Tiny Fighter – Going Home

photo by Marcos Engman (aka Mecno)

From a chance meeting to deliberate collaboration and a moment of pure captivation; that is the emergence of Tiny Fighter and their debut album, Going Home. To be fair it is another bewitching affair with the band with a previous EP already enslaving a great many but definitely the most enthralling adventure with them yet.

Stockholm based, Tiny Fighter grew out of an unintentional meeting between Therese Karlsson (a truck driver from Kalmar, Sweden) and Tim Spelman (a doctor from Melbourne, Australia) in 2017. Soon the pair were creatively united, a link up which bore the acclaimed Tell Me EP two years later, recorded with legendary multi-Grammy, Gold & Platinum Award producer Thomas ‘Plec’ Johansson, and the following Reworks remix EP. Well-received singles and The Loft Sessions (Live in New York) encounter have marked the past couple of years as well as their magnetic live presence which has seen tours across the likes of Ireland, Latvia, Serbia and Scandinavia. Going Home has emerged from over 12 months of recording and sees the band expand their indie pop bred songwriting into a richer and fuller embrace of sound. So often across their first album, it is as haunting a proposal as a hungrily catchy affair, compelling shadows and dark dwelling emotions colluding with the lively imagination and instinctive infectiousness of their creativity.

Going Home opens up with its title track, a shimmer of keys drawing ears into the radiance of Karlsson’s harmonic tones and the growing reflection and beauty of the song. In no time that virulent catchiness in their music is working its temptation but equally that fresh emotive and textural evolvement of their sound is hugging the imagination. Drama soaks every note and syllable, dexterity just as ripe in the enterprise of Karlsson and Spelman.

The striking start only continues through Strangest Thing, a recent single which calls on attention and imagination like a fusion of The Primitives, The Cranberries, and Sheryl Crow. There is eagerness to its persuasion which gets under the skin with increasing tenacity as the song rises from its gentle start to offer an irresistible swing so easy for the body to match.

Similarly Devotion is an insatiable slice of persuasion, its controlled but temptation loaded throes as addictive as the subsequent infection soaked eruptions that break, the track teasing with essences of early Pretenders and Metric across its unique body, while Happier casts a web of indie catchiness and atmospheric drama to just as potently seduce ears and an already greedy appetite for the release. So individual in character, both unite in sublimely captivating the imagination before Perfect Game simply seduced with its piano cast melancholy and vocal intimacy. It is an open heart which mesmerised and haunted beyond its presence.

The intensity of emotion which shapes the track is just as pungent within Rollercoaster, covering its contagion bearing walls and creative theatre of sound while Echo is a warm stroll wrapped in nineties indie catchiness but again a song that shapes the imagination with its emotive breath and dextrous touch. As all tracks, each revel in the vocal prowess of Karlsson and the musical invention of Spelman, the songwriting a reflection of their bold imaginations.

Emotion lines every aspect of the band’s album, Maybe an alignment of emotional sensitivity and rhythmic boldness wrapped in melodic intrigue. It is a track which just increased in potency and temptation by the listen, success similarly shared by the fascinating Stars and its addictive exploits. Again rhythms simply manipulate attention before sharing it with vocals and keys, each tapping into the song and listener’s heart, the track another major highlight of the album.

The album is completed by firstly the poignant almost harrowing Vessels and finally Hold On, a track just as moving within its energetic catchiness. Together they provide a fine end to an album we can only eagerly recommend. As Tiny Fighter grow and evolve their sound so the temptation escalates, Going Home the proof.

Going Home is out now via Bay Terrace Records; available @ https://tinyfighterz.bandcamp.com/album/going-home

https://www.facebook.com/tinyfighterz   https://twitter.com/TinyFighterz

Pete RingMaster 02/06/2020

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Chainflower – The Broken & Lovely

chainflower_RingMaster Review

Earlier this year, we found ourselves treated to one ferocious blaze of compelling psyche twisting rock ‘n’ roll from US duo Chainflower, and now we have another from the same protagonist to sets ears and passions ablaze. The band’s new scorching persuasion is The Broken & Lovely EP, a thrilling successor to their outstanding and acclaimed self-titled debut EP. It is a two track offering just as impacting and gripping in its blend of varied rock flavours but has something extra to out shine its impressive predecessor. It is an indefinable essence that makes The Broken & Lovely EP eclipse a release whose songs we suspect might have been possibly written and also recorded at the same time as the new EP, but something to help Chainflower’s latest offering reach up to another plateau in songwriting and sound, not forgetting temptation.

S02_5x5.125_Sleeve.eps_RingMaster Review     Chainflower is the creation of guitarist and songwriter Kelly Wheeler, a veteran of the L.A. music scene who as well as having played with members of Jane’s Addiction and Tool in his career, uncaged his highly praised and supported bands SexTapes and Ultraject, the first which is now on hiatus, featuring long time Guns N’ Roses member Chris Pitman on lead vocals. Uniting with vocalist Erika Renee, who had ‘applied’ for the newly vacant vocalist spot in Ultraject at the time, the pair emerged as Chainflower and quickly got to work on the local live scene whilst joining producer and engineer Doug Grean (Stone Temple Pilots, Velvet Revolver, Scott Weiland, Sheryl Crow, Cyndi Lauper) to record that first EP.

A few months on and also recorded with Grean, The Broken & Lovely opens up with Lewd Blues which is instantly bewitching ears with its bluesy, almost intoxicated haze of guitar. Things only get spicier and more gripping as the distinctive tones of Renee unveil their lures and the song’s narrative, punchy beats, and a great grizzled bass tempting provided by Eliot Lorango add to the increasingly magnetic and sizzling seduction on offer. The grooves of Wheeler relentlessly wind around the senses and imagination, perpetually teasing the passions even when switching from a delta blues lined coaxing to seventies psych rock imagination, Renee all the time riding his weaves and sways like a surfer with her delivery.

Second song on the EP is Hell’s Roll; a more predatory stroll again coursing a fuzzy maze of guitar prowess covered by darker shadows conducted by the hefty but controlled swings of guest drummer Brandon Pertzborn. Never elevating from its riveting prowl, the track spins dark rock ‘n’ roll and dirty blues textures into its mystique kissed adventure of sound and vision, firmly holding ears and attention as enthralled as the imagination.

Like an endearingly twisted mix of My Baby, Karn8, and at times Morass of Molasses, both tracks just excite and inspire whilst reinforcing Chainflower as one rather thrilling proposition.

The Broken & Lovely EP is out now @ http://chainflower.bandcamp.com/album/the-broken-lovely

https://www.facebook.com/Chainflowermusic

Pete RingMaster 22/10/2015

Copyright RingMaster: MyFreeCopyright

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Chainflower – Self Titled EP

chainflower band

There is a blaze brewing in alternative rock, an incendiary storm even if their self-titled debut EP is anything to go by, and it goes by the name of Chainflower. How intensive their assault on the rock ‘n’ roll scene will be we will see as it seems more a side project tight now than an on-going rampage, but with offerings like the two songs making up their first provocation, we are in for a gloriously uncompromising ride however things pan out.

Chainflower features guitarist and songwriter Kelly Wheeler, a veteran of the L.A. music scene who has played with members of Jane’s Addiction and Tool. He has also lit ears and appetites with his bands SexTapes and Ultraject, the first which featured long time Guns N’ Roses member Chris Pitman on lead vocals now on hiatus. Also bringing the Chainflower roar is vocalist Erika Renee who had previously performed with previous musical partner, A.H.M.A.D. The pair united when Renee sent Wheeler a video clip of her performing at the Whisky a Go Go, the guitarist looking for a singer after Ultraject’s previous frontman left the band. Though he was looking for a male voice, Renee more than impressed and a meeting/audition was set up. The rest is history and Chainflower the outcome.

Chainflower     Swiftly a powerful live protagonist, the band entered the studio with producer and engineer Doug Grean (Stone Temple Pilots, Velvet Revolver, Scott Weiland, Sheryl Crow, Cyndi Lauper) to record the tracks making up the new EP, and the outcome is one ferocious blaze of compelling rock ‘n’ roll which straight away stirs up ears and appetite through its first track, The Fever. A spicy stroking of guitar sets the song in motion, quickly followed by a thick explosive air and the vocal might of Renee. There is an immediate intensity to the sound and weight of the song, as well as a dirty seduction which flows through every riff and enticing bassline. Punchy rhythms make their potent impact across the song too but it is the gripping and powerful tones of Renee which steal the ears and passions. As much as its verses come in a heavy smog of sonic enterprise and energy, the chorus of the song expels a swagger and virulence which easily induces a physical involvement from the listener, its lures like a mix of Spinerette and Stone Temple Pilots with an infectious dash of Eagles of Death Metal. The song is an irresistible proposal, intimidating and invigorating in equal measure and equipped with a healthy dose of antagonistic seducing.

The same description applies to outstanding second track Dissolve In The Sky, though its body has a more welcoming energy until the raw crescendos and expulsions of brawling riffs and bracing intensity. Blues rock flames across the encounter worm under the skin of the song and into the imagination too but not as deeply as the soaring roars of Renee or the addictive enticing of clanging guitar, piercing hooks, and forceful rhythms. Essences of darker rock bands Jess and the Ancient Ones hint away during the track, another appealing additive in the simultaneously caustic and contagiously enticing encounter.

We can only hope that Chainflower is a more active proposal than an interim between other exploits because introductions like their debut release only breed a real hunger for more.

The Chainflower EP is available now @ http://chainflower.bandcamp.com/releases

https://www.facebook.com/Chainflowermusic/

RingMaster 28/04/2015

Copyright RingMaster: MyFreeCopyright

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