G.R.I.M – Progtronic EP

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Provocateurs already renowned for leading the body and imagination into diverse and adventurous stomps soaked in a lyrical fervour and experimental voracity, UK band Great Riddims In Mind have nurtured a new steel and maturity in their explorations. It is a growth which provides a rich core to the band’s new Progtronic EP, an evolution as potent and gripping as their increasingly addictive sound. The upcoming release reaps all of the mouth-watering and riveting essences of its predecessors but develops them with the band’s most composed and striking ingenuity yet. Already a relentlessly inventive and incendiary proposition, the band has sculpted in the shape of Progtronic, a creative tempest where intrusive unpredictability, uncompromising imagination, and raw passion are an unrelenting norm.

Better known as G.R.I.M, the Manchester quartet began in 2011 and were soon stirring up attention and appetites locally with their raw and fiery fusion of dubstep, hip hop, rock, drum and bass, and plenty more. A wider spotlight was switched on by the release of the Sounds Like These EP last year, the acclaimed debut reinforcing the already potent reputation the band has earned for their live performances in their home city and beyond. Earlier this year the single Answers was uncaged, the track with its maelstrom of textures and bordering on psychotic invention strikingly hinting at the new step in the band’s evolution, something the new EP confirms and stretches even further.

Opener G.R.I.Mtro throbs with electro resonance in its first breath, the second bringing in an equally pulsating lure of vocals as synths expand their hues and beats darken their persuasion. It is a gentle but imposing entrance, the band almost leering into the imagination whilst holding a whisper of belligerence in every note and syllable shared. The track meanders from this point as if searching for its switch, which when found sparks a still restrained but strikingly colourful stroll, the rhythms of drummer Kyle Larkin a low key stalking alongside similarly predacious lines from bassist Nathan Larkin. Vocalist Lance Hargreaves dances mischievously over this web with the guitar of James Glenn almost egging on his revelry as synths flirt with magnetic and sinister persuasion. Though suggested the song never explodes; its tension simmering forcibly in voice and sound but holding check for the main, before evolving into the following Grill Me.

The second track emerges with a similar melodic tempting and structural baiting but is soon binding ears and thoughts with the impressive vocal prowess of Hargreaves and the sonic adventure brewing up in the rest of the band. There is aprogtronic gig poster1 sense of bands like Hadouken and the now demised Janice Graham Band, but whereas on the first EP these were loud comparisons they are mere spices for reference in the new vat of creativity and originality fuelling Progtronic. Badgering and seducing senses as well as thoughts with its bubbling tenacity and inventively lively canvas, the fascinating proposition whips up the appetite into a hungry greed ready for the outstanding Terrorisms, a lyrical and musically striking track which sways with seductive and rugged elements simultaneously. As with the previous pair of songs, there is a control to the intensity and urgency which embraces the frantic and deranged creative fervour of previous releases, but channels it into a just as invigorating and fascinating success and protagonist. Thickening its climate with funk and jazz seeded winds, the track enthrals and sparks the imagination with sublime ease, whilst ears and emotions are immersed in a perpetual and thrilling tantalising.

There had to be an outbreak of unbridled devilry at some point on the EP, and they come with the final two tracks. Metanoia comes first, its entrance also calm but within a tempestuous climate of stormy emotion. Vocals and bass riffs find a home in ska and hip hop planted fields whilst the caustic rub of guitars and keys provide an early agitation and inflammatory air to the building inflamed passion of the song. A midway breather of just a single melody and vocal is the spark to a flirtatious and reggae bred striding, this in turn firing up further the vocal melodies and pulsating adventure of the scintillating offering. A moment in time that surely nobody can resist, it has feet and moves soon enlisted and lurching with the pulse and temptation of its presence.

Final track Him Without Sin is an immediate blaze of vocal rapping and sizzling sonic endeavour which in turn brings in a ridiculously contagious swagger of riffs and hooks, all diversely spiced and virulently enticing. That earlier mentioned frenzy within the band is a rampant toxicity in the song but again under a precise and impressive measure. It does not stop it, as all tracks, being irrepressibly anthemic and ferociously incendiary but allows the just as hard hitting lyrical commentaries to firmly place their potent grips too.

Another ravenous treat, Progtronic is a new turn in the emergence and sound of G.R.I.M, a milestone on their increasingly certain and creatively inflammatory ascent.

The Progtronic EP is released on December 2nd.

G.R.I.M will be holding the EP launch party @ Joshua Brooks in Manchester on December 2nd with sets from special guest MC’s, and supported by Eyes Like Twenty

For more info check out the band’s official website @ http://greatrhythmsinmind.wix.com/grim

RingMaster 21/11/2014

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Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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G.R.I.M – Answers

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Having laid down their web of devilish temptation with the Sounds Like These EP, UK experimental rockers G.R.I.M return to increase the irresistible toxicity of their mouthwatering revelry with new single Answers. Again the Manchester hailing quartet twists the essences of numerous styles into their own unique and virulently compelling contagion as the single builds on their striking debut. Creating a stronger and more startling canvas of sound upon which the band sets free a riotous maelstrom of anthemic rhythms, imposing textures, and a psychotically charming inventive seductive, the track is a demon puppeteer to feet and psyche. It unleashes merciless bait throughout, a tempting which holds more unpredictable turns and deranged enterprise than to be found in the dark corridors of bedlam, a proposition which just inspires similarly raucous reactions

Formed in 2011 Great Riddims In Mind, better known as G.R.I.M, took little time in recruiting a fervour soaked local following with their fusion of styles such as dubstep, hip hop, dub, metal, and drum and bass to their sizzling noise rock core. To be fair any labelling is redundant when the foursome of vocalist Lance Hargreaves, guitarist James Glenn, bassist Nathan Larkin, and drummer Kyle Larkin cast their creative net of intensive rhythms, scorching guitar blazes, and vocal chants, and that is just simplifying their songwriting. With a serious reputation for thrilling live performances around their home city across renowned venues such as DryLive, Roadhouse, Sound Control, Antwerp Mansion, and Retrobar, the band certainly raised potent attention with their first release but it is in the outstanding Answers where you feel the trigger to wider recognition lies.

The single opens with a restrained stroking of guitar which is soon aligned to pumping beats and coaxing vocals. It is a skittish recruitment Answersof attention and appetite, sounding out the senses ready for the imminent expulsion of wantonly swinging grooves and wildly adventurous beats ridden by feistily enthused vocals. In full flight the track twists and flirts like a rapacious lap dancer as melodic toxins and hypnotic rhythms veining and puncturing the swerving rampancy. Playing like a meshuga planted by a union of Hadouken!, Lazy Habits, and Great Imitation with the extra relish of Swound!, the track soon has passions enslaved but it is only the start as it swoops into an atmospheric deviation, glorious orchestrated flames reaching to the sky as a Shrikes like disorientation and experimentation works on the senses. That exploration then evolves into a hip hop shaped lunacy, the song lifting its knees to its creative chin to wrong foot assumptions before moving once more into a delicious Mike Patton like invention.

The song continues to entwine those characters whilst adding new aural voices across its riveting climactic body, all the time sending waves of contagion and anthemic fuel into the passions. Seemingly increasing its thumping stride and urgency as it nears its conclusion, Answers is a predatory enticement with cracked intentions and irresistible weaponry which not only realises the promise suggested by the band’s last EP but uncages even greater potential for their sounds and an impending spotlight coated stature which you just know G.R.I.M will be exploiting ahead.

The single also comes with an equally dramatic and thrilling video directed by Joshua Leo Dorfman and produced by G.R.I.M and Fallout Productions. It brings its own enthralling premise and larger than life colour to the song, its story and cast as dynamic and energetically agitated as the thrilling song itself.

G.R.I.M is one of Britain’s most exhilarating and exhaustingly inventive secrets though Answers might just make that a soon to be well recognised mystery.

Check out the Answers video @ https://www.youtube.com/watch?v=k13smeVyrLw

https://www.facebook.com/GRIMcr

https://twitter.com/GRiManchester

10/10

RingMaster 07/05/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

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