Impulsive Compulsions – SAMPLER 4

Another compelling issue of the In The Club Magazine from Perfect Pop Co-Op and another treat in word and sound had us basking in some of the very best independent goodness. The autumn 2019 edition of the online magazine from the label, issue 41 to be exact, comes with the fourth edition of their free sampler Impulsive Compulsions featuring artists and sounds from within the embrace of the Perfect Pop Co-Op family. It is fair to say that its three predecessors left us and an increasingly great many basking in a rich array of sounds and flavours but No 4 might be the most eclectic and irresistible mix yet meaning to ignore it would be an act of great stupidity.

Formed in 2011 by members of The Tuesday Club; Dave Worm, The Beautiful Wolf and Andreas Vanderbraindrain for the sole purpose of releasing their own music, Perfect Pop Co-Op has grown and stretched its reach to, as mentioned earlier, bring a great many other artists into the family; they regularly featured on The Andreas and The Wolf Radio Show, the in house monthly podcast, and teasing the imagination within the Impulsive Compulsions samplers.

The latest begins with Andreas and the Wolf and their track All I want is you. Its relatively calm entrance belies its pop punk instincts yet it is the melodic enterprise and drama from guitar and keys which enlists the imagination most firmly. The track is a ridiculously catchy affair, an aural romancing of ears and for us the most captivating offering from the band yet as the Sampler gets off to a potent start which continues with the mystic rock magnetism of Nashville hailing duo Hello Dearies. Like a shadow bound nursery rhyme All The Pretty Boys and Girls simply beguiled, its Wicker Man-esque spiced chant a tenebrific celebration and just delicious upon our musical palate.

Nine Day Decline is a newcomer to these ears but swiftly through their contribution to the sampler had us rushing to their social media profiles to learn more. With the likes of Altered States, Dead Heaven, Complicity, Christian Death, Counting the Mad, F.O.C., Section 3 and more in their histories, the British trio cast a goth clad post punk tempest as atmospheric as it is emotive. Decisions is a haunting slice of sonic dissonance, its raw melodic drone and impassioned breath akin to a mix of Play Dead, Sisters Of Mercy, and London After Midnight but openly unique to the London based outfit.

Inadequacy (day 197) is the track from sampler regular Reverse Family, an electro spattered piece of DIY enticement from the solo project of Dermot Illogical and a piece of soul searching reflection with its own sneaky swing while Dislocated Flowers immediately after wraps its psychedelic seduction around ears and imagination with Orange Roses and Yellow Tulips. Both tracks quickly and easily got under the skin being rapidly joined by The Scratch through their punk nurtured power pop rocker No two castles are the same. Taken from their excellent last album, Great Adventure, the song infested and resonated beyond its stay; always a sign of something rather tasty.

Equally flavoursome and a spark to greed is 50ft Woman and Psychic Hygiene. From its initial sonic squeal a devious swing erupts, the just as guileful tones of Minki riding its infectious pop punk ‘n’ roll sway. The track is another which leaves on-going tendrils of flirtation igniting continual companionship before She Made Me Do It ensured they get their chunk of the passions through their track, Fun and Games. The union of Shaheena Dax (Rachel Stamp) and Will Crewdson (Rachel Stamp, Adam Ant, Scant Regard) is one of our favourite propositions to erupt from speakers and their latest song is pure alt-pop manna, a virulent contagion defeating any ill wished cure.

One of the biggest traits of these samplers is that we have yet to come across anything which merely satisfied, no fillers ever on offer and the fourth is no different as it continues with GLUE from The Dodo, a keenly catchy post punk/punk rock stroll with a definite Swell Maps tinge and heart to it, and straight after Night of the Wild Mind courtesy of Suicide Tapes. A quartet from Ware in the UK, the band similarly has post punk instincts to a goth rock heart and upon a contagion of rhythms weave a magnet of a track which had us hungry for more. Originally formed in 1983, the band reformed a short while back and are raising a stir, no surprise with tracks like this Flesh For Lulu scented incitement.

The Tuesday Club and Venus Overload bring this particular treat to a close. The first gives us a live slice of fan favourite Lady Gargar, a track revelling in all the mischief, imagination, and uniqueness which fuels the band and its rare fusion of punk, indie and the creative devilment which shapes the best rock ‘n’ roll. The latter of the two provides Afghanistan Bananastand, a ravening dance of garage and psych rock intimation which had hips and feet as keenly engaged as ears and imagination.

That is Impulsive Compulsions 4, a release which had us basking in great sounds, fresh adventures, and new explorations of artists which like those before them deserve proper attention. The fun involved was just icing on the cake.

Check out the latest and past editions of In The Club Magazine @ https://perfectpopco-op.co.uk/magazine/  and further releases from within Perfect Pop Co-Op @ https://theperfectpopco-op.bandcamp.com/

Pete RingMaster 31/10/2019

Copyright RingMaster: MyFreeCopyright

Impulsive Compulsions PPCO SAMPLER02

This month sees the next issue of the ever irresistible In The Club Magazine, the online celebration of all things DIY by Herts based Indie label Perfect Pop Co Op. This copy also includes the second volume of Impulsive Compulsions, a free album presenting more sounds and members of the Perfect Pop Co Op family in their enterprising glory.

As its predecessor, the album is a tantalising and intriguing not forgetting rousing proposition and reminder that the real heart and organic pleasures within music still breed and reside in the DIY fuelled underground. In no particular order allow us to tease you with what is on offer within another real treat from Perfect Pop Co Op, well a second treat as the magazine itself is a rather fine and fun thing too.

Earlier this year, ears and imagination were over excited by the new EP from She Made Me Do It. The band is the duo of Shaheena Dax (Rachel Stamp) and Will Crewdson (Rachel Stamp, Adam Ant, Scant Regard and many more) and the Drenched EP four tracks of their uniquely seductive and multi-flavoured ever blossoming sound. Impulsive Compulsions 02 features one of the EP’s tracks in Broken Morning; a song from its first strum of tantalising guitar which had ears attentive and then swiftly enslaved as it opened its magnetic arms to a richer sound and the mesmeric tones of Dax. Instinctive catchiness and creative eagerness roam the song, sharing a contagious indie rock swing around one compellingly persuasive chorus. Irresistible moments with She Made Me Do It are certainly not a rare thing but few times have been as delicious as this.

 Alongside and around it, the goodness is just as potent as epitomised by tracks like I’ve Had Enough and Superslider from Tagas and Venus Overload respectively. The first is a lively simmer of electro pop rock, a bubbling slice of melodic radiance echoed in similarly warm vocals, a track which just nags at the senses with its teasing harmonics. Tagas is a solo project, an intimate exploration and reflection of its creator and the track here an embrace of melancholy and warmth with a great early Depeche Mode hue to its temptation. The second of the two is a band which released a self-titled album back in 2012 from which their contribution to the sampler comes. Their sound is a collusion of experimental and noise rock, a challenging and rewarding mix which had us mesmerised. It is raw, abrasive and persistently compelling with a great whiff of Buñuel to it.

No compilation from PPCO would be complete without a track from Reverse Family, and Sampler 02 offers up Friction from the solo project of Dermot Illogical. Melancholy also soaks the heart of this song, it a riveting piece of the individual post punk meets noise pop which escapes the imagination of its creator. The track haunts ears and imagination from start to finish but with an infectious momentum which infests hips and spirit.

Another electronically bred enticement is offered by The Scratch, the Logical PV Remix itself almost itch like in its temptation; repeat listens the only relief to its electro/indie pop antics while Andreas And The Wolf course the instincts to rock with their own wonk punk sound. Public Domain is a sizzling lure of unapologetically untamed rock ‘n’ roll but crafted with a mischief and imagination which hones it into one devilish tempting.

Even more feral in its own way is Valerie Leon (Queen of Neon) from The Bleeed, a band arising from the offshoot creativity of members of The Tuesday Club a couple years back and a song which is punk rock in its honest purity but unafraid to embrace other bold essences including a Swell Maps-esque irreverence.

Talking of The Tuesday Club, they stamp their inimitable presence on proceedings with an extended mix of their song Beat Oven. First appearing on the Boo Hoo EP, the now fully grown track is a boisterously swinging slip of the band’s eclectic rock ‘n’ roll, a sound which dips into the spices of a host of decades to create its own unique virulent recipe.

The D.O.D.O tell us it is Just a Game to stand just as tall as its sampler comrades, the song one also unafraid to lean on flavours past and present to create its provocative incitement and ear grabbing catchiness; an infectiousness just as ripe within the electronic resounding of Interesting Times from Dislocated Flowers. A dark, haunting verging on apocalyptic throb behind an evocative sample, the track simply resonates from first to last breath.

Completing the line-up of pleasure on the album is Jordan Thomas (though tagged as In The Evening on the promo sent over to us) from Jordan Thomas maybe better known as J-Rod to fans as a former member of The Tuesday Club. This too is an infective piece of sound, Thomas easily getting under the skin with his melodic amble of enterprise and craft.

And that is Impulsive Compulsions PPCO SAMPLER02, another very tasty and highly pleasurable parade of bands and projects past and present so go check out the new In The Club Magazine now @ https://perfectpopco-op.co.uk/magazine/ after all that is a damn fine read too.

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Pete RingMaster 05/04/2019

Copyright RingMaster: MyFreeCopyright

She Made Me Do It – Drenched

pic by @dcmusicvideos

There is nothing better than an encounter which immediately enthrals attention and appetite but is only scratching at the depths of temptation and adventure within. The Drenched EP from She Made Me Do It is one such offering; a release which instantly had ears pricked and the body bouncing but was just revealing the seeds to blossoming levels of imagination and seduction.

The four track release is another in a long line of rich enticement from the duo of Shaheena Dax (Rachel Stamp) and Will Crewdson (Rachel Stamp, Adam Ant, Scant Regard, The Selecter, Bow Wow Wow, Flesh For Lulu) and one of the pairs’ most deviously tempting offerings. From start to finish it is a magnetic almost teasing fusion of dark shadows and elegant radiance bound in an equally rich mix of punk, new wave, post punk and alternative rock adventure. The successor to their 2017 album, The Frantic Legion, the compelling exploits of Drenched sees the band’s sound even more defined yet bolder in its adventure and tapestry of flavours. Through the captivation and intimation of Dax’s golden yet often almost portentously lined vocals and the descriptive yet rousingly tenacious antics of Crewdson’s guitar to the suggestive caresses and intriguing shimmers of their keys, She Made Me Do It create a captivating web to immerse in and dance with.

Produced by Crewdson and with Joe Holweger providing drums, Drenched opens up with the swiftly irresistible Bones. Straightaway post punk tendrils escape Crewdson’s guitar, their clinging hues something akin to the claws cast in the past by the likes of Leitmotiv and Sex Gang Children. Escalating these lures by the second, the track builds into a lumbering but lively stroll where Dax soon springs her own potent temptation as bass and drums steer the dark throes of the song’s canter; the punk hues of guitar only adding to its anthemic and equally predacious swing. Inescapably infectious but with that great edge of danger and intimidation, the song, as indeed the EP, needed a mere play to get under the skin and only burrowing, deeper and deeper thereon in.

The following Broken Morning is a just as skilful manipulator of ears and appetite even as it instantly reveals a much warmer and calmer nature. That is no chain to an instinctive catchiness and creative eagerness though, the song devilishly impossible to resist joining in with especially when faced with one contagion laded chorus and again a swinging energy which enlivens the body and spirit of song and listener alike. There is something, if right now indefinably, familiar to the track but a hue which only adds to its compelling design and persuasion.

Ashes is next up, electronic pulses gently but firmly resonating before the dirtier breath of the bass joins up quickly followed by the similarly beckoning strains of guitar and voice. A song which relishes its electro pop instincts as fully as its rock ‘n’ roll heart, it offers a tapestry of flavours and creative twists, all as unpredictable as the track is unsurprising in its voracious zeal and stirring enterprise.

The release ends with the melodically celestial beauty of Time, a song of intimate and spatial elegance over an earthbound spine that just as easily ignites the imagination as the siren-esque flight above.  It is a hauntingly mesmeric conclusion to a release which as we said just grows more impressive and tantalisingly by the listen. It is a heavier, more guitar driven rocker than predecessors but equally richer in its melodic and broad weave of flavours and adventure; a must in anyone’s book.

The Drenched EP is out February 1st on Catranstic Records with pre-ordering available @ https://shemademedoit.bandcamp.com/album/drenched-e-p and https://shemmdi.com/store

 

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Pete RingMaster 30/01/2019

Copyright RingMaster: MyFreeCopyright