WetMoss: Self Titled EP

Wet Moss

If you are looking for some fresh psychedelic rock caresses to spark up your day then you could do far worse than checking out Swiss quarter WetMoss. Having just released their self-titled debut, the young band from Baden is a promising and imaginative collection of like-minded musicians who explore their musical vision as fully as they realise it with exploratory and inventive sounds. The EP is not a release which explodes upon the senses to thrust them into another state of mind but one which caresses and coaxes with melodic elegance and sonic teasing whilst guiding thoughts and emotions to a warmer expansive place.

The bio for the band states it was in 2010 that the band escaped the winter locked in with their instruments to create long jam sessions until the realisation of taking it all public was the next step. The band name came about at the same time when ‘while rushing out one of us slipped and landed with his face into something muddy. He then turned his head and said: “F***ing Moss, why does this sh*t have to be so wet?”’ Gigs followed before venturing into the studio to record their first release. At the time of its release WetMoss also supported US band Sleepy Sun the show marking another step in their adventure alongside one of their favourite bands. The EP is an accomplished and inventive release which will find a ready home with fans of psychedelic rock whilst finding further welcomes with many melodic rock fans. If like us a bruising and destructive lilt to your sound is a preference the band has a muscular and intense aspect to their sound which offers much to find satisfaction from.

After the atmospheric instrumental Introduction which is like an aural dawning sunrise, chilled yet welcoming, the release 4167166274-1stretches its arms with Empty Hands. A gentle strummed stroking of the ear leads one into the charming presence of the song; the sultry guitar wines a delicious heated dazzle amongst the mellow caressing vocals of bassist Pierfrancesco Monteleone and acoustic kisses which make for the strongest compelling persuasion. Guitarists Tobias Stich and Stephan Ryf, with his additional rewarding keys, help thoughts drift off into emotive avenues though it is the combination of all which seals the ticket for the impassioned journey of the song.

From the great start the release steps into the more unpredictable world of Arms Of The Universe. Starting with a pulsating bass prowl from Monteleone and tender rhythmic taps from drummer Mike Schweigler the song reveals a snarl lyrically and vocally to match a raise in temperature and energy. Like the first it is a slowly strolling piece of songwriting which invites interpretation alongside its open intent whilst continually sparking flames of sizzling guitar play and sending sonic shards of melodic spearing through its skies. At times more from the vocals than anything there is an Arctic Monkeys spited whisper shouting out which offers something different to an already open show of variation on the release.

Both Hidden Signs and Revolution bring further diversity to the EP within the enveloping warm soak of progressive and psychedelic breath. The first is a smouldering wash of passion and expressive touches which is mesmeric before evolving into a more generous energetic stomp which gives voice to the heart and affections. It is a superbly crafted song which captivates from start to finish with equal effect across its whole shifting presence brought by the constant impressive musicianship. The second of the two is a fiery piece which takes one back further to the seventies whilst holding a likeness to band such as The Brimstone Days now. Once more the band mixes things up to continually intrigue and delight and offer something for most tastes and preferences within their aural remit.

Closing song Lines though admittedly not finding the same enthused acceptance as previous songs is still a track which gives evidence of the skill and invention of the band. A slow burning weave of sound which is a progressive trip all of its own, it is a tightly sculpted yet organic flow of ideas and music which will please core fans of psychedelic rock anywhere even if lacking the spark to thrill as the songs on the rest of the EP.

WetMoss is a promising and inventive band which uses the strengths of its chosen genre to great and appealing effect, their EP a definite investigation for all psychedelic and progressive rock fans.

www.wetmoss.bandcamp.com

www.facebook.com/wetmoss

RingMaster 03/01/2013

Copyright RingMaster: MyFreeCopyright

The Brimstone Days – On A Monday Too Early To Tell

If the heady days of soulful blues soaked 60’s and 70’s rock ignite your heart and the likes of Hendrix, Led Zeppelin, Bad Company, and Free send your emotions and pulse rate soaring then a new and equally impactful treat is just waiting for your adoration. The Brimstone Days is a band from Malmö, Sweden, a trio who live and breathe those inspirational days whilst their creativity sows those old seeds within its own unique imagination to bloom impressive and powerful songs as within their new album On A Monday Too Early To Tell. The band and their release takes you back to those heated groove filled times whilst brewing its flavours through their modern energy and invention. It is a vibrant pleasure and an essential listen for all blues rock fans.

The Brimstone Days began with vocalist/guitarist Hakan Lanz and drummer John Malmqvist driving off boredom by forming Blue Windmills. Playing as a blues /rock duo the band soon realised something was missing so brought in bassist Elias Dellow and changed the band name to The Brimstone Days. 2009 saw the release of their debut EP Flowers and Rainbows as the trio continued to light up stages with their irresistible sounds around the Malmö -Lund region. Not long after the EP came out Dellow left the band and was replaced by Hampus Hallgard, the new line-up energising the band further with its varied musical tastes linked by the love of sixties and seventies rock. The following year brought the release of their self titled album, its arrival well received and eagerly digested. Having gigged all over Europe the past years, the band has unmistakably matured and evolved further, with On A Monday Too Early To Tell the irrepressible evidence that the band has elevated all aspects of its craft, from songwriting to sound, and that their passion is as potent as ever and always sleeve worn.

Released through Transubstans Records, the album immediately opens on a major high in I Need Soul, a song which envelops the ear with a teasing swagger and infectious declaration, its heart and enthused energy an instant contagion to unleash ones inhibitions to. It is a confident piece of rock which is unafraid to settle back at times to build a crescendo of garage sixties fuelled melodic heat; it is also a song which has one on their toes physically and emotionally to share the warm eager skies it strolls.

From such a strong and irresistible start many bands might have lost impetus such the quality of the song, but The Brimstone Days just lays layer after layer of sensational sounds and impassioned energies brought with sharp invention and fired imagination. The likes of the hungrily grooved What Do You Want light up every corner of the senses with its simple yet incendiary breath, whilst songs such as the devilish Same Old Story, the catchy Burry The Hatchet, and the growling bluesy One-Two-Two, simply grabs one by the scruff of the neck and lead into an unbridled tempered riot of melodic fires and addiction forming grooves.

The vocals of Lanz are outstanding throughout, his delivery carrying whispers of so many greats from the past within his own inspiring tones. Within the slower prowl of Helping Hand his plaintive style really stokes the emotions and on what are predominantly energised storms of sharp melodic enterprise and energies elsewhere he leaves smouldering trails behind his powerful delivery.

Bigger highlights, though the release is one colossal one, come with the thumping title track, a demon of a blues rock conjuration, and the delicious Captain Tom. The second of the pair has a unique character amongst songs which are nothing less than diverse anyway, its pulsating saunter veined with great backing vocals and an acidic guitar sound to mesmerise completely, the result one breathless listener. It is masterful, a track just exuding flames of artistry and impassioned imagination.

On A Monday Too Early To Tell is a dynamic and absorbing album which only enlivens and illuminates the day and senses. The Brimstone Days are on the verge of major recognition, it definitely starts here.

http://www.thebrimstonedays.com/

RingMaster 25/09/2012

Copyright RingMaster: MyFreeCopyright

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