With the ever welcome keen insight of Shauna McLarnon of Shameless PR and the outstanding band Ummagma, we offer up another quartet of singles deserving of your explorations.
First up is the new solo track from Harry Stafford of post-punk gothic rockers Inca Babies and a rather potent taste of the Manchester hailing musician’s forthcoming album, Gothic Urban Blues.
Painted Ocean is a song which casts a web of intrigue and intimation within a jazz and blues wired dark rock landscape. It is a dark echo of the world we live in yet equally intimates on a personal level as its morose yet spirit rousing stroll works away on body and rock ‘n’ roll instincts.
Within its drama bold body, Stafford’s narrative is just as magnetic and enticing; word and sound entangling in a shadow nurtured sea of dark imagination and devilish enterprise further lit by jazz flamed brass across soulful blues enterprise.
Something akin to a blend of The Filthy Tongues and Tom waits, Painted Ocean proved quickly and thickly irresistible and an invitation to Gothic Urban Blues impossible to turn down.
In contrast to the darken skies cast by Mr Stafford, Ukraine’s 6th Crowd weaves an electronic enticement in new single, The Day is Over, which boldly 
almost viscerally shimmers with electronic luminescence though this is underlined by its own suggestive shadows.
6th Crowd is the solo project of Kyiv based Dari Maksymova who is better known as the front-woman, synth and bass player of post-punk band On The Wane. Her own musical exploration is bred in the heart of synth pop and rave dance floored electro rock adventure and has already offered up a debut single in Самозванцы which was keenly received, together both tracks a taster of her debut EP, Avoid The Void, expected in late spring.
A purposeful rhythmic lure aligns to a similarly dark and immediately firm electronic murmur as The Day is Over stirs, crystalline sparks lighting its temptation. As Maksymova’s radiant tones join the emerging proposal, further light and enterprise is cast by synths yet still that balance of dark and light offers an intimation and tempestuousness which firmly enthrals attention. With Maksymova sharing the song’s heart in her own national tongue it is left to the music to inform the imagination and that it does with almost teasing effortlessness, The Day is Over a source of infection and enterprise sure to lure a greater wealth of ears to its creator and her forthcoming EP.
With a double EP in Fishbowl/ Terrestrial due March 20th, Alienbaby Collective is another fine proposition offering up some potent teasers in the shape of singles of which Degenerate Moon is an infestation of sound, a noise rock bred trespass of ears and imagination as captivating in its melodic craft as it is in fuzz induced irreverence.
Almost menacingly infectious and with a melodic enterprise verging on the toxic, the track is a moment of raw beauty further escalated by the entrancing tones of Liú Mottes, the former guitarist in Blue Crime and New YX and currently part of SOON, Slow Worries, and OBOL LE. Her solo project, Alienbaby Collective creates a sound which holds no fear in going where the listener may fear yet as proven by the bewitching Degenerate Moon it is the source of haunting pleasure, something also epitomised within double A-sided single Fruit/I Don’t Recall Waking Up released even more recently, an incitement which fascinates as it courts emotive responses to its post punk endowed noise rock nurtured predominantly instrumental haunting.
Together both singles suggest, no insist, that Fishbowl/ Terrestrial is a challenge ears and imaginations should take on.
Lastly we have for your intrigue, the new single from The Mystery Plan. With their fifth album, Zsa Zsa, scheduled for an April release through Ten 
Millimeter Omega Recordings, the US outfit drop the enticing offering of Ballad of JC Quinn as a lead and warm up for intrigue and attention on March 6th.
The song is a vibrant and infectious slice of the band’s dream pop meets melodic alternative rock adventure. With lively “folk nova” rhythms adding to the swinging instinctive funk stroll of the song, it needed little time to reveal a richness of ingredients and flavours as equally swift captivation.
Having already ignited the senses and appetite with previous uniquely sounding and equally contagious single, the Massive Attack-esque Al Gore Rhythms, the North Carolina hailing quintet repeat the captivating deed again with Ballad of JC Quinn; The Mystery Plan laying down grounds for a definite exploration of the sure to be unique charms of Zsa Zsa.
Painted Ocean from Harry Stafford is digitally available now with Gothic Urban Blues released March 27th, both via Black Lagoon Records with album pre-ordering available now @ https://harrystafford.bandcamp.com/album/gothic-urban-blues
https://www.facebook.com/harrystaffordUK/ https://twitter.com/harrystaf62
The Day is Over from 6th Crowd is available now @ https://6thcrowd.bandcamp.com/track/the-day-is-over
https://www.facebook.com/6thcrowd
Alienbaby Collective’s Degenerate Moon and Fruit/I Don’t Recall Waking Up are out now through Humm Recordings with pre-ordering for Fishbowl/ Terrestrial available @ https://hummrecordings.bandcamp.com/album/alienbaby-collective-fishbowl-terrestrial-lp-humm10
https://www.facebook.com/alienbabycollective/
The Mystery Plan drop Ballad of JC Quinn on March 6th via Ten Millimeter Omega Recordings with Zsa Zsa due for release April 3rd.
https://www.facebook.com/themysteryplannc/ https://twitter.com/mystery_plan,
Pete RingMaster 05/03/2020
Copyright RingMasterReview: MyFreeCopyright
The first sees British electronic duo Broads come together with fellow Norfolk based artist and songstress Milly Hirst. Theirs has been an on-going collaboration over the years and sees a new album, Ollust, unveiled in March. Ahead of its release they have just revealed Happisburgh (Single Edit), an atmospheric and provocative ambient crafted instrumental which as it hugged ears swiftly had the imagination composing its own interpretations.
offering from Norwegian psych post-punk outfit Mayflower Madame and it too comes from a larger proposition due for release in March, the band’s new album titled Prepared For A Nightmare.
This March also sees the release of Kingdom of Sleep, the new album from American singer-songwriter, guitarist, multi-instrumentalist and producer Jonny Polonsky. New single The Weeping Souls is the first teaser for the release, a song which it has to be said swept us up in its infectious embrace and proceeded to share a certain light on the day.
for something larger to come, and a rather flavoursome appetiser it is too.
NYC-based, The 1865 has already left an ear gripping mark on 2019 with the release of their debut album, Don’t Tread On We!, and are ensuring it is leaving with a just as potent slice of their inimitable sound through new single, John Brown’s Gat.
Consequence is an atmospherically caliginous hug of sound and intimation providing an enthralling teaser to the band’s first album due early next year.
Another artist with a new album due early 2020 is Atlanta songstress K Michelle DuBois and she presents a magnetic appetiser in the shape of new single Feast or Famine. She admits she is not sure yet if the latest track will be part of the album’s collection of offerings yet such its inescapable captivation and another example of its creator’s instinct for exploring new and eclectic adventures, the song only provides a thick lure for its larger successor.
distinct and soulful sound and infectiously takes ears and imagination on atmospheric adventures.
Firstly as their debut album looms ever near, Los Angeles hailing psych rockers Tombstones in Their Eyes have released a rich temptation for it in the shape of new two track single Open Skies.
for that keen intrigue.
Another artist with an album poised to be unveiled is Sebastian Straw, an Italian based musician/songwriter creating a sound with a certain nineties Brit pop edge to its alternative rock breeding. My Friend is the latest single taken from Welcome Yesterday, a track which provides an infectious lure to artist and album.
Willson-Piper (The Church, All About Eve, The Saints, Anekdoten) and producer Dare Mason. The pair was one of many who severely suffered through the bankruptcy of PledgeMusic with an estimated $15,000 through pledges owed to them. They still honoured all those pledges for the album, The Afterlife released earlier this year, out of their own pocket. Now the band, in order to recoup those funds, are releasing The Afterdeath EP through a GoFundMe campaign, a four track digital encounter with two new tracks and two covers exclusive to pledgers.