Immension – In Vain

Immension Press Shot

Continuing where their previous EP left off whilst showing greater rigorous invention and accomplished songwriting, British metallers Immension release debut album In Vain to reaffirm the potential of their already potent emergence. It is not an encounter destined to leave ears awe struck but certainly it is an album merging familiarity and fresh imagination in one persistently enjoyable proposition.

The Sheffield bred Immension was formed in 2008 by Jake Kearsley (vocals, guitar, bass and piano) and Tim Dolan (lead guitar), and soon began earning local attention with a sound seemingly Bullet For My Valentine inspired, certainly on the evidence of their self-titled first EP. Its successor The Enemy Within increased the band’s ever growing fan base whilst sparking a more national awareness too, its arrival also revealing a more Metallica influenced creativity and air was blossoming in the band’s sound and again part fuels Immension’s first and increasingly pleasing full-length. With drummer Jonni Sowter, who joined the band back in 2011, the trio are set to awaken the strongest and broadest spotlight yet with In Vain, with expected success.

Carrying a presence which is like nineties era Metallica meets Trivium, In Vain opens up with its title track and an enticing of guitar which in turn leads to a robust and skilfully tangled weave of melodic endeavour and rhythmic incitement. The vocals led by Kearsley, similarly have a tenacious and full presence, and like the music carry a Hetfield and co ring to them in varying ways. Rigorous in some moments, more energetically composed in others, the track grabs ears and attention with ease with Sowter a commanding and resourceful presence within the web of enterprise cast by Dolan’s guitar.

Immension Album Cover Art   The rich start to the album continues with The Fantasy, Sowtor’s heavy swings again instantly incendiary bait as riffs and grooves unleash a fiery magnetism against the dark swing riffs of bass. As the rest of the album, there are plenty of recognisable aspects to the song, of others and the band’s previous releases, but equally a new adventure is explored too via more provocative sonic textures and Middle Eastern spices. It is a climatic and richly satisfying encounter, its mix of deliberate prowling and ruggedly enthusiastic charges a contagious persuasion reinforced by the creative imagination and ever impressing vocals within all sides of the band.

All That Remains follows with a mellower and more restrained if still fiery character, vocals and guitar caressing ears as rhythms provide a sturdier framing. Impassioned energy flows through the heart and narrative of the song though, ensuring its more placid nature is always on the edge of emotional eruption before it makes way for the skilfully crafted and dynamic Lost & Forgotten. Neither track can match the persuasion of the first two on the album, and both also begin to reveal a surface similarity in certain areas between tracks within In Vain, but each has ears and appetite enthused for more with their also present elements of individuality, and again duly offered by In The Dead Of Winter and Shadow Of Yourself. The first of these two opens with an ominous yet regal ambience around dramatic beats before being further infused with wiry melodic hues of guitar. There is a rampancy to it which is just as highly persuasive as the ever evident technical and thoughtful potency going into songs. It is one of the loftier peaks of the album, a height its successor tries to emulate with its familiar inventive route clad in thoroughly engaging sound and creativity.

For maybe the first openly dramatic time a major twist of originality comes with the piano led and vocally harmonic Love Never Dies. Its opening charm and beauty is mesmeric but aligned to portentous shadows through the heavy tones of bass and firmly jabbing beats, it all gripping the imagination as much as ears. Continuing to evolve and expand its character and creative colour, the song becomes a blaze of melodic and emotional angst, sublimely capturing pleasure and thoughts before the just as excellent The Enemy Within uncages its barbarous and exhilarating turbulence. The track is never as aggressive and volatile as it might be due to the excellent smooth tones of Kearsley, but it thrills a treat with an enticing which is inviting and barbed simultaneously. The two tracks provide further pinnacles to the album before closing track The Father You Will Never Be offers a final imposing croon and emotional ferocity restrained by melodic temptation.

The song is a fine end to a consistently and increasingly enjoyable release. Immension are still a distance away from finding a truly unique sound but In Vain shows that in craft and sound they have taken big and impressive steps. This is not an encounter to be surprised by or find brand new terrains through but as a proposition to simply spend forty five minutes or so enjoying potent melodic metal, it is a success many other bands will envy.

In Vain is available from June 15th through all stores.

RingMaster 15/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @


Immension – The Enemy Within EP

Immension Online Press Shot

Taking the promise offered on their debut self-titled EP, UK melodic thrashers Immension explore and take things to another level with new release The Enemy Within EP. Consisting of four accomplished and captivating slabs of thrash fuelled melodic metal enterprise, the release is a richly pleasing and thrilling further indication of one rather potent band emerging with UK metal.

Whereas previous EP had the strong scent of Bullet For My Valentine to its enjoyable bulk, The Enemy Within comes with a late eighties Metallica breath wrapped in flames from the likes of In Flames and Avenged Sevenfold. Like its predecessor the release has a familiarity which is unavoidable but again like the debut it works in only a positive and invigorating way with the Sheffield quartet putting plenty of their own twists and imagination into its presentation. Formed in 2008 by vocalist/guitarist Jake Kearsley and lead guitarist Tim Dolan, the band like so many endured early times of instability in the line-up but once bassist Hasan Ahmed and drummer Jonni Sowter were recruited there years later things clicked into place and Immension began making their imprint into an awakening awareness for their sound. Pulling good critical acclaim their first EP put the metal community in the UK on alert and now with the new EP it is fair to say the band has set themselves up in a sure spotlight.

The self-released EP opens with its title track and instantly has the guitars creating hot melodic flames to warm the ear as strong rhythms Immension Cover Artworkfrom Sowter offers strong provocation. As the intensity steels itself and breaks out greater sinews, the track charges into an intensive romp of scarring riffs coated in a toxic tonic of melodic adventure matched by the excellent vocals of Kearsley which are just as impressively backed by additional tones from the band. It is a contagious anthemic call bringing extra addictiveness to the already compelling sounds where the guitar of Dolan stretches itself and the passions with excellent inventive craft and sonic persuasion.

It is a striking start from band and release which continues in the following Forevermore which seamlessly takes over. The only criticism here though is that the song is so similar in pattern and sound to the first that it is easy with less concentration to miss the fact that this is a new venture within the release. Despite that it is still a thumping encounter with the rhythms of Sowter and the throaty charm unleashed by the bass of Ahmed enslaving the ear for the vocals and once more scintillating guitar work to rise up and impress further within.

All That Remains takes top honours on the EP as it steps up next, the song stepping from a brewing emotive ambience cast by keys and guitar into a fiery expanse of melodic intensity courted by a muscular yet restrained breath. Steeped in Metallica like suasion and littered with at times metalcore bred vocals and sonic sculpting, the track is a masterful piece of songwriting and temptation stirred into a provocative wash of imagination and poetic melodies. Like elsewhere the fact that the song takes thoughts straight to an open source with ease is not an issue such the quality and skill presented within but it may be a problem ahead on future releases, though you also get the feeling that the band are evolving towards a truly distinctive voice anyway.

The closing In The Dead Of Winter returns to a similar appearance and presentation as the first two songs on the EP, but intensifies its rhythmic cage and melodic enticements to stand as another impressive and exciting confrontation of craft and passion. The mix of vocal deliveries is dramatic and outstanding as is the similarly blended sturdier and mellower essences of the sound, both aspects enrolled into a blaze of creative pulse racing, near riotous imagining.

The Enemy Within EP leaves you only wanting more from Immension and it is impossible not to return to it at least once more after any completion of its great offerings.  Though debatably we are still waiting for something truly original from the band, such the quality and inventive craft driving the EP, patience for that to emerge stance is steadfast and eager. Immension has all the tools to be a big presence in UK metal, just a matter of when if they continue to produce releases like this.


RingMaster 12/08/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

IMMENSION unleash ‘The Enemy Within’, on 12th August.‏

Immension Online Press Shot


Emerging Metal Crew ‘Immension’ stake a claim with the national release of their sophomore EP ‘The Enemy Within’, out in stores from Monday 12th August.
With influences spanning from ‘Metallica’, ‘ In Flames’ and ‘Arch Enemy’, Immension have forged an extremely attractive and inventive take on the metal genre.
Coming at you from Sheffield, Immension were born back in 2008 by founding members vocalist/guitarist Jake Kearsley and lead axe-man Tim Dolan. The early days of Immension were plighted due to a series of unreliable members serving as their rhythm section. All of this changed though when the duo recruited bea-tmaster, Jonni Sowter, and bassist, Hasan Ahmed, who both came into the fold in 2011. Since then, everything has finally fallen into place for the ascending metal combo.
The aspiring metallers proceeded to play a number of shows throughout the whole of the UK, and in passing, gathered an impressive underground following before releasing their self-titled debut EP which racked up critical acclaim in Terrorizer Magazine and Rocksound, as well as notching up widespread radio airplay from Total Rock Radio and extensive online coverage.
Now after the successful release for their self-titled EP, the band are set to release their new EP ‘The Enemy Within’. The record is a mighty impressive piece of modern metal that is captivating and original —no easy task given the current climate. The EP oozes four spanking new tracks of galloping metal merged with melodic passages and inter-woven guitar lines. Immension drop ‘The Enemy Within’ this summer and it’s destined to drop you to the floor.
Look out too for the band live throughout May and June.
IMMENSION LIVE: 31/05/13 – Regents Bar – BARNSLEY; 21/06/13 – The Dove & Rainbow – SHEFFIELD; 27/06/13 – Pit & Pendulum – NOTTINGHAM; 29/06/13 – The Maze – NOTTINGHAM; 27/07/13 – Coalfields Festival – BARNSLEY
Immension Cover Artwork