Perfect Fault – Electric Mountain EP

perfect fault photo

What to do if you have some spare time from your day job. Well if you are guitarist/vocalist Hywel Griff (Howl Griff), guitarist/vocalist Dan Edwards (Sons of Merrick/ Pig Irön), bassist Rob Taylor (Profane and the Sacred), and drummer Mark Sharpless (Sons of Merrick), you get a band together called Perfect Fault, descend on a studio, and create some tenaciously rousing rock ‘n’ roll. The result of their exploits is the thoroughly enjoyable Electric Mountain EP, a release unafraid to weave a tapestry of recognisable flavours into songs which what they lack in originality they compensate with hook laden virulence.

Recorded at the Cariad Studios in South London as mentioned on a downtime from its creator’s main projects, Electric Mountain is a richly pleasing stomp and a four track appetiser for a proposed album later in the year. It is fair to say that the release stokes the fires of anticipation for that prospect as easily as it leaves ears wanting more. Sometimes you only want sounds to rock out with, something adventurous within its own confines that fills the gap like a favourite meal, and Electric Mountain fits the bill from start to finish.

The encounter opens with its lead single Headstrong and immediately takes ears in a hug of crisp beats, bruising riffs, and a lure of spicy grooving. Vocals are a quick protagonist too, bounding across the increasingly eventful landscape of the song with relish and an anthemic presence to match the sounds around them. There is an old school feel to the song, its punkish tempting having a ring of rockers like Eddie and the Hot Rods and Dr. Feelgood whilst equally there is a grungier essence reminiscent of nineties band Skyscraper to the roar of the terrific opener. The song maybe a little low on surprises but in offering rich enjoyment it is full to bursting, just as its successor.

Electric Mountain Artwork   The following Cup Runneth Over strolls in on a seventies rock like toning around inviting beats but is soon embracing a great agitated vocal presence which in turn stirs up the fluidity of the music, jerky beats and riffs colluding with jagged hooks before slipping into a Cheap trick like melodic crooning. The invention continues to catch expectations by surprise, and though we have suggested originality is the rarest commodity on the EP there is no doubting the band turns established textures and flavours into something fresh and spicy.

As fun and satisfying as the first two tracks are, the greater triumphs come in its second half starting with Flowers On The Lamppost. Prowling, almost predatory riffs and rhythms court ears first before vocals add their dark intent to the enticing mix. Once more a punk edge and attitude fuels the proposal whilst its chorus has a seventies glam rock vitality reminding of bands like The Tubes, though without going anywhere near the theatrical excesses of the Americans. Thumping rhythms steer the track with varying intimidation straight into the core of appetite and passions whilst the post punk like enterprise of the guitars works impressively on the imagination. The song is a mini kaleidoscope of flavours within a menacing stalking and easily the best thing on the release.

The closing Dodo is like a mix of its two predecessors, once more punk and melodic rock uniting in a tantalising concoction of mischievous sound and ideation. Into its gripping stride the track swaggers like a blend of Top Buzzer and Terrorvision, a creative treaty bound in a sonic lure of psyche and groove rock making a compelling end to an increasingly intoxicating release.

Electric Mountain definitely needs numerous plays to really appreciate what is going on as plenty of its unique endeavours are understated within the anthemic surface of familiarity, but from its first touch the EP is a highly satisfying escapade to get hungry over. Roll on an album we say.

The Electric Mountain EP is available now via Cariad Records @ https://cariadrecords.bandcamp.com/album/perfect-fault-electric-mountain-ep

https://www.facebook.com/pages/Perfect-Fault/772646976107941   https://twitter.com/perfectfault1

RingMaster 02/06/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

 

Hellbent & Hammered – Death Rattle

Hellbent & Hammered Online Promo Shot

With far more deep rooted grooves than a wet weather race tyre and the torque to seriously send body and senses spinning, Death Rattle from UK metallers Hellbent & Hammered is a wake-up call for ears and attention to the band’s evolution and presence. Formed in 2004, the London quartet has certainly been through the usual obstacle bands come up against as almost perpetual loses and gains in the line-up create a turbulence to defeat most bands. Stability in that area has been found over the last three years or so and as the band’s outstanding and ferocious new EP reveals, Hellbent & Hammered has only relished in and flourished from that calm.

The band wears their inspirations on the sleeves of very note and viciously swinging groove it is fair to say but twists it into a rich flavour that appetites can only become greedy for. The accompanying press release cites Down, Lamb of God, and Clutch as a trio of references merging to fire up the band’s sound, and it really does sum up the potency and force of Death Rattle if not all the fury and raw enterprise fuelling each track on the encounter.

Since forming Hellbent & Hammered has been an acclaimed force on the live scene, blistering stages alongside the likes of Feed The Rhino, Godsmack, ANVIL, Godsized, Thunderhorse, Head-On, and Sons of Merrick along the way. Their groove metal has been an increasingly potent lure across the south of the UK from the start, but with the current line-up completed in 2011 when guitarist Junior Gouch linked up with vocalist Ryan Le Roux, bassist Dr. Jon Casey, and drummer Simon Bullock, the band has in a way shed a skin to their sound in creating an uncompromising and bordering on toxic strain of groove metal as evidenced powerfully by Death Rattle.

The EP’s title track opens up the seductive hostility, riffs and rhythms creating an imposing wall from its first breath before the first flirtatious groove entwines ears and appetite. There is Hellbent&H coverswagger not only to the increasingly tempting grooving but every mighty swing of Bullock, bassline of Casey, and the grizzled delivery of Le Roux. It is Pantera-esque in so many ways but with a blues toxin and the superb bait of Gouch’s inventive lures and craft, the song provides an invigorating freshness. The first predatory anthem of Death Rattle, the track stalks and overwhelms the passions with ease.

The gripping start is swiftly matched by Hung, Drawn & Quartered; the track showing a more merciful welcome for ears, if only by a hairs-breath, before turning out a relentless rapacious stride of abrasing riffs, crippling beats, and psyche searing grooves. As its predecessor, the song is inescapable in its anthemic tempting and the sonic binding of the imagination, whilst the searing solo of Gouch adds further toxic manna alongside a deliciously throaty stalking bassline which just lights the passions.

The gnarly yet beckoning tones of Le Roux hit the sweet spot too, and in third song All Consuming, which from another irresistible bass bred bait, launches a virulent and corrosive smog of torrential riffery and rhythmic slaughter, he unleashes a delivery of impressive grazing power and fury. The track itself is the most inventive on the release moving from a strong and appealing start into a fascinating cauldron of aggressive adventure and sonic spite.

The EP closes with Built That Way, a powerhouse of rhythmic muscle and sinew sculpted riffs roared over by Le Roux and the blazing enterprise of Gouch. It is an impassioned furnace of grooved causticity amidst a hurricane like energy, with plenty of inventive designs and melodic venom to ignite the imagination all over again.

The track is a tremendous end to a thoroughly thrilling release. There is a familiarity and originality to Death Rattle which aligns for the perfect recipe of grooved mayhem in undoubtedly one of our favourite propositions of the year. Hellbent & Hammered has found the spice to greater things going by their new incitement and the potential to sculpt plenty of major things ahead. A thunderous way to round off a great year of releases sent to us by Garry of SaN Pr, and we thank him for all his help and support, Death Rattle is a must for all groove and seriously anthemic metal fans

The Death Rattle EP is released on Monday 15th December through all digital stores.

http://www.hellbentandhammered.com/

RingMaster 11/12/2014

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard from

http://audioburger247.webs.com/

HELLBENT & HAMMERED SERVE UP STUNNING NEW EP !

Hellbent & Hammered Online Promo Shot

After a prolonged battle with personnel changes, UK groove metallers Hellbent & Hammered’ nationally release their ‘Death Rattle’ EP on Monday 15th December through all stores.

With whiplash riffs, a Lamb Of God and Down honed groove and riot starting vocals from frontman Ryan Le Roux, you’ll want to be in Hellbent & Hammered’s gang. Established in 2004, Hellbent & Hammered have garnered a reputation as one of the South’s premier groove metal bands. However, the fiery foursome also possess a strong bluesy vigour that tips its hat to Clutch. Whatever category Hellbent & Hammered fall under, the scuzzy Londoners will without doubt grab your attention.

Throughout the band’s ten year history, Hellbent & Hammered have persevered through walk-outs, line-up changes and several unreleased EPs before finally re-inventing themselves with their forthcoming new EP “Death Rattle”. This record is their second with guitarist, Junior, who joined in 2011 after founding member Julien sought fairer climates somewhere in the South Pacific. Besides Le Roux and Junior, Dr. Jon Casey and Simon Bullock handle the band’s burly rhythm section, with Bullock hitting the tubs and Dr Jon supplying the bass.

Already known for their face-fracturing live performances, the band have ripped apart a series of UK venues, playing alongside everyone from Feed The Rhino, Godsmack, Canadian metallers ANVIL, through to Godsized, Thunderhorse (Raging Speedhorn & Viking Skull), Head-On, Sons of Merrick and StoneGhost (Snakebite).

The riff beasts’ forthcoming four track EP “Death Rattle” is released this December, and it’s a pedal to the metal, full throttle collection of power metal anthems. The EP’s name sake ‘Death Rattle’ melts your ear drums straight from the get-go with its blistering riffage handed to you by newcomer Junior Gouch, who’s aided and abated by Simon Bullock’s driving beats. The irrepressible ‘Hung, Drawn & Quartered’ just does not let up; imagine Pantera having a knife fight with Mastodon—its sheer brutality. While ‘All Consuming’ flaunts the bottom end groove of Bassist Dr Jon Casey to stunning effect and ‘Built That Way’ brings down the curtain on the record, there’ll be no doubt that your senses have been well and truly battered into oblivion. Hellbent & Hammered do what they say and say what they do. So come on in and join the party….

Hellbent & Hammered release ‘Death Rattle’ on Monday 15th December through all major online distribution platforms

Hellbent&H cover

http://hellbentandhammered.com/
https://twitter.com/hellbentvoodoo
https://www.facebook.com/HellbentandHammered