Show Of Bedlam –Transfiguration

They may not be the most prolific of bands recording wise but without doubt when Canadians doomsters Show Of Bedlam uncage their creative imaginations and sonic dexterity it results in something truly irresistible and memorable. That claim is richly confirmed yet again with the band’s new seven track EP/mini album, the quite stunning and unnerving Transfiguration.

The Show Of Bedlam sound has never been solely confined by that doom tagging, their fusion of sludge, post hardcore and punk, and atmospheric malevolence a cauldron of raw and transfixing invention and suggestion but never has it been so mesmeric, bone-chilling, and psychotically arcane as within Transfiguration. The release is a furnace of raw emotion and intensity soaked in a suffocating beauty; the band creating an evocation of macabre intrigue and corrosive psychosis which if the Witchfinder General was still a figure of ‘responsibility’ would have Show Of Bedlam burning at the stake.

From their debut release as one half of the split Autocannibalist with Jucifer in 2009 to first album Roont in 2012 and now Transfiguration, Montréal hailing Show Of Bedlam has kept ears and fears waiting and richly rewarded. The time between releases has seen the band continue to nurture and hone, push and experiment with a sound which is instinctively unique and dramatically imposing. For all their previous successes, Transfiguration is easily the band’s finest moment to date and the moment they surely blossom from a widely known secret to a fully-fledged inspiration within the metal scene.

Twelve minute opener Blue Lotus immediately engulfs the senses with its sonic smog of intrigue and melodic discord; enticing and intimidating in equal measure as it crowds the listener ready for the equally haunting and inescapable prowess of Paulina Richards’ presence and voice. There is virulence to all the dark thoughts and visceral imagery escaping the stifling atmospheric density; infectiousness as easily trespassing body and thoughts as the psychosis of sound carrying it. With a gothic wash equally blossoming and recalling Xmal Deutschland at times, the glorious predator of a track swallows the listener with its tapestry of creative spite and despair simultaneously disturbing and invigorating with its oppressive magnificence and intimate examination of the senses.

Latest single Taelus swiftly follows, teasing ears with its melodic beckoning as beats wait to lay an occasionally anthemic hand on an already eager appetite. As a sample lurks, the song simmers and bubbles, bursting from its confines as vocals and guitars entwine in another caustic wash of sonic tempting stalked by the hungry rumblings of bass. As its predecessor, the similarly deceitfully catchy track is as descriptive sonically as it is vocally, every fresh wave and adventure of intensity and cunning a new twist in the nightmarish landscape painted note by note, syllable by syllable.

At two minutes plus, the album’s title track is a short and powerful insight into a blossoming defiance and turning of the worm within a rhythmically entrancing and gripping affair, inciting the senses physically and  emotionally before Hall of Mirrors rises from its slumber with carnivorous breath and intent. It crawls over the listener, dragging its sludgy weight and doomy intensity with rapacious relentlessness as Richards roars with unbridled emotive intensity and persuasion. It too ebbs and flows with energy and greater volcanic urgency, consuming the senses with lava-esque ferocity lined with more of the band’s contagious groove spited toxicity; it all leading to a climax which simply consumes all before it.

Lamentation offers a respite of sorts, its twenty odd seconds a detour into a fresh fly infested charnel house from which the oppressive elegance and invasive almost cancerous  tempest of Easter Water broods and escapes. With every passing second it looms up and imposes its weight and immersive embrace, bullying whilst igniting ears and imagination. Subsequent slips into less intensive though no less spine-chilling and fearsome pastures as well as the darkest corners only adds to the theatre of sound and its realm of the portentously obscure, and to the imagery festering and conjuring in the imagination.

Closed by the brief sonic ruin of L’Appel Du Vide, quite simply Transfiguration is glorious; daunting and alarming for sure but a sonically and emotionally distressed alchemy of sound and invention which leaves the majority of releases this year so far and easy to suspect to come, looking bland and uneventful. As the world falls further into disaster and decay, so Show Of Bedlam rises, their sound and new offering the perfect soundtrack and antidote.

Transfiguration is released May 12th through PRC Music and Sentient Ruin Laboratories with pre-ordering available now @ http://www.prcmusic.com/store/index.php?route=product/product&product_id=1447 and https://sentientruin.bandcamp.com/album/transfiguration

https://www.facebook.com/Show-of-Bedlam-231634652456

Pete RingMaster 18/04/2017

Copyright RingMaster: MyFreeCopyright

Incendiary Arousals: Twenty one Metal/Noise/Rock releases which lit up The RingMaster Review in 2015

2015 was a year of creative savagery and rousing, anthemic glories within metal, rock, and noise driven genres. The RingMaster Review picks out those EPs/albums covered by the site which especially sparked ears and passions.

 

OMNISCIENT_FC_RingMaster Review

Desert Storm – Omniscient
https://ringmasterreviewintroduces.wordpress.com/2015/01/22/desert-storm-omniscient/

Skindred – Volume
https://ringmasterreviewintroduces.wordpress.com/2015/10/29/skindred-volume/

William English – Basic Human Error
https://ringmasterreviewintroduces.wordpress.com/2015/07/01/william-english-basic-human-error/

Arcade Messiah – II
https://ringmasterreviewintroduces.wordpress.com/2015/11/23/arcade-messiah-ii/

Arcade-Messiah-II-Cover_RingMaster Review

Tirades – Lifetime of Wars
https://ringmasterreviewintroduces.wordpress.com/2016/01/08/tirades-lifetime-of-wars/

Raketkanon – Rktkn#2
https://ringmasterreviewintroduces.wordpress.com/2015/04/15/raketkanon-rktkn2/

Show of Bedlam – Roont
https://ringmasterreviewintroduces.wordpress.com/2015/05/08/show-of-bedlam-roont/

XII Boar – Pitworthy
https://ringmasterreviewintroduces.wordpress.com/2015/03/10/xii-boar-pitworthy/

Cover_RingMaster Review

Jess & The Ancient Ones – Second Psychedelic Coming: The Aquarius Tapes
https://ringmasterreviewintroduces.wordpress.com/2015/12/08/jess-the-ancient-ones-second-psychedelic-coming-the-aquarius-tapes/

Shevils – The White Sea
https://ringmasterreviewintroduces.wordpress.com/2015/11/04/shevils-the-white-sea/

Shattered Skies – The World We Used To Know
https://ringmasterreviewintroduces.wordpress.com/2015/01/15/shattered-skies-the-world-we-used-to-know/

Possessor – Stay Dead
https://ringmasterreviewintroduces.wordpress.com/2015/04/02/possessor-stay-dead/

cover_RingMaster Review

Grumpynators – Wonderland
https://ringmasterreviewintroduces.wordpress.com/2015/05/21/grumpynators-wonderland/

Shaving The Werewolf – The Pissing Link
https://ringmasterreviewintroduces.wordpress.com/2015/12/09/shaving-the-werewolf-the-pissing-link/

Sofy Major – Waste
https://ringmasterreviewintroduces.wordpress.com/2015/10/14/sofy-major-waste/

6:33 – Deadly Scenes
https://ringmasterreviewintroduces.wordpress.com/2015/01/12/633-deadly-scenes/

art6:33_RingMaster Review

Murdock – Dead Lung
https://ringmasterreviewintroduces.wordpress.com/2015/04/17/murdock-dead-lung/

Grenouer – Unwanted Today
https://ringmasterreviewintroduces.wordpress.com/2015/03/20/grenouer-unwanted-today/

Markradonn – The Serpentine Deception
https://ringmasterreviewintroduces.wordpress.com/2015/12/15/markradonn-the-serpentine-deception/

We’ll Go Machete – Smile Club
https://ringmasterreviewintroduces.wordpress.com/2015/08/27/well-go-machete-smile-club/

 

cover_RingMaster Review

TesseracT – Polaris

https://ringmasterreviewintroduces.wordpress.com/2015/09/27/tesseract-polaris/

The RingMaster Review 01/01/2016

Copyright RingMaster: MyFreeCopyright

For more exploration of the independent and promotional services check out http://www.zykotika.com/

27 Tons of Metal New England – Various

cover_RingMaster Review

And Bluntface Records do it again, thrusting the underground scene at the senses courtesy of another essential compilation of some of the most striking and potential drenched bands around. This time the US label is exploring the underground metal scene from New England, which on the evidence of 27 Tons of Metal New England, is simply writhing with great ravenous bands and sounds. The release is as diverse in styles as it is voracious in creativity and though with the amount of bands and metal subgenres involved personal tastes will obviously find a greater hunger for some over others, it is fair to say that the album from start to finish is a compelling treat with no weak spots, and all the more tastier for being completely free.

The encounter opens with Carnivora and a track taken from their outstanding EP, The Vision. Pessimist’s Tongue is the Danvers quintet at their full blistering best and weaving suggestive ambiences into subsequent tapestries of rabid vocals and rancorous intensity. Yet despite its almost cancerous intent and creative breath, there is anthemic energy and a web of searing adventure from the guitars involved, which in turn sparks addictively imaginative exploits from the band across the song’s corrosive landscape.

It is a scintillating start to the release pushed on by Alterius and their uncompromising melodic death metal trespass on the senses, A Citadel’s Demise. The song comes from the band’s latest EP Voyager, and merges classical overtones into its fluid brutal and seductive tempting. Like being serenaded whilst the beast tears your throat out, the track stalks ears and psyche setting in motion a keen appetite to know more, a success matched by Revere quartet Travel Amygdala and their aggressively smouldering Died by a Bullet. Entangling its inventive metal bred sound with progressive and grunge seeded imagination, the song aggressively crawls over the senses enticing and intimidating, especially as it builds in energy and tempestuous air. There is also a potent sludge feel to part of its character too, the thick prowls between forceful strides of creative and vocal drama carrying the strongest whiff, with ultimately everything uniting for one riveting proposition.

Bostonian black metal trio Ashen Wings comes next, the band’s raw and carnivorous sound a bracing magnetic scourge delivered to ears from Cancerous Bones. As insidious and ruinous as you can imagine, it also spawns a swing to its gait which only adds to the addictive proposal on offer before making way for the just as destructively virulent Scourge of the Hierophant from Sorrowseed. A blend of blackened death metal with a healthy vein of classic and melodic tenacity, the increasingly thrilling track smothers ears and appetite with pestilential persuasion whilst provoking the want to offer vocalist Lilith Astaroth some soothing for her surely shredded vocal chords.

band-contacts-page-127 Tons of Metal New England      Walk the Earth (No Longer) from sludge/doomers Conclave steps up next, the nine minute intrusion an accomplished and enthralling predation cast with rugged heavy riffs and heavily swiping rhythms, all lorded over by just as unpolished and alluring vocals. From their Breaking Ground EP, the song is as effective descending on ears in top gear or in crowding their walls with a lumbering and weighty provocation within a long but never less than thickly engaging incitement.

The same kind of hold is seized by Beneath The Burial next and their track In Memory, its fusion of hardcore ferocity and metal spawned sonic invention a fury of searing grooves, vocal animosity, and subsequently predatory imagination. As the album itself, there is a wealth of flavours emerging across the track musically and vocally, which only adds to the slow but fiercely burning persuasion of the song to inspire a want for more as it makes way for Skin Drone and God Complex. One of the few bands these ears had already come across and previously devoured, the duo of Bluntface Records founder Otto Kinzel and Erik Martin of Erik Dismembered and Critical Dismemberment unleash one of those examinations which you never know whether to fear or whole heartedly embrace, the latter always the chosen reaction of course. Like a sonic scavenger, the track vocally and musically spills its creative industrial/metal animus on to the senses within an evocative ambience which then inspires a melancholic exploration of emotive and creative expression. The song is a cauldron of inventive sound and emotional intensity, a rich picking for those with an avant-garde side to their preferred examinations.

The scorching designs and temperament of Dirty Birdy from metalcore furnace Don’t Cross the Streams is next; band and track a scarring addictiveness which without springing major surprises has ears and heavy enjoyment sealed from the first clutch of seconds. Their triumph is quickly backed by Stoughton power/progressive metallers Forevers Fallen Grace and Clarion of Regret, another song which needed warming to before its potent expanse of craft and enterprise became an inescapable hook, and after them Makavrah with the excellent Awakening The Ancients. The Peterborough hailing doomsters have a sound which is dangerously mesmeric, a senses meddling sonic bewitchment which as shown by its twelve minutes of evolving soundscape, is hex like in its ingeniously dramatic and creative exploration. With echoes of Show Of Bedlam to it, the track is one delicious incessant crawl.

The industrial endeavour of Isolated Antagonist more than lives up to its offering’s title next, Infection a contagious causticity of sound and emotion with vocals to match as it worms under the skin and into the psyche with lingering rewards, whilst the following Composted bring a carnal presence and hostility into the equation with their track OB/GYN O.G. The band’s death metal onslaught has the voracity of thrash and swagger of groove metal to it, and as hungry hues only help to create an immense and irresistible corruption.

Both Charlestown sextet Untombed and Mike Kerr Band keep the riveting roar of the album going, the first with their groove and antagonism loaded death metal antipathy, Criminal Inception. Savage and violently catchy, the track is another which is maybe not gripped by original exploits but is one spilling a fresh venom which leaves a great many of fellow emerging genre bands in the shade whilst its successor is the title track from its creators recently released new album The Truth of the Lion and features Texan vocalist Adrienne Cowan and Jim Oliveira in its classic/melodic metal lure.

Power groove metal is on the agenda next through Before the Judge and their track Bobby D. With a highly agreeable nag of riffs and grooves lining its erosive blaze, the song stirs the blood band-contacts-page-2_RingMaster Reviewwhilst pouring more diversity into the compilation, variety further expanded by The Aberration and their track Bologna Skins are the Next Big Thing. The band consists of Travis O’Connell (guitar) and Jim Cole (drums), an instrumental duo creating, on the evidence of their contribution, compelling proposals of snarling progressive metal loaded with uncompromising attitude.

Melodic death metal quartet My Missing Half scars air and ears next with The Lives I’ve Ruined, a song with essences of The Black Dahlia Murder and At the Gates to it whilst finding its own magnetically inventive nature. The track leaves emotions and senses breathless but hungry for more as so many on the release, including Seeds of Negligence and their maelstrom of varied and inhospitable metal posing as The Reaper. The song is a bruising and vicious temptation of death, groove, thrash, and progressive strains of extreme metal, an incendiary incitement sparking a lust for further confrontation.

Dover trio Cactus Hag drags the listener back into a rich immersion of sludge and doom invasiveness with Grand Lodge of the Mirage, the track an insidious erosion snuffing out light and hope whilst sparking just as strong enjoyment. Its smothering rancor is contrasted by the brighter and superbly volatile adventure of G.O.G. from Side Effects May Include, the song another entwining a mass of different styles into its individual tempest of heavy rock and creatively rabid metal, and another only leaving the urge to go explore in their wake. Which is something which also applies to Pelham’s Epicenter and the thrash fuelled insurgency of See Through. With strands of alternative and groove metal to its robust and tenacious exploits, the track is as anthemic as it is strikingly inventive, and amongst admittedly many, an instinctive favourite.

band-contacts-page-3_RingMaster Review     Fog Wizard get body and passions inflamed again with Fear the Kraken, a rapacious prowling built like Sabbath meets Motorhead with the attitude of Stuck Mojo and the combined snarl of Slayer and Black Flag. One slab of real pleasure is replaced by another and the abrasive kaleidoscope of sound unveiled by Sonic Pulse through Defenders of the Good Time. A brawling festival of power and thrash metal with a flurry of heavy and classic metal hues for greater captivation, the track is a ferocious blaze equipped with drama, familiarity, and inescapable bait.

The heavy weight slab of talent is brought to an impressive end by a trio of bands to also keep a close eye on, starting with the bestial sound of extreme metallers Graveborn. Their mercilessly hellacious and skilled Leviathan is sheer sonic and rhythmic savagery with just as brutishly varied vocals, and another big enticement before heavy/thrash metal Verscythe prove their classic seeds in the richly magnetic Land of Shells.

Completed finally by Vacant Eyes and the melody sculpted funereal death/doom exploration that is The Dim Light of Introversion, a track thick in atmosphere and haunting trespasses for a darkly compelling seducing, 27 Tons of Metal New England is an intensive journey through the depths and expanses of New England’s underground metal scene. It is one of the most extensive and rewarding compilations in a long time which from start to finish, enthrals and assaults, entices and transgresses. If any metal fan does not come away from the encounter with at least a handful of new lusts we would be amazed. So no dawdling, go and get one of the biggest and best free treats of the year,

27 Tons of Metal New England is available for free download @ http://bluntfacerecords.com/27-tons-of-metal-new-england

RingMaster 06/07/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net

Show of Bedlam – Roont

Photo by Renaud Sakelaris.

Photo by Renaud Sakelaris.

We were hearing very good things about Canadian doomers Show of Bedlam because of a split with Jucifer in 2009, the band’s only release up to this point, and were told that we should take an interest in the band’s debut album Roont, released this week. This we did and discovered a release best described as a creative cauldron of sonic and emotional intensity filtered through howling atmospheric turbulence, i.e. one of the most exhilarating albums so far this year. It is as fiercely seductive as it is corrosively demonic, as virulently contagious as it is toxically inhospitable, and quite simply irresistible.

Hailing from Montreal, Show Of Bedlam’s sound is certainly doom metal bred but it is equally as sludgy as it is hardcore, as punk as it is noise and occult spiced rock ‘n’ roll. Influences are said to include the likes of Neurosis, Electric Wizard, The Swans, UFOMammut, Babes in Toyland, and Sonic Youth. The reality is for all references and inspirations cited and probably deserved, Show of Bedlam brew up a hellacious and thoroughly gripping mix ultimately distinct to them.

SHOW_OF_BEDLAM-Roont300x300    The album’s title track sets things off, a cold and harsh ambience looming in from afar, quickly joined by portentous rhythms and a maelstrom of sonic and noise bred provocation. It is an embrace of sound and incitement to match the band name, no coherent unity obvious yet a concussive invitation with control and instinctive enmity. From its thickening smog, acidic grooves and heavy senses roaming rhythms emerge, their imposing presence matched by a dark bass tone and the instantly engaging tones of vocalist Paulina Richards. Attitude and intensity drips from every syllable she expels, her delivery managing to be part croon, roar, and threat simultaneously. Hers is a soaring fury matched by the sounds around her, guitars spinning a caustic yet beguiling web whilst rhythms pummel and craft anthemic bait for every one of the song’s hellacious seconds. The track is fascinating, uncompromising textures and unpredictable imagination entangling every twist and turn in the passage and creation of the song, all those flavours earlier mentioned and more aligning to craft nine minutes of feral, bordering on satanic beauty.

An interlude comes next in the shape of 19, though contrary to most similar moments there is no escape into calm and safe waters here, the track an unrelenting harsh sonic wind with fleeting glimpses of another evocatively melodic realm. You can almost touch those elements as they are smothered in sound but always to no avail as the track insidiously escorts ears and emotions towards the following Vermin. Show of Bedlam have already shown themselves adept at using samples, opening up this track with another before binding the passions in addictive hooks, dramatic grooves, and a punk bred infectiousness. It all entices from within a tempest of swarthy stoner-esque sonic psychosis with occult rock like flavouring. The track is outstanding, an emotional and intimidating turmoil to get lustful over casting a maelstrom of styles and ingenuity which just ignites the imagination. The song never lingers on one aspect for long but is equally unafraid to return to those choice essences and involve and twist them into fresher incitements again. At one point the song had a feel of L7 meets Blood Ceremony to it, then in the next it was something else again, and constantly spellbinding.

Next up, Dress for sale slips into darker and colder climes, its darkly shimmering countenance mesmeric as basslines and riffs crawl with menace through ears. It is a track soon ablaze though, acidic guitar enterprise and fierce vocal expression roaring with searing flames of energy whilst carrying just a hint of venomous intent. Once more the band has ears and imagination enthralled; abrasing and seducing both with ingenuity and simple but ingeniously woven creative aggression.

There is poetry to the sound and lyrical premise of all songs upon Roont, an almost corrosively romantic essence which especially floods the epic exploit of Itamu. The track is pure inventive drama, a journey through unforgiving yet intoxicating climates of sonic and emotional exploration. As everywhere, the track’s narrative is as engrossing as the music sound-tracking its story and predominantly because of the diverse and ever shifting delivery of Richards. She can brawl with ears as perfectly as she can seduce them, spark with aggression as potently as she can lure unbridled attention with a croon. With the rest of the band conjuring sounds of the same creative and effective dark majesty, the result is a track and release which borders on perfect.

With a bonus demo version of Vermin adding an extra treat, Roont is something all doom, sludge, heavy metal, and even hardcore fans should not be without. Very special is a description not easily offered in music these days but we tell you now, Show of Bedlam is that with the potential of being much more.

Roont is available now on CD via PRC Music @ http://www.prcmusic.com/store/index.php?route=product/product&product_id=1317 and digitally @ https://showofbedlam.bandcamp.com/

https://www.facebook.com/showofbedlam

RingMaster 07/05/2015

Copyright RingMaster: MyFreeCopyright

Listen to the best independent music and artists on The RingMaster Review Radio Show and The Bone Orchard on Reputation Radio @ http://www.reputationradio.net