Burning Flesh – New Chaos Order

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Unleashing an irresistible nagging persistence through every track within its voracious body, New Chaos Order from extreme metallers Burning Flesh is a thoroughly captivating and exhaustingly invigorating beast. It is may be not the most original encounter but that is offset by the sheer weight and creative fire within the ravenous provocation, ensuring that its presence is a long-term and frequently explored incitement.

Consisting of members from both France and Switzerland, Burning Flesh took its first breath in 2005. The honing of their sound, with inspirations coming from the likes of Napalm Death, Behemoth, Severe Torture, and Blood Red Throne, and live performances followed before the band got down to making debut album Unconscious deformity in 2009. Recorded with Bruno Burel, the well-received album was uncaged in early 2010. Personnel changes ensued before by the latter part of 2011 the line-up of founders Lionel Fontana (vocals) and Anthony Martin (guitar) with Diego Graham (guitars), Guilluame Lagger (bass), and Paul Sordet (drums) was in place. New Chaos Order is the band’s full assault on world metal and it is very easy to expect Burning Flesh becoming under a rich spotlight if not quite with this certainly through future exploits.

The release rages against ears first with Rage, its opening sample soon quashed by the vehemence of riffs and brutality of rhythms which BF coverfollow. With raw uncompromising vocals unleashing the equally hostile narrative, the track is a destructive pleasure. A delicious spiteful grooving adds spice to the irrepressible temptation on offer whilst guitars and rhythms spare no degree of mercy in their malicious hostility. The tremendous ravaging is swiftly emulated by Corruption Of All Kings, another furnace of thrilling unrelenting provocation which violates and seduces simultaneously for welcomed wounds and raw senses. Switches of pace and intensity grinds intensively away just as devastatingly as the flailing riffs and rhythms across the demanding track continuing the impressive surge of the album.

Both Lies and Beginning’s End rip at the jugular with a torrential predation of carnivorous riffs and cruel rhythms next, the first arguably reining in its aggressive intensity for a more riveting web of melodic and sonic intrigue. To be fair as it is tearing the senses into strips it is a negligible difference but one which adds a new and needed flavour and design to the album. Across the album there is at times a close certainly surface familiarity to tracks and their attacking structures, and with a thick skin to the spite it very often needs a deep push into the heart of songs to split their animosity apart. The second of the two also brings an individual hook of rapacious intent to its corrosive quarrel but lacks the spark of its predecessors in many ways to stand as similarly virulent.

The insidiously hornet like lure of the title track comes next, its niggling groove a sweet sore you just have to push further for its antagonistic nectar. Once more rhythms and the intensity of the track are barbarous and with everything combined the proposition is a murderously compelling storm of whiplashing inducing endeavour and emotion savaging enmity.

New Chaos Order continues to do nothing but impress as the contagious rancor of Death Place and the predatory stalking of Total Hate next torments psyche and imagination, the first especially riveting and both leaving passions and hunger further aflame. The same can be said of the totally hypnotic Here And Beyond, which from an ok start evolves into a ferocious creative and rabid enticement, and the similarly malicious feud that is Injection. Admittedly the last of those songs is another where it fails to ignite the same ardour as others but casts a net of imagination and technically skilled incitement that you cannot avoid being impressed by.

Scums and In Hell We Trust unleash their creative savagery as the album comes towards its end with fine and hateful effect whilst bonus track Retch provides one final malignant pestilence for ears and emotions to be bruised intensively by. It concludes an impressive and thoroughly enjoyable release. Yes it is not breaking new boundaries and suffers that occasional lack of surface definition but it more than makes up for it with contagious enterprise and irritable persistence.

New Chaos Order is available via Great Dane Records now!

http://www.burning-flesh.com/

9/10

RingMaster 06/06/2014

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Mass Infection – For I Am Genocide

Mass Infection - For I Am Genocide band photo

A smothering which denies a breath to be stolen and light to pierce its intensive tsunami of voracious intent, For I Am Genocide from Greek death metallers Mass Infection is an immediate treat which just gets better and stronger the more time given to its infestation of ears and imagination. On first encounter the immediately impressive and compelling release is a brutal persuasion which does not leap out as something particularly unique in the grand scheme of extreme metal but as with all releases a concentrated focus needs to be given to which in this case the rewards are rich and full. That is not to say that For I Am Genocide stands alone in the torrent of equally rapacious bands and releases but it definitely has an individualism to its character and striking creativity which is contagiously refreshing.

Released via Comatose Music, Mass Infection’s third album pushes the Livadia quartet into a richer and more intensive spotlight to that already earned by their previous releases. Formed in 2003 the band has been a constant attraction for their technically resourceful and barbarous sound, taking influences from band such as Deeds of Flesh, Hate Eternal, and Severe Torture into their own exploration. Their sound is a brutal engagement and as their previous albums alone have shown the band is able to strip senses and emotions bare with barbaric efficiency. Both Atonement for Iniquity and The Age of Recreation left a formidable mark for the band in presence and sound which made anticipation towards For I Am Genocide more than eager, and it is with this impressive release where it is easy to feel the band’s time to step into the higher echelons of metal is nigh.

There is no initial coaxing or gentle persuasion from the album, opening track Praised By All the Entities charging the ramparts of the Mass Infection - For I Am Genocide 5x5 300dpisenses with flailing riffs and ravenous rhythms heading the onslaught. Their voracious appetite is an immediate unveiling but shaped by a precision and intent which puts accuracy before barbarity. The equally antagonistic guttural vocal squalls rigorously enhance the venomous suasion, their scowling touch strong if not dramatically gripping but adding another coarse texture to join the violating sonic prowess and intrusiveness of the band. It is a masterful magnetic start to the album setting appetite and imagination alight with hunger.

The pestilential rapaciousness of The Scourge of Living Forms is next to aggressively embrace the ears, the track a maelstrom of craft and malevolence which is as exhaustive as it is primordially infectious. The mouthwatering grooves as in most songs do the true enslaving so the vicious rhythmic enterprise and vocals causticity can cast their insidious web. It results in a threat and corruption which buckles knees and destroys emotions but leaves full satisfaction and committed temptation in its wake, an evocation covering the whole of the album as shown by the similarly corrosive Hierarchy of the Highest Abomination. The song is a plague of insatiable riffery and rhythmic disorientation speared by acidic strikes of sonic lures which entwines toxic bait around the ears. Again it is a captivating abuse though the track does reveal the issues, though minor, which prevent the album being thought of as a classic. Not for the last time there is a repetitious element across songs, here incestuously bred grooves from its predecessor making admittedly appealing but openly obvious calls. Such their potency and of other examples like it, this does not deflect from the might of the album but does help that inability to stand aside from the crowd, as does the surface similarity of violence which enslaves the senses making that intensive investigation essential to discover the deep rooted ingenuity.

     Beholding the Throne suffocates the body next, its darker throat of sound and breath a predatory consumption matched by bile driven heavy vocals whilst its successor Unearthly Legion continues the hellacious blight of merciless rhythmic cruelty and horde like attack of riffs and grooves. It also infuses a veining of sonic pathogenic like tempting which ignites further fierce flames in the passions. Both tracks leave body sapped and imagination, not to forget appetite greedy, a lustful want easily sufficed by firstly the asphyxiating malicious web of intensity sculpted by Maelstrom of Endless Suffering and then the hateful depths of Beyond Perpetuation, a track which ensnares, tenderises, and devours the senses before taking them on a hellacious descent into the darkest pit of the album within a soundtrack of crippling rhythmic skill and sonic malefaction.

Nihilism Reigns is a glorious sonic scourge of melodic intent envenomed by addictive toxic seduction which leads the listener blissfully into the closing transgression of the body by The Genocide Revealed, a last drowning within carnivorous intensity and grooved spitefulness sculpted by the band’s expert individual skills honed into one irresistibly hostile trespass. It is a superb end to an even more immense release. Mass Infection with For I Am Genocide has not set new benchmarks for death metal but without doubt provided one of the highlights of extreme and creative enmity for the year so far.

http://www.facebook.com/pages/Mass-Infection/129646357120635

8.5/10

RingMaster 02/04/2014

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Foetal Juice – Big Trouble In Little Vagina

Foetal juice band pic

Savage and ridiculously addictive, Big Trouble In Little Vagina the new EP from UK death metallers Foetal Juice is instant evidence of a brewing vibrant storm within British extreme metal, making the suggestion that it is coming up to a glorious period. The five track release is a full on predator, a fury of insidiously contagious mayhem with an old school heart and breath driven by a modern technical and ravenous craft which rivals and pales releases trying to sculpt wholly new ventures for the genre.

Formed in 2005, the Manchester quartet has already earned and built a strong stature through their previous releases and live performances which has found the band sharing stages with the likes of Kastrated, Ghoul, Cannabis Corpse, Neuroma, Wormrot, Exhumed, Severe Torture, Anaal Nathrakh, Desecration, Prostitute Disfigurement, The Rotted, Slit, Life Denied, Cerebal Bore and many more. Their self-titled EP of 2010 brought firmer attention upon the band but it was the split release A split worse than death via Grindscene Records which really awoke major recognition for the band and their contribution to the release alongside the bands Nailed, Basement Torture Killings, Zombified, and Decimation. Its success and their striking efforts led to the label immediately signing the band up for the creation and release of Big Trouble in Little Vagina, a wise move you realise as its impressive powerful presence consumes the body.

The title track smears the senses in sonic vehemence to start things off, it’s opening breath of barbarous rhythms from drummer Rob 62657062519Harris and the air scorching riffing and sculpting from guitarist Ryan an instant fuse to total attention and the stalking stride and heart of the song. Vocalist Sam Read growls and squalls with guttural irreverence, ensuring lyrical narratives are unavoidable if often unintelligible. It works perfectly and makes a bestial provocateur to the groove licking fire of the sound. With a danger of whiplash to its recipients, though its generally even predatory pace ensures recklessness is absent for the main, and torrential venom to its corrosive invention, the track is a tremendously addictive start to the EP, one soon backed up by its successor.

Brewkakke, a re-recording of their 2012 single, also takes no time to contemplate its actions, riffs striking with ravenous intent from the off and the rhythms whipping splinters of cartilage from the ear with their muscular animosity. Even more primal than its predecessor the track leaves full appreciation the only option before its truculent jaws, the bass of Ben Read even with its less expected reserved sound and savagery a stirring instigator whilst the guitars again make a compelling toxicity which seeps through every pore of senses and imagination to seal the deal. The track is not quite as breath-taking as the first but with greater intensity and cruel dark hearted persuasion it is its equal.

    Semen Evil Smear No Evil is also a re-recorded track, this time taken from their debut EP. Accomplished and ruthlessly efficient in securing the already greedy appetite, the track is a blaze of vitriolic vocals and a mutually venomous guitar ravishing of the senses. There is something missing to place it at the levels of the previous tracks and those to follow, but the song is nevertheless a rampant creative violator which gives satisfaction another healthy dose of pleasure.

The final two tracks Serpents Of The Northern Lights and Service Station Masturbation, do take a grip of greater plateaus, the first through its sheer quarrelsome presence and corrosively absorbing destructive carnality. For most of its annihilatory flight the track storms with plenty to keep expectations employed though it is brought with a craft and violent flair which makes them escape banality. It is the constant twists and flares of adventure which can often slip by such their lack of intrusive intent that bring the assault to greater life and intrigue though for a thrilling result. The closing track takes the top honours on the release, its magnetising grooves and again the excellent mixed vocal scowls a template for lustful thoughts whilst the crippling bombard of outstanding rhythms and the exhaustive invention within the ingenuity of the guitar molestation is a seduction with the guile and rabidity of a pack of wolves.

Foetal Juice on the evidence of the excellent Big Trouble In Little Vagina has all the skills and invention to help take UK extreme metal to the world. It maybe looks away from originality with a sound which reminds of bands such as Gorerotted, Cerebral Bore, and Deicide, but for technical craft and passionate energy not forgetting explosive enterprise, the EP is a majorly promising and thrilling proposition.

www.facebook/foetaljuice

8.5/10

RingMaster 10/10/2013

 

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Evil Entourage: The Opposition

Insidious, the title of the first track on the new EP from Mexican death metalers Evil Entourage sums up the release perfectly. The Opposition is a release which beckons, entraps, and then unleashes its venomous heart deeply within the senses. It is violent and nasty but speared with precise grooves and intrusive energies which only leave one desperate to be violated over again.

Formed in 2004 in Tampico, the quartet has apparently become a major force in the underground metal scene in their continent and listening to The Opposition our first introduction to the band, it is no real surprise their stature there and one which should be emulated further afield ahead. From their debut demo in 2005 Devoured by Holocaust, the band has earned and built a strong eager fan base. Their first album Dominion of 2007 found a good response at home and around the world with the following years finding the band opening for the likes of Vital Remains, Nile, Decapitated, and Severe Torture, as well as sharing stages with established Mexican bands. 2010 saw second album Desecrators, a more brutal release than its predecessors, garner further strong acclaim from fans around the globe, as did their first videos.

Released through Chaos Records, The Opposition is set to spark an even greater reaction and recognition with its uncompromising compulsive sounds. Evil Entourage goes for the jugular immediately with the aforementioned Insidious. The track is an instant barrage of crushing rhythms and rampant riffs cursed with the excellent bestial growls of the vocals. They feast on the senses whilst the emerging infectious groove ignites up the air within the rabid intensity. From a raging charge the song at points drops into a prowling stance before revolving between the two, the tempest of malevolence never diminishing or less than impressive.

The following Swathe To Blind is an abrasive heavyweight corruption of blistered and guttural vocals, flesh flailing riffs, and barbarous rhythms. Like the opener it has a merciless energy to its staggering onslaught yet is mesmeric from its grooved insatiable appetite. Arguably the old school core and thrashing intensity offered here and throughout is nothing distinctly new but it is certainly one of the most contagious and gratifying genre releases this year.  By the second song you know the recognisable intent of the band and sound but also that it is being brought on an unstoppable surge of irresistible and greed evoked might.

The excellent From Inside I Burn and the ravenous and spiteful True Rejected enflame and squeeze the ear into misshapen satisfaction with their twisted melodic scorching and annihilatory riffing spiked by vicious rhythms to open the wounds even wider. With muscles bruising the senses alone the songs, and EP overall, are destructive animals from which only pleasure is derived. Musically the band is accomplished without being overloaded with flair but they know how to deliver sounds and grooves which leave only submission in their wake.

Featuring special guest appearances from Fabiano Pena (The Ordher) and Tommy Dahlstrom (Aeon), The Opposition is excellent, a release which has no need to find new weaponry to deliver death metal at its absorbing and addictive best. Evil Entourage is set to step from a whisper to a loud shout on lips around the world, with this release their first words.

https://www.facebook.com/evilentourage

RingMaster 16/09/2012

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Dew-Scented – Icarus

In the 20-year anniversary of its formation, German thrash metal band Dew-Scented return with a new line-up and their ninth studio album Icarus. One of the established European heavyweights of the genre, the new release shows the band has lost none of its hunger or ability to create thunderous and impressive sounds.  The album does not see the band smashing through walls of originality but still easily and satisfyingly defends their position as one of the most accomplished and influential thrash bands this side of the big pond.

Following on from previous album Invocation of 2010, Dew-Scented continued their renowned work ethic with numerous European tours alongside the likes of Nile, Melechesh, Heaven Shall Burn, As I Lay Dying and Suicide Silence, Bolt Thrower and Rotting Christ, as well as their own headlining shows again all over Europe and appearances at festivals such as Hellfest, Wacken, Neurotic Deathfest, and Brutal Assault to name just a few of many. This period also saw the entire back-catalog of the band reissued as limited-edition Digipaks by Metal Mind Productions leading to further intense focus and intensive work for the band. This proved too much for some members and late 2011 saw a drastic line-up change in the band. Remaining founder vocalist Leif Jensen teamed up once again with guitarist Marvin Vriesde (Severe Torture, Blo.Torch) who had previously stepped in as a replacement live guitarist for tours in 1996, 2002 and 2005, as well as featuring as a guest on the Issue VI album. Vriesde was given the landscape to assume full songwriting duties and assemble the rest of the band which was brought with the addition of drummer Koen Herfst, bassist Joost van der Graaf (ex- Creepmime and Sinister), and after the album was recorded second guitarist Rory Hansen ( ex- Blo.Torch), all three also performing together in I Chaos. This immediate and already established tight understanding is easily apparent on Icarus, the band a thrusting and tumultuous force with a power and control only able to be brought by a unit fully integrated and as one.

From the opening full track Sworn To Obey the album makes blood vessels bulge and the pulse rate fly. It is a thumping mix of raucous vocals, destructive rhythms and riffs which whip the air and ear like leather straps, their effect continual immense slaps on the senses. The song is a persistent and forceful slab of metal with the growls of Jensen filled with vehemence as deep as ever whilst the guitar of Vriesde lights up the senses with some fine acute melodic play within the driving ear rupturing riffs of he and van der Graaf.

From that excellent start the following Thrown To The Lions with its busy grinding riffs and the outstanding Storm Within raise the game even higher. The first of the pair finds grooves and melodic enterprise to explode the already incendiary intensity the track brings whilst the second with its insistent niggle of an opening flexes heavyweight muscles to deliver a stomp of belligerent riffs and punchy rhythms. It too has a groove to lick ones lips at whilst its bruising energy leaves nothing but full satisfaction.

Only halfway in and the album is a winner but following songs like Gleaming Like Silver, the stunning Reawakening with its slowly tenderising assault, and the chugging feast which is A Final Procession let alone arguably the best song on the album The Fall Of Man, only enforce and enhance what went before for the greatest enjoyment.

To be picky at times there is a similarity across some of the songs and ideas but as it is so good anyway it is easily forgivable and not really an issue. Produced by Jörg Uken at Soundlodge Studios (God Dethroned, Suicidal Angels, Sinister) and featuring guest appearances from Dan Swanö (Edge Of Sanity, Bloodbath) on Reawakening and Sacrifice vocalist Rob Urbinati on Gleaming Like Silver, as well as guitarist Dennis Schneider (Retaliation, Final Breath), Icarus is an excellent return which even with the disruption the band went though shows Dew-Scented still head the fore of European thrash with skill and determination.

RingMaster 30/07/2012

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