Hellbound Hearts – Film Noir

Like all music fans we breed real anticipation for certain and numerous releases each year but few as eagerly as that for the first album from British rockers Hellbound Hearts. Because of a pair of rousing and acclaimed EPs, the Yorkshire hailing trio has stirred a real appetite for their fervour driven rock ‘n’ roll. Now we can say that those early successes were just appetisers because without doubt Film Noir is the main meal from the band.

One of the things which could have been said about both the EP’s, Outside and The Proximity Effect and also their self-titled debut before that, was that the Hellbound Hearts sound was whilst individual not always truly unique in the crowded landscape of alternative rock, though certainly evolving with every release towards that aim. It is something the trio of vocalist/guitarist Danny Lambert, bassist Craig McLaren, and drummer Lee Brook took note of as explained by Lambert when talking about their first album and how it turned out not as originally intended. “It wasn’t working“, he recently admitted, “we’d had some changes and time to reflect, and whilst the songs were good, we strongly wanted to be our own band and not be like a 1000 others flooding the market. So we canned the album, went back to the drawing board and re-grouped, re-composed and wrote a bunch of new songs, much more fitting with our sound.”  The result of that bold move and concentrated effort is an album which comes alive from its first breath, never relaxes its energies and arousal of ears until the final note, and unmistakably provides a singular body and character of adventure.

Produced by Matt Ellis (Black Spiders, Terrorvision), Film Noir gets right down to business with its opener and recent single Suffering The Radio. Dark brooding keys hug ears initially, the melancholic air of a piano just as swift in its suggestion before from within their shadowed caress a strike of guitars sparks a rumble of riffs and rhythms. Stirring and arousing, the deluge of temptation shows restraint as it welcomes the potent tones of Lambert backed by McLaren and Brook, a union aligning with swinging hooks and a great grumbling bass groove. Inescapably infectious and boisterous, the track hooks ears and listener involvement, inhibitions dismissed for a peach of a persuasive chorus as the heart of real rock ‘n’ roll descending on the mundane and mediocrity of the modern music world above the underground.

The superb start is matched by the virulent exploits of Broken Hearted where again aggressive textures and warm melodies entangle in a contagious roar. Riffs and rhythms prowl with rapacious relish whilst hooks and vocals come littered with infectious enterprise. There is a touch of Jimmy Eat World meets The Wildhearts to the song but already the album is deep in unveiling a Hellbound Hearts only owned proposal, revealing more with every passing minute and songs like next up Poor Disguises. Taking its time to rise up, almost stalking the listener with its predacious beats and subsequent bass groan, the song stands tall with hungry riffs which in turn spark a punk fuelled charge of attitude and energy which continues to infest the song’s tenacious and grouchy rock ‘n’ roll. Lambert’s warm tones bring a fine temper as too melodies though they have a touch scorching senses like licking flames; everything adding to a stomping slice of punk ‘n’ roll.

New single The Light We Cannot See follows with its own galvanic nature and air, again rhythms and riffs carrying a heavy and heady thump as grooves entangle their menace with flirtatious and catchy endeavour. Calmer twists and suggestive textures add to the track’s lively drama and wistful emotion before the reflective Still We Wait ebbs and flows with initial emotive grace. It is a coaxing though into a far darker and tempestuous realm, surges of almost Rob Zombie like riffs and intensity bursting free whilst surf rock kissed melodies shine radiantly upon the turbulence, both contrasts merging for passages of pure ravenous rock ‘n’ roll. With the growling breath of McLaren’s bass and Brook’s dynamic rhythms, the anthemically fuelled track is quite glorious.

There is a great whiff of Therapy? to next up Blood, at times of Pitchshifter too, yet the song entangles ears and pleasure in wiry creative tendrils openly peculiar to Hellbound Hearts while Wake Up flirts with a mixture of pop punk and hard rock for its easy going and firmly captivating enticement before We Are All Alone shares its own moment of reflective honesty against an increasing gnarly bassline, rapier like beats, and metal urged sonic dexterity. The track does not quite light personal tastes as powerfully as many of those around it even with its Terrorvision spiced hues but easily leaves satisfaction greedily content.

The album is closed off by firstly the insatiable heavy rock growl of Fortunes and finally the hellacious incitement of Silent Horror Movie, both tracks in their individual ways webs of stylish temptation and instinctive infection with the former a more pop rock soaked contagion and the latter a ferociously hungry roar uncaging the primal rock ‘n’ roll.

Hellbound Hearts have been no strangers to praise and success but Film Noir leaves all before it dead in the water. It is an exhilarating slab of rock ‘n’ roll which truly only gets better and more irresistible with every listen.

Film Noir is released April 7th through https://www.hellboundhearts.com/   and digitally across most online stores.

Upcoming Hellbound Hearts Dates

8th April – LEEDS, Key Club (album launch show)

16th April – BOLTON, B-Festival (Alma Inn)

3rd June – KEIGHLEY, The Exchange

23rd June – DUNDEE, Firefly

24th June – EDINBURGH, Bannermans

8th July – WESTCLIFFE ON SEA, The Venue

11th August – LEEDS, Yorkshire Rock And Bike Show

https://www.facebook.com/wearehellboundhearts    https://twitter.com/hbhuk

Pete RingMaster 06/04/2017

Copyright RingMaster: MyFreeCopyright

Patriot Rebel – Cynics Playground

PatriotRebelPromo_RingMasterReview

With their first new slabs of muscle bound rock ‘n roll since the Two Worlds EP in 2013, UK quintet Patriot Rebel take another attention grabbing and impressive step to the fore of the British rock scene. Quite simply the Cynics Playground is a thumping collection of rousing incitements, a multi-flavoured EP that stirs up the spirit.

Formed in 2011, the Nottingham hard rockers have constantly honed their sound and lured greater focus the way of their ear pleasing creative roar. Drawing on inspirations ranging from Alter Bridge, Shinedown, Black Stone Cherry, and Avenged Sevenfold, Patriot Rebel poked at acclaiming attention with the aforementioned Matt Elliss (Black Spiders, Terrorvision, Skarlett Riot) produced Two Worlds. Live the band equally earned a potent reputation, taking in shows with the likes of Y&T, Tesseract, The Treatment, Jettblack, and Skarlett Riot along the way. Last year saw the release of the similarly striking video single Propaganda, a track taken from their first EP. Now with Ellis again at the helm, the band returns with Cynics Playground and a sound which has noticeably grown in maturity, power, and downright magnetism.

Patriot Rebel Cover Artwork_RingMasterReviewOpening up with Digital Mannequin, the EP hits the ground running. Led by the most irritably growling bassline to get an appetite for, the song is soon driving through ears with the riffs of guitarists Danny Marsh and Dave Gadd stirring the senses as vocalist Paul Smith roars. It is a thick and almost muggy assault with every element crisp and precise within the infectious tempest, throughout Marsh’s grooves entwining the imagination, binding the sinew swung beats of Aaron Grainger and the persistently grouchy tone of Will Kirk’s bass.

It is an outstanding start, with at times a whiff of System Of A Down to it, which leaves a lingering impression and pleasure before being matched in creative kind and potency by Self Hate. The second track similarly has ears and eagerness devouring its robust throes of riffs and rhythms, presenting another imposing yet inviting entrance which commands attention and enjoyment with swift success. Smith again stands magnetic within the boisterous energy and aggression offered, his delivery a fiery snarl with contagious prowess to match the virulent enterprise of the guitars and rhythms, which in turn means one stirring encounter.

Two songs in and the Patriot Rebel sound while never afraid to reveal some of its influences, shows itself to be at its most unique and individual yet, the emotive power balladry of Dying Breed continuing that welcome trend as it ebbs and flows with emotional and physical intensity amidst sonic invention. More a smouldering success than its predecessors, the track emerges as another highlight within Cynics Playground, being quickly equalled by the rhythm swinging, antagonistically riffed All I Wanted. It is a beast of a proposal, that irritability of bass in the opener fuelling every aspect of the mighty incitement. The song takes no prisoners, guitars and beats biting as they entice and land alongside the predatory nature of the bass which in turn courts the catchy lead of the vocals and the infection sharing instincts of the track itself. Equally though, there is room for some sonic and exotic melodic imagination to be seriously tempted by.

The EP closes with Miss-Guided, a song which reveals all the Patriot Rebel attributes with consummate ease while sharing the new depth and adventure in the band’s sound. Though it might not quite live up to those before it, the song is an impressing finale to a thrilling release. Cynics Playground is Patriot Rebel on a new plateau yet the feeling is that the band is still working towards their true creative heights; so happy days for UK rock ‘n’ roll ahead we suggest.

The Cynics Playground EP is out now through all stores.

https://www.facebook.com/patriotrebel    https://twitter.com/patriotrebeluk

Pete RingMaster 24/06/2016

Copyright RingMaster: MyFreeCopyright

Devilstrip – Rise

Devilstrip Promo Shot_RingMaster Review

This month sees Rise, the debut album from US rockers Devilstrip get its UK release and show what those over the pond and especially in Akron, Ohio know, that the trio is one thickly enjoyable hard rock roar. The ten track encounter offers an infectious and rousing proposal rich in heavy grooves and melodic tenacity upon robust rhythms; the result being rock ‘n’ roll to get eagerly close up and personal with.

Formed in the closing weeks of 2012, Devilstrip consists of lead vocalist/guitarist Marc Wasmund, bassist/vocalist Graig Lindgren, and drummer/vocalist Jimmy Gray. Drawing in inspirations from the likes of Black Stone Cherry, Live, and Foo Fighters, the threesome soon set about penning tracks built on the intent to “create something original, yet accessible”. Debut single Go lit ears first, its well-received release also the touch paper to the band’s hunger to play live, an appetite seeing them share stages with bands such as Europe, Buckcherry, Jared Weeks, Girl on Fire, Saving Abel, and L.A. Guns amongst many over time. Fair to say, Rise only reinforced the band’s emergence in the US underground scene, drawing plaudits from critics, media, and fans alike. That success is surely to be expected in the UK moving into Europe now as the Devilstrip sound makes its invitation through Rise.

Not What You Need is the first slice of bait from the album, its initial low key and atmospheric sonic coaxing a deceptive lead into the swiftly fiery and boisterous heart of the song. Riffs and rhythms are soon a choppy lure over which the potent tones of Wasmund entice as agreeably as the slim grooves and melodic tempting also exposed. It is easy to see where that Black Stone Cherry spicing comes into the band’s music in the opener alone, though it is not an overpowering essence in the broader heavy rock character of the song.

Devilstrip Cover Artwork_RingMaster ReviewIt is a thoroughly enjoyable start but quickly outshone and played by Go. From the off, flirtatious grooves and melodic charm holds ears as country rock meets grungy hard rock flavours colour the track and imagination. In no time hips twist as eagerly as those grooves and feet dance as tenaciously as rhythms, Wasmund the vocal ringleader to it all in the increasingly varied proposition. More irritable and antagonistic as it goes, the track has ears hungry for more which Including Me more than feeds with its outstanding revelry. For all the references offered as hints to the band’s sound, this track is like Terrorvision at their inventive best; a tone and spicing which does the song no harm at all. Across Rise, there are many familiar scents and essences of bands and supposed influences yet, as here, they only add to the nature and infectious weight of the album.

Both the swinging temptress that is Are You Ready and the punkish Kill The Headlights keep album and ears in thick unity, the first an insatiable flirtation of grooves and anthemic theatre whilst the second stomps and swaggers around one delicious throaty bassline. Its punk n’ roll flavoured canter come prowl is a lively affair with the right mix of devilment and intimidation to have feet leaping and emotions cornered in preparation for the resourceful confrontation of To The Enemy. A great steely bassline opens things up, its irresistible bait soon joined by sonic flames and stabbing beats before all three collude in a predatory courting of ears. Things relax a smidgeon as the vocals reflect the song’s lyrical heart but always there is a volatile atmosphere to sound and voice sparking feistier evocative eruptions of emotion and energy.

The crunchy presence and emotive reflection of Ugly comes next, its pleasing if slightly unadventurous offering allowing no lessening of attention, as neither does Light Up The Room straight after. Again there is a punk hue to the air of the subsequent power ballad spiced encounter, more essences showing the flavoursome and varied songwriting of the band before Love, Hate, Die backs all thoughts with its potent croon and melody soaked intensity. Like its predecessor and indeed the following She Said, there are plenty of aggressive turns within scenery draped in melodic charm and prone to angst fuelled roars, and as the other pair, plenty to be captivated by. With She Said enjoying a great tempestuous climate, the trio conclude Rise in fine style, though for personal tastes, the album is at its loftiest in the first half dozen tracks where they seem to have much more character to their imagination and devilry.

Nevertheless Rise is a gripping slab of hard rock from a band we can only hope to hear and see more of this side of the Atlantic from hereon in.

Rise is released in the UK on January 22nd Through All Stores.

http://www.devilstriprocks.com   https://www.facebook.com/Devilstripband   https://twitter.com/devilstriprocks

Pete RingMaster 22/01/2916

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

Patriot Rebel – Propaganda

Patriot Rebel Promo Shot_RingMaster Review

British alternative/hard rockers Patriot Rebel provide raw and rousing rock ‘n’ roll as virulent as it is ravenously aggressive. They proved it with their outstanding Two Worlds EP in 2013 and do so again with new single Propaganda. The song is a raw and explosive confrontation, an anthem to get fully involved in straight away but emerging even stronger and more impressive with every listen.

Though formed around 2007, it was arguably when the current line-up of vocalist Paul Smith, guitarists Danny Marsh and Dave Gadd, bassist Will Kirk, and drummer Aaron Grainger came together that the Nottingham hailing Patriot Rebel found the truly potent spark to their sound and in awakening eager attention. Inspired by the likes of Stone Temple Pilots, Alter Bridge, Black Stone Cherry, and Velvet Revolver, the quintet created a musical proposal which was soon invigorating ears and appetites, shows with bands such as Tesseract, Jettblack, Skarlett Riot, Cornerstone, Earthtone9, Spirytus and Violet over the years the live proof and Two Worlds the potent studio evidence. The Matt Elliss (Black Spiders, Terrorvision, Skarlett Riot) produced EP certainly drew acclaim and keen focus from old and new fans as well as the media upon its uncaging, which the band’s live presence has only driven on and now Propaganda can only kick into greater reaction again.

Patriot Rebel Cover Artwork_RingMaster Review     The single is taken from that earlier EP but manages to hold a fresh breath and character now standing alone as the band’s new protagonist. It is also a teaser of sorts for things to come, Patriot Rebel most likely in the studio, again with Ellis, as you read this. Sometimes tracks show a new light upon their depths and presence when taken away from an album or EP, and fair to say Propaganda, for whatever reason, manages to do the same as it roars from its opening second through to its last. From an initial sonic lure of a second of two, thumping rhythms prowl and riffs stalk the senses; their intimidation crouched over by the distinctive tones of Smith. The predatory start of the song and his croon subsequently triggers the embedded contagious might and stride of the encounter, grooves and melodies entangling in an irresistible tempting still graced by the formidable and throaty nature of bass and drums.

The song is a blaze of anthemic rock ‘n’ roll, luring the listener with its verse and leads into the irresistible chorus where full involvement from band and listener is a given. There are no truly major surprises within the song, the band’s influences open spices, yet it has a resourcefulness and enterprise which leaves expectations empty and enjoyment full to bursting.

Patriot Rebel continues to impress and though Propaganda is taken from their previous release it only thrills and ensures anticipation for the band’s next exploit will be greedy. Completed by a great acoustic version of Propaganda too, and accompanied by one equally enjoyable video, this is one single for new and old fans to spend a riotous summer with.

Propaganda is available from 3rd August.

https://www.facebook.com/patriotrebel        https://twitter.com/patriotrebeluk

Read our interview with Patriot Rebel @ https://ringmasterreviewintroduces.wordpress.com/2015/06/19/rousing-spirits-the-patriot-rebel-interview/

RingMaster 01/08/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Rousing spirits: the Patriot Rebel Interview

Patriot Rebel Online Promo https://ringmasterreviewintroduces.wordpress.com/2015/06/19/rousing-spirits-the-patriot-rebel-interview/Shot

Having impressed and staked their place as one of the best emerging rock bands on the British music scene with debut EP Two Worlds last year, Nottingham quintet Patriot Rebel release brand new single Propaganda August 3rd. Between releases the band has reinforced and increased their stature with numerous tours and festival appearances, playing with the likes of Tesseract, Jettblack, Skarlett Riot, Cornerstone, Earthtone9, Spirytus, and Violet along the way. Having been one of many bowled over by their debut, the news of a new single meant we had to know more, so we cornered the band to talk beginnings, Propaganda, Matt Ellis and much more…

Hi guys and welcome to The RingMaster Review. Many thanks for taking time out to talk with us.

There may be still some yet to discover Patriot Rebel so can you give an introduction to yourselves?

Yeah we are a five piece hard rock band from Nottingham. Our sound is heavy and riff based with melodic vocals which is rare these days as most frontmen just get up there and make a noise as if they are clearing their throats in some cheaply made Lockets advert

Your sound is drenched in flavour and variety at its core, what are the predominant inspirations for band, its sound, and you as a musician?

I think our sound benefits from the fact that we all like very different things musically. We can regularly be overheard telling each other how shit each other’s music is as we pull up to our practise studio. But it’s all in good fun and actually when it comes together really helps the song writing process. If everyone came up with the same stuff week in week out I can imagine it would get boring pretty quickly.

I believe the band started around 2007 but is it fair to say that things truly clicked and began sparking attention when the current line-up came together a few years later?

Yeah it was 2007 that the idea came about after a couple of us had been doing a few open mic nights around Nottingham performing cover songs. As we started writing our own songs we wanted to expand and round up a drummer and bassist to get the sound we wanted and Patriot Rebel was born. We fluttered around many different band members for a good few years and it wasn’t until just before the Two Worlds EP that we finally settled with five members that really clicked together.

How did you all meet, was it solely because of the band or is there history before and away from it?

Two of us were good friends from school and that was why we started doing the open mic nights. We were out in Nottingham most nights getting drunk and stumbling onto various karaoke bars before we decided to find a guitar and do it properly. We advertised on various websites and even scattered some posters around the local rock bars for band members. We were actually surprised at how quickly we managed to throw a band together but it rarely stuck until the final members were found. It can be very difficult to find five lads that can all get along and have the same sense of humour but we did and it’s been great ever since.

With those early days of the band; what was the spark predominantly bringing Patriot Rebel to life?

Mainly alcohol…..and of course it was all new to us. Playing at just a local pub felt as if you were playing something much bigger and just a group of 15 people felt like a crowd. It was very exciting to play your own music to people that wanted to listen and that’s why we do it still now today.

Patriot Rebel_Reputation Radio/RingMaster ReviewWe discovered you through your excellent debut EP Two Worlds in 2013, a show stopper it is fair to say without blowing smoke up your egos ha-ha. August 3rd sees the release of new single Propaganda, how have you filled the time between releases?

We have been gigging the Two Worlds EP all over the UK. Edinburgh was a particular favourite of ours not just because of the show but the experience. We’ve modified an old transit van into a makeshift tour bus and it has made touring much more enjoyable than packing into numerous cars. Although sleeping in it wasn’t the best experience. It was very snug and it’s difficult to look each other in the eye after you’ve been ‘spooning’ the night before.

The new song is a beast of an anthem for ears and emotions, and a potent evolution to that first release. Where are the biggest differences between both encounters?

Well actually we have cheated a bit because Propaganda was recorded as part of Two Worlds. We are basically releasing it as a thank you to everyone who has supported Two Worlds and made a video to go with it.

Have you changed any specific elements in songwriting since the first release or is it just an organic progression fuelling your new endeavours?

Our song writing is always done on a feeling. If we feel like we are struggling to come up with something we tend to leave it be. Our best stuff tends to flow immediately and just clicks straight away. Sometimes we revisit old stuff and that works too.

Can you give some background to the lyrical side of the single?

It was written about an old work colleague of mine who would always try to belittle the younger lads and shit stir just to cause trouble. So Propaganda was my way of looking at it. People generally presume its war related but it’s not in the slightest…Although it’s good that some people take out of songs what works for them.

And musically any particular sparks brewing up elements?

Not so much musically. We tend to come up with various parts and then write the lyrics over the top. It’s not often the lyrics/song come first. But the music certainly matches the mood lyrically.

You recorded Two Worlds with Matt Ellis (Black Spiders, Terrorvision, Skarlett Riot), and the same again with Propaganda?

Yes definitely. Matt is brilliant at what he does. He doesn’t just record what we play; he actually makes suggestions and has ideas of how certain things could be done differently. I think that it is important to have this whilst recording. Sometimes a non-biased ear can help the way things sound without actually changing much at all.

He seems to have the touch in luring out every essence of your sound and its nuances?

He literally does it exactly how we imagine it should sound. We’ve used a couple of other producers over the years and none have come close to the sound quality that Matt gives us.PatriotRebel live_Reputation Radio/RingMaster Review

People might imagine one song would be a quick in and out of the studio to record and perfect. Give us the real insight to the single’s creation and journey.

To be fair Propaganda was quite quick in relation to some of the other songs. It has quite a raw sound and sometimes too much production can kill a song. It went really well but yeah recording can sometimes be quite tedious especially for the vocalists who have to wait until the end.

Is Propaganda the teaser for bigger things ahead too; another EP or album maybe?

That’s exactly what it is. We are booked in with Matt again at Axis studios for late July where we will be recording our next EP. We have a couple of potential titles for it but I’m afraid that’s classified information at this time. We will be working on more videos, merchandise and tour dates to coincide with its release which we hope will be early 2016

You said the song was recorded around the EP but does it still offer a real hint of your new songs or are there plenty of new surprises to anticipate?

A bit of both really. We will always have the unmistakeable Patriot Rebel sound but we have worked on new things which we think are sounding great. We are really excited about some of the new stuff and we think you should be too.

You mentioned it earlier so tell us about the video accompanying Propaganda.

It’s basically a mixture of band performance and storyline. We worked with our friend Chris Clough on this one and we are glad we did because his work is excellent…Really professional record quality. We also got the help of model Katie Wainwright to accompany the storyline sections of the video where she takes newspaper clippings and sticks them on the wall to create a twist at the end. We used Katy because what’s the point of making a video without a girl in a corset and short skirt right?

patriot rebelHow was that experience in the making compared to the recording of songs?

It was really enjoyable for us; we had a great time making the video. We have done videos before but not to this quality. The last one we did was just taken from various live performances so it was an experience for us to do it properly. We shot the video on two separate occasions and the second part was done in the basement of a pub which is always good. The first part which was the band performance was actually shot at my workplace. Which is weird for me but it came out really well.

You touched on the next release but anything else ahead for Patriot Rebel and its fans you can share with us?

We’ve got plenty in the pipeline, some of which we can’t reveal yet. But we will be back gigging very soon. In fact we have a show in Nottingham as main support to Jett Black on the 29th August. It’s part of Degeneration fest and will also include The Treatment so it’s a great line up.

Once again big thanks for chatting with us. Any words or thoughts you would like to leave us with?

Always a pleasure…We would just like to thank your readers and anyone else that has supported us over the years. Cheers

https://www.facebook.com/patriotrebel   https://twitter.com/patriotrebeluk

Thanks to Garry at SaN for arranging the interview.

Pete RingMaster

The RingMaster Review 19/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Perfect Fault – Electric Mountain EP

perfect fault photo

What to do if you have some spare time from your day job. Well if you are guitarist/vocalist Hywel Griff (Howl Griff), guitarist/vocalist Dan Edwards (Sons of Merrick/ Pig Irön), bassist Rob Taylor (Profane and the Sacred), and drummer Mark Sharpless (Sons of Merrick), you get a band together called Perfect Fault, descend on a studio, and create some tenaciously rousing rock ‘n’ roll. The result of their exploits is the thoroughly enjoyable Electric Mountain EP, a release unafraid to weave a tapestry of recognisable flavours into songs which what they lack in originality they compensate with hook laden virulence.

Recorded at the Cariad Studios in South London as mentioned on a downtime from its creator’s main projects, Electric Mountain is a richly pleasing stomp and a four track appetiser for a proposed album later in the year. It is fair to say that the release stokes the fires of anticipation for that prospect as easily as it leaves ears wanting more. Sometimes you only want sounds to rock out with, something adventurous within its own confines that fills the gap like a favourite meal, and Electric Mountain fits the bill from start to finish.

The encounter opens with its lead single Headstrong and immediately takes ears in a hug of crisp beats, bruising riffs, and a lure of spicy grooving. Vocals are a quick protagonist too, bounding across the increasingly eventful landscape of the song with relish and an anthemic presence to match the sounds around them. There is an old school feel to the song, its punkish tempting having a ring of rockers like Eddie and the Hot Rods and Dr. Feelgood whilst equally there is a grungier essence reminiscent of nineties band Skyscraper to the roar of the terrific opener. The song maybe a little low on surprises but in offering rich enjoyment it is full to bursting, just as its successor.

Electric Mountain Artwork   The following Cup Runneth Over strolls in on a seventies rock like toning around inviting beats but is soon embracing a great agitated vocal presence which in turn stirs up the fluidity of the music, jerky beats and riffs colluding with jagged hooks before slipping into a Cheap trick like melodic crooning. The invention continues to catch expectations by surprise, and though we have suggested originality is the rarest commodity on the EP there is no doubting the band turns established textures and flavours into something fresh and spicy.

As fun and satisfying as the first two tracks are, the greater triumphs come in its second half starting with Flowers On The Lamppost. Prowling, almost predatory riffs and rhythms court ears first before vocals add their dark intent to the enticing mix. Once more a punk edge and attitude fuels the proposal whilst its chorus has a seventies glam rock vitality reminding of bands like The Tubes, though without going anywhere near the theatrical excesses of the Americans. Thumping rhythms steer the track with varying intimidation straight into the core of appetite and passions whilst the post punk like enterprise of the guitars works impressively on the imagination. The song is a mini kaleidoscope of flavours within a menacing stalking and easily the best thing on the release.

The closing Dodo is like a mix of its two predecessors, once more punk and melodic rock uniting in a tantalising concoction of mischievous sound and ideation. Into its gripping stride the track swaggers like a blend of Top Buzzer and Terrorvision, a creative treaty bound in a sonic lure of psyche and groove rock making a compelling end to an increasingly intoxicating release.

Electric Mountain definitely needs numerous plays to really appreciate what is going on as plenty of its unique endeavours are understated within the anthemic surface of familiarity, but from its first touch the EP is a highly satisfying escapade to get hungry over. Roll on an album we say.

The Electric Mountain EP is available now via Cariad Records @ https://cariadrecords.bandcamp.com/album/perfect-fault-electric-mountain-ep

https://www.facebook.com/pages/Perfect-Fault/772646976107941   https://twitter.com/perfectfault1

RingMaster 02/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Hellbound Hearts – The Proximity Effect

10731157_950532188321485_3327537509841984592_n

It was 2013 when UK rockers Hellbound Hearts caught our ears and imagination with their potential ridden and thoroughly thrilling Outside EP. It was one of those encounters which simply brought energetic and eager life to feet and emotions whilst impressively building on their already well-received self-titled EP of 2011, the year the band emerged. Now they have returned with their thumping new persuasion, The Proximity Effect, an EP which not only realises much of the promise of its predecessors but sets out a new recipe of inspiring adventure to be explored ahead.

The time between the last and new EP seems to have been a testing time for the York band; personnel changes, health issues, and recording issues thorns in building on their already potent presence and reputation. Now the trio of vocalist/guitarist Danny Lambert (ex-Terrorvision), bassist Craig McLaren, and drummer Billy James Mitchell (ex-Glitterati) have overcome all obstacles and unleashed their finest irresistible slab of rock ‘n’ roll yet. Already the band has unleashed their renowned live performances on the year, sure to continue in the vein which earned them success and high praise through performances with the likes of Black Spiders, JettBlack, The Treatment, Terrorvision, Sons of Icarus and Warrior Soul in the past. It is The Proximity Effect which will be the prime weapon in whipping up the broadest national attention though, something it has already begun sparking since its release.

Posters In The Sun descends on ears first, opening with a caress of raw but inviting guitar accompanied by a just as dirty riff, and soon finding heavy beats adding to the tempting. Once the dark tones of McLaren’s bass infuse their increasingly alluring enterprise, the track is stomping with punk attitude and rock ‘n’ roll voracity. Vocals bring their melodic roar to the web of hooks and captivating riffs soon after whilst Mitchell’s swinging sticks just seem to get more compelling and tenacious, much as the song. It is all coloured by a rock pop infectiousness which early on begins to blossom inside the encounter and ripen especially in its chorus. The song is the spice of addiction and makes one highly enjoyable and gripping start to the EP.

The following Ones And Zeros makes a just as imaginative entrance, a weave of melodic chords being accosted and complimented by a great resonance of throaty bass. Swiftly more aggressive than its predecessor but no less virulent, the song prowls and strolls across verse and chorus as a torrent of addictive hooks, musically and vocally, colour the first stage and a mellower catchiness lighting up the latter. Again there is a punk tenacity to the mix of metal and hard rock, resulting in a gripping blaze of sound around a host of creative and vocal temptations.

There is a grungier air to Bones next, a mellower essence which wraps around the alternative metal canvas. Equally though there is a raw aggressive edge to it all which lines the more voracious passages of the song. Riffs and hooks especially ignite thoughts and appetite whilst the punchy beats just keep it all caged in a slightly intimidating frame. Not as immediately infectious as the first two, the track is a growing and mighty persuasion revealing another new twist and flavouring to the band’s songwriting and sound.

Overall there feels a harsher nature, more volatile character to the EP than its predecessor. It never actually erupts in hostility but the danger is there and the songs all benefit from it, as shown by the closing Silence Falls. The last track has an open familiarity to it, bred from its pop punk and alternative rock collusion as much as anything, and is soon seducing with thick melodies and bracing riffs matched by addiction forging rhythms. Stirring up imagination and the pleasures alike with potent and magnetic enterprise, the song is a formidable and mouth-watering end to a similarly impacting release.

It may have been a turbulent 2014 for Hellbound Hearts but they are back, and on even more impressive form with a sound and creative adventure to match. If you are looking for feisty rock ‘n’ roll to invigorate your daily soundtrack then The Proximity Effect is a wise and thrilling choice.

The Proximity Effect EP is available now @ http://hellboundhearts.bandcamp.com/album/the-proximity-effect

http://www.hellboundhearts.com/   https://www.facebook.com/wearehellboundhearts

RingMaster 19/04/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Killer Refrigerator – The Fridge and the Power it Holds

LukeCoffee

We all know that technology is taking us over, but an on-going war between it and man, well easy to have doubts there. That was until this computer began deciding alone when it was going to connect to the internet and my iPod began mashing up songs randomly like a manic DJ to mess with the psyche. Of course if we had all listened to Killer Refrigerator previously battle plans would be drawn up and war cries in place. Thankfully they have returned with second release The Fridge and the Power it Holds at the right time, to awaken all and help turn the conflict back into the hands of humanity.

From Ohio, Killer Refrigerator is the side-project of Cody Coon, the guitarist/vocalist of death thrashers UnKured. Recognising man’s slavery to iPhones, toasters, blenders, every appliance imaginable; a dependency seeded from the aftermath of surviving an attempt to wipe out humanity a Millennia ago by the omniscient refrigerator Lord Freezus Christ ( You may laugh but think about the panic and fever which breaks out when you lose your phone), Cody and Luke “Java” Sackenheim decided to rebel against the appliances in 2014 and formed Killer Refrigerator, releasing debut album When Fridges Rule This World as their first assault and warning soon after.

Drawing on cult movies such as Microwave Massacre, Terrorvision, and Basket Case alongside their belief that appliances want to destroy the world, the band create a bedlam of sound and psychological ferocity from a vicious tangling of every extreme flavour that they can conjure, with much more besides. The Fridge and the Power it Holds EP provides seven tracks of almost indescribable but thoroughly thrilling confrontation, and sets up the battle front perfectly for upcoming second album Refrigeration Plague.

TFATPIT_OPTIMIZED     For all the theatre behind the intent and creativity of the band, Killer Refrigerator has a skilled and inventive sound which if you can ride its unpredictable tsunami, blows ears and imagination away, with the passions in quick succession. Straight away The Fridge and the Power It Holds is rich evidence as opener Terrorvision erupts into life with a web of sonic enterprise sculpted by guitars. A muscular and skittish rhythmic accompaniment adds to the initial coaxing before it all colludes with a dark bassline and a salacious mix of senses scorching vocals for a hellacious punk lined ferocity. Not reaching a minute and a half in length, it is a searing and striking start swiftly over shadowed by the excellent Slaystation. Predatory in its first breath, almost sizing up the listener as it dangles a discord kissed bassline and sonic lures from its rhythmic spine, the track is soon driving for the jugular on a tide of thrash bred riffery and ruinous vocal incitement. Squirming around this, acidic flavoured melodies and progressive nurtured endeavour fascinates, leading ears towards an unexpected Nintendo-core interlude before exploding again into the creative and rasping sonic fury the track started with. As mentioned previously, the band’s sound is an unrelenting and evolving maelstrom defying real description but with avant-garde and mathcore tendencies as prevalent as death and grind endeavours, it is a one compelling and intoxicating assault, deranged manna for the imagination.

Shower Thrashing Death toys with folk metal influences before turning into a carnivorous rampage of thrash/death seeded lavatorial rampage announcing the coming of the “toilet gods”. The bass simply seduces within the grimy scenery whilst vocals announce the demise of all with an outstanding mix of vocal deliveries which range from hardcore angst, grind squalls, to Patton-esque crooning. One of the pinnacles of the release it is matched by Killer Refrigerator VS Godzilla, the big fight off between two merciless goliaths. The track stomps with heavyweight rhythmic feet and fiery climactic endeavour, guitars scything across the battleground with sonic rapacity whilst vocal war cries breed a warped anthemic support.

The insidiously enthralling Slave To The Easy-Bake comes next, a scourge of sonic grooving and melodic flaming spun around a simple but gripping bassline. Of course this does not tell the whole deranged psychotic story of the song, every aspect from vocals to guitars, beats to imagination a distorted intrusion to fear or greedily devour.

The EP’s title track steps up next and after battering the listener senseless through pummelling beats, goes on a brutal and feverish march of searing grooves and scarring riffery. It holds back at one point to intensify its weight and drama, before regaining momentum but with an even more destructive and imposing trespass of the psyche. Deathcore, thrash, mathcore, and psyche rock are all in there running amok with the ideation and raw adventure of the band, the outcome another mouth-watering violation.

   The Fridge And The Power It Holds closes with bonus track To Hell With Cancer, one of the most grouchy siren-esque enticements you are likely to hear this year. Ravaging air and ears around a funk bred devilry, the track is a carnival for the mosh pit and a thrilling, uncompromising call to arms.

Lyrically and musically The Fridge And The Power It Holds is so much fun but equally a serious slam of extreme incitement which might have a theme bred from a truth stretched to cultish proportions, but delivers it as a unique and irresistible tempest. It is probably not going to work for all but if it does click an explosive thrilling time is guaranteed.

The Fridge And The Power It Holds EP is available as a name your price download from April 7th @ https://killerfridge.bandcamp.com/album/the-fridge-and-the-power-it-holds

As a backstory to their origins, the band recently released a 20 minute documentary featuring the hilarious exploits of Cody and his fellow fridge warrior Luke “Java” Sackenheim. The documentary can be viewed here: https://www.youtube.com/watch?v=8m1zCBvL4EU

https://www.facebook.com/KillerFridge

RingMaster 07/04/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://reputationradio.yooco.org/

Subject Seven – Fall Of The Four

s7

UK metallers Subject Seven never fails to offer up an experience and release which plays with and ignites the senses, eventually working into the passions with generally incendiary results. New album Fall Of The Four is no exception, a release which comes at the listener with a varied expressive presence to captivate the imagination whilst feeding primal needs. It brings ten melodically flaming tracks with equally compelling sinews and muscular intensity veining to its multi-flavoured body and from start to finish leaves a more than healthy satisfaction.

Formed in 2010, the Preston quartet did not stand still waiting for acclaim and interest, taking a mere trio of weeks to record debut EP New Dawn and soon standing as one of the more enterprising and welcomed international touring act, the band playing over 250 shows in their first 2 years leading to their critically acclaimed debut album Seven Rising of 2012. Led by acclaimed Underground Horror Director (Creepsville, Slasher House)and vocalist MJ Dixon, and made up of members of Dennis Delight, Hockey Mask Heroes and Ocean Bend in the shape of guitarist Sam Saint, bassist Jim jam, and drummer Paul Swindells, Subject Seven has continued to earn respect and a devoted fan base through singles like Come Out Tonight, No Fate, and Search The Dark and their additional videos, and their fiery live performances which has seen them alongside bands such as AC/DC, Iced Earth, and TerrorVision. Passionately independent forming their own unique record label and production house Mycho Records which has seen them work with first class acts like Sinnergod, Better Left Alone, Promethium and Blaze Bayley (Iron Maiden/Wolfsbane), the band laid down the strongest temptation for their new release with the recent release of the single and video Heart Of Osiris.

It is a persuasion soon cemented by the album which opens with said single. The atmospheric opening drama of the song is pure Subject 7 covercinematic menace, its tantalising and sinister breath evolving into an electro metal taunting of the ear ripened further by the crisp and potent rhythms and knee staggering riff strikes. Alongside the formidable aggressive provocative the keys continue to wash the ear with evocative and warm caresses whilst the vocals similarly seduce rather than antagonise for a strong and expressive welcome. After listening to the album and in hindsight, the song is maybe not the track we would have chosen to lay an invitation down for the album but there is no denying its imaginative venture with symphonic whispers coating its rising flumes of melodic elegance.

The following You Heard It Here First snaps at the ear with a feistier beckoning whilst again coaxing with melodic invention for a mix of classic and groove metal with a distinct stamp of the band on its vibrant hide. The track is another rise to the album and as third song 14∑E (04U) lights up the ear the sense of it getting better and better as it progresses is strong and proven across its subsequent offerings. This track like its predecessors merges a pleasing electro teasing to its muscular craft and passion bringing essences of Killswitch Engage and Silent Descent into a more hard rock lilted melodically crafted endeavour.

Both Diablo and Celestion enthral with their distinct breaths, the first laying a folky breeze intriguingly upon its contagious and potent grooves and essence  developed further by the keys amongst the hungrier riffs and intensity whilst its successor is an enchanting soaking of emotive ambience and sonically kissed melodic beauty. It is a simmering piece of instrumental fire which showcases the impressive craft of the men behind the sound and their songwriting, which at times can be submerged within the infectious call of songs.

From the insatiable virulence of Never Let You Go the album lifts an even greater head of potency and temptress like persuasion, Iblis Trigger taking the lead with its rampant energy and senses caging riffs and rhythmic provocation. The song raises a more attitude driven passion but still allows the melodic strengths and addiction of band and song to have their declaration within its enslaving stature, the guitar laying a narrative of sonic heat within the heart of the track to secure greater attention.

Both To Deth We Ride and Thirteenth Hour stomp with another elevation in fervency, each ridiculously catchy and easy recruiters of listener assistance with invention veined with metallic spirals recalling the likes of Maiden and Dio, whilst closing song The Fall makes for a pleasing and visually inspiring conclusion though the fun hidden track Chinese Vampire has the last enterprising and mischievous say.

The only wish you could have for the release is maybe a more rabid snarl to its confrontation and elements, a growl which actually takes a bite across the length of Fall Of The Four rather than making just suggestions. Nevertheless the album is a richly satisfying and pleasing release which shows exactly why Subject Seven is constantly on the playlist of a great many melodic metal fans.

http://subjectseven.co.uk/

8/10

RingMaster 13/06/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com

Trucker Diablo – Songs of Iron

truckerDiablo

If The Devil Rhythm, the debut album from Northern Ireland rockers Trucker Diablo set your passions racing, than hold onto your gear sticks as the juggernaut has returned with second album Songs of Iron. Cut from the same template and loaded with the same high grade fuel of rock ‘n’ roll as its predecessor, the new fourteen track release burns another riveting expanse of intensive rubber on to the road The Devil Rhythm left ablaze for another irresistible contagious fury of rebellious rock.

Since forming in 2008, Trucker Diablo has been on an accelerated rise, the band consisting of four friends who united to unleash music they have a full passion for whilst employing experiences gained in the ranks of Joyrider and TILTED to full potency, making deep lingering marks by the day. It was not long after starting that the band was reaping acclaim and support with their live performances, the likes of Ricky Warwick, Ginger Wildheart, Joe Elliot, Damon Johnson, and Cormac Neeson endorsing their rising presence. Supporting and playing alongside bands such as Foo Fighters, Terrorvision, Anthrax, and Thin Lizzy in shows and festival as well as their own intensive touring has only reinforced their stature with The Devil Rhythm marking another impressive statement in their ascent last year.

Released through Ripple Music, Songs of Iron explodes from its very first second never letting up through to its final sizzling lick of300energy. Red Light On opens up the brawl with heated riffs and concussive beats beckoning the ear around the snarling temptation offered with intimidating power by bassist Glenn Harrison. It is an immediate hook to the senses and lays an inviting canvas for the impressive vocals spread and shared between guitarists Tom Harte and Simon Haddock. Thumping rhythms and big boned riffs seize the air with strong craft and energy to taking the listener on a contagious and commanding ride, a charge which makes no demands but incites a full involvement with its muscular intent. With melodies and barbed hooks, not forgetting the scintillating solo, as striking as the rippling sinews framing them the song is a pleasing start soon surpassed by the excellent Year Of The Truck.

From the first note the song gnaws in the ear with savage rapacious hunger, the riffs iron clad and as intrusive as any Meshuggah or Mastodon could conjure and lying somewhere in between the two in voice, ensnaring the passions with intensive persuasion whilst the drums of Terry Crawford cage all with crisp and potent invention. It is again the bass growl of Harrison which seals the ardour in tight, one of the highlights of the last album just as riveting and viciously seductive this time around in nothing but impressive attributes offered by all members on  Songs of Iron. Virulently anthemic and catchy, the track launches an irresistible call on voice and limbs for a full involvement and contribution towards its gasoline burn up, though all the songs have that power in varying degrees.

The southern rock toned stance of passion and enterprise, The Rebel steps up next to leave further irresistible inducement working on the passions. Loud whispers of ZZ Top and Black Label Society add their rich vapours to the track and single from the release, a song which with ease accelerates the heart rate, and beyond safety levels one suspects such its epidemic call. It is a staggering start to the album which is continued now into the heart of the release through the likes of Drive, the outstanding Not So Superstar and its dirty brew of scorching rock ‘n’ roll, and the melodic hard rock honed The Streets Run Red, whilst others such as the muscle bruising Lie to Me and the emotive ballad Maybe You’re the One bring further variety and depth forward. Admittedly not all the tracks ignite the same heights of passion as others but there is never a moment where satisfaction is left half-filled or the stirring skill and invention of the band not openly there to be hailed.

Further especially enriching highlights come through the crushing Bulldozer, where again that bass rips the senses to tattered remnants of their former self aided by corrosively greedy riffs and rhythms whilst the anthem bearing chorus and group harmonies light a melodic fire to sear the wounds, When’s it Gonna Rain with its seriously chunky riffs and southern heat, and best track on the album Shame On You. The last of these three has a swagger which like it’s delicious grooves is an addiction of toxic suasion, its lure permanent and deeply entrenched in thought and heart by its end, the delicious addiction cast by devil spawn riffs and rabid rhythms wrapped in a sonic furnace.

Completed by the excellent I Want To Party With You, a song giving you exactly what it desires, Songs of Iron is an exceptional slab of rock ‘n’ roll, all songs mentioned and left for your discovery pure adrenaline raising pleasure. There is no boundary breaking going on here just riotous rampage within what is one of the most exhilarating albums this year so far, and that is more than good enough for us.

https://www.facebook.com/TRUCKERDIABLO

9/10

RingMaster 14/05/2013

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://www.audioburger.com