Stolen Dead Music – Jacob Eats Dog

Robust and aggressive yet skilfully woven with melodic imagination and hook littered dexterity, Jacob Eats Dog is the new EP from UK rockers Stolen Dead Music. Offering four tracks of alternative rock with a certain appetite for punk, the release is a rousing holler which had us eagerly on board in quick time.

Hailing from the North East, Stolen Dead Music drew firm attention with their ScreamLite Records released debut EP, Penny Drop, last year, an encounter which sparked an anticipation loaded appetite here for their music. The band links up with the label again for the release of Jacob Eats Dog and guitarists/vocalists Jimi Trimmer and Isaak Patterson alongside bassist/drummer Lewis Patterson immediately held thick attention again with the EPs opening title track.

Jacob Eats Dog erupts with a sonic squall from which a great dub styled bass line emerges, its title track swiftly joined by a post punk guitar clamour before settling into an infectious punk bred stroll. Within that opening horde of second, the band reveals their music is woven on a host of flavours, the subsequent saunter akin to a fusion of Joe Jackson and Angelic Upstarts . Never giving a moment for lungs and body to relax, the track is rock ‘n’ roll incitement proving all anthemic and all irresistible.

Whether the EP reaches the same mountainous heights again is down to personal taste but the following Sit In Silence leaves little for ears and appetite to desire with its post punk clang and soulful vocals across another heavy verging on predatory rhythmic incitement which easily got under the skin. A more hard rock scented texture equally shapes a track which commanded swift and constant attention before Broken Record sets its own rhythmically intense and dynamic trespass upon the senses. Even so its body is all infection and vocal prowess an equally catchy enticement; it’s stalking of ears as arousing as it is imposing.

Just Got Back completes the quartet of songs, the enticement a melodic embrace of calm and reflective enterprise but one built on a tempestuousness which lines every rhythm and riff. It is a track which took longer to be persuaded by even though it only proved temptation from the off but with every listen a new shade of imagination and craft revealed their persuasion and it has grown to be another compelling moment within Jacob Eats Dog, a release you really should be checking out.

Jacob Eats Dog is available now via ScreamLite Records; available @ https://screamliterecords.bandcamp.com/album/stolen-dead-music-jacob-eats-dog

https://www.facebook.com/realStolenDeadMusic

Pete RingMaster 29/02/2020

Copyright RingMasterReview: MyFreeCopyright

Stolen Dead Music – Penny Drop

UK based ScreamLite Records is one of those labels which you just have to keep a close ear on. Their hunger for fresh and exciting new music is the match to that of a fan meaning attention for their releases is certainly a given here. This month sees the label release the new EP from Newcastle outfit Stolen Dead Music which ScreamLite announced was “the first band to really get our feet tapping in 2019” though what the rest of their bodies were up to we don’t know because the three tracks making up the Penny Drop EP just had us bouncing from head to toe.

Formed in 2017, Stolen Dead Music take the inspiration of bands such as Nirvana, Alice in Chains, Smashing Pumpkins, Weezer, Black Flag, Pixies, QOTSA, and NiN into a sound which stands distinctly aside of what expectations assume going by that list. It is a blend of alternative and noise rock with numerous other flavours involved sitting uniquely amongst the equally striking enterprise of bands like Japanese Fighting Fish, Houdini, Damn Vandals, and Max Raptor and providing so much to get excited over.

The EP opens up with its title track, Penny Drop initially stroking ears with fuzz loaded riffs before the same guitar begins deviously scything across the senses as the tones of vocalist/guitarist Jimi Trimmer break. Simultaneously the tenaciously strolling beats of drummer Aidan McGill erupt alongside the just as sturdy bassline of Lewis Patterson, guitarist Issak Patternson continuing to tease and tempt alongside the lures of Trimmer. Just as you think you have a handle on the song, it twists into a whole new channel of virulence to manipulate and seduce, never once taking its foot off its imagination and feverish enterprise.

It is an outstanding track and start to the release more than matched by next up Shunt. Rhythms straight away toy with ears and appetite, the guitars getting in on the act with their web of teasing melodic wires. Loaded with hooks and grooves, the band’s rock ‘n’ roll is a devious persuasion and in full lustfulness within the second song. There is a great Pere Ubu-esque whiff to the track at times too which only escalates its call on instincts and sure allegiance to its feral like energy and imagination.

Gallows Humour completes the release, the instrumental simply an irresistible shuffle of salacious melodic hooks and boisterous rhythms casting intimation and addiction with ease.

The Penny Drop EP is in many ways just a teaser to the Stolen Dead Music songbook, the three tracks picked out from their repertoire to mark their link up with ScreamLite Records but a wake up to all of us previously unaware of their potential and thrilling adventure. Anticipation for more is already drooling here.

The Penny Drop EP is out now on ScreamLite Records across numerous stores and @ https://screamliterecords.bandcamp.com/album/stolen-dead-music-penny-drop

https://www.facebook.com/StolenDeadMusic/   https://twitter.com/StolenDeadMusic   https://stolendeadmusic.bandcamp.com

Pete RingMaster 13/06/2019

Copyright RingMaster: MyFreeCopyright