They call it ”powerslop deathrock”, we call it rapaciously virulent rock ‘n’ roll but however you wish to tag the sound of Old Bones, it makes for one very satisfying and rousing time within their debut EP, Sleepwalker.
Hailing from Long Island, New York, Old Bones is a trio consisting of guitarists/vocalists Anthony Dallolio and Johnny Dadabo, and bassist/vocalist Dan Walsh. Emerging from two decades plus of friendship and finding the last incentive to finally be serious about the project after watching a Mastodon/Opeth show, the band has spent the past two and a half years “writing, rewriting, revising, scrapping, starting over and writing songs until our fingers bled and our throats were shot. These five songs represent our literal blood, sweat, and tears to tell stories ranging from extra-terrestrials to loneliness and grief, and every note is a piece of our soul screaming to be heard.” It is a suggestion that nothing was left at the table by the time the EP was borne and listening to its stomping quintet of tracks that physical intensity alone is unmistakable.
Fusing various metal and heavy rock essences with a mischievous imagination, Old Bones spring a sound which demands attention. Familiarity aligns with individuality throughout, the latter the freshest and most captivating aspect of a sound which is as contagious a trespass as you would wish for. There are at times moments which feel like they organically burst free even catching the band unawares but only add to the great unpredictability and enterprise striking ears.
Enlisting drummer Griffin McCarthy (Letter of Marque) for its recording at Vudu Studios, with Walsh a later addition to the mix, Sleepwalker immediately set about the senses with opener Elegy. Its thick melodic opener carries temptation and threat, its amble through ears as menacing as it is inviting. Raw throated vocals ride the grooved lines soon sparking a keen appetite while the following clean vocals make for an equally potent aspect, the mix of feral and warmly catchy swiftly captivating and addictive. There is plenty more going on though; virulent hooks and skilled melodic trails rising up as keenly as predacious riffs and punchy rhythms.
The impressive start continues with INVADERS which straightaway has ears in the palms of its hands as grunge and punk essences infest alternative rock bred agility. Again the untamed instincts of the band are bold and gripping, the song unapologetically infectious and just as pungently aggressive while taking favourite track honours before the EP’s title track muscularly ambles in. McCarthy’s rhythms gripped ears and appetite from its first breath, equally carnal riffs a welcome treat before melody rich imagination weaves another enterprising tapestry of temptation and surprise while extreme and progressive metal traits only add to the drama and incitement.
Colossus and Sights & Sounds / Electric Frankenstein bring even greater flavour and variety to the release; the first wild and ferocious rock ‘n’ roll at its core engaging with a host of just as voracious flavours and skilfully nurtured sonic flirtation. It too emerged a major favourite moment within Sleepwalker while close behind, the latter of the pair strolls the heaviest landscapes of rock and grooviest plateaus of metal to spring a Black Tusk meets Mastodon meets Tool like incitement.
Both provide ears, as the EP overall, with a tide of aspects to greedily dine on and as great a bundle of reasons to eagerly recommend Old Bones and their Sleepwalker.
Sleepwalker is out now; available @ https://oldbonesny.bandcamp.com/releases
https://www.facebook.com/OldBonesNY
Pete RingMaster 19/05/2020
Copyright RingMasterReview
Welcome To Your Nightmare ensures things are only more gripping and exhausting next, its Anthrax scented thrash tirade irresistible from the first breath and only increasing its lusty allure as it releases its devil. Driven by the slamming beats of drummer Egil Mydland, the song alternatively stalks and launches itself at the listener across its hellacious contagion. The guitars of Slettebø and Bjørnar Grøsfjell arouse as they abuse whilst the bass of Eimund Grøsfjell is aural predation at its barbarously seductive best.
Can you give us some ideas as what the EP will hold and does Still Life give a good indication of what to expect, more diversity and sonic/noise exploration?
