Micky Diana – No Bells This Christmas

Such our instinctive aversion to Christmas songs it is almost a result to get our ears to just listen to such propositions. Occasionally something does slip through which catches the imagination, clicks with personal thoughts, and grabs increasingly eager ears. The new single from British singer songwriter Micky Diana is one of those rare persuasions; a song we can easily recommend you check out.

No Bells This Christmas comes off the successful back of Diana’s previous single Run With Me and it was through its highly enjoyable presence that he caught us in a moment of ‘weakness’ with the new track and thankfully he did. No Bells This Christmas is a melancholic reflection of the lack of sheen the holiday season has for a great many for whatever reasons. For the lonely, the love lost, and the desperate; all those going through the motions at a time of supposed love and joy just wishing it swiftly away, the song is an anthem which resonates but equally with Diana’s natural wit and skill with words brings a wry smile to the lips and imagination.

As shown by his previous track, the Londoner’s voice and delivery is organic captivation, a distinct invitation into his lyrical craft and both in full magnetism within No Bells For Christmas. The gait of his delivery is sharp and mischievous, a trait which also lines the song and blossoms in the accompanying video to the single.

Catchy from its first breath and increasingly so thereon in No Bells This Christmas is a song easy to remember and even simpler to enjoy. Maybe Christmas songs are not that bad after all…well until the next one tries to convince anyway.

No Bells This Christmas is out now.

https://www.facebook.com/mickydiana01/    https://twitter.com/mickydiana

Pete RingMaster 02/12/2017

Copyright RingMaster: MyFreeCopyright

Joe Dolman – Something Beautiful

We all need a warm caress to get through the all too often intense days of life and one rather knowing one comes in the shape of the new single from Joe Dolman, a song which itself looks at “how it can be difficult to get anywhere no matter how hard you try; and that sometimes you need help from something or someone to help you get to where you’re aiming for because nothing you’re doing seems to be working out.” Inspired by his fight trying to make a career in the music industry, Something Beautiful is a melodic hug on ears which needs little time to catch the imagination.

British singer-songwriter Dolman has increasingly drawn keener and broader attention over the past three or so years. The21-year-old from Leamington Spa has independently released two EPs which have taken him to the top 10 in the UK and US iTunes charts, gained support and plays with BBC Radio 1 and BBC Introducing, played the big stage at Hyde Park in 2014 as well as festivals such as Reeperbahn in Hamburg, The Great Escape 2017, and headlined the Acoustic Stage at Godiva Festival 2017. Adding regular jaunts around the UK and dates and tours across America and it can be said that Dolman is winning the battle especially with songs like Something Beautiful in his arsenal.

As soon as the inviting strum on guitar coaxes attention is right there, harmonies adding to the beckon before Dolman’s potent tones take centre stage. Even in verse there is a quick and potent catchiness which subsequently ignites in the chorus, its rousing call sublimely backed by a magnetic melodic hook to further get the appetite fired up.

In many ways there is nothing surprising about the track, the likes of James Bay and Damien Rice coming to mind, yet it does not mean it is not as fresh and vibrant as anything heard this year from similarly styled artists or that it is anything other than one highly enjoyable proposition from an artist on a certain rise within the UK music scene.

Something Beautiful is out now.

Upcoming UK Tour Dates:

01/11 – Rough Trade, Nottingham

06/11 – St Pancras, London

08/11 – Latest Music Bar, Brighton

11/11 – Loft Theatre, Leamington

12/11 – The Kings Arms, Manchester

13/11 – Sunflower Lounge, Birmingham

15/11 – The Fox and Newt, Leeds

16/11 – The Glad Cafe, Glasgow

https://www.facebook.com/JoeDolmanMusic/    https://twitter.com/joedolman96

Pete RingMaster 27/10/2017

Copyright RingMaster: MyFreeCopyright

Micky Diana – Run With Me

Run With Me is the richly enticing debut single from British singer songwriter Micky Diana, an artist who took his first steps as a teenager, primarily as an MC to Drum & Bass and Jungle music. His career since has seen the Crawley based Diana act alongside Sheridan Smith and Jamie Bell, perform in numerous plays, operas, and musicals such Whistle Down The Wind, Hamlet, and Phantom Of The Opera in the West End and globally further afield as well as becoming the lead backing vocalist for Hurts. All the while he has developed his songwriting, embracing contemporary styles to his already diverse experiences in music with a debut single an ear pleasing first result.

An atmospheric wash is instantly joined by the emotive melody of the piano and the quickly impressing tones of Diana as Run With Me envelops ears. As rhythms bring a slight but lively skittishness to the developing drama of keys and stringed suggestion, Diana reveals a varied textural appetite to his vocal delivery, crooning with a kaleidoscope air which just works.

There is theatre to sound and voice which equally grabs attention but one deliberately and organically controlled to keep things intimate and emotionally earthy. Looking at moments “where people felt they had no voice or were not allowed to have an opinion”, being inspired by the story about the bakery which refused to make a wedding cake for a gay couple soon to be married in N Ireland where he was at the time, Run With Me is a magnetic first look at Diana, one which makes ears want to hear more and intrigue eager to see how things develop ahead.

Run With Me is released September 15th

https://www.facebook.com/michaeldiana01/    https://twitter.com/michaeldiana01

Pete RingMaster 22/08/2017

Copyright RingMaster: MyFreeCopyright

Nasher – 432-1: Open The Vein

Taking the listener in a melodic hug whilst opening windows and spotlights upon lives, intimate and more politically social, the new album from Nasher is nothing less than captivation. 432-1: Open The Vein shares memories and reflections like the sun provides warmth and clarity through songs as compelling in their writing as in the melodies and harmonies bringing them to life. It is blessed with truly bewitching and memorable moments within a body which from start to finish has ears hungry for more as the imagination weaves away.

Nasher is Brian Nash, the guitarist for Frankie Goes to Hollywood. Before his part in their success, he had already linked up with drummer Peter Gill and vocalist Holly Johnson in Sons and Egypt, forming the outfit with the duo after playing in several other bands with varying styles. Sons and Egypt came to an end in 1980 when his colleagues left to join a new band in the shape of Frankie Goes to Hollywood. The departure of Gerard O’Toole from that band two years later saw Nash link up with his former band mates again, the band going on to have international triumphs of course with the likes of Relax and Two Tribes. After their demise in 1987 Nash collaborated with singer Grant Boult as Low and later again in Dr. Jolly’s Salvation Circus. Two solo albums in Ripe and Le Grande Fromage appeared in 1999 and 2002 respectively, Nash also creating his own Internet-based label, Babylon Pink, around that time upon which 432-1: Open The Vein now appears.

It opens up with Salt in Our Veins and the sound of water falling and lapping from presumably the Mersey of his hometown as its specific noises raise their heads. From within their evocative textures, Nash’s acoustic guitar strokes the senses, his following vocals similarly coaxing attention with their harmonic warmth. The emotional suggestion and plaintive insight of his words are just as magnetic, Nash seemingly sharing light on his move to the capitol and the retaining by Liverpool of his heart. The wonderful song is a sign of things to come, of the drama lining every note and syllable, of the infectiousness fuelling every ballad and livelier engagement with ears and thoughts.

The fine start continues through the folkish stroll of Still Can’t Find the One, a song embracing eighties pop hues more akin to the likes of Blancmange and Heaven 17 than his Frankie exploits, and the observational melancholic theatre of I Spy. Not for the last time upon the album, there is something of XTC to the songwriting or more the Colin Moulding side of the band, the song a pastoral reflection in sound and insight in word of modern life. Both tracks are instinctive magnetism, warm yet shadowy caresses matched in strength and beguilement by the sunny disposition and emotional sentiment of Whole.

Through the harmonic questioning of one of the bitter protagonists of today in Katies and the boisterous rock ‘n’ roll of Prostitutes and Cocaine, the album only adds to its riveting and skilled pleasuring of ears while Just Sounds Like Noise engagingly repeats words that people of a certain age share about Saturday afternoon and evening TV. It was better in our day is a staple claim of every generation and forever will be though not always with the charm given it by Nash.

The mellow hazed Pebbles to Dust seduces next; the increasingly bewitching song almost somnambulistic in gait and air as it melancholically smooches with the senses. Its darkly lit atmosphere flows into the equally sombre glide of Where Will the Kids Live? through the lively antics of youth. The track is gorgeous, once more drama seeping into every melodic sparkle and haunted glaze of sound and emotive shadow.

Both Nothing Homes and XO simply captivate; melodies and harmonic sighs to the fore with the second of the two slipping into an animated skip for its pop catchy incitement of feet and emotions. With a whiff of Pete Wylie to its contagious enterprise, the track has the listener physically and emotionally bouncing before Yesterday’s News closes things up with its Jam lit croon. More of a grower compare to the instant persuasion of earlier tracks, it emerges as a just as momentous and stirring proposition within 432-1: Open The Vein, an album which leaves the heart even more lustfully in love with music, especially if you hang on for its hidden Bowie inspired finale.

 432-1: Open The Vein is out now through Babylon Pink Recordings.

https://www.facebook.com/Nasher-105270312871476/

Pete RingMaster 05/07/2017

Copyright RingMaster: MyFreeCopyright

Scott Swain – Like Nothing Else

From the dark country drama and sultry intrigue of last year’s single Oil!, Scott Swain casts his imagination into even more deceptive corners with its successor Like Nothing Else. The song is a gentle yet brooding encounter; warm and seductive yet with darkness in its lining which as much blossoms into a provocatively mesmeric enticement as the melodic warmth within, .

Making use of the downtime from his bands How to Dress a Monster and Fire at Night to explore his personal writing and songs, Swain unveiled his solo project last year and released the irresistible single Oil!, a song showing hints of inspirations ranging from Elliot Smith and Mark Lanagan to cult cinema. As its predecessor, which was inspired by There Will be Blood, his new track was written about a movie, Event Horizon the spark for Like Nothing Else.

The opening caress of acoustic guitar is an earthy yet celestial lure, Swain’s warm vocals adding to the song’s elevating flight of melody and temptation. With rhythms laying shadows in close quarter to the radiance embracing vocal and lyrical reflection, the song swiftly becomes an easy transfixing of ears and imagination. Simmering with creative and suggestive theatre, the track slowly but openly builds in emotion and intensity from there, its journey into an understated but rousing crescendo a gripping realisation before a final kiss of melodic and harmonic sighing lies poetically on the senses as the song drifts away.

Throughout its evolution, Like Nothing Else is pure captivation and confirmation that Swain’s solo side is heading towards major attention.

Like Nothing Else is released 28th April.

Upcoming Live Dates:

23/04/2017 Craft Beer Company, Brixton, London.

26/04/2017 The Cellar, The Finborough, Earls Court, London.

08/05/2017 Spice of Life, Soho, London.

18/05/2017 The Bricklayers Arms, Hitchin.

28/05/2017 Opium Bar, Edinburgh.

http://scottswainmusic.com/    https://www.facebook.com/scottswainmusic   https://twitter.com/scottswainmusic

Pete RingMaster 19/04/2017

Copyright RingMaster: MyFreeCopyright

Little Lapin – Wake Up With The Sun

There are many obvious things which are evidence of being in the throes of a seductive summer, most you will need no reminding of but there is something else which equally has emotions wrapped up in the beauty of its warmth and that is a new release from British singer-songwriter Little Lapin. Just short of two years ago, the Cornwall based songstress entranced and impressed with debut album Remember The Highs, repeating the event a year later with its even more striking successor Holding Out For The Kicks. Their collection of heart bred, spirit stroking songs firmly imprinted their creator on the indie folk/ alt country scene. Now third album, Wake Up With The Sun, is a day or so away from living up to its title and sparking a new melodic summer for the senses and imagination to bask in.

Quite simply Wake Up With The Sun puts its predecessors in the shade; easily eclipsing both impressing releases as Little Lapin’s (Lucy Hill) reveals her most potent, accomplished, and creatively imaginative and elegant songs yet. She is no stranger to acclaim, those releases and surrounding singles as well as her live performances drawing eager praise and attention. From radio shows to the scribbles of music blogs and magazines, plaudits have gathered as too a worldwide fan base through her shows and tours across Britain and New Zealand as well as New York. Wake Up With The Sun is also the call to the rest of the world to take notice with its season of melodic seduction.

Initially and no doubt continued to be inspired by the likes of Regina Spektor, The Cranberries, Florence & The Machine, Laura Marling, PJ Harvey, The Cure, and The Pixies, Little Lapin has persistently nurtured her own character of sound and songwriting; its current pinnacle and uniqueness coming within Wake Up With The Sun. From its first breath, the album smiles and kisses ears; opener and album title track stroking ears with the tender touch of acoustic guitar. That in turn sparks a skip of eager guitar and bass, their perky stroll wrapped in the warm caress of LL’s ever captivating voice.  A slice of pop folk, the song proceeds to radiate like its namesake; rays of energy and senses inciting warmth infusing body and spirit.

My Complexion follows, swiftly sharing its own infectious gait and nature as LL courts ears and thoughts with her evocative words and enticing voice. Its unique spice adds a delicious tang to her melodic prowess, essences emulated in the blend of jaunty guitar and jazzy bass alongside.  An eruption of fiercely fragrant guitar only adds to the temptation, a one off moment not to be repeated but lingering as long as the song’s general spring and beam.

Just as potent in its reluctance to leave ears and thoughts is the delicious animated serenade of Isn’t Life for Living, a blossom of beauty simultaneously sharing a smouldering flame and frisky waltz as it ignites feet and hips as easily as a lustful appetite for its virulent pop.  As throughout the album, there is a sixties/seventies scent, a whisper but giving the song another endearing hue to get hooked on as it sublimely captivates with its keen and poetic vivacity before latest single Narrabeen adds its own catchy enterprise and bold imagination to the release. With the haze of harmonica and a suggestive rumble interrupting its tenacious country spiced swing, the track is a sultry and dusty Kiwi hued adventure and, as its predecessor, just riveting.

Through the delicate melancholy lit Luna and the reflective hug of A Song for Alex, the album lures the listener deeper into its majestic yet intimate arms while Need a Change of Scene has the body on its feet again shuffling round with tenacious versatility to the song’s wonderfully unpredictable invention and evolving landscape. Like a mix of Laura Marling and Imelda May, LL has ears and imagination enslaved whilst revealing another aspect to the diversity shaping Wake Up With The Sun.

LL simply bewitches once more within Radio Nocebo, her tang lined voice an appetite inflaming siren and storyteller within the sparkle of hearty and innocence spun melodies. Captivation is swift and inescapable as the song provides another peak to the loft range of the album; its triumph followed by the final wash of warmth and melodic intimacy provided by closing song I Told You So. It is a last kiss on the lips of pleasure as Wake Up With The Sun leaves the listener wistfully bound in the hug of creative grace.

It is probably fair to say that Little Lapin has yet to ignite the biggest spotlights so far but it is easy to suspect that global attention will be stirred, as the sun, by her new and quite simply gorgeous album.

Wake Up With The Sun is released April 14th across most online stores.

http://www.littlelapinmusic.com/    https://www.facebook.com/littlelapin/    https://twitter.com/1littlelapin   https://littlelapin.bandcamp.com

Pete RingMaster 13/04/2017

Copyright RingMaster: MyFreeCopyright

Chris Mullin – Myself Fooling Me

Better known as the bassist and co-songwriter of The Sums (ex-Smaller) and bassist for nineties band Hurricane #1 who have recently reformed, Chris Mullin is set to entice his own corner of attention with his debut solo EP, Myself Fooling Me. The Liverpool bred musician bares his creative and emotional heart with a six fingered handful of songs as distinct and different from his other endeavours as they are similar in the captivation of ears and imagination; simply a collection of tracks just demanding attention.

The first of a planned series of EPs exploring Mullin’s appetite for “more experimental styles of music”, Myself Fooling Me opens up with Hard Times. As keys stroke ears and thoughts, swiftly there is a Lennon-esque quality to the song and its lively grace, Mullin’s vocal expression a heart sharing proposal accentuated by the spring of strings rising over and caressing a quickly awoken appetite for the song’s melodic suggestiveness. Catchy with increasing warm hope lining its initial melancholic tinge, the song is a captivating start to the release and introduction to Mullin’s personal creative character.

Lost At Sea follows, acoustic guitar stroking ears as Mullin’s again vocally shares his reflections being subsequently surrounded by simmering and increasingly bold flames of strings courted by celestial keys. The song laps at the senses, suggestive light shimmering on its surface before the darker hues of Colour Of Pain compellingly slip through ears. With a bluesy edge to its melodic lure and shadow hugged emotion, the outstanding track is a haunted bewitchment, melancholy and sorrow its engaging suit as Mullins reveals yet another side to his ever broadening solo journey.

From the rousing beauty of a song shouting single, Mullins shows a folkish flare with No More; a gentle melody seducing act of defiance which just grows more infectious with every passing note and word while Who Took The Beat? shows another hue to the same instinctive intent with darker emotional shadows at work. Blossoming in texture and flavour with every move, a sixties musical air from his home city as well as broader cosmopolitan scents seeping from its body, the song is one evocative serenade.

The EP closes with its title track; a song written over 20 years ago and revived after a one on one jamming session with Paul McCartney a few years back. Featuring ex-band mate, Bren Moore (Smaller/The Sums/Ella Guru) and the backing vocals of Fiona Holt O’Sullivan, Myself Fooling Me is a melody woven glide into the imagination with lyrical and vocal expression as provocative and honest as the boisterous sounds around them.

With every listen the Myself Fooling Me EP offers a richer seduction whilst sharing further depth to songwriting already part of some memorable moments with The Sums. Mullin’s solo exploration is a very different proposal to his ‘day job’, but something fans of the band and melody honed music as a whole will enthusiastically embrace.

Myself Fooling Me is available now via Nowhere Music through all major download retailers and @ https://chrismullin.bandcamp.com/releases

http://chrismullin.net/   https://www.facebook.com/chrismully   https://twitter.com/chrismullin74

Pete RingMaster 29/03/2017

Copyright RingMaster: MyFreeCopyright