Syztem 7 – Evolving

Though new album Evolving is the first time we have come across US rockers Syztem 7, it is a proposition which immediately felt like an old friend back to eagerly stir things up. That is because the Seattle hailing outfit openly aligns familiar rock, industrial, and metal textures to their own just as bold imagination. It is the distinctiveness of the latter though which fuels and drives their rousing sound and makes their new album one highly enjoyable encounter.

The multi-flavouring adventure of their industrial rock sound has allowed Syztem 7 to share stages with and find support amongst the fans of bands as varied as Zakk Wylde, The Genitorturers, One-Eyed Doll, Thrill Kill Kult, Lords of Acid, King’s X, The Dreaming, and many others. It now provides a gripping incitement within Evolving which needed mere seconds to ignite attention and appetite as album opener No Regrets erupts to kick things off.

An initial lure of guitar makes for a potent coaxing, one swiftly ignited as the rolling rhythms of drummer Ed Rhoads add their ear grabbing bait to the great dirty grumble escaping Nathan Raynes’ bass. With keys keenly bursting into the already rousing mix, the track had us swiftly bouncing before relaxing into an infectious stroll alongside the enticing tones of vocalist Jason Ames. Rhythms continue to pick their spot with military precision, accelerating their strikes as the track’s anthemic chorus erupts upon the increasingly intense sonic hookery of guitarists Jaymz Kennedy and Shane Scot. Like a blend of Gravity Kills, Powerman 5000, and Rammstein, it is a gripping and highly manipulative start to the album and a persuasion only matched and twisted to greater temptation thereon in.

This Disguise is next up, the song laying down an electronic misting from which sonic tendrils wrap the imagination and a thick fusion of rock and metal spirals. As with the first, a certain familiarity in its voice and moves only entraps eager participation while fresh enterprise and individual imagination breeds the overall uniqueness which fuels the Syztem 7 sound. It swiftly had body and ears engaged passing them over to the just as easily persuasive Eternita Divina. Emerging as one of if not our favourite moment within Evolving, the song has a great touch of Breed 77 to its cosmopolitan web of melody and rhythmic animation, it all making the passage under our skin fluid and swift.

Proving just as captivating, Forgive and Forgets raises its anthemic hand upon the equally magnetic croon of Ames, the song with a Mudvayne meets Stabbing Westward air swiftly irresistible while The Worst sizzles on the senses straight after to match the virulence and captivation previously on offer. From guitars to rhythms, vocals to electronics, the track is a rapacious dance of varied rock enterprise designed to and succeeding in enticing full participation from its willing victims.

The following Skintag captures a 16 Volt/Celldweller hued temptation to its breath-taking enticement, the song another with a firm grip on best album moment as it nags eager and complete involvement in its arousing endeavours. Unsurprisingly it cast a web of tantalising flavours lined with varied and recognisable yet freshly individual threads in its energetic and inspiring weave and no shock, it too had us hook, line, and sinker.

Evolving closes out with firstly the physically intoxicating Godsend and finally the spiralling tempest of its title track. The first of the pair stalks the senses as it seduces ears with its melodic yet more carnal traits; its electronic elements inciting the bite of its rock and metal nurtured essences whilst equally breeding richer harmonic tempting in sound and vocals. Its successor aligns sonic turbulence and emotional intimacy with melodic intimation and ravening electronic contagion resulting in a final slice of inimitable Syztem 7 enterprise and audacity.

With every second, from its first lungful of sound to last, hitting the spot, Evolving easily rose as one of the year’s most arousing moments and Syztem 7 a band we can only anticipate much bigger attention rising up for.

Evolving is out now via Mighty Music @ https://targetshop.dk/product/syztem-7-evolving-cd?lang=en

https://www.facebook.com/Syztem7band/

Pete RingMaster 12/12/2019

Copyright RingMasterReview: MyFreeCopyright

The Isolation Process – Self Titled

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    Thick in sound, textures, and emotional presence, the debut self-titled album from Swedish alternative metallers The Isolation Process is a transfixing adventure which catches the imagination and ignites the senses. Expectations for the album were slightly on the high side looking at the pedigree of its creators and it certainly does not let those hopes and assumptions down, instead leaving them an underestimation of what emerges from the riveting release.

      The Isolation Process was borne from the ashes of Scandinavian alternative rockers Lingua, vocalist/guitarist Thomas Henriksson, bassist Anders Carlström, and drummer  Patrik Rydbrand from the group (and also of sludge metallers Come Sleep), continuing to write and create together after the band’s recent demise. With a heavier, darker, and slightly more progressive sound emerging, the trio recorded their debut album with Michael Nordström (Switch Opens, Lingua, Jesaiah) last year. Mastered by Magnus Lindberg (Cult of Luna, Khoma) the resulting proposition is a mouth-watering incitement aurally and emotionally. Released via Version Studio Records the nine track evocative journey merges beauty and intimidation, shadows and flames into a creative landscape which immediately enthrals and continues to intensify its persuasion over every listen.

     Opener A Simple Gesture takes no time in casting a voracious presence over the ears, riffs gnawing the senses as they chug the-isolaton-process-cover-300dpiwith an intimidating predation alongside a bass sound which is bestial at its core and wonderfully ravenous at certain moments. It is just a teaser to the enterprise to follow though as just when you expect to be chewed up from start to finish unrelentingly the band swoops into a fire of melodic temptation and soaring sonic endeavour which aligned to the impressive rich vocals of Henriksson simply captivates. Merging and alternating between the breath-taking sounds and climbing intensity, it is a skilled and fluid union of diverse textures, a masterful suasion which by its end has alone seduced the fullest attention and appetite for what is on offer.

    The following Visions is a different kind of creature right away, it’s gentle entrance, in comparison to its predecessor, a melodically bred coaxing which canters across the imagination as guitars stroke out magnetic chords and firm but respectfully rhythms frame the potent welcome. Into its stride with again great vocals wrapping every word and emotion around the striking sounds, the track unveils its sinews to create crescendos of intense incitement with again the bass producing a throaty rapaciousness which only deepens the persuasion. It is an anthemic slab of a song which like the first only strips any stability from remaining reservations, if any are still remaining.

     Underneath It All steps forward next and with a melancholic air to its beckon provides an emotive canvas to reflect and immerse within but one unafraid to erupt with volcanic force and passionate ferociousness from within the sirenesque melodic narrative. Not for the first time on the album there is an element of Stabbing Westward and Cold about the song which though adding a familiarity only enhances the potency of the bewitchment. Initially not as instant in its strength as the first pair it a song which just gets better and better every time it evokes attention, again just like the album.

     From the pleasingly sculpted and intriguing instrumental Inhale the album is back to snarling with a voracious rabidity through Victims of the Masses; the track a mentally invasive and emotionally provocative tempest of aggressive hunger and elegant beauty forged into a sonic landscape which is as rugged as it is mellow and as reflective as it is feverishly intensive. An adrenaline raising evocation, the song makes way for the scowling beauty of The Dead End, a giant of a track which roars with melodic passion and growls with rigorous bearing before it departs for the second instrumental Exhale to provide a breathing space. Both pieces of music are perfectly enjoyable but to be honest more allow time to process and reflect on what has come before than reveal any addition to the album’s objective no matter their intent. It is not their failure but just the power around them.

     It Will Burn and Nothing To Collect complete the immense encounter, the first arguably the most bestial track but again in league with a melodic flaming and sonic invention which radiates and sublimely tempers any unbridled aggression which other bands might succumb to. It is not the strongest on the album but still a moment to lose one’s satisfaction to before the final emotionally fuelled fury brings the album to a dramatic conclusion. A slowly burning but wholly convincing and absorbing storm of sound and intensity, the song momentously completes an album which it is impossible not to find a torrent of time for physically and emotionally. The Isolation Process has for these humble ears and thoughts created the finest moment of its member’s artistic journey to date, a gem of a release and a long term engagement.

www.theisolationprocess.com

https://www.facebook.com/theisolationprocess

9.5/10

RingMaster 10/01/2014 

Copyright RingMaster: MyFreeCopyright

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