Kabul Golf Club – Le Bal Du Rat Mort

Disorientating and mesmeric, scarring and insatiably infectious, the Le Bal Du Rat Mort EP from Belgium sonic conjurors Kabul Golf Club is pure manic genius. It is a release to boil the senses and scatter synapses to the four winds, though it has probably turned them to steam anyway through its sheer incendiary imagination and sizzling expulsions. A snarling and abrasive explosion of corrosive invention it is hard to categorise the sounds within its pulsating walls. Post punk, noise rock, post hardcore, psyche punk…it is all in there and more. Imagine a mix of Dope Body, Retox, The Blood Brothers, The Mae Shi, and Stump and you have a slight grasp of the beautiful discordant monstrosity that is Le Bal Du Rat Mort.

The opening flaring chords on first track Bits Of Freedom eagerly scrape the ear without giving full notice of what is to come, though it is not long before the full force of the song is waging acidic romance upon the senses. Vocals scorch the atmosphere with passionate squalls of lyrics and sound whilst the drum beats provoke primal responses, it all within a ferocious burning maelstrom of blistering guitar mischief and abrasive energy. The bass is a growling salt within the midst its presence highlighted in the less forceful flurries but ever rubbing away at the defences throughout. The song is masterful and the first of the five epic and most welcome intrusions.

Minus 45 to offer a sonic joke raises the temperature even further, the band wringing the wildest squeals from notes and melodies whilst the bass finds an even stronger belligerence to its gait. With discord fuelling every second of the song for the fullest rapture, it is an acerbic assault, its hunger carnal and rewards aurally orgasmic. There is a live feel to the song and release as a whole which suggests its recording was in that manner, everything organically barbed and inciteful.

The waspish starting swing of Fast Moving Consumer Goods is a mellower scour upon the senses yet still riles the edges of emotions and flesh perfectly. A less punishing breath is soon ignited in sonic spasms by malevolent satanic melodies, again all brought with the utmost of insistent discordance and visceral energy. For many its brief stature will be a mercy, for us it is a disappointment, the exquisite corruption far too swift to take its leave.

5 Minutes 2 Midnight brings a similar presence to the previous track but soon notches up the levels and heat through warped  melodies and venomously twisted hooks. As with all the songs they are near perfect pop songs…ok for the insane but if they make that unbreakable connection they all emerge as a flurry of imaginative melodies, irresistible hooks, and anthemic rhythms, just from a darker and less savoury dimension is all. With a vein of eighties post punk band Fire Engines about it the song is a wanton demon borne bruising of the psyche, and absolutely brilliant.

The closing track Demon Days is an exhausting finale which encapsulates all that came before in one furious sonic sawmill of aggression. Its sounds scythe through the ear leaving resonating energy long after departure and the mind a broken recipient greedy and begging for it all over again.

Le Bal Du Rat Mort is an unhinged giant of a release, a beautiful frenetic and psychotic masterpiece which is maybe the most exciting thing to appear this year. Kabul Golf Club is a band we will all hear a lot more of, let us hope our minds can stand up to their triumphantly dangerous imagination and sound.

https://www.facebook.com/pages/Kabul-Golf-Club/157594060945110

RingMaster 28/09/2012

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Cauls: EP2

If you are looking for a band to offer something different, music which is equally challenging and rewarding than look no further than British post hardcore band Cauls. They are a band which has ignited the North East of England and beyond with their inciteful and imaginative sounds, now with the release of their new collection of stunning sounds named EP2, the band is ready to intrude on and ignite the nation.

The bio sheet for the release from the Newcastle quartet states that their sound has evoked comparisons to the likes of At The Drive–In, mewithoutYou, Deftones, and Mars Volta. It really is hard to disagree though you can add essences from others such as Fall of Troy, Sunna, and to a lesser extent The Blood Brothers, such their expansive and impactful sound. The EP is stunning, a thrilling and chilling in the respect of tingles it ignites, release which inspires mental and physical reaction throughout and beyond its leaving of the ear.

Formed in 2009, the line-up of guitarist Graham Morris, bassist Andrew McCaffery, and Chris McManus on drums, impressed and fired up hearts with their impressive live shows and muscular progressive instrumental sounds. The trio though felt something was missing and after a lengthy searched for, found and recruited vocalist Michael Marwood and the rest is glorious if still young history. Their two twin track releases in If Bored, Pull Tab Marked Tab and Crave Divan of last year set ears burning with hungry satisfaction but with the new release the band has emerges as something even more immense and mightier, the music leaping from great songs on the previous releases to extreme quality on EP2.

Released on September 24th through Blank Records, the release is astonishing and thoroughly refreshing; the band creating sounds which leaves one breathless and glowing in its uniqueness and skilled soundscapes. The release opens with Whistler, its atmospheric start emerging from a resonating primal bass twang and plunging rhythms. As the guitars singe the air with their sonic caresses the bass finds a snarl to its watchful brief, holding back its intent as the melodic mini suns and expressive heated vocals light up the haunted ambience. All the time the track is slowly evolving into a storm of blistering energy and passion for a burning climax, and an excellent start.

No Motion is an At The Drive-In/Radiohead flavoured piece of joy equipped with acidic melodies and Joy Division like discord. Maybe less dramatic than the first track it still fires up the imagination and appetite which the following Iris Brickfield eagerly and very successfully feeds. With intimidating whispers and soaring vocals the track is a hypnotic and darkened ambient clasp on the passions, ethereal and raw, warm and shadowed, and quite majestic.

After the brief melancholic instrumental The Durande, the release ends on the towering Ahsonnutli, an eight minute triumph encapsulating the magnificent musicianship, inventive songwriting, and emotional impact of the music in one perpetually evolving slab of sonic grandeur. Its starts as a riot before settling into a reflective soul, though soon it is crusading through an array of seamlessly connected and fiery sounds, the band seeding elements of doom, stoner, ambient, and aggressive rock to their progressive weave. It is startling, glorious, testing and fully rewarding.

EP2 is a masterpiece, a release which marks the band as one of the most talented and inspirational emerging bands in the UK and beyond. Cauls will burn your ears whilst treating them to the best original and gratifying sounds heard in recent years.

www.facebook.com/caulsband

RingMaster 18/09/2012

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