.

Formed and driven by vocalist/guitarist Billy Myers III, the Florida hailing band was soon lighting up their local live scene, that success stretching further afield as their dirtily rapacious noise rock ferocity and sonic rabidity grabbed attention. As rich in almost savage melodic mischief, their music seemed to easily spark crowds as The Glorious Rebellion shared stages with the likes of Jucifer, The Phuss, Black Tusk, Ken Mode, Lo-Pan, Black Cobra, Child Bite, Holly Hunt, Hollow Leg, and Destroyer of Light amongst many over time, successes luring new fans whilst enhancing the band’s reputation pushed again by the release of their two track single I in 2014. The years have also seen numerous line-up changes over the years; in fact it seems any page you look at and info found has a different line-up suggested. Importantly for the album though, it is Myers igniting ears with everything apart from drums which the impressing dynamics and swings of Wade Scianimanico takes care of. With additional vocals provided by Dan Manata, Euphoric is a sure-fire ball buster of sound, attitude, and intensity, which predominantly leaves pleasure emulating the album’s title.

The album opens with It’s A Sucker’s Game, Kid and straight away has ears under sonic and rhythmic siege whilst already sparking an eager appetite for what is to follow. What do badger the senses next are thick and predatory grooves around just as grouchy riffs and rhythms.  Already a heavy catchiness is laying potent bait, lures reinforced by the excellent attitude sculpted roars of Myers and an even strong spice to the grooves. In full aggressive stride, there is a Pigs meets Unsane feel with a tasty whiff of Motorhead to the track, though to be fair, all are passing essences in the band’s distinctive animosity of sound.

Glorious rebellion euphoric_RingMasterReviewThe great start continues with the equally infectious and fearsome Emmett Brown Has Never Met A Scott That Wasn’t Great. From a more low key start, a thick tide of riffs and rhythms descend on ears before stepping aside momentarily for that great initial coaxing to grip attention all over again. Throughout, the song makes for an intrusive and abrasive proposition but digs into the psyche just as potently with its unpredictable and inventively twisted web of noise and ear gripping adventure. It’s easy to offer Melvins as a hint to the song’s escapade whilst the even more outstanding Benaquyl and its enslaving rock ‘n’ roll nudges thoughts of bands like Gruntruck and The Great Sabatini in the course of sculpting another pinnacle within Euphoric straight after. The song also highlights more of the variety of spices in the band’s sound, stoner and punk as open as this slab of noise rock breeding.

The brilliant Have I Told You Lately That I Loathe You? snarls and rages next with vocals and guitars as irritable as each other and just as pungently enticing around the rancorous grumble of the bass. Within that hostility though, band and songs cast some of the most addictive and infectious essences to be found on the release. They are elements which turns hunger into a lust for more which The Dirtiest Dream Jobs feeds with its cantankerous tone and sonic enterprise soaked in melodic acidity. Admittedly personal tastes are not quite on fire for the song as for its predecessors yet it is nothing less than a highly enjoyable and in turn lingering tempting drawing attention back onto band and release.

The album closes with Bitches Hate Misogyny, an ill-tempered and tempestuous blaze of sound and vocal incitement which tells you all you need to know about the band in noise, craft, humour, and thrilling adventure. It is a hellacious mouth-watering end to an equally impressive release which was our introduction to The Glorious Rebellion but the beginning of a major kinship between ear and sound we suspect; something hard to see us being alone in.

Euphoric is out now via Magnetic Eye and @ https://thegloriousrebellion.bandcamp.com/

http://www.facebook.com/thegloriousrebellion   http://thegloriousrebellion.bigcartel.com   https://twitter.com/TGRnoise

Pete RingMaster 18/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Bardus – Stella Porta

bardus_2016_RingMasterReview

Fresh from a US tour with Grizzlor and on the first step of another American tour, this time with The Glorious Rebellion in celebration of their new album Euphoric, Philadelphia hailing Bardus have their own slice of sonic delight being uncaged courtesy of Solar Flare Records. Released the April 1st, the opening date of the tour, Stella Porta is a rich and uncompromising seven track maelstrom of sludge, grunge, noise, and psych rock forcibly showing exactly why so many people are making vocal fuss about the trio.

Formed in 2011, Bardus quickly showed that their sound and songs was never going to settle into one style or predictable design. Their self-released debut album Solus in 2013 proved that; its well-received uncaging the spark to a growing reputation built and pushed by the band’s DIY intent and live presence which has seen them regularly tour and share stages with numerous national acts. As Stella Porta infests the senses, it feels like it just might be the wake-up all to those yet to be challenged and persuaded by the band’s vociferously intrusive sound. If that is not to be, it is certainly a potent and impressive step to grow that success from.

The album starts with the voraciously compelling Smoke Bath, a track which instantly grips ears and appetite with the controlled stroll of Kyle Pierce’s beats and the grouchily infectious growl of Ari Rosenberg’s bass. Soon it is awash with the caustic strokes and sonic animosity of guitar, Justin Tuck casting an invasive web of discord fuelled drama matched by his raw throated vocal squalls and angst. It is a gripping start to the release, noise and punk drenched rock ‘n’ roll with thick anthemic prowess stirring up imagination and passions ready for the equally rousing exploits of Monolith. As with the first song, there is a touch of label stable mates Sofy Major and the likes of Unsane to the track but every impacting swing and raw sonic trespass only reveals a voice and character unique to Bardus; those essences of familiarity merging with fascinatingly fresh and beguiling imagination.

SLF022 - hi-res cover_RingMasterReviewSky King backs that up with its opening sonic mist offering a recognisable air but soon igniting into a furious punk ‘n’ roll tango with flirtatious rhythms and an addictive hook alongside a senses scarring vocal attack within a noise infested tempest of blistering intensity and ever shifting enterprise. Irresistible in its unbridled rampage and evocatively intrusive in its calmer inhospitality, the song incites fresh urges of  hunger in an already eager appetite before the thicker doomy atmospherics of Transcendence wrap a sludgy, bordering on funereal, canvas of suggestiveness. There is venomous vitriol and intimidating portentousness to its enveloping animus though which incites a lively almost rancorous energy to the track.

Living up to its name, Haze provides an opening raw embrace which sonically drifts and evocatively lies on ears, enveloping the listener as clean vocals align with an infectiously inviting and melodically distorted passage of calmer flirtation. As expected it is soon ablaze though, ferocious vocal discontent and sonic dissonance drenching song and recipient before rotating between the two extremes for another keenly favourite moment of Stella Porta to which the Melvin-esque Oracle creates a matching pinnacle with its own abrasive rock ‘n’ roll with ire stained vocals and an insatiable virulence in hooks and spicy grooves. As everywhere upon the album, there is theatre to the songwriting and its inventive portrayal which fuels a web of intrigue and imagination which right here is unafraid to involve surf and psych rock seducing in a tempest of belligerent noise and intent.

Clandestine brings the release to a jaundiced yet inescapably bewitching grudge of a close, guitars and voice the corrosive roar around the more controlled but no less impacting rhythmic predation offered. Though maybe not quite igniting the passions as many of its predecessors, it is a fine to an excellent intrusion on body and emotions.

Like so many albums recently, Stella Porta takes its time to rise to its full creative height but as many, each play only enhances its qualities and irresistible persuasion to show why Bardus is becoming a favourite challenging flavour for a great many.

Stella Porta is released April 1st via Solar Flare Records @ http://shop.solarflarerds.com/products/567534-preorder-bardus-stella-porta-cd-digital

https://www.facebook.com/BardusMusic   http://bardus.bandcamp.com

Pete RingMaster 01/04/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/