Beth Blade And The Beautiful Disasters – Show Me Your Teeth

Show Me Your Teeth is a romping stomping slab of hard rock; a tenacious roar of defiance, attitude, and hungrily rousing rock ‘n’ roll. It is also the new album from UK rockers Beth Blade And The Beautiful Disasters proudly hollering out all the reasons why the band is riding a tide of success and plaudits.

Fan and critical acclaim are no strangers to the Cardiff bred quartet with previous debut album, Bad Habit, luring high praise and attention. Around and following its success, Beth Blade And The Beautiful Disasters have shared stages with a host of major artists such as Electric Boys, Dan Reed and Danny Vaughn among a great many and appeared on the KISS Kruise last November with the likes of KISS, Ace Frehley, Bruce Kulick, The Dead Daisies, Vintage Trouble, The New Roses as well as played Monstersfest with Dan Reed Network, The Dead Daisies and Tygers Of Pantang. The last year also saw the band concentrate on writing and creating Show Me Your Teeth, an offering which as potent and enjoyable as its predecessor was, leaves it waving from its wake whilst suggesting 2019 will be even busier for the foursome.

Show Me Your Teeth builds upon all the striking elements of that first album with relish whilst bringing its own individual enterprise and adventure to the fore. Swiftly it reveals the growth in the writing and imagination of the band and their prowess in casting boisterous riffs, inescapable hooks, and anthemic old school classic rock nurtured temptation; this fronted by the electrifying and hearty tones of Beth Blade.  It is a bolder affair with a breath suggesting the band has completely lost the shackles of trying to please and impress people and just go with their own hard rock passions and instincts. Certainly inspirations such as Halestorm, KISS, and Black Stone Cherry can be heard but Show Me Your Teeth embraces all familiar hues to its very own vociferous heart and roar.

The album opens with the outstanding Secrets and fair to say as its opening lung full sees Blade fronting up ears we were hooked. From there with the fuzz of guitar for company, she continues to coax the song to its feet, an air of menace surrounding its emergence before erupting in a contagious, attitude driven infestation of punk and hard rock. That raw edge continues to fuel its confrontation and rapacious catchiness whilst vocal harmonies seduce around the stirring tones of Blade. The track soon proved irresistible, increasing its enslavement as a delicious predacious bass growl and devious hues of unpredictable imagination became more vocal.

Such the first’s rousing and impressive tempting, the album’s following title track had a hard time to match its presence but with a teasing blues lilt, melodic wiring which just wrapped around eager ears, and the already predictable vocal dexterity and talent of Blade here was little to relinquish full attention to before Give It All You’ve Got shared its old school spiced rock ‘n’ roll. As the previous track, there was a strong familiarity to the encounter but equally an energetically passionate heart within just as open craft which manipulated and scooped up an already seriously contented appetite.

There is something of an early Pretenders-esque scent to next up On And On at times which combines well with its blend of nostalgic and hungrily fresh enterprise while You And I is a web of guileful hooks and melodic adventure around vociferously candid vocals which easily set another lofty peak in the album’s landscape.

From that incitement of controlled yet raucous persuasion, melodic calm accompanies emotive intimation hugs ears within successor Crazy. It is a simmering heart though as flames erupts around reflection and melancholic beauty. The track never erupts into a full blaze but boils over with stirring cunning as it too sets a major highlight within Show Me Your Teeth before I Ain’t Got Nothin’ (If I Ain’t Got Rock N Roll) provides everything you would expect from its title as it swiftly pulled our rocker instincts and animation into play.

Across the likes of Lost In You and Into The Light, the album only continued to tighten its hold even if neither track quite flattened the inhibitions of song and listener as those before them. Even so both are a tantalising and thickly satisfying fusion of melodic wine and barely restrained rowdiness which just hit the spot though the following 1974 soon eclipsed both with its virulent stroll and creative temptation. Its sound unsurprisingly echoes the rock ‘n’ roll era of its title’s decade but adds mouth-watering hues of punk and power pop which take it to another level of greatness.

Who Do You Love Now? with its own multi-flavoured mix of styles and decades is just as expert in persuasion and adept at casting a spell of enterprise and sound; another seriously captivating moment set down and one more than matched by the muscular, predatory almost grumpy stomp of album closer Jack And Coke. Inescapably enticing riffs and grooves collude to enslave ears, each seemingly knowing personal wants in rock ‘n’ roll whilst the song growls with infectious savvy and anthemic irritability.

As it started, Show Me Your Teeth ends with one of its most inspiring and thrilling moments and with so many more in between it is an album which we can only forcibly recommend. It is classic and hard rock, it is punk and pop rock all bound into one roar; quite simply rock ‘n’ roll at its and most electrifying best.

Show Me Your Teeth is out January 25th.

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Pete RingMaster 26/01/2018

Copyright RingMaster: MyFreeCopyright

The RingMaster Review gets together with Spanish hard rockers JJ Friends in interview

Hello and thank you for taking the time to talk with us.

Can you present the band for the first time and give us some background on how everything started?

JJ Friends was born from the idea of Jose Jarque (voice) who after several bands decided to focus efforts on creating a group in which the closest musician friends participated. JJ Friends was born, 11 songs were written and the sound was worked on, a raw sound, pure hard rock with influences from the 70s and mix of 2018, a challenge that I think we have achieved.

Our style is pure hard rock.

How have those previous experiences with bands impacted on your creativity now and in the style and direction of the band’s sound?

All the components come from different backgrounds, with a wide career, between 20 and 25 years in rock. The impact is the power to make our rock more serene, more worked and with everything learned in the scenarios.

Our style is hard rock, we love it, we feel good, why change? No, we will not change; maybe we can play with more metal parts or more pop parts, but always with the hard rock base.

What inspired the name of the band?

Friendship…being able to work with great friends and what better then to translate it into the name directly.

Was there any specific idea behind the formation of the band and also in what you wanted and your sound to offer?

Yes, the main thing was to gather those friends with whom we felt the same for rock and from the beginning we wanted to achieve a sound, powerful, seventies but at the same time modern today, I think we achieved it with a mixture of riffs and sounds.

…And now?

The idea of our band is the work, we create the themes, we polish them in the rehearsals and once finished, we continue working on them, re-polishing, until we are ecstatic with the subject.

Since its inception, how would you say its sound has evolved?

The band has little tour at this time, it only has one year of life, but it has evolved giving way to new songs within hard rock, more compact, more real.

Do you let things grow and evolve organically or deliberately look to try new things?

We are rock sound, we must listen to ourselves, and we are completely organic.

Probably throughout the band there is a wide range of inspirations; are there any that has particularly impacted not only on the music of the band but its member’s personal approach to and ideas about creating music?

Really like everyone we have musical references, ranging from Beatles, Rolling Stone, Lynyrd Skynyrd, Whitesnake, Deep Purple, Motley Crue, Scorpions, Van Halen, and in what gives us now the music we can name, Inglorious, Black Stone Cherry, The Dead Daisies, Richie Kottzen, and many, many more.

Is there a process in the composition that usually guides the writing of songs?

Previously we started with a riff; from there we composed a base melody and started to work on it, a thousand changes of structure, melody, etc. … until leaving a complete and compact base, then as indicated above, work without rest in the song.

Where do you most often draw inspirations to the lyrical side of your songs?

All themes are the product of our experiences, both personal and visual, sentimental etc. … a hard day of work, the feeling for our music, lack of love, love, party, etc. …Even a theme in which we reflect the feeling of the first minutes of being a father.

Are you a band that enters the studio with songs in their final state or do you prefer to develop them while recording?

When we enter the studio we have or try to have everything defined and very worked; really in the studio we go very fast and do not earn too much money with us studies, hahaha.

Tell us about the live side of the band, probably the band’s favourite aspect?

The party, we are a band that has fun on the stage, we try to give the warmth to the public, we want them to enjoy as much as we do; on stage we are partiers, we involve all the public and we want them to sing with us.

It is not easy for a new band to have a regional impact, let alone nationally and farther away. How are you finding it?

We are still in the process, it is a very difficult road, we know it, but we will not stop until the end.

Once again, thank you very much for sharing your time with us; something you want to add or reveal for the readers?

Give them the grace for your work and for including us in your magazine, we are delighted and we want JJ Friends to be heard in all corners of the planet.

Check out JJ Friends further @ https://www.facebook.com/JJ-Friends-969137536525542/

Pete RingMaster 17/01/2019

Copyright RingMaster: MyFreeCopyright

Beth Blade & The Beautiful Disasters – Bad Habit

Gaining an increasing reputation and support for their hard rock nurtured sound, South Wales hailing Beth Blade & The Beautiful Disasters raise the ante with the release of debut album Bad Habit. It offers a lively and tenacious roar, already drawing comparisons to artists such as Halestorm, Joan Jett, and Heart, which swiftly has the body and appetite eagerly involved in its instinctive rock ‘n’ roll.

From Cardiff, Beth Blade And The Beautiful Disasters have quickly recruited and built upon an eager and loyal local following since emerging. The time since has seen them stomping across the UK with their own tours and with the likes of Marco Mendoza (Thin Lizzy, Whitesnake, The Dead Daisies) as well as sharing stages with others such as Ricky Warwick and Damon Johnson of Black Star Riders. Recorded with Nick Brine (Thunder, The Darkness, Bruce Springsteen) at the legendary Rockfield studios and Leeders Vale, and mastered by Pete Maher (The Rolling Stones), the crowd funded Bad Habit is a hefty poke at bigger national attention with success an easy to assume expectation.

Opener Hell Yeah swiftly has ears grabbed, its opening lure of riffs accompanied by the moody tone of the bass; instinctive attention inviting by them well before the fiery flames springing from Chris Gould’s guitar ignite with classic rock spicing. As rhythm guitarist Beth Blade brings just as tasty riffs into play, her vocals command even greater focus while giving richer strength to the song. Like a mix of Suzi Quatro and Cherie Currie, she stands bold with a tenacity matched in the infectious sound hollering around her.

It is a great start quickly matched by the album’s title track; a slice of foot stomping, chest beating heavy rock led by the swinging beats of drummer Sam Brain. Its forceful attitude is epitomised by the brooding tone of Nicko Goodwin’s bass, its menace tempered skilfully by the wiry melodic tendrils of guitar similarly coming at ears with a touch of discontent. Its rousing qualities are swift incitement to physical and vocal participation before Beautiful Disease offers its own potent blend of catchiness and predacious threat. Muscle and melody unite across the menacing prowl of a song which shows the band as adept at creating more composed and moody proposals as they are at flying at the jugular in spirit rousing charges.

Down And Dirty lives up to its name next, its bluesy grooves tonic for hips as rhythms and riffs surround the increasingly impressing tones of Blade with their grungy antagonism while Poster Girl For Pain reveals another aspect to the Blade’s songwriting and the band’s sound with its power driven balladry and emotive intensity. It is a slowly burning encounter compared to the hungry exploits of its predecessors but a temptation becoming more potent and irresistible with every passing minute and listen.

The heart bred snarl of This Bitch Bites fuels both vocals and music, Blade a spiky treat within the track’s quarrelsome nature. Again attitude soaks every strain of sound and intent escaping the excellent song, its defiance and combative contagion equally lining successor Hell In High Heels though its blues rock inflamed body has a ‘lighter’ and more keenly catchy nature which might not impress as addictively as the antics of the previous track but leaves pleasure in another lofty place soon reinforced by the classic rock ‘n’ roll nurtured romp of If You’re Ready To Rock. Carrying no real surprises, the song lacks the spark of its companions for personal tastes yet easily keeps enjoyment and feet firmly involved.

The album is brought to an end by firstly the heated beauty of Angel With A Dirty Face, Blade sharing a croon as magnetic and captivating as her rebel rousing deliveries elsewhere, melodies simmering and boiling up with equal elegance, and lastly through the ballsy, swagger loaded rock ‘n’ roll of Legends Never Die. It encapsulates all the galvanic and creatively vociferous qualities of the Beth Blade and The Beautiful Disasters sound and indeed Bad Habit itself in its bones, leaving instincts aroused and a hunger for more leading fingers keenly back to the start button.

Beth Blade and The Beautiful Disasters might not be the most unique proposition around right now in sound but for a fiercely enjoyable and raucous holler easy to get off on, they set a mighty example.

Bad Habit is out now @ https://bethbladeandthebeautifuldisasters.com/store

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Pete RingMaster 23/05/2017

Copyright RingMaster: MyFreeCopyright