Playboy Manbaby – Don’t Let It Be

 

playboymanbaby_RingMasterReview

With their recent single still inciting mischief and bad behaviour, Arizona post funk punksters Playboy Manbaby have just uncaged their new album Don’t Let It Be, eleven tracks of creatively nefarious goodness infesting body and spirit.

The union of You Can Be A Fascist Too and I’d Like To Meet Your Parents was a devilish punk riot of a single leaving greed part of appetite and anticipation awaiting the band’s third album. The Dirty Waters/Lollypops Records released Don’t Let It Be soon shows that the Playboy Manbaby sound is broader than ever, bigger than an elephant’s backside in flavour and sound. Having caught up with their previous full-lengths in Bummeritaville and Electric Babyman, both released 2014, that variety will be no surprise to fans but their successor has really gone to town in adventure and diverse fun to truly leave all before it in the shade.

The Phoenix hailing sextet of Robbie Pfeffer (vocals), Chris Hudson( bass), TJ Friga (guitar), David Cosme (trumpet), Chad Dennis (drums), and Austin Rickert (sax) have become a big deal locally and across their homeland, shows alongside the likes of  Mike Watt & The Missing Men, King Khan & BBQ Show, King Khan & The Shrines, Rocket From The Crypt, Thee Oh Sees, Cosmonauts, The Spits, Black Flag, The Descendents, The Replacements, The Slackers,  and Teenage Bottlerocket to name just a few, pushing their reputation as potently as their sounds. Now having been already tenderised by the last single, global attention is surely poised to embrace Playboy Manbaby and Don’t Let It Be. Justice is never a given of course but neither do anything to deter that expected and deserved embrace.

You Can Be a Fascist Too gets the revelry going, a surge of guitar jangle and bass throbbing swiftly joined by the slightly derange and excitable tones of Pfeffer. Spicy melodies and tenacious riffs almost barge into each other as the garage and punk essences of the track bound through ears, salacious harmonies sparking thoughts of UK band The Tuesday Club. For less obvious reason, The Tubes also come to mind a little too as the song stomps around like a belligerent pup, its raw power pop punk quite irresistible.

art_RingMasterReviewThe zeal pumped diversity quickly comes to the fore with the following Last One Standing, brass instantly flirting with ears with saucy flames as the bass swaggers with deceptive innocence. There is an agenda at play; an intent to turn the listener into a physical puppet and there is no escape for feet and hips to the virulent lures of the rhythms and grooves teasing and taunting within the ska kissed funk escapade. The earnest screwy tones of Pfeffer again are sheer magnetism as too the evolving dark bait pulsating out of Hudson’s bass.

The outstanding track is quickly matched by the even livelier dance of Bored Broke And Sober, its catchy jazz funk garage punk as loco as it is skilfully woven to lure untied bodies. Hooks are as flirtatious as rhythms, every fondling by and flash from the Friga’s guitar ear chaining rascality, and the whole song as those before slavery.

Cadillac Car saunters in next, its low slung groove temptress like as vocals dance with drooling expression of defiance and attitude in the garage punk crawl before Self-Loathing In Bright Clothing throws its post punk/punk tendencies into the ring. A few blows short of a brawl, the track springs its creative agitation with infection loaded enterprise creating a rough and ready tango of fiercely captivating Reuben meets Dead Boys like provocation.

The sultry flirtatious garage r&b of Cheap Wine and the scuzzy pop punk of Popular bring body and soul to the boil again, the latter like a raw Mighty Mighty Bosstones in some ways while I’m So Affluent slips in with a slinky grace as noir lit air hugs skittish rhythms and vocal suggestion. Jazzy with a dark indie jangle recalling The Jazz Butcher, the song quickly blossoms its dark rock ‘’n roll into another majorly bewitching moment within Don’t Let It Be, one with an increasingly tenacious bounce complete with band calls just impossible to be left out of.

That indie sound fills next up Oprichniki too though as all songs it soon shows a jumble of spices and styles in its ballsy pop with Don Knotts In A Wind Tunnel straight after  engaging in dirty rock ‘n’ roll with a certain Rocket From The Crypt fever to its irritable bawl and brass igniting flames. For us it is joy to be unable to pin a sound down, this pair alone showing Playboy Manbaby get just as big a kick from defeating any attempt whilst pleasing their own devious imaginations.

Dark rock ‘n’ roll brings the album’s closing treat of White Jesus to ears, its meandering stroll and creatively incisive accosting portrait of a certain new world leader initially Nick Cave/Tom Waits like before ending as a concussive explosion of Dead Kennedys toned ferocity and bedlam.

The last Playboy Manbaby single set up anticipation for Don’t Let It Be perfectly but barely hinted at the bold inescapable fun and adventure to be found, both which will be hard to find any better on any release across the rest of the year too we suspect.

Don’t Let It Be is out now on CD through Dirty Water Records and cassette from Lollipop Records @ https://lollipop-records.myshopify.com/products/playboy-manbaby-dont-let-it-be-cass with its digital outing available @ https://playboymanbaby.bandcamp.com/

https://www.facebook.com/ButterGravyButter    https://twitter.com/playboymanbaby   http://playboymanbaby.com/

Pete RingMaster 03/03/2017

Copyright RingMaster: MyFreeCopyright

Playboy Manbaby – You Can Be A Fascist Too b/w I’d Like To Meet Your Parents

playboymanbaby_RingMasterReview

How to describe Playboy Manbaby? Hailing from Phoenix, Arizona, they are a six piece punk band where imagining the Banana Splits meets Swell Maps in cahoots with The Tuesday Club and Zebrahead feels the closest in portraying the band’s deliciously creative rioting. They are mayhem in the speakers, irreverence in the imagination and quite simply and as shown by their new single, irresistible.

Described as “the contradictory soundtrack to the contemporary life experience”, Playboy Manbaby is made up by the combined creative mania of Robbie Pfeffer (vocals), Chris Hudson (bass), TJ Friga (guitar), David Cosme (trumpet), Chad Dennis (drums), and Austin Rickert (sax). The past five years has seen the band steal the hearts and support of their local music scene and tear up stages alongside the likes of Mike Watt & The Missing Men, King Khan & BBQ Show, King Khan & The Shrines, Rocket From The Crypt, Thee Oh Sees, Cosmonauts, The Spits, Black Flag, The Descendents, The Replacements, The Slackers, Teenage Bottlerocket and many more. Grabbing major attention on broader landscapes has yet to find Playboy Manbaby, we ourselves only being introduced to them through latest proposal You Can Be A Fascist Too b/w I’d Like To Meet Your Parents, but thanks to the ever impressive discovery of talent by Dirty Water Records, things could be about to explode for the band.

art_RingMasterReviewWith new album Don’t Let It Be in the works, Playboy Manbaby tease the appetite with You Can Be A Fascist Too, the first single from the impending release. Originally scheduled for a February unveiling, it was brought forward to coincide with the US presidential inauguration. From the off it assaults and lures with a belligerent guitar jangle quickly followed by the raw incitement of Pfeffer’s vocals. Second by second new invasive hooks and salacious grooves fling themselves into the punk mayhem, band shouts and off kilter harmonies wagging a beckoning finger as effectively as the caustic riffs and tenacious rhythms.

The track is a treat and mischievous brawl easy to devour as too is its companion I’d Like To Meet Your Parents. In fact it just about steals the show with its less intrusive but just as virulent dexterity in sound and flirtation. Leading up to a chorus which needs mere seconds to recruit and chain listener participation, the song strolls with minimalistic yet alluring melodies and enticing hooks as vocals make a plaintive proposal with a similarly swinging canter. It is glorious stuff with a foot in seventies punk as the band’s unique modern day mania bellows.

Dirty Water Records have a growing reputation for the eclectic range of their releases, the Playboy Manbaby adding yet another thrilling facet and while becoming one of the label’s best singles yet.

You Can Be A Fascist Too b/w I’d Like To Meet Your Parents is out now on Dirty Water Records and through http://playboymanbaby.com/shop/ and https://playboymanbaby.bandcamp.com/

https://www.facebook.com/ButterGravyButter   https://twitter.com/playboymanbaby

Pete RingMaster 01/02/2017

Copyright RingMaster: MyFreeCopyright

The Decline – Resister

The decline_RingMaster Review

Third album in and Australian skate punksters, The Decline, continue to offer contagion fuelled stomps that simply rouse up the spirit. Resister is packed to the rafters with imagination crafted and wholly magnetic propositions, tracks which only want to offer a good time whilst uncaging a lyrical substance easy to get involved with. Pop/skate punk boundaries are certainly not worried too forcibly by the thirteen track adventure but any resistance to its unstoppable virulence is swiftly dead in its invigorating waters.

Formed in 2006, the Perth hailing quartet made its first strong attention grabbing mark with debut album I’m Not Gonna Lie to You in 2010, an encounter straight away pushing the band towards international awareness. Its acclaimed successor of the following year, Are You Going To Eat That, helped spark the opportunity for The Decline to undertake a headlining tour of Europe as well as a Japanese tour with Israeli pop-punkers Useless ID and So-Cal 90’s super band Implants. Across the years the band has continued to share stages with the likes of Descendents, Unwritten Law, Frenzal Rhomb, Propagandhi, Bodyjar, Bouncing Souls, Anti-Flag, Lagwagon, No Use For A Name, No Fun At All, Guttermouth, and The Flatliners, they amongst a great many others. 2014 saw the release of the crowd-funded Can I Borrow A Feeling EP as well as another hectic tour schedule whilst after a line-up shuffle earlier this year, The Decline set about recording Resister, its immediate unveiling coming just before the band hits the festivals Punk Rock Holiday in Slovenia, Munich’s Free and Easy Fest, and Rebellion, the latter one part of a UK tour running through August. With further global shows in the offing too, Resister provides the most potent incentive to check the band out and make this a summer of insatiable romping.

Resister Artwork_RingMaster ReviewThe release opens with New Again, a short, punchy encounter which quickly sets the creative scene for the album. Jangling melodies flirt with muscular rhythms whilst the potent vocals of guitarists Pat Decline and Ben Elliott unite and entwine across the tenacious start to the album. There are no surprises but plenty of fiercely flavoursome sounds setting up ears and appetite for the following Giving Up is a Gateway Drug, the first single from Resister. With the thumping beats of Harry steering the song into view, his drums a blur of activity, the song twists and turns with emotion and energy. Every second is a tempestuous and easy persuasion for ears, vocals again slightly outshining the sounds, but all aspects crafted with inventive and unpredictable elements.

As strong as its start is, Resister kicks up another gear or two from I Don’t Believe onwards. Featuring guest vocals from Cameron Baines of Bodyjar, the third track boldly enters on rolling anthemic rhythms, they in turn laced with sonic spicing from the guitars before it all colludes in one seriously infectious incitement. A whiff of older schooled punk embraces poppier exploits resulting in a rigorous and pungent anthem swinging punches at the music scene and stirring up new hunger for the release. It is an appetite fed just as healthily and fully by Almost Never Met You, a song littered with tangy riffs, sparkling hooks, and the ever impressing vocal combination. The throaty bass twang of Ray Ray as good as steals the show but is matched all the way by the spices just mentioned and a Green Day meets Bodyjar essence coating the excellent encounter.

Both The Blurst of Times and You Call This A Holiday? keep the album’s new levels roaring in ears and thoughts, the first with fiery atmosphere and attitude to body and voice, and the second through its seamless and magnetic passage from a riveting acoustic/vocal lure into another throttle to the floor ball of creative and physical energy. Each, but especially the former, has an air of The Living End to the full-blooded tempting whilst Camberwell Street straight after, explodes with a richer hardcore but melody drenched escapade. It does not quite live up to its predecessors, but again with skilled endeavour and ideation spicing every aspect the song, hits the spot nicely before making way for the similarly successful Broken Bones.

The thickly pleasing Wrecking Ball fires up the passions, even with its opening barbershop skit. Subsequently into an unbridled bellow of aggression and explosive energy, the track is an easy persuasion of rippling rhythms, inescapable hooks, and more potent vocal combinations. But as good as it is though, it gets over shadowed by the outstanding You’re Not The Waitress, another pop infused punk tempest which is pure contagion.

The thirty second Little Voices is more of the same, revealing a similarity to the previous track and others around it without losing its individual potency during a short tenure of ears. It stirs the emotions nicely which Underworld Tour takes on a thrilling ride straight after with its NOFX/Motion City Soundtrack/ Set Your Goals like fusion of sound and imagination. Again rousing is the best word to describe its heavy satisfaction breeding character as it leaves the listener on a high ready for the closing catchy onslaught of Start Again. The song sums up The Decline sound perfectly, melodically hot, energetically sizzling, and creatively lively in a gripping finish to a fine album.

As suggested earlier, major surprises come in rare batches across Resister yet few moments truly feed expectations and every song is a galvanic exploit hard to turn away from. That certainly works for us!

Resister is available now through Pee Records (Australia) @ https://peerecords.bandcamp.com/album/resister, Bird Attack (USA) @ https://birdattackrecords.bandcamp.com/album/resister-4, and Cargo Records (Europe/UK).

The Decline UK tour dates:

Sat 8th – The Maze, Nottingham

Sun 9th – Rebellion Festival, Blackpool

Mon 10th – New Cross Inn, London w/ MDC (Millions of Dead Cops)

Wed 12th – Brudenell, Leeds w/ MDC (Millions of Dead Cops)

Thu 13th – The Hope And Ruin, Brighton

Fri 14th – Owl Sanctuary, Norwich w/War On Women

Sat 15th – Nice N Sleazy, Glasgow

Sun 16th – Exchange, Bristol w/ Teenage Bottlerocket

Mon 17th – The Fighting Cocks, Kingston

https://www.facebook.com/TheDeclineMusic   http://www.thedeclinemusic.com/

RingMaster 03/08/2015

Copyright RingMaster: MyFreeCopyright

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